Professional Documents
Culture Documents
Copying,QuotingandAbstracting: TheChicagostyleandessaywriting
http://www.youtube.com/watch?v=E7eOVpBCtPo&feature=related
Copying
AcademicConduct
Quoting
U i Chi UsingChicago15AStyle 15A S l
Abstracting
Whatisanabstractandwhyaretheyimportant?
Why?
UWAscommitmenttoethicalscholarship Academiccommunity
Referencingallowssomeonetofollowandbuild onyourwork on your work
10/08/2010
Referencing
http://writing.wisc.edu/Handbook/DocChiNotes.html
http://www.lib.monash.edu.au/tutorials/citing/chicago .html
http://www.chicagomanualofstyle.org/tools_citationguide.html
http://www.studentservices.uwa.edu.au/ss/learning/online_services/academic_w riting/alva/referencing
ChicagoStyleManuelofStyle15A
OrChicago15A
NOTE:therearedifferentChicagostyles humanities(footnotes/endnotes)andauthor datesystem.Weuse humanities y Footnoteplusbibliography
Referencing
WhyChicago?
Usage
ThestyleusedbyJournaloftheSocietyofArchitectural Historians(US)andJournaloftheSocietyof ArchitecturalHistoriansAustraliaandNewZealand Architectural Historians Australia and New Zealand
Efficient,clearandinclusivesystem
Nopagenumbernotation(ie pporp) NoLatinabbreviations(ie noibids or opcits) 15A isabletoaccommodatearangeofesoteric material
Interviews,theses,conferencepapers,emails
10/08/2010
Whatarethefeaturesof15A
Footnote/Endnote
(I'dgofootnote,youwanttomakethe readers/markerslifeaseasyaspossible)
Bibliographicentriesinthefootnoteareintwoforms
Full Usedinthefirstcitationofawork Shortened Usedinanysubsequentcitationsofthatspecificwork
Bibliography
Referencing
books bookchapters journalarticles newspaperarticles p p conferencepapers governmentpublications statisticsfromABS encyclopaediaanddictionaries theses websites websitedocuments
Whentoreference?
Whenquotinganauthorsexactwords Whenparaphrasinganauthorstext Whensummarisinginformationfromatext WhilesomeChicagoguidessuggestthat youcanreferenceattheendofa paraphrasedparagraphthebestpractice istoreferenceeachsentence.
10/08/2010
Book(singleauthor)
The topology metaphor is no coincidence, nonetheless. The detour via the exact sciences in this case mathematics served first of all to ascribe to architecture an allegedly objective and contemporary foundation. To this end a single aspect was isolated from its complex reality and subjected to independent investigation, in a way analogous to scientific testing.16 First reference 16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture y g y (London: Thames and Hudson, 2000), 62. Subsequent reference 17. Forty, Words and Buildings, 67. Bibliography Forty, Adrian. Words and Buildings: A Vocabulary of Modern Architecture, London: Thames and Hudson, 2000.
Content
Firstreference
Author(Name Surname) Title (& Subtitle)
16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames and Hudson, 2000) 62 Hudson 2000), 62.
Place
Publisher
Year
Page Number
Content
Subsequentreference
Author (Surname only) Title (shortened)
Page Number
10/08/2010
Content
Bibliography
Author (Surname, Name) Title (& Subtitle)
Forty, Adrian. Words and Buildings: A Vocabulary of Modern Architecture, London: Thames and Hudson, 2000. ,
Place
Publisher
Year
No Page Number
Format
Normal size (Not
Superscript)
Italics
16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames and Hudson, 2000), 62.
Format
Colon (between title and subtitle), Space
16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames and Hudson, 2000), 62.
Open bracket
Comma, Space
Full stop
Colon, Space
10/08/2010
JournalArticle
My initial engagement with this complex of buildings was in the form of a review published in this Journal in early 2004. That review marked the first instalment in The Journal of Architectures programme to publish long-form reviews of built works regularly,2 and I chose to review Federation Square largely because I had been struck by how it engaged in an active way with Melbournes central city grid. Footnote 2. Charles Rice, At Federation Square, The Journal of Architecture 9, no. 1 (2004): 105. Subsequent reference 5. Rice, At Federation Square, 115. Bibliography Rice, Charles. At Federation Square. The Journal of Architecture 9, no. 1 (2004): 105120.
