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Broadcasting
Introduction
The basic television system converts light and sounds into electrical video and audio
signals that are transmitted (wirelessly or by cable)
and reconverted by the television receiver and loudspeaker into television pictures and
sound.
Television Studio
The multicamera studio system contains quality controls (CCU and audio console), selection
controls (switcher and audio console), and monitors for previewing pictures and sound.
Television studio with lighting system, cameras , monitor, microphone and green background. Green
Background is for chroma keying. Chroma Keying is the process by which a specific colour element
(chroma) is removed from a video scene and replaced (keyed) with a different element.
Television Cameras
Television Cameras
A zoom lens has a variable focal length with a range of 10 : 1 or more. In this
lens the viewing angle and field view can be varied without loss of focus. This
enables dramatic close-up control.
The smooth and gradual change of focal length by the cameraman while
televising a scene appears to the viewer as it he is approaching or receding from
the scene.
tube. It receives video signals from the control room stabilizing amplifier.
The view-finder has its own deflection circuitry as in any other monitor, to
produce the raster.
The view-finder also has a built-in dc restorer for maintaining average
brightness of the scene being televised.
The camera control unit has provision to control zoom lens action and
pan-tilt movement besides beam focus and brightness control of camera
tubes. The C.C.U. engineer manipulates various controls under directions
from the producer. In broadcast stations, the video signal must be
maintained within very close tolerances of amplitudes. The C.C.U. engineer
has the necessary facilities to adjust parameters such as video gain,
camera sensitivity, blanking level video polarity etc.
VIDEO SWITCHER
A video switcher is a multicontact crossbar switch matrix with
provision for selecting any one or more out of a large number of
inputs and switching them on to outgoing circuits. The input
sources include cameras, VTRs and telecine machine outputs,
besides test signals and special effects generators. Thus at this
point the programme producer with the assistance of video switcher
may select the output of any camera, or mix the output of two or
more cameras.Similarly various effects such as fades, wipes,
dissolves, supers and so on may be introduce and controlled with a
mixer.
switchermixer. It has five inputs out of which any two may be selected to drive the two buffer
amplifiers. These, in turn feed into a mixer amplifier.
The mixer transfers video signals by fade out-fade in method. The potentiometers at
the remote mixer amplifier can be positioned to select 100 per cent output from
either A or B bus. Assume A and B inputs were at 100 per cent and 0 per cent levels
respectively. If camera No. 2 is selected on the A bus, it would appear at the output.
Similarly, if camera No. 3 is selected on the B bus, it will not appear at the mixer
output. However, when the levers that control the potentiometers are moved through
their full travel, the output from the mixer amplifier would transfer from A bus to B bus
at a relatively slow rate providing a transition from camera No. 2 to camera No. 3.
Similarly more complex switchers can be designed to provide different switching
matrices.
SYNCHRONIZING SYSTEM
To generate a meaningful picture on the raster of a monitor or receiver, some means
are needed to synchronize the scanning systems of both the camera and the
monitor. In a multicamera system, as is often the case in broadcasting, it is
necessary to have them all synchronized by a single sync pulse generator.
Accordingly a common sync drive circuitry is provided which controls scanning
sequence, insertion and timing of sync pulses in all the cameras. With such a
control, when the scene shifts from one camera to another, the synchronizing
waveforms are in phase so that the monitor or home receiver is not interrupted in its
scanning process. In the absence of such a provision, while switching from one
camera to another, the monitor or receiver would have to read just its scanning
procedure for the incoming camera and the picture might roll momentarily.
Differential Quadrature Phase Shift Keying (DQPSK) - A variation on the QPSK modulation
technique, DQPSK relies on the difference between successive phases of a signal rather
than the absolute phase position.
Additional Referrences :
http://www.live-production.tv/news/shows/new-family-show-game-begins.html
www.tv-handbook.com
http://channel3madison.com/watch-all-the-top-shows-on-channel-3-madison/
http://warrensheetsdesign.com/blog/through-the-lens-of-a-camera-designing-a-television-studio/
www.wikimedia.org
http://skaarhoj.com/designs/atem-ccu-for-bmd-studio-cameras/
www.ggvideo.com
www.sportsvideo.org
www.pactv.com
www.wikipedia.com
http://www.dibeg.org/techp/structure/structure.html