Professional Documents
Culture Documents
A Concept Paper
Foreword
Indias Unity in Diversity recounted through the wealth of its natural and cultural heritage, and their protection and enhancement through a concerted effort by government bodies and people at large, are the objectives of the India-UNESCO Heritage Passport Programme. Launched with the support of the Union Ministry of Tourism in September 2006, the Programme aims to promote heritage-based regional development through sustainable tourism along a historic itinerary linking several sites to recount the wealth of Indias lesser know destinations. Chettinad region, spreading over the districts of Sivagangai and Pudukottai in Tamil Nadu is becoming increasingly part of the popular tourist destination thanks to the magnificent Rajas palace in Kanadukathan, and palatial homes scattered across the towns and villages of the Region. However, beyond these iconic elements, what makes the charm of the towns and villages of Chettinad is perhaps the beauty of an overall village landscape created by the harmony of architectural elements and urban planning. Streets in grid pattern, the perfect alignment of houses against street axis, slope of the tiled roof and the height of the buildings.Even if the faades of the mansions bear witness of personal extravaganza of rich Chettiars families, the Chettinad villages stand out with their remarkable unity in architectural style that gives unique cultural and heritage identity to the Region. The present document prepared by the UNESCO expert team gives a meticulous listing of various aspects that constitute the overall cultural landscape of the Chettinad region in a hope to guide the work of the Government of Tamil Nadu in their future heritage-based tourism development. From a detail such as the style of beam and columns up to a larger issue such as street and settlement patterns and the protection of traditional water bodies, namely erys and ooranis, the study invites the government authorities to expand the scope of heritage management from a single monument to a regional perspective. The present study was undertaken as part of Revive Chettinad Heritage Campaign that UNESCO has initiated since 2007 with technical support from a Tamil Nadu-based French NGO, ArcHe-S, Anna University, Chennai, and French Ecole de Chaillot, and a generous financial and technical contribution of the Regional Council of Centre in France. The initiative was endorsed and supported by the Government of Tamil Nadu. The production of the publication was made possible thanks to the financial support of La Maison des Indes, a French travel agency specialized in India. I hope that this study will give a further insight to the Government of Tamil Nadu to guide its work of cultural tourism development. UNESCO New Delhi Culture Team
Acknowledgements:
Ms. Leena Nandan, Jt Secretary Tourism, Govt. of India Honourable Minister of Tourism and Culture, Thiru Suresh Rajan, Govt. of TN Dr. Iraianbu, Secretary, Tourism and Culture to Govt. of Tamil Nadu Mr. M. N. Sanwat Ram, IAS, President, Tamil Nadu Tourism Corporation Dr. M. Rajaram, Tourism Commissioner, Tamil Nadu Tourism Corporation Mr. Pankaj Kumar Bansal, Deputy Director, Tamil Nadu Water & Drainage Board (TWAD) Mr. M.A. Siddique, Former District Collector, Sivagangai Mr. Darez Ahamed, Additional Collector, Krishnagiri Mr. Muthu Ramalingam, Chairman, Union Panchayat, Sakottai Mr. P.L. Gandi, Vice Chairman, Union Panchayat, Sakottai Mr. RM. N. Karuppaiah, Chairman, Town Panchayat, Kanadukathan Ms. Ranee Vedamuthu, Head of Dept. of Architecture, Anna University Mr. Paul Trouilloud & Mr Robert Dulau, La Cit de lArchitecture et du Patrimoine Ms. Meenakshi Meyyappan, President, Revive Chettinad Society Ms. Minja Yang, Director, UNESCO, New Delhi Ms. Nicole Bolomey, Programme Specialist for Culture, UNESCO New Delhi
Table of Contents
Introduction............................................................7 - The Indian Heritage Passport Programme..........8 - Chettinad Tourism Today...................................9 - Heritage Oriented Development of the Chettinad Region.............................................11 Chettinad Heritage Region.....................................13 - Geography...........................................14 - A History..............................................16 - Unique Heritage Elements of Chettinad............21 - The Ambience of the Villages...........39 Regional Urban and Architectural Identity...............57 - Development of Planning................................59 - From the Street to the House...................60 - The Palatial Homes...............................62 - Architecture for Climate ......................64 - Space and Functions............................66 - Elements of Architecture.................................68
Table of Contents
Opportunity for Heritage-Based Development..........77 - Different Possible Itineraries...................79 - Opportunities for Tourism Development........82 - Challenges to the Development of Tourism....84 Looking to the Future............................89 - Make Chettinad a Destination.......................90 - Guiding Principles..............................92 - Action Plan / Revive Chettinad Project........94 - Chettinad Heritage House.............................96 - Creation of a Heritage Centre........................98 - Elaboration of a Protection & Development Plan.......................................100 - The Ecomuseum......................................102 - The Centre for International Exchange.........105 - The Centre for Training and Production of Handicrafts and Applied Arts...........105 Credit..............................................106
Introduction
Includes the identification and promotion of Intangible Heritage such as: Traditional skills for buildings and architecture Crafts including wood carving, metal work and textiles Festivals Performing arts Cuisine Brings together, state government, the private sector, NGOs, local artists and crafts people to support Heritage-based tourism.