JournalArticle
Firstreference
Author (Name Surname) Article Title (& Subtitle) Journal Title Volume
2. Charles Rice, At Federation Square, The Journal of Architecture 9, no. no 1 (2004): 105 105.
Issue
Year
Page number
JournalArticle
Subsequentreference
Author (Surname only) Article Title (Shortened if necessary)
5. Rice, At Federation Square, 115.
Page number
10/08/2010
JournalArticle
Bibliography
Author (Surname, Name) Article Title (& Subtitle) Journal Title Volume
Bibliography Rice, Charles. At Federation Square. The Journal of Architecture 9, no. 1 (2004): 105120.
Issue
Year
Page number
Website
The jury citation for the Murcutts Prize award is replete with references to purity, clarity, and the mysticism of place. J. Carter Brown, the jury chairman, commented that Glenn Murcutt occupies a unique place in todays architectural firmament. In an age obsessed with celebrity, the glitz of our starchitects, backed by large staffs and copious public relations support, dominate the headlines. As a total contrast, our laureate works in a one-person office on the other side of the world from one person much of the architectural attention, yet has a waiting list of clients, so intent is he to give each project his personal best. 13 Footnote 13. Pritzker Prize Jury, Glenn Murcutt Jury Citation, The Pritzker Foundation , http://www.pritzkerprize.com/laureates/2002/jury.html, (accessed July 13, 2010) . Bibliography Pritzker Prize Jury. Glenn Murcutt Jury Citation. The Pritzker Foundation. New York. http://www.pritzkerprize.com/laureates/2002/jury.html.
Abstracting
Whatisanabstract?
Briefsummaryofessay,researchpaper,thesis, scientificexperimentprovidedatthestartofthe p publication. Inyourcase,itwillstateyourthesisandanticipate yourinvestigationandconclusions
Theabstractwillchangebetweenwhenyousubmitit fortheTest(Week4)andtheEssaysubmission.Thatis OK.
100 200words
10/08/2010
Abstracting
Whataretheelementsofanabstract?
THESIS
astatementofthepositionyouwillargueforinyour p y g y essay.
METHODODOLGY
Howyouwillproveyourthesisstatementandwhatyou willusetodoso.
FINDINGS
Whatpositionhaveyoureached
TheThesis
isdebatable
itmustbepossibletopresentacaseforand againstthestatement.Inyouressay,youwillbe expectedtoargueforonesidebutalsoshowthat p g youareawareoftheotherside.
limitsthescopeofyouressay canbesupportedbytheliterature.
Example1
10/08/2010
Thinking and Inhabiting the Doubled Interior CHARLES RICE Faculty of the Built Environment University of New South Wales The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation, the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood. (178 words)
Thinking and Inhabiting the Doubled Interior CHARLES RICE Faculty of the Built Environment University of New South Wales
THESIS Debateable position Limits the scope of the essay Evidence by literature
The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation, the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood.
METHODOLOGY Comparing writings of Adorno & Benjamin CHARLES RICE Comparing the notion Faculty of the Built Environment of domesticity with the University of New South Wales interior. The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation,the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood. Thinking and Inhabiting the Doubled Interior
10/08/2010
Thinking and Inhabiting the Doubled Interior CHARLES RICE Faculty of the Built Environment University of New South Wales
FINDINGS New concepts of the interior and avant-garde Relation to contemporary situation.
The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation, the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood.
