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The Metamorphoses
Latin: Metamorphsen libr: "Books of Transformations", is a Latin narrative poem by
the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and
over 250 myths, the poem chronicles the history of the world from its creation to the
deification of Julius Caesar within a loose mythico-historical framework.
Although meeting the criteria for an epic, the poem defies simple genre classification
by its use of varying themes and tones. Ovid took inspiration from the genre of
metamorphosis poetry, and some of the Metamorphoses derives from earlier
treatment of the same myths; however, he diverged significantly from all of his
models.
One of the most influential works in Western culture, the Metamorphoses has
inspired such authors as Dante, Boccaccio, Chaucer, and Shakespeare. Numerous
episodes from the poem have been depicted in acclaimed works of sculpture,
painting, and music.
Books
Book I The Creation, the Ages of Mankind, the flood, Deucalion and
Pyrrha, Apollo and Daphne, Io, Phaton.
Book II Phaton (cont.), Callisto, the raven and the crow, Ocyrhoe,
Mercury and Battus, the envy of Aglauros, Jupiter and Europa.
Book III Cadmus, Diana and Actaeon, Semele and the birth of
Bacchus, Tiresias, Narcissus and Echo, Pentheus and Bacchus.
Book IV The daughters of Minyas, Pyramus and Thisbe, the Sun in
love, Salmacis and Hermaphroditus, the daughters of Minyas
transformed, Athamas and Ino, the transformation of Cadmus,
Perseus and Andromeda.
Book V Perseus' fight in the palace of Cepheus, Minerva meets the
Muses on Helicon, the rape of Proserpina, Arethusa, Triptolemus.
Third came the people of the bronze age, with fiercer natures, readier to indulge in savage
warfare, but not yet vicious. The harsh iron age was last. Immediately every kind of wickedness
erupted into this age of baser natures: truth, shame and honour vanished; in their place were
fraud, deceit, and trickery, violence and pernicious desires. They set sails to the wind, though
as yet the seamen had poor knowledge of their use, and the ships keels that once were trees
standing amongst high mountains, now leaped through uncharted waves. The land that was
once common to all, as the light of the sun is, and the air, was marked out, to its furthest
boundaries, by wary surveyors. Not only did they demand the crops and the food the rich soil
owed them, but they entered the bowels of the earth, and excavating brought up the wealth it
had concealed in Stygian shade, wealth that incites men to crime. And now harmful iron
appeared, and gold more harmful than iron. War came, whose struggles employ both, waving
clashing arms with bloodstained hands. They lived on plunder: friend was not safe with friend,
relative with relative, kindness was rare between brothers. Husbands longed for the death of
their wives, wives for the death of their husbands. Murderous stepmothers mixed deadly
aconite, and sons inquired into their fathers years before their time. Piety was dead, and virgin
Astraea, last of all the immortals to depart, herself abandoned the blood-drenched earth.
Plot
Lines 313-347 - Phocis, a fertile country when it was still land, separates Aonia from Oeta, though at
that time it was part of the sea, a wide expanse of suddenly created water. There Mount Parnassus lifts
its twin steep summits to the stars, its peaks above the clouds. When Deucalion and his wife landed
here in their small boat, everywhere else being drowned by the waters, they worshipped the Corycian
nymphs, the mountain gods, and the goddess of the oracles, prophetic Themis. No one was more
virtuous or fonder of justice than he was, and no woman showed greater reverence for the gods. When
Jupiter saw the earth covered with the clear waters, and that only one man was left of all those
thousands of men, only one woman left of all those thousands of women, both innocent and both
worshippers of the gods, he scattered the clouds and mist, with the north wind, and revealed the
heavens to the earth and the earth to the sky. It was no longer an angry sea, since the king of the
oceans putting aside his three-pronged spear calmed the waves, and called sea-dark Triton, showing
from the depths his shoulders thick with shells, to blow into his echoing conch and give the rivers and
streams the signal to return. He lifted the hollow shell that coils from its base in broad spirals, that
shell that filled with his breath in mid-ocean makes the eastern and the western shores sound. So now
when it touched the gods mouth, and dripping beard, and sounded out the order for retreat, it was
heard by all the waters on earth and in the ocean, and all the waters hearing it were checked. Now the
sea has shorelines, the brimming rivers keep to their channels, the floods subside, and hills appear.
Earth rises, the soil increasing as the water ebbs, and finally the trees show their naked tops, the slime
still clinging to their leaves.
