Professional Documents
Culture Documents
"arr Croton
Le$turer% &i
Intro.u$tion
Dre
$o.e% !ritten or un/ritten rule /it# re0ar. to $lot#in0. t-le are $ommonl- a$$epte. a +ali.. a me a0e.
!e tern
It in.i$ate
OCCUPATION
INCOME
RELIGIOUS AFFILIATIO N
FAS1ION "OLICES
They exist in different countries to defend their g r! ent " #s$
INDONESIA
BATI2 AND 2EBAYA
Bati,
Bati,3pattern /a at "ari
in )4556 t#e In.one ian 'ati, impre e. t#e pu'li$ an. t#e arti an . intan0i'le /orl. #erita0e on
Cantin0
o o o
Fashion Show Office and School Uniform Formal and Informal dress code
2EBAYA T#e3,e'a-a3i t#e3national $o tume o7 In.one ia /omen. T#e name o7 2e'a-a /a note. '- t#e3"ortu0ue e3/#en t#e- lan.e.
in3In.one ia.
Ba>u Clot#e
#U$UN!
SA PIN
%A& U "U'UN!
C#ine e C#eon0 am
(I!( C O) ) A' 'I!(# SI$E OPENIN! C ) OSE$ WI#( S A) ) C ) IPS O' #O!!) ES
Saree ? Sari
&ala- ian In.ian Ni$e; E98ui ite; Feel li,e /earin0 it;
2urta
,PE##IC OA# ,%) OUSE.C (O) I
Ba'a N-on-a
Local Malay people first used honorific terms like Baba to address the
men, Nyonya for women, and Bibik for elderly ladies.
Most people thought that Baba Nyonya would speak Malay because of
their intermarriage with the Malays, however that is not necessary the case, they speak a mi ture of Malay and Chinese especially !okkien.
Lon0 .re
!e..in0 .re
o7 'a'a n-on-a
2a ut &ani,
'ea.
A &e d is s! "". decor ti3e o&4ect th t is for! ed in 3 riety of sh %es nd si5es of ! teri " such s g" ss. %" stic. or #ood. nd th t is %ierced for thre ding or stringing$
A$$e orie
Where is %h/tan0
Flag
(IS#O'+
Invasions from #ibet A bh/tanese identity emerges igration of Ne1alis
in+a ion?7n +e7n?atta$,e. 'ot#er $ountr emer0e ?7 m.?A appear
(istory timeline
In the early 17th century
The origin of bhutanese identity and the Bhutans traditional dress.
In the 1980s
Integrated the Nepalis and force them to wear the national dress gho and kira.
In B#utan
e on 7ormal o$$a ion .
Step
Step
E9ample
T#e ,in0 /ear -ello/.
E9ample
t#e $ommoner /ear /#ite ,edding cere! ony
e # t O D / o ; # 6 e , o i l S e r . n a i Ru
t o :
2 Te
2 y & r s r e e 3 t o c n d n i " e h # 2 T # o g n s n d n o I ce L
0ro# n 0e
r2
8od9 2
@ABCDC rubaha
@ABCDC rubaha
@ABCDC rubaha
The tr dition " Russi n shirt # s of 9nee<"ength h d 3ent t the nec9& nd : d no co"" r &ut n rro# round c"oth nec9"et #ou"d &e fixed on ho"id y shirt # s se#n #ith "inen. cotton. or si"9 In the fo"9 costu! e the shirt # s door g r! ent. #here s ! ong the no&"es it # s used s underdress $ Shirts #ere of different co"ours$
@ABCDC rubaha
(ow to wear it0
They #ere #orn outside trousers nd &e"ted #ith n rro# gird"e$ /oung ! en #ou"d &e"t the shirt t the # ist. #here s the e"der"y %ut the &e"t &it "o#er. ""o#ing &"ousing in front to %roduce n i! %ression of %ort"y figure $ A gusset # s dded in the r! %it re $ A&o3e the shirt'2i1/n'# s usu ""y %ut on$
E
ru& h Long s"ee3e shirt
F
P tterns
Sarafan
Sarafan
Sarafan
"t came to North-#estern $ussia in the %&th century as a men's outfit and became a women's dress not earlier than %())s-%*))s. +eople preferred more descriptive titles than sarafan , usually pointing to the clothes, material -atlasnik - made of silk. a certain design feature -klinnik - consists of triangles., a region where it was inherited -moskovik - from Moscow.. "n %/))s- %0))s, sarafan became not 1ust village outfit but clothes for middle-class urban women and merchants2 wives. "n 3outhern $ussia of the %0th-%4th centuries, sarafan was a costume of young unmarried girls -in contrast with poneva , which became a mark of marriage..
Sarafan
M tryosh9
E
srf n Long s"ee3e dress
F
P tterns
CONCLUSION
Clot#e ma,e people. Re pe$t it.