Gian Lorenzo Bernini • Gian Lorenzo Bernini (1598 - 1680) A Roman who, with the rarely asked-about Francesco Borromini, defined the Baroque movement in sculpture. Bernini is principally known for his freestanding works including David and The Ecstasy of St. Theresa. Bernini's David differs from that of Michelangelo in that the hero is shown "in motion," having twisted his body to sling the rock. Bernini is also known for his massive fountains in Rome including the Triton and the Fountain of the Four Rivers Triton Fountain by Gian Lorenzo Bernini, in Piazza Barberini, Rome Triton Fountain Triton Fountain • Fontana del Tritone (Triton Fountain) is a seventeenth- century fountain in Rome, by the Baroque sculptor Gian Lorenzo Bernini. Commissioned by his patron, Pope Urban VIII, the fountain is located in the Piazza Barberini, near the entrance to the Palazzo Barberini (which now houses the Galleria Nazionale d'Arte Antica) that Bernini helped to design and construct for the Barberini Urban's family. This fountain should be distinguished from the nearby Fontana dei Tritoni (Fountain of the Tritons) by Carlo Francesco Bizzaccheri in Piazza Bocca della Verità which features two Tritons. • Already Triton, at his call, appears Above the waves; a Tyrian robe he wears; And in his hand a crooked trumpet bears. The sovereign bids him peaceful sounds inspire, And give the waves the signal to retire. His writhen shell he takes; whose narrow vent Grows by degrees into a large extent, Then gives it breath; the blast with doubling sound, Runs the wide circuit of the world around: The sun first heard it, in his early east, And met the rattling ecchos in the west. The waters, list'ning to the trumpet's roar, Obey the summons, and forsake the shore. —free translation by Sir Samuel Garth, John Dryden, et al.. Two finished terracotta bozzetti at the Detroit Institute of Arts, securely attributed to Bernini, reflect his exploration of the fountain's themes of the intertwined upended dolphins and the muscular, scaly-tailed Triton. • The Tritone, the first of Bernini's free-standing urban fountains, was erected to provide water from the Acqua Felice aqueduct which Urban had restored, in a dramatic celebration. It was Bernini's last major commission from his great patron who died in 1644. At the Triton Fountain, Urban and Bernini brought the idea of a sculptural fountain, familiar from villa gardens, decisively to a public urban setting for the first time; previous public fountains in the city of Rome had been passive basins for the reception of public water. • The fountain was executed in travertine in 1642–43. At its centre rises a larger than life-size muscular Triton, a minor sea god of ancient Greco-Roman legend, depicted as a merman kneeling on the sum of four dolphin tailfins. His head is thrown back and his arms raise a conch to his lips; from it a jet of water spurts, formerly rising dramatically higher than it does today. The fountain has a base of four dolphins that entwine the papal tiara with crossed keys and the heraldic Barberini bees in their scaly tails.[ • Bernini has represented the triton to illustrate the triumphant passage from Ovid's Metamorphoses book I, evoking godlike control over the waters and describing the draining away of the Universal Deluge. Piazzo Navano – The fountain of For River Fountain of Bees • Bernini built the Fountain of the Bees in 1644 so there would be a fountain in Piazza Barberini small enough for people and animals to drink out of, since the Triton Fountain was too large for this. It is located just steps from the Barberini metro stop. The fountain uses shells for its inscription plaque and basin, like the Triton Fountain and contains three Barberini Bees. The bees become spouts for people to drink from, and the shell becomes a trough for animals. The Fountain of Four Rivers – West Side The Fountain of Four Rivers – East Side The fountain of Four River – North side Full view of the Fountain of Four River The Fountain of Four River
• The four rivers in the name of the fountain refer
to great rivers in four continents: the Nile River in Africa, the Danube River in Europe, the Ganges River in Asia, and the Rio de la Plata in the Americas. The rivers represented by each four figures on the fountain can easily be identified. The head of the figure representing the Nile is covered by a cloth because nobody at the time knew where headwaters of the Nile originated. • The figure representing the Danube is touching the Papal Coat of Arms since the Danube is the river closest to Rome. The figure representing the Ganges carries an oar, showing that the Ganges is navigable. Finally, the figure representing the Rio de la Plata (River of Silver) is sitting on a pile of silver coins and cowering in fright from a snake that may want to steal the