Them Big Risky Adventures of Kapital{the|screenplay} Ton roi est mat.

Forwards. NOTE|i have also included a postscript it is only a loose thread of another constellation related to the more economic and political elements ;it is removed but i felt for those whom wanted other more formal place to rest it is available though should in no way be taken as apart of the following major text. The following major text though is an experimental essay is a project which i contently began to explore on the edge of a || watching condo towers being built across the skyline. i would was reading Maurice Merleau-Ponty. beside the sweetgrass and glasswalls before entering my place of labour employment under sub-substances standards.. however, the collision of aesthetic perceptive with relationship to the sky and my image of the surrounding of phenomena. beside the sweet grass on the stoop. watching the tattered cloths, flop around in the wind. on half finished buildings. and cranes ever-where. it was here i began to devices a perspective essay in relationship to our experiences of conceptual buildings and view. armed along with healthy doses of Walter Benjamin and some post-structuralist accounts Gilles Deleuze etc. i began my venture to recount this into a formal appeal to our perspective, precision, and announcement in form. thus, the approach comes to barre on our ideas of language, space; i do this in a near occultly fashion reference the notions of spacial recognition in models, economic forms, and euclidean geometry however, it is very cursory and more so to allow for a more direct connection in the manifest, deep knowledge beyond elementary comprehension is likely unnecessary{nevertheless, i would always encourage all whom are interested to take the time to develop more affinity with any of the more demanding topics} the text with the possibility of convention well still appealing to argue for itself and in-towards other performatives. i would encourage you to take a careful eye and hand to appeal to where this work calls to you.

Covetures of apparent potentials...it is in the appearances which manifest ruptures along in branchlines..s~prouts take temped notes. whipped up in forms, provided between the raptures et turnips. -broth for the elect. __|||lire|||__

It is in the knots of fluidic stigmata, in the systems apparent attempts to convene in the agency that legislates onto a convectional METERings-mart|... but, without an act{s)?!?| |how is the production of constituting realizable? Waves transfer through the folded space seen on one lateral horizon view..topoglacieral plans of immanence be-form in certain angles of den-city much like if you were to take a spacial simplification, for example take an economic curve produced in euclidean space...now, if we were to multi-produce a topographical elevations onto the plane though the production of a model would be extremely complex, the motions would be visually reciprocation of the the more complex topology of the presentation. .In a looseness of conventional. apparently... without candles..no demarcations..convent... yet, they are striped by ethereal presences.state conpretion.willled imaginative.

other versz.
<>I<> Through which light bends|the symbols come in illuminated from along the crystalline fractures. growths which jet spirals fierce outwards as they bend in and refocus..eminences aprora. a lager crystal elden branch's out along in wide sprouts that at the unfolded ends bloom with goldflush, bright blueshots...longer then wide..outside the scepter. llumination fired in unseen from bellow. shatters well convents. denora.softly,speaks from the emergents. without such..alovaria. sprtaitc..siblish.|passages frung one sprticals rite noon passage froming-differences... <>II<> Beresks|simply whatever can carry down sentinel blooms wide as an horizon, let it bask out in the forth onto the selvation leaped...rose covered blemishes gush out to convene into the wilds. ...wide angles out reach the moment into which small fissures begin to pass motions. which prolong the tendency of the mooring to yield its birth..at this croziers the vapours of in@~impontialies? without it forewarning a.once which is a alone the hanger amidst an airfield. lightlines convene into the contours which resonate on a flat plan. appealing to all the lines of flight| |laid out on linear runways. themselves which eclipse their projected paths in their immanre of agency by the voyages they launch. nevertheless, produce a necessary perspective to be viewed from approved and demarcated vector(s). this prospective of height which appears in the dwelled layers is to pre~form their own immanence.

Manre|keeps what is potentially in flight..on an antik in shelter..away from the very elements which it defies..and hidden from the eyes of the orb...bleachless in an everending florescent twilight or high noon..opens only onto the horzontall plan of eminence that is pictorially in view by a perspective cut into a window or frame..dome is cl.arch and present. <>III<> la Soleil et le Frre. ey they worship nothing but the matte sky, the blanked out constellationless evenings. so, as now, as it has always been| sur la terre et de notre sang. ~_Zepalz highreize||ravaged|.lines which cutt the stocks of the constellations by a predominately matte horizon. which is far beyond the phenomenal presentati0n of discords in old.builds|\model block1908|| this post-modeling is for the apparent, quick flashes of the micropixel. however, when the visible is eclipsed by monuments which reflects only shards of an opaque sky, you must be brought to wonder where it is that the building-callings||resonate to....or for that matter where does the reciprocation pickup from...crawling down from the new tapestry,-drools yet to stem. no this is much further into the etymological places where the mingling of the phonemes breach the banks of morphology. actual names, breeze in a whimsical powder like presentation matted along the sky...one without form without contour without the right passage./\of the phantoms. | | lets, appeal to the reasons, the majics, covering over the sisters.. blockages, rose-mm. when we take apart the sky. with Romain columns, which are at the reaches of Babel. yet Babel was a tower of man, the permanents of gods in kings. even the banks towers rose, from their own, pithy. yet, the new forms, which rise are that of the matte_sky.-the homage to void. emit:callings|||:flack.frontNEOscraps.-des yeux...the end result of the canalization lining up on the street names. much like plutonium blood poisoning. <>IV<> Harkna-Nunquam abode in the The Revolt of Aphrodite. See, the orgy of delight at the moment when whipped by the stallions. would be rvls. (why descend away from the thrust of the argument into semblances of forms?). to interruptions is what is left, in the ALLmearc[,Inc.@were already on the run. banc-lashare. cover me, with your sting. lembers. <>V<> once, and only forever,. Take for consideration Walter Benjamin's approaches to the espousal of idea. i am at once fascinated by the possibility within constellation lines where to outstretch their projections imposed upon the sphere, however, if we take to task modular comprehension of the positions of stars or rather clusters of whole galaxies whole we know that they do, form along stems, arches and crease along webs which sprout of density along the fabric when approached as a single

