Compatibility
Natural light
Color Perception
Mixing of Colors
Luminancem, Hue and Saturation
Chromaticity Diagram
Color TV Camera
Production of Color Difference Voltages
Unsuitability of (G-Y) Signal for transmission
Compatibility
Natural light
Color Perception
Mixing of Colors
Luminancem, Hue and Saturation
Chromaticity Diagram
Color TV Camera
Production of Color Difference Voltages
Unsuitability of (G-Y) Signal for transmission
Compatibility
Natural light
Color Perception
Mixing of Colors
Luminancem, Hue and Saturation
Chromaticity Diagram
Color TV Camera
Production of Color Difference Voltages
Unsuitability of (G-Y) Signal for transmission
Assistant Professor, ETC Department, JDCOEM, Nagpur COMPATIBILITY Composite video signal should occupy the same bandwidth as the corresponding monochrome signal. The location and spacing of picture and sound carrier frequencies should remain the same. The colour signal should have the same luminance (brightness) information as would a monochrome signal, transmitting the same scene. The composite colour signal should contain colour information together with the ancillary signals needed to allow this to be decoded. The colour information should be carried in such a way that it does not affect the picture reproduced on the screen of a monochrome receiver. The system must employ the same deflection frequencies and sync signals as used for monochrome transmission and reception. NATURAL LIGHT COLOR PERCEPTION COLOR PERCEPTION MIXING OF COLOURS: Mixing of colours can take place in two ways — subtractive mixing and additive mixing. In subtractive mixing, pigments absorbs all wavelengths but reflect their characteristic color wavelengths. In additive mixing which forms the basis of colour television, light from two or more colours obtained either from independent sources or through filters can create a combined sensation of a different colour. LUMINANCE, HUE AND SATURATION Luminance or Brightness: This is the amount of light intensity as perceived by the eye regardless of the colour. Hue or Tint: This is the predominant spe
Saturation: This is the spectral purity of the
colour light. ctral colour of the received light. CHROMATICITY DIAGRAM: COLOUR TELEVISION CAMERA
The Luminance Signal :
Y = 0.3 R + 0.59 G + 0.11 B PRODUCTION OF COLOR DIFFERENCE VOLTAGES UNSUITABILITY OF (G-Y) SIGNAL FOR TRANSMISSION if (R – Y) s the missing signal, its matrix would have to be based on the expression: (𝑅 – 𝑌) = (−0.59/0.3) (𝐺 – 𝑌) − (0.11/0.3) (𝐵 – 𝑌) The factor 0.59/0.3 (= 1.97) implies gain in the matrix and thus would need an extra amplifier. Similarly if (B – Y) is not transmitted, the matrix formula would be: (B – 𝑌) = (−0.59/0.11) (𝐺 – 𝑌) − (0.3/0.11) (R – 𝑌) The factor 0.59/0.11 = 5.4 and 0.3/0.11 = 2.7, both imply gain and two extra amplifiers would be necessary in the matrices. This shows that it would be technically less convenient and uneconomical to use (G – Y) as one of the colour difference signals for transmission. In addition, since the proportion of G in Y is relatively large in most cases, the amplitude of (G – Y) is small. The smaller amplitude together with the need for gain in the matrix would make S/N ratio problems more difficult then when (R – Y) and (B – Y) are chosen for transmission.