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()* Oral Communi$ation ) Communi$ati+e Ta ,

p 2 CODE IN DIFFERENT COUNTRIES G r o uDRESS ea# You !a-ne


Lim Boon Yee Anita.Carolina Ja on Tan !ooi "#anG Re'e$$a C# Fann-

"arr Croton

Le$turer% &i

Intro.u$tion
Dre
$o.e% !ritten or un/ritten rule /it# re0ar. to $lot#in0. t-le are $ommonl- a$$epte. a +ali.. a me a0e.

!e tern

It in.i$ate

OCCUPATION

INCOME

RELIGIOUS AFFILIATIO N

FAS1ION "OLICES
They exist in different countries to defend their g r! ent " #s$

INDONESIA
BATI2 AND 2EBAYA

Bati,

Bati,3pattern /a at "ari

alrea.- ,no/n '- t#e )2t# $entur-.

in )4556 t#e In.one ian 'ati, impre e. t#e pu'li$ an. t#e arti an . intan0i'le /orl. #erita0e on

t#e UNESCO re$o0nition 7or In.one ian 'ati, a O$to'er 26 2554.

T#e e8uipment 7or ma,in0 a !ritten Bati,

Cantin0

/a9 an. to+e

Appli$ation in t#e "a t

o Wedding C eremony o Nobility family

Appli$ation in t#e pre ent


Political Event

o o o

Fashion Show Office and School Uniform Formal and Informal dress code

2EBAYA T#e3,e'a-a3i t#e3national $o tume o7 In.one ia /omen. T#e name o7 2e'a-a /a note. '- t#e3"ortu0ue e3/#en t#e- lan.e.
in3In.one ia.

ty%e of &"ouse'#orn &y Indonesi n #o! en in ()th or (*th century$

Modern +e& y s ,edding -ress.For! " dress code

MALA/SIAN CULTURAL OUTFITS


:Tra.itional &ala- attire :C#ine e $#eon0 am :In.ian Sari an. 2urta :Ba'a:N-on-a

"lea e 0ue #o/ lon0 it ta,e to tra+el 7rom &ala- ia to Tai/an;


!e t &ala- ia Ea t &ala- ia 2uala Lumpur6 t#e $apital o7
&ala- ia imilar to Taipei6 t#e $apital o7 Tai/an.

Brie7 &ala- ia "ro7ile


&ala- $ompri e ome <5= o7 t#e population. C#ine e $on titute aroun. 2<=. In.ian an. in.i0enou people ma,e up t#e re t.

So6 !#at i Ba>u;

Ba>u Clot#e

Tra.itional &ala- Attire


BAJU &ELAYU

C n you s%ot ny s%eci " fe tures on their 0A1U2


SON!"O"

#U$UN!

SA PIN

%A& U "U'UN!

C#ine e C#eon0 am
(I!( C O) ) A' 'I!(# SI$E OPENIN! C ) OSE$ WI#( S A) ) C ) IPS O' #O!!) ES

FI##IN! WAIS# AN$ S) IP %O##O

S) I#S A# #(E SI$E

*FANC + PA##E'NS , PEON+ , ) O#US , C ('+SAN#(E U , FIS( , $'A!ON , P(OENI-

Saree ? Sari

&ala- ian In.ian Ni$e; E98ui ite; Feel li,e /earin0 it;
2urta
,PE##IC OA# ,%) OUSE.C (O) I

,) OOSE S(I'#* ,) OOSE,FI##IN!*PAI& A A

Ba'a N-on-a

!#at i Ba'a N-on-a;


Baba-Nyonya are terms used for the descendants of the very early
Chinese immigrants to the Nusantara region.

Local Malay people first used honorific terms like Baba to address the
men, Nyonya for women, and Bibik for elderly ladies.

Most people thought that Baba Nyonya would speak Malay because of
their intermarriage with the Malays, however that is not necessary the case, they speak a mi ture of Malay and Chinese especially !okkien.