Example2
Fromsmokefilledroomstosmokefreeenvironments:ahistoryofNewZealand domesticarchitectureandsmoke CHRISTINEMcCARTHY SchoolofDesign VictoriaUniversityofWellington Herpublicisthasjustinformedthechainsmoking[Lynn]Barberthatbeing photographedsmokinginpublicinNewZealandranksrightuptheresociallywith peopledeclaringthemselvesaspaedophiles."Really?"shesays,andwhipsoutapack ofJohnPlayerKingsize withtheairofsomeonesuddenlyproducingahowitzerina crowdedroom. TheintroductionofTheSmokefreeEnvironmentsAct(NZ)in1990marked achangeinthestatusoftheNewZealandpublicinterior,asthelegislation g p , g imaginesavisuallyandalfactorially pureinteriorspace.Smokewasan insectrepellentandessentialtotheinteriorofthecolonialMaoriwhare.Its inclusionenabledthedescriptionofthewhare asa"dismaledificeteemed withsuffocatingvapour,andformedwiththewretchedinmates,acompletepictureof cheerlessbarbarism." ThispaperwillexamineNewZealandinteriorsasdefinedbysmoke.Itwill explorethenatureofarchitecturalboundarypostsmokefreelegislation whichhascreatedanewconsciousnessaboutthresholdconditions,as rowsofcigarettebuttsnowlinethethresholdsofNewZealandworkplaces, andasthesmokerrealisestheboundariesbetweenconditionsofinteriority andtheexterioraredefinedbytheactionoflightinguporextinguishing cigarettes,effectingaperformativeandephemeralboundary.(205words)
10
10/08/2010
Fromsmokefilledroomstosmokefreeenvironments:ahistoryof NewZealanddomesticarchitectureandsmoke CHRISTINEMcCARTHY Herpublicisthasjustinformedthechainsmoking[Lynn]Barber thatbeingphotographedsmokinginpublicinNewZealandranks rightuptheresociallywithpeopledeclaringthemselvesas paedophiles."Really?"shesays,andwhipsoutapackofJohn PlayerKingsize withtheairofsomeonesuddenlyproducinga howitzerinacrowdedroom. TheintroductionofTheSmokefreeEnvironmentsAct(NZ)in1990 markedachangeinthestatusoftheNewZealandpublicinterior,as thelegislationimaginesavisuallyandalfactorially pureinteriorspace. g g y yp p Smokewasaninsectrepellentandessentialtotheinteriorofthe colonialMaoriwhare.Itsinclusionenabledthedescriptionofthewhare asa"dismaledificeteemedwithsuffocatingvapour,andformedwith thewretchedinmates,acompletepictureofcheerlessbarbarism." ThispaperwillexamineNewZealandinteriorsasdefinedbysmoke.It willexplorethenatureofarchitecturalboundarypostsmokefree legislationwhichhascreatedanewconsciousnessaboutthreshold conditions,asrowsofcigarettebuttsnowlinethethresholdsofNew Zealandworkplaces,andasthesmokerrealisestheboundaries betweenconditionsofinteriorityandtheexterioraredefinedbythe actionoflightinguporextinguishingcigarettes,effectinga performativeandephemeralboundary.(205words) Thesis: Change in status of the interior and new architectural boundary Methodology; examine interiors defined by smoke Id add how and which. Findings: A performative and ephemeral boundary exists
Example3
TranscribingtheContemporaryCity: LeCorbusier,AdelaideandChandigarh AntonyMoulis Withinthespaceofsevenmonthsin195051,LeCorbusier committedtwoseminalcityplanstopaper.Onewashis celebratedplanofChandigarh,themoderncapitalofthe Punjab,madeinFebruary1951.Theother,madeearlierin August1950,wasaredrawingofColonelWilliamLights PlanofAdelaide,SouthAustralia,theresultofachance meetingbetweenLeCorbusierandaProfessorofthe UniversityofAdelaideonsecondmentintheAmericas.This University of Adelaide on secondment in the Americas This paperbringsattentiontotheunusualcircumstances surroundingthemakingofLeCorbusiersAdelaideplanand observesparallelsintheplanningofChandigarhandthe processesofdesignanddrawingattributedtoLeCorbusier throughhisassociationwiththeCIAMgroup.Outofthis discussionthepaperalsoreconsidersthequestionof Chandigarhsoriginsasaworkofdesignandspeculateson thesignificanceoftheAdelaidedrawingtoLeCorbusiers postwarcareer.(149words)
11
10/08/2010
TranscribingtheContemporaryCity: LeCorbusier,AdelaideandChandigarh AntonyMoulis Withinthespaceofsevenmonthsin195051,LeCorbusier committedtwoseminalcityplanstopaper.Onewashis celebratedplanofChandigarh,themoderncapitalofthe Punjab,madeinFebruary1951.Theother,madeearlierin August1950,wasaredrawingofColonelWilliamLights PlanofAdelaide,SouthAustralia,theresultofachance meetingbetweenLeCorbusierandaProfessorofthe UniversityofAdelaideonsecondmentintheAmericas.This University of Adelaide on secondment in the Americas This paperbringsattentiontotheunusualcircumstances surroundingthemakingofLeCorbusiersAdelaideplanand observesparallelsintheplanningofChandigarhandthe processesofdesignanddrawingattributedtoLeCorbusier throughhisassociationwiththeCIAMgroup.Outofthis discussionthepaperalsoreconsidersthequestionof Chandigarhsoriginsasaworkofdesignandspeculateson thesignificanceoftheAdelaidedrawingtoLeCorbusiers postwarcareer.(149words)
Thesis: (inferred) Chandigarh was influenced by Lights Adelaide Methodology; examine parallels between Adelaide and Chandigarh and Corbs drawing/design process Findings: A speculation the significance of Adelaide to Corb and Chandigarhs origins
12