20,0 Lakh; 11,0 Lakh; 41,0 Lakh; 24,0 Lakh; 2,7 Lakh;
2 Day trip:
Day 1: Thanjavur/Karaikkudi, Chettinad Rajas Palace in Kanadukathan; Houses in Kanadukathan and Pallathur. Day 2: Weavers in Karaikkudi; Tiles factory in Athangudi; Neman temple Lunch in Karaikkudi Chettinad/Madurai
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Proposed strategy to connect the Chettinad region to the major sites in Tamil Nadu
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2- David West Rudner (1987), Religious gifting and Inland commerce in seventeenth century South India, Journal of Asian studies, Vol. 46, n2 David West Rudners anthropologic study is based, in part, on field research carried out in Tamil Nadu from October 1979 to November 1981. [] Vital component in the south Indian economy, they represent the major banking caste of South India during the period of 1870 to 1930: a corporate organization of men and families that has been crucial to processes of capital accumulation, distribution and investment. [] The Nakarattar caste numbered perhaps ten thousand in 1896, forty thousand in 1920, by 1980 approximately one hundred thousand people. Their lifestyle combined qualities common to settled agriculturalists, urban industrialists and itinerant merchants. Although it is possible to trace many Nakarattar commercial practices back to the Chola period, the caste itself does not appear in the historical record until the 17th century, when they were involved primarily in small scale, itinerant salt trading activities in the interior regions of Tamil Nadu. By the 18th century, some individuals had extended their business operations as far south as the pearl, rice, cloth, and arrack trade of Ceylon. As in the case of other mercantile groups, trade was inseparable from money lending and other credit-extending operations. By the 19th and early 20th centuries, Nakarattars were the major sources of finance for myriad agrarian transactions between Burma, Ceylon, Malaya, and the Madras presidency. They dominated the role of mercantile intermediary between the British rulers and local populations by monopolizing important components of the credit, banking, and agrarian systems of Southeast Asia and by remitting huge amounts of capital from Southeast Asia back to their south Indian homeland for industrial investment and large scale philanthropy. During the 20th century, the Nakarattar business environment was altered in crucial ways by the development of nationalistic movements in Southeast Asian countries, by the general growth of legislation restricting indigeneous forms of banking and by the increase in industrial opportunities within India for non British businessmen. The consequences were significant. The caste organization of the Nakarattars began to unravel in the face of multi governmental interference with traditional banking practices. Non elite Nakarattars, perhaps 80 to 90 percent of the caste, were forced to scramble for new employment opportunities. []
Indian Heritage Passport Programme on the Chettinad Trail in Tamil Nadu 17
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About 3775 Kaliyuga, Puvandi Chola Raja imprisoned several of the Vaisya women, whereon all the 8000 Vaisya families destroyed themselves, leaving their male children to be taken care of by a religious teacher named Atmanadhachariar. The king accordingly made them marry Vellala girls. About 3808, a Pandya king, named Sundara Pandya, is said to have asked the Chola king to induce some of the Vaisyas to settle down in the Pandya territory. They accordingly once more emigrated and reached the village of Onkarakudi. The Chettis became divided into three sections, of which the Ilayaththukudi and Sundarapattanam are found at the present day at the Madura district. The members of the Ilayaththukudi section became the Nattukottais. They, not satisfied with only one place of worship, requested the king to give them more temples. Accordingly, temples were provided for different groups at Maththur, Vairavanpatti, Iraniyur, Pillayarpatt, Nemam, Illupaikudi, Suraikudi, and Velangkudi. [] According to a variant of the story relating to the origin of the Nattukottai Chettis, they were formerly merchants at the court of the Chola kings who ruled at Kaveripattanam, at one time flourishing sea-port at the mouth of the Cauveri, from which they emigrated in a body on being persecuted by one of them, and first settled at Nattarasankottai, about three miles north east of Sivaganga. By other castes, the Nattukotai Chettis are said to be the descendants of the offspring of unions between a Shanan and a Muhammadan and Uppu Korava women.
