Professional Documents
Culture Documents
Phono/oqy
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S Lhe descrlLlon of Lhe sysLems und uLLerns
of seech sounds ln u lunguuge or
S Lhe sLudy of Lhe wuys ln whlch seech sounds
form sysLems und uLLerns
Wleo yoo leato a laoqoaqe, yoo leato wl|cl
soooJs occot |o yoot laoqoaqe aoJ low tley
patteto.
S Consonant C|usters
4 8oLh onset und codo cun conslsL of more Lhun one
consonunL culled consonont c/uster.
Lxumles
sto breuk ost cost f|uL
twln b|uck trlck throw
S CC onset comblnuLlons ure ermlLLed ln Lngllsh
honoLucLlcs
S iquids j|j, jrj and a g|ide jwj are used in second position
S Eng|ish can have |arger onset c|usters (CCC):
stress j screen j strong j springj scream j square
(jsj+jpj,jtj,jkj+ j|j, jrj,jwj)
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S Coorticu/otion Lhe rocess of muklng one sound
ulmosL uL Lhe sume Llme us Lhe nexL sound
S MosLly, our seech or Lulk ls fusL und sonLuneous,
so lL requlres our urLlculuLors Lo move from one
sound Lo Lhe nexL wlLhouL sLolng
S wo we||-known coarticu|ation effects:
assimi|ation
z e|ision
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. Assimi/otion ~ when Lwo sound segmenLs
occur ln sequence und some usecLs of one
segmenL ls Luken or coled by Lhe oLher
S his process happens during the physica|
production of speech
have hv] and nd]
have to go you and me
hft] [ju:nmi]
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z. L/ision - Lhe rocess of leuvlng ouL u sound
segmenL ln Lhe ronuncluLlon of u word
you und me [ju:nmi], Lhe sound d ls noL
lncluded ln Lhe LranscrlpLlon
a precedlng nasal n and a followlng nasal m
we slmply do noL devoLe speech energy Lo
lncludlng Lhe sLop sound d
4 L ls noL lazlness buL lL ls efflclency
lrlendshlp fren|p
aspect spekt] aspects speks]
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S Norma| speech
4 Assimi/otion ond e/ision occur ln everyone's normul
seech und should noL be regurded us some Lye of
slolness (curelessness) or luzlness ln seuklng
4 Avoldlng Lhe regulur uLLerns of usslmlluLlon und
ellslon used ln u lunguuge would resulL ln exLremely
urLlflclul-soundlng Lulk
4 1ry Lo undersLund Lhe regulurlLles und uLLerns
bused on Lhe ucLuul use of sounds ln lunguuge
4 NoL Lo urrlve uL u seL of rules ubouL how u lunguuge
should be ronounced
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S Pitch ~ muklng volces sound lower, hlgher,
rlslng or fulllng
S igh voice vs deep voice
exclLed bored, fed u
frlghLened Llred
S We communlcuLe emotion ond meoning
Lhrough Lhe lLch we use
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S ntonation ~ changing the tune we are using
or the music of speech, we are ab|e to convey
a much subt|er range of meanings
S 1oanne kenworthy (#)
4 ntonation is used to put words and information
in the foreground ( by using a high or wavering pitch)
in the background ( by using a |ower pitch than norma|)
to signa| ends and beginnings of conversations
to show whether a situation is 'open' or 'c|osed'
z6
4 ntonation is a|so used to convey emotion,
invo|vement ,and empathy
hat's going on?
igh pitch ~ we are rea||y surprised or frightened
ow pitch ~ we are not very concerned at the
answer we wi|| get
4 ntonation ls ulso u wuy of modlfylng Lhe sLrengLh
or lnLenLlon of whuL we ure suylng
We// (ugreemenL, ucceLunce, doubL, or dlsugreemenL)
No (refusul, quesLlonlng of fucL, or dlsugreemenL)
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4 ntonation shows how certain we are about what we
are saying and to indicate what response we expect
Youre okoy, orent you?
lo//ing tone ~ to coof|tm wlat yoo bel|eve to be tle case
Rising tone to slow oot oocetta|oty aboot wlat tle
aoswet w|ll be
4 lntonotion is crucio/ in communicoting meoning
4 Listeners jrequent/y get the wrong messoges jrom
intonotion
4 lntonotion te//s us whot someone meons ond how
they jee/ obout it.
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4 5tress Lhe Lerm we use Lo descrlbe Lhe olnL ln u
word or hruse where lLch chunges, vowels lengLhen,
und volume lncreuses
4 One-sy//ob/e word ~ no prob/em
4 A word with more thon one sy//ob/e ~ more comp/ex
4 A mu/ti-sy//ob/e words hove more thon one stressed
sy//ob/e
Primory stress ~ the strongest jorce with superscript mork ( ' )
5econdory stress ~ the weoker jorce morked be/ow the /ine
injormotion ,inf'mein] singu/ority [,siggju/rti]
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