coins. Fountain of Neptune Fountain of Neptune • The Fontana del Nettuno (Fountain of Neptune) is a fountain in Rome, Italy, located at the north end of the Piazza Navona. It was once called "Fontana dei Calderari" because it was located close to a small alley with blacksmith's workshops, makers of pots and pans and of other metal based businesses, all of them generating heat. • Nineteenth-century infrastructure developments reduced dependence on urban fountains for drinking and washing purposes but increased their visual and political importance, especially following the creation of the Italian state with Rome as its capital after 1870. The fountain as it exists today was finally completed in 1878 by Antonio della Bitta, who added the imposing sculpture of "Neptune fighting with an octopus", and Gregorio Zappalà, who created the other sculptures, based on the mythological theme of the "Nereids with cupids and walruses". This statuary was added following a competition in 1873, in order to balance that of the Moor Fountain on the south side of the piazza and of the Fontana dei Quattro Fiumi (Fountain of the Four Rivers) at its centre. • The restoration of the Roman Aqua Virgo aqueduct in 1570 was immediately followed by the start of work on a continuation water supply pipe towards the district of the old Campo Marzio, which following the diminution of the city's size and importance was left as the most densely populated part of the city. Restoration of a piped water supply in turn permitted the construction of several public fountains. The basin of the Fontana del Nettuno, (without the sculptures) was designed in 1574 by Giacomo Della Porta, who was also responsible for the Moor Fountain at the other side of the square. It was sponsored by pope Gregory XIII. The lower part of the basin consists of white marble and the upper part of the local stone from Pietrasanta. For the next 300 years, the fountain survived without statues. The Moor Fountain Close up view The Moor Fountain
• The Moor Fountain is located at the southern end
of Piazza Navona, and shows a muscular Ethiopian standing in a conch shell wrestling with a dolphin and surrounded by four Tritons, all in a basin of antique rose-colored marble. The fountain was originally designed by Giacomo della Porta in 1575 during the reign of Pope Gregory XIII Boncompagni, with the dolphin and four Tritons blowing water out through shells. In 1653, Pope Innocent X Pamphilj asked Gian Lorenzo Bernini to add the statue of the Moor in the center. • Bernini designed that sculpture, but it was actually sculpted by Giannantonio Mari. During a restoration of the fountain in 1874, the original statues were moved to a small square in Villa Borghese and replaced with copies made by Luigi Amici. On September 3, 2011, a vandal repeatedly hit one of the statues with a stone or a hammer, damaging one of its ears. • The Piazza Navona is a public plaza located on the site of the former Stadium of Domitian, popularly known as the Circus Agonalis. The centerpiece of the square is the Fountain of the Four Rivers (Fontana dei Quattro Fiumi) by Gian Lorenzo Bernini. The Obelisk of Domitian dominates the center of the fountain. The piazza is dominated by the baroque church of Sant’Agnese in Agone. The epithet “in Agone” refers to the Circus Agonalis, the site where Saint Agnes was martyred. • This public drinking fountain was built in 1644 and is the most famous of Bernini’s three bee fountains. It was originally located in the Piazza Barberini at the corner of Via Sistina until 1887. This was to preserve the fountain from being trampled by traffic on this narrow street. In 1919, the fountain was relocated to its present location at the corner of Via Vittorio Veneto and the Via S. Basilio. • The Fountain of the Bees was sponsored by Pope Urban VIII. The three bees belong to the armorial bearings of the Barberini family to which Urban VIII belonged. This fountain was inspired by the original bee fountain built by Francesco Borromini found in the Vatican wall. • The fountain displays three oversized bees at the edge of a huge fan- shaped shell. The bees are depicted as if they are drinking in the water that is being released by the jets in the fountain. This was also behind “the idea of the Barberini bees emitting ‘honey-water,’ just as their master Urban spoke and wrote ‘honeyed words.’” Also, the inscription on the inner surface of the open shell records that it was erected by command of Pope Urban VIII only two months before his death. • Due to hard wear, moving, dismantling and weathering, only the central bee and piece of shell on which it stands are the original work
Remember, you're сooler than you think ;) Welcome to pattern from @mira - loves - dolls!!! Here comes the day when the curtain falls, and I will reveal all the secrets !