CHETTIAR COUNTERS IN ASIA IN 1900 EMPIRES IN ASIA AT EARLY 20th CENTURY British possessions Other empires Russian possessions French possessions Dutch possessions Major cities Chettinad region Main Chettiar Counters in Asia
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4- The Origin of the Nattukottaiyars and their Communal practices, Tamil manuscript from mid-19th, Translation (2004) M. Gobalakichenane, East West Books Madras It is a mid-19th century manuscript unearthed in the Bibliothque Nationale, Paris and is part of the collection of Edouard Ariel, a indologist who live in Tamil Nadu from 1818 to 1854. It constitutes an important testimony in Tamil cultural history. Mr M. Gopalakichnane, is an engineer hailing from Pondicherry and settled in France. Their village number is 96 within a square area of 4 kathams. The main town where they live is Devakottai. In olden days Kaveripattinam was the capital of the Chola king. During his reign, the prosperous Vellalars of his country assumed the name of Chettis. [] The prince found out that the above mentioned Chettis were as rich as the king and their abodes were as large as the kings palace. He proclaimed that they should seek his audience by entering a place with seven small entrances. They did so, thus showing no courtesy to the prince seated, showing their backside to him. Fearing punishment for this act of discourtesy, those Chettis set fire to their lodgings and many perished in the fire. 1011 young sons of those perished in the fire took refuge with their Brahmin tutors. [] The Pandya king who was then ruling Madurai in the south was for a long time concerned that there were no Chettis in his kingdom. Hearing about this, the Brahmin who was the guardian of the above mentioned boys brought them to the king who rejoiced and asked them to colonize as much land as they wanted South of the Vegai and North of the Velar. Thus they settled first in the village of Devakottai of the kings territory. Since no women accompanied those young men, the latter married women from the Kallar, Maravar, Sanar, Agamudiyar and Oddar communities. [] Just like the Vellalars of Kaveripattinam who never bowed their head, the Illayathankudiyars called Nattukkottaiyars also do not pay obeisance by joining hands or bowing head to any one of authority. Therefore, even if they cannot be considered as true Vellalars, they should also be termed as other numerous subgroups inside the Vellalars, as a type of subgroup. [] The Ilayathankudiyars, whose origin is ignored are sometimes unjustly referred to as Sanars. The above mentioned Ilayathabkudiyar including those inland and those who have travelled abroad on business and the women number about 50 000. In their homeland, they are agriculturists and traders. Abroad they are only merchants. [] Forty years ago, the above mentioned community was very poor. In the past few years since they have acquired wealth, they have attained prominence troughout the world because of their overseas trading. [] Year 1847"
20 Indian Heritage Passport Programme on the Chettinad Trail in Tamil Nadu
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Map showing the sub chettiar areas with the clan temples.
