Professional Documents
Culture Documents
Brett Nolker
University of North Carolina at Greensboro
Results
Experience with Diverse Genres
60
What we Know
One of the most pervasive and valuable elements of culture is music. Therefore, music educators have a unique ability to build cultural bridges between what students already know and content standards they wish to teach. In the Professional Teaching Standards, the North Carolina Department of Public Instruction outlines expectations for culturally responsive teaching. In the first phase of this study, we examined survey data. Data collected were focused on teachers use, experience, and comfort with diverse genres. We also examined teachers responses to questions about familiarity, comfort, training, and use of culturally responsive teaching strategies.
50 39 30 47 47 40
57
4% 18%
31 27
Use of CRT
Never
30
28 23 23 19
28
20 9 4 0 0 0 4 0
20 15 10 3
23 18 13 6 0 1 0 5 1 6 9 3 3
Neutral
44%
13
Inexperienced
27% 7%
10
Extremely Inexperienced
44%
Extremely Comfortable
Our Questions
How experienced are middle school choral/general music teachers with diverse musical genres? How comfortable are middle school choral/general music teachers with incorporating diverse musical contexts into the curriculum? Are middle school choral/general music teachers using culturally responsive teaching strategies?
16%
Neutral
10 1 0 0
Methods
Four hundred and thirty-five middle school choral/general music teachers were invited to participate in the study by completing a researcher developed instrument which was distributed via the Qualtrics online survey program. Quantitative data were analyzed using SPSS.
0
Yes No
61
60
Conclusions
Overall, teachers felt more experienced with, and more comfortable including classical, pop, world, folk, and musical theater. Teachers felt less experienced with and less comfortable including rap/hip hop. Nearly half (44%) of participants reported that they never use culturally responsive teaching (CRT), and 78% indicated that they had not received any training related to CRT. The data suggest that professional development specific to CRT would be beneficial to music educators.
Participants
Of four-hundred and thirty-five invitations to participate, 120 surveys were started, and 90 were completed. The participants currently teach choral music only, general music only, or a combination of both choral and general music. However, all of the participants answered questions relating to teaching middle school chorus, and 67 participants answered questions relating to teaching middle school general music.
50
40
30
26
20
10
10 6 2 0 0 3 6 0 2 1 6 4