Lines 348-380 - The world was restored. But when Deucalion saw its emptiness, and the
deep silence of the desolate lands, he spoke to Pyrrha, through welling tears. Wife,
cousin, sole surviving woman, joined to me by our shared race, our family origins, then
by the marriage bed, and now joined to me in danger, we two are the people of all the
countries seen by the setting and the rising sun, the sea took all the rest. Even now our
lives are not guaranteed with certainty: the storm clouds still terrify my mind. How would
you feel now, poor soul, if the fates had willed you to be saved, but not me? How could
you endure your fear alone? Who would comfort your tears? Believe me, dear wife, if the
sea had you, I would follow you, and the sea would have me too. If only I, by my fathers
arts, could recreate earths peoples, and breathe life into the shaping clay! The human
race remains in us. The gods willed it that we are the only examples of mankind left
behind. He spoke and they wept, resolving to appeal to the sky-god, and ask his help by
sacred oracles. Immediately they went side by side to the springs of Cephisus that,
though still unclear, flowed in its usual course. When they had sprinkled their heads and
clothing with its watery libations, they traced their steps to the temple of the sacred
goddess, whose pediments were green with disfiguring moss, her altars without fire.
When they reached the steps of the sanctuary they fell forward together and lay prone
on the ground, and kissing the cold rock with trembling lips, said If the gods wills soften,
appeased by the prayers of the just, if in this way their anger can be deflected, Themis
tell us by what art the damage to our race can be repaired, and bring help, most gentle
one, to this drowned world!
Lines 381-415 - The goddess was moved, and uttered oracular speech: Leave the temple and
with veiled heads and loosened clothes throw behind you the bones of your great mother! For a
long time they stand there, dumbfounded. Pyrrha is first to break the silence: she refuses to obey
the goddesss command. Her lips trembling she asks for pardon, fearing to offend her mothers
spirit by scattering her bones. Meanwhile they reconsider the dark words the oracle gave, and
their uncertain meaning, turning them over and over in their minds. Then Prometheuss son
comforted Epimetheuss daughter with quiet words: Either this idea is wrong, or, since oracles
are godly and never urge evil, our great mother must be the earth: I think the bones she spoke
about are stones in the body of the earth. It is these we are told to throw behind us.
Though the Titans daughter is stirred by her husbands thoughts, still hope is uncertain: they
are both so unsure of the divine promptings; but what harm can it do to try? They descended the
steps, covered their heads and loosened their clothes, and threw the stones needed behind
them. The stones, and who would believe it if it were not for ancient tradition, began to lose their
rigidity and hardness, and after a while softened, and once softened acquired new form. Then
after growing, and ripening in nature, a certain likeness to a human shape could be vaguely seen,
like marble statues at first inexact and roughly carved. The earthy part, however, wet with
moisture, turned to flesh; what was solid and inflexible mutated to bone; the veins stayed veins;
and quickly, through the power of the gods, stones the man threw took on the shapes of men,
and women were remade from those thrown by the woman. So the toughness of our race, our
ability to endure hard labour, and the proof we give of the source from which we are sprung.
Plot
Lines 183-235 - Meanwhile Daedalus, hating Crete, and his long exile, and filled with a desire to
stand on his native soil, was imprisoned by the waves. He may thwart our escape by land or sea he
said but the sky is surely open to us: we will go that way: Minos rules everything but he does not rule
the heavens. So saying he applied his thought to new invention and altered the natural order of
things. He laid down lines of feathers, beginning with the smallest, following the shorter with longer
ones, so that you might think they had grown like that, on a slant. In that way, long ago, the rustic
pan-pipes were graduated, with lengthening reeds. Then he fastened them together with thread at the
middle, and bees-wax at the base, and, when he had arranged them, he flexed each one into a gentle
curve, so that they imitated real birds wings. His son, Icarus, stood next to him, and, not realising that
he was handling things that would endanger him, caught laughingly at the down that blew in the
passing breeze, and softened the yellow bees-wax with his thumb, and, in his play, hindered his
fathers marvellous work.
When he had put the last touches to what he had begun, the artificer balanced his own body
between the two wings and hovered in the moving air. He instructed the boy as well, saying Let me
warn you, Icarus, to take the middle way, in case the moisture weighs down your wings, if you fly too
low, or if you go too high, the sun scorches them. Travel between the extremes. And I order you not to
aim towards Bootes, the Herdsman, or Helice, the Great Bear, or towards the drawn sword of Orion:
take the course I show you! At the same time as he laid down the rules of flight, he fitted the newly
created wings on the boys shoulders. While he worked and issued his warnings the ageing mans
cheeks were wet with tears: the fathers hands trembled.
He gave a never to be repeated kiss to his son, and lifting upwards on his wings,
flew ahead, anxious for his companion, like a bird, leading her fledglings out of a
nest above, into the empty air. He urged the boy to follow, and showed him the
dangerous art of flying, moving his own wings, and then looking back at his son.