Map from S. Muthiah
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The 9 Clan Temples are: Illayathakudi Mattur Vairavan Iraniyur Pillaiyarpatti Nemam Illupaikudi Soraikudi Vellankudi
Nemam Clan Temple
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Oorani in Koviloor
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Oorani is a Tamil word for the surface water storage tank located in the villages and towns. In Chettinad, each village comprises a minimum of three water bodies in accordance with the storage needs of the villagers for drinking and bathing. The roofs typical of Chettinad architecture are designed to harvest water in the courtyards and then divert to the various different ponds through a water drainage network.
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Erys
Erys are the traditional surface water storage reservoirs found in Tamil Nadu. Organized into a huge network over the ages, they have played a very important role for the ecosystem and for irrigation in areas with low-rainfall, such as Chettinad. Due to this climatic constraint, since settling in the region, the Chettiars have been particularly involved in sustainable water management for agriculture and therefore in shaping the landscape.
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Terracotta figures in the Ayyanar shrine at Kotadi and Kothamangalam in the district of Sivagangai
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Ayannar is the Tamil God of everything: rain maker, god of the children, cattle, villages, earth, nature and villagers. He is present in rural areas. 60 places of worship are estimated in the region. The specificity is that he is not always in the temples and is covered with offerings in terra-cotta. The season of offerings is between April and September and the ritual duration is maximum 3 days. Although his army is represented, Ayyannar is seldom shown. Karapu is his right-hand man and leads the battles. The decision of the daytime festival is made by a committee of poojaris comprising of wise men (elders), astrologers and potters (Vellars). Everybody meets to decide on the day almost one month before the day of the offering. The potters are very important in the Ayannar sites as they are considered to convey the desire of the man towards God. The problem today, is to ensure the transfer of know-how of potters which is supposed to be hereditary in certain villages. There are less and less potters and many of them come from other areas. The priest of the temple place gives the first order. The terra cotta figures are offered by the villagers to Ayyannar. Villagers can also order terra cotta guard, dogs, snakes for the protection of all the animals of the village. During the rituals, the figures are brought into the temple. A spot of blood of hen is then applied between the eyes, thus giving life to the figures.
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The Chettinad train station is the historic gateway to the region. It is part of a well planned area which connects the core of Kanadukathan (with its Rajas palace) to the shivan temple, the Rajas Island, the cotton mills and the train station. Recently the station has been transferred to a new building. The surviving 1920s train station and the Rajas Guest house, organized around a plaza with the pleasant shade of trees form part of the Chettinad heritage area.
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Karaikkudi
Rayavaram
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Chariot makers
Metal work
Wood work
Athangudi tiles
Kotan
Jewelry
Cotton weaving
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Art of Kolam
Chettinad cuisine
Barathanattyam performance
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Kanadukathan is the heart of the current tourism trail in Chettinad situated in the district of Sivagangai, comprising around 5000 inhabitants. It is the village where the palace of the Rajas and two of the mansions converted into heritage hotels are located. Visitors can appreciate the peaceful ambience of the large streets of the village set in a semiurban context. Some new hotels are also coming up and will open soon.
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Details of window with stucco ornaments such as columns, Yalli and flora
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1900s Chettiar Mansion in the core historical area: Important setback of the main building with front gardens on each side of the entrance arch
Other 1900s Chettiar Mansion in the core historical area: Important entrance arch on the alignment of the street; small setback of the main building
Other 40s Chettiar Bungalow with Mogul, Gothic and Art Deco style of architecture
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Narrow Chettiar street with monumental entrance arches and small setback
Important mansions along the Raja Street, punctuated by their monumental arches and topped by canopies
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Main Street with its alignment of high compound walls marked by a series of impressive porches
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Series of Mansions of different inspirations located in some large streets of the new Quarter, south of Shiva Temple
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Development of Planning
Over the course of time, the settlement of the village of Kanadukathan has evolved into a perfect urban grid pattern. The Chettiars also had a vision of planning which aimed at connecting the Chettinad train station, the airport, the Shiva temple and the Rajas Island to the core of the village with the palace of the Raja.
