Professional Documents
Culture Documents
Some
Design
IN MUSIC
Some
PRINCIPLES OF DESIGN
REPETITION
VARIATION
CONTRAST
BALANCE – symmetry/asymmetry
EMPHASIS - accent
ECONOMY
PROPORTION
SCALE
Eadweard Muybridge, photographer
Repetition/Variation in Music
EXTREME
MODERATE
RARE
Some repetition in music
PHILIP GLASS
EINSTEIN ON THE
BEACH
(an opera)
REPETITION Immediate Sectional Large-scale
EXTREME
MODERATE
RARE
CAILLEBOTTE, Gustave
Paris: A Rainy D ay, 1877, Oil on canvas, 83 1/2 x 108 3/4"
Mozart Symphony No. 40 in G minor,
1ST movement
EXTREME MOTIFIC
MODERATE Some
RARE
ABA
Song Forms
Verse-refrain (ABABAB) . . . - Ex. The
Jovial Tradesmen
Expectations confirmed:
SATISFACTION!
(clichéd, boring, too predictable)
Expectations denied:
EXPRESSION!
(meaningless, wrong, incompetent)
Other Forms
We will encounter many types of forms such as:
Variation – A A’A’’A’’’ . . .
Binary – AABB
Rondo – ABACA
Sonata –
intro-A-B-A-B-dev-A-B’-coda
and an entire zoo of forms perhaps not entirely worth
cataloging.
CONTRAST IN MUSIC
symmetry
EQUILIBRIUM
Assymetical
balance
in music?
A concerto
sets a soloist
or small
group of
soloists
“against” an
orchestra
EMPHASIS
accent
limitation of a composition to a few
ECONOMY essential elements; usually a voluntary
constraint that is part of the creative
process
SPECIFIC TO AN INDIVIDUAL WORK,
NOT THE GENRE , TYPE OR MEDIUM
Picasso, Femme
PROPORTION
PROPORTION
PROPORTION
Shahn, Ben, Vacant Lot, 1939
Watercolor and gouache on paper mounted on plywood panel, 19 x 23 in
Proportion in music
A matter of time, usually lots of time.
Example: 3 Beethoven string quartets (Op 59,
1, 2 & 3). Each in 4 movements.
No. 1 – BIG 1st mvt
No. 2 – nervous 1st mvt, BIG 2nd mvt
No. 3 – BIG finale (4th mvt)
SCALE