plane model. furthermore, we if taken into consideration lights natural ondulational form, only experiential perceived phenomenon in drectline{in normal circumstance}, or by diffusion or refraction from the sources due to coalitions. however, it is that the liens on the constellation are always there in beams, though they are unseen or rather unviewed. as nevertheless, beams do cross. they are the connections that remain in the stasis to be only unveiwed. as if you view the light of a star from a perpendicular angle only through a distortion would it become apparent (visible) yet. its spectral essence is there. rather it is their in pure actuality just as it is a mark of a ghost. <<Each moment it has lived becomes a citation a l'ordre du jour and that day is Judgment Day.>>Walter Bendix Schnflies Benjamin|par.III|ber den Begriff der Geschichte Thus of that line, now like the leafs, only with a compulsion of bright and remote, it is the transpiration of these metaphysical moments which aligns in euclidean spaces, our forms, and then allow nodes of flow, bright. for the grasp of power formation conventions.

consternation
Pour matter l'or, il faut prendre de la sanguine, du vermillon & du blanc d'oeuf, broyer le tout ensemble, & le poser, ensuite avec un pinceau dans les enfoncemens. (Nol Chomel, Supplment au Dictionnaire oeconomique, 1743) However, now something far more pressing, i think, is on the horizon, factures on the billet charts, the front splashpaged covers in ever-green. wide-eyes. well the soaps. Clench-fists and wipe. Smears from the brow...lickerish still thick...pluses, which confront the boundary which comes into the vernier. for each moment when you look up and take a piece of the sky into your eye, and let it close; their is the an instance of capture. -forever in the stillness of your movements expands around the nebula, incubating the potential veinlings. Transient flows which capitulates the moments where each is to have attempt to solidify its own temple erect. a monument which reaches to build up along the crescents their shutters for the absent. windows for the still endless flat. yes.i have nothing against:||i support the rise of builds, higher, highest, through past the heavens reaches...but, i am not to take the side of the approaching matt. the building themselves, creep a kind of nullification of formality. it is that, the bui8ldings become the matte of the sky.-a reproduction of it. their clear windows, angled refracting a kind of milk blue. yet, despite this appearance, they are blocking out the sky, repudiating it. softening the depth of the horizon,..and most importunately cutting the lines of constellations,.

postscripted./
Seek for food and clothing first, then

the Kingdom of God shall be added unto you. Hegel, 1807

\it is a secular-consumptive occupation; on all faiths of all mysticism, breathed religions of any flag. It is a

front to any identity, of any silence or voice. In short, it is an assault on humanitys will, and soul. if in fact; if we still lived in the Christian Commonwealth ( in High Middle Ages then yes, your work, is directly tied to the ethical production of means. this, is actually an aspect which was brought down by the emergency of the state. which attempted to consolidate the ethics of means, into a new form; nationalism..) id est; when the higher apparatuses of society was split between, sacerdotium, regnum and imperium, you can claim that the very act of labour, is in the service of the production of the societies, ethicalself. in a corporatist mode. which ties the elements of production to itself in a manor which yields development which is seen to provide a higher goal and net worth to society. note; that though in the contemporary, your work may be a part of a process of production, it is not what defines, the agency of the production. rather it is the consumptive analogous to the flow of capital. which you have no really part in.thus, in a contemporary, post-neo-liberal culture, your work as an act is not equatable to the material products of the society on an ethical direct connection. rather; it is in your agency as both consumptive and distribute, or information relegation which demarks your ethical relationship to the human society.,hence, both education, and right thought, become more important then your wealth activity. as wealth itself as been strip of its power to confront meaning. you on the other hand by comments, thoughts and political agency in a direct mode, create the access and paradigm of ethical engagement, in the society itself. this is all side to the complex issues of weather employment is something to be taken from others, or can be,. the mode of economic relationships should preclude it as in a capitalist society work is not really relevant to the functionality production, as this can be achieved via, the system which is along side, the capital system, we use the capital system because it has been alluded as the most prolific and normative in its predominance to date in providing guidance to a production mechanisms.-in its own stability. anywhoz i am going to go practise some clarinet...