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Compound walls elevation, CVCT Street in the village of Kanadukathan Maximum height of compound walls : 2 meters
Compound walls alignment Plan showing the alignment of the buildings and compound walls in CVCT Street in the village of Kanadukathan
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Faades
On the ground floor, the architecture is typically Tamil, with the outdoor tinnai and inner tinnai (pattalea), the central courtyard (nadu veassel) with its puja rooms (rettai vidu) on each side. However one can also see Western influences on the front faade and higher floors, with features of classical architecture, such as a series of colonnades, cornices, multi-level balustrades, parapets and symmetrical organization following the classical genre.
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Many of these houses have evolved over nearly two centuries and are veritable palaces. Constructed on mounds, they feature verandas, reception halls and court rooms situated along a longitudinal axis. This organization mirrors the structure of the society and the rules of the community.
Axonometric projection of a palatial Chettiar house Outdoor tinnai, Inner tinnai, Main Reception Hall, Main Courtyard, Dining Room, Wedding Hall, Womens Courtyard, Kitchen and Servant Courtyard
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The rain water is collected from the central courtyard and diverted to storage water tanks
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Family System
3-Entrance
14-Womens Courtyard
15-Kitchen Courtyard
5-Inner tinnai
Nagarathrars was an undivided joint family (valavu) containing several co resident hearth-holds orconjugal families (pullis) and extending to three or four generations under direction of the oldest active male. The pulli was the basic reproductive and daily consumptive unit of the Nakarattar caste. It normally comprised a married man, his wife, their children, and other dependents. The term valavu literally denotes the architectural portion of a Nakarattar house, consisting of a central courtyard and the surrounding ring of rooms housing each of the resident pullis. Corridor surrounding the valavu lead to arais (rooms) one or two in number one within the other called ul-arai and veli-arai which was used by the pullis who shared the family business for their private use and their personal storage. Each pulli had its own living quarters and cooking hearth There are many a times more than one kitchen, one for each pulli (married couple). K. Sasidhar, Dr. R. Vedamuthu, An Anthrop Arch Approach to the Study of the Contemporary Chettiar Dwelling of Tamilnadu, India Indian Heritage Passport Programme on the Chettinad Trail in Tamil Nadu 67
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Entrance
tinnai
Main courtyard
Kitchen courtyard
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Concrete Figures
Every house is embellished with concrete figures. Front faades were subject to particular attention and one can see different themes of inspiration: Deities, such as Gajalaxmi, Lord Shiva or Lord Krishna; kings and queens, rajas and ranis, British soldiers, hunters, or allegorical representations of fauna and floral
Ornamental elements
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Above: Imposts wood work carving Left: Main door from 1870s Below: Sophisticate wooden top column
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Handicraft Trail, 1 day: Metal work in Pallathur; wood work; chariot makers and handloom weaving in Karaikkudi; Concrete tiles in Athangudi; Kotans near Pillaiyarpatti; Kollam workshop in a variety of villages. Cuisine Training, 1 day: A Chettinad cuisine experience could be offered to the visitors in hotels and restaurants, or as a participative experience with local residents. A visit to the weekly Chandy market could be the introduction to the experience. Sea shore Trail, 1 day: Chettinad is located 40 Km from the seaside. Mimisal is a nice end destination to a route which crosses verdant countryside. It also provides an opportunity to visit the village potters who make beautiful horse, cow or elephant figures, offered to the local deity of Ayyanar during the Tamil New Year festivities. Avudaiyarkovil Temple is one of the most interesting temples under Chettiar influence in southern Tamil Nadu with very unique stone carving over the shrine. Nature Trail day: Bird watching nearby traditional water systems (erys) and in rice fields. Visit to Vettangudi Bird Sanctuary and its sacred wood. Art Deco Trail 1 day: Walk around the important 1920-40s area of Karaikkudi with a visit to the 1000 Windows House. Other villages such as Kanadukathan, Kothamangalam or Rayavaram contain examples of Art Deco architectural heritage which would be interesting for tourists.