Some angler catching fish with a quivering rod, or a shepherd leaning on his crook,
or a ploughman resting on the handles of his plough, saw them, perhaps, and stood
there amazed, believing them to be gods able to travel the sky.
And nowSamos, sacred toJuno, lay ahead to the left (DelosandParoswere
behind them),Lebinthos, andCalymne, rich in honey, to the right, when the boy
began to delight in his daring flight, and abandoning his guide, drawn by desire for
the heavens, soared higher. His nearness to the devouring sun softened the
fragrant wax that held the wings: and the wax melted: he flailed with bare arms,
but losing his oar-like wings, could not ride the air. Even as his mouth was crying
his fathers name, it vanished into the dark blue sea, the Icarian Sea, called after
him. The unhappy father, now no longer a father, shouted Icarus, Icarus where are
you? Which way should I be looking, to see you? Icarus he called again. Then he
caught sight of the feathers on the waves, and cursed his inventions. He laid the
body to rest, in a tomb, and the island was named Icaria after his buried child.
As Eurydice is walking through the grass, a viper bites her foot, killing her.
Orpheus travels to the underworld to ask Proserpina and Pluto to give back his wife.
Orpheuss song causes the harsh Fates to shed their first tears. Proserpina and Pluto
agree to grant Orpheuss request on the condition that he does not look back at his
wife as they leave the underworld. Orpheus starts his ascent but, worried about
Eurydice, looks back at her. This time, she is lost for good. Orpheus grieves and
begins to sing.
Why Pygmalion disliked women (Lines 220-242):
Nevertheless, the immoral Propoetides dared to deny that Venus was the
goddess. For this, because of her divine anger, they are said to have been the first to
prostitute their bodies and their reputations in public, and, losing all sense of shame,
they lost the power to blush, as the blood hardened in their cheeks, and only a small
change turned them into hard flints.
Plot
Lines 243297 - Pygmalion had seen them, spending their lives in wickedness,
and, offended by the failings that nature gave the female heart, he lived as a
bachelor, without a wife or partner for his bed. But, with wonderful skill, he
carved a figure, brilliantly, out of snow-white ivory, no mortal woman, and fell in
love with his own creation. The features are those of a real girl, who, you might
think, lived, and wished to move, if modesty did not forbid it. Indeed, art hides
his art. He marvels: and passion, for this bodily image, consumes his heart.
Often, he runs his hands over the work, tempted as to whether it is flesh or
ivory, not admitting it to be ivory. he kisses it and thinks his kisses are returned;
and speaks to it; and holds it, and imagines that his fingers press into the limbs,
and is afraid lest bruises appear from the pressure. Now he addresses it with
compliments, now brings it gifts that please girls, shells and polished pebbles,
little birds, and many-coloured flowers, lilies and tinted beads, and the
Heliadess amber tears, that drip from the trees. He dresses the body, also, in
clothing; places rings on the fingers; places a long necklace round its neck;
pearls hang from the ears, and cinctures round the breasts. All are fitting: but it
appears no less lovely, naked. He arranges the statue on a bed on which cloths
dyed with Tyrian murex are spread, and calls it his bedfellow, and rests its neck
The day of Venuss festival came, celebrated throughout Cyprus, and heifers, their
curved horns gilded, fell, to the blow on their snowy neck. The incense was smoking,
when Pygmalion, having made his offering, stood by the altar, and said, shyly: If you
can grant all things, you gods, I wish as a bride to have... and not daring to say the
girl of ivory he said one like my ivory girl. Golden Venus, for she herself was present
at the festival, knew what the prayer meant, and as a sign of the gods fondness for
him, the flame flared three times, and shook its crown in the air. When he returned, he
sought out the image of his girl, and leaning over the couch, kissed her. She felt warm:
he pressed his lips to her again, and also touched her breast with his hand. The ivory
yielded to his touch, and lost its hardness, altering under his fingers, as the bees wax
of Hymettus softens in the sun, and is moulded, under the thumb, into many forms,
made usable by use. The lover is stupefied, and joyful, but uncertain, and afraid he is
wrong, reaffirms the fulfilment of his wishes, with his hand, again, and again.
It was flesh! The pulse throbbed under his thumb. Then the hero, of Paphos, was
indeed overfull of words with which to thank Venus, and still pressed his mouth against
a mouth that was not merely a likeness. The girl felt the kisses he gave, blushed, and,
raising her bashful eyes to the light, saw both her lover and the sky. The goddess
attended the marriage that she had brought about, and when the moons horns had
nine times met at the full, the woman bore a son, Paphos, from whom the island takes
its name.