Ba>u 2e'a-a @ Sarun0

Lon0 .re

!e..in0 .re

o7 'a'a n-on-a

2a ut &ani,

'ea.
A &e d is s! "". decor ti3e o&4ect th t is for! ed in 3 riety of sh %es nd si5es of ! teri " such s g" ss. %" stic. or #ood. nd th t is %ierced for thre ding or stringing$

A$$e orie

I7 -ou are intere te. in Ba'a N-on-a

Strictest dress codes


Parry Fanny

Where is %h/tan0

Flag

B#utan?'utn? Em'lem?6m'lm? Emblem

(IS#O'+
Invasions from #ibet A bh/tanese identity emerges igration of Ne1alis
in+a ion?7n +e7n?atta$,e. 'ot#er $ountr emer0e ?7 m.?A appear

(istory timeline
In the early 17th century
The origin of bhutanese identity and the Bhutans traditional dress.

In the early 20th century


Nepalis brought in different cultures.

In the 1980s
Integrated the Nepalis and force them to wear the national dress gho and kira.

#he colorf/l national dress

T#e- /ear t#e national .re

In B#utan
e on 7ormal o$$a ion .

T#e manB 0#o


T#e tra.itional .re
7or B#utane e men i t#e 0#o /#i$# i a ,nee : len0t# ro'e tie. at t#e /ai t '- a 7a'ri$ 'elt ,no/n a t#e ,e-ra .

Step

T#e /omanB 3,era


T#e /omanB 3,era3i an an,le len0t# .re . &a.e 7rom 7inel- /o+en 7a'ri$ 6 t#e ,era #a
an. 'eauti7ull- $oloure. pattern . tra.itional

Step

E9ample
T#e ,in0 /ear -ello/.

E9ample
t#e $ommoner /ear /#ite ,edding cere! ony

e # t O D / o ; # 6 e , o i l S e r . n a i Ru

!#at IS IN YOUR &IND /#en omeone i tal,in0 a'out Ru ian;

t o :

2 Te

2 y & r s r e e 3 t o c n d n i " e h # 2 T # o g n s n d n o I ce L

0ro# n 0e

r2

8od9 2

!#at i t#e $limate li,e in ru ian ;


Russi n is "oc ted in e stern Euro%e nd northern Asi $ It h s di3erse c"i! te$ 0 sed on continent " c"i! te. the te! %er ture 3er ge of 1 nu ry is fro! ) ; C to < )= ; C #hi"e the te! %er ture 3er ge of 1u"y is = ; C to >? ; C$ The 3er ge nnu " %reci%it tion is ()= to (=== ! ! $

@ABCDC rubaha

@ABCDC rubaha

@ABCDC rubaha
The tr dition " Russi n shirt # s of 9nee<"ength h d 3ent t the nec9& nd : d no co"" r &ut n rro# round c"oth nec9"et #ou"d &e fixed on ho"id y shirt # s se#n #ith "inen. cotton. or si"9 In the fo"9 costu! e the shirt # s door g r! ent. #here s ! ong the no&"es it # s used s underdress $ Shirts #ere of different co"ours$

@ABCDC rubaha
(ow to wear it0
They #ere #orn outside trousers nd &e"ted #ith n rro# gird"e$ /oung ! en #ou"d &e"t the shirt t the # ist. #here s the e"der"y %ut the &e"t &it "o#er. ""o#ing &"ousing in front to %roduce n i! %ression of %ort"y figure $ A gusset # s dded in the r! %it re $ A&o3e the shirt'2i1/n'# s usu ""y %ut on$

For e sy underst nding . you ! y co! %rehend the ru& h sG$

E
ru& h Long s"ee3e shirt

F
P tterns

Sarafan

Sarafan

Sarafan
"t came to North-#estern $ussia in the %&th century as a men's outfit and became a women's dress not earlier than %())s-%*))s. +eople preferred more descriptive titles than sarafan , usually pointing to the clothes, material -atlasnik - made of silk. a certain design feature -klinnik - consists of triangles., a region where it was inherited -moskovik - from Moscow.. "n %/))s- %0))s, sarafan became not 1ust village outfit but clothes for middle-class urban women and merchants2 wives. "n 3outhern $ussia of the %0th-%4th centuries, sarafan was a costume of young unmarried girls -in contrast with poneva , which became a mark of marriage..

Sarafan

M tryosh9

For e sy underst nding . you ! y co! %rehend the s r f n sG$

E
srf n Long s"ee3e dress

F
P tterns

T#an, 7or -our li tenin0.

CONCLUSION
Clot#e ma,e people. Re pe$t it.

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