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Re-use of Palatial Homes : Many of the Chettinad mansions could easily be converted into heritage hotels with moderate alterations or appropriate extensions. Owners could also begin to improve parts of their homes in order to develop sustainable tourism. A Large Geo-Cultural Territory : Chettinad is a large geo-cultural region with 73 villages spread over 1500 Km2. Even if the process to protect and monitor the development of the entire area is a long one, the fact remains that this unique and varied heritage has to be explored. Inclusion into the 2008 Watch List of the World Monuments Fund: The NGO ArcHe-S has proposed Chettinad for inclusion into the 2008 Watch List of the WMF, with the endorsement of UNESCO New Delhi. Chettinad was included in the list in June 2007. ArcHe-S will submit Chettinad for the 2010 Watch List in order to promote awareness of its potential for sustainable heritage-based development.
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Bad Future
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Bad Future
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Bad Future
Development without planning and regulations will entail the loss of Chettinads heritage. A specific regional plan will be necessary to outline the possibilities of heritagebased development which would include the following: Definition of the heritage zone; height of the buildings; alignments; types of windows; materials and colours. Connectivity, mobility and public facilities also have to be considered before-hand.
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Creation of a Regional Plan and a Master Plan, an Inclusive Local Protection and Development Plan - Regional level - Local and village level - Restoration and adaptive re-use Development of Cultural Tourism - Development of different types of accommodation for tourists - Creation of tourist facilities such as restaurants, coffee shops and souvenir shops Training for guides - Development of cultural activities such as an interpretation centre and an eco-museum - Promoting and introducing the Chettinad gourmet cuisine - Highlight living heritage such as religious or village festivals. Revival and Development of Chettinad Handicraft - Encouraging initiatives for local know-how through micro credit schemes - Promoting local handicrafts - Creation of a centre for training and production of handicrafts and applied arts - Creation of a centre for international exchange
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The Objectives of the Tourism Development Plan should be To support the initiatives of cultural tourism which are respectful of the natural and built environment, in particular the aesthetic, historical and architectural value of the buildings. To consider and respect the local population and invite their participation in the development and implementation of tourism projects (creating jobs for the local population under fair working conditions with improved health and social security). To promote the adoption of the 1995 Charter on Sustainable Development and the Charter for Sustainable Tourism, drawn up by the WTO to the local population and to tourism professionals and the authorities. This can be achieve by educating the personnel on the environmental aspects and their role with respect to this; satisfying the expectations of clients and obtaining their loyalty and support by providing information and educating them on the environmental aspects of the charter; saving and/or recycling resources by putting the necessary systems into place, using local natural resources, where possible, for raw materials and organic food, etc. To create a resource centre for monitoring and mitigating the impact of tourism on the environment and humans in this fragile context. To spread awareness of the region throughout India and abroad, to organize visits, conferences and any other programmes to promote the region.
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The School in the old Alagappa Chettiar house in Kottaiyur proposed for conversion into the office of the Chettinad Heritage House Expert Team
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Heritage Building in Kottaiyur to be converted into the Chettinad Heritage House and Heritage Centre
Heritage building at the Chettinad train station to be converted into Interpretation Centre
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Objectives
Constitution of a collection of art and ethnographical objects that serve as a reference for Chettinads heritage. Conservation and restoration of the existing architectural heritage. Presentation of an educational exhibition to the public suitable for both local inhabitants, tourists and academicians . Spreading knowledge and awareness of this heritage through the development of cultural tourism. Creation of archives for the use of the local population and interested parties. Resource centre for those involved in the global project An important link for promoting the production of handicrafts. Visitors will visit the workshops where the handicraft will be on sale. A cultural centre organizing programmes on the museum premises, such as the dances of South India, public readings by Indian authors, exhibitions of the work of the in-house artists, etc.
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Exhibition Themes
History - The Nagarathar Chettiars, origin and legends - The Nagarathar Chettiars, a community of merchants in pre-colonial India - The Nagarathar Chettiars, the Zenith of Chettinad power and influence - The Nagarathar Chettiars today Territory - Chettinadu, clans and temples - Chettinadu, urban planning, water management, villages consisting of palatial homes
Way of life and traditions Types of traditional architecture and external influences Family structure and rites from birth to death,anniversaries, etc. Local arts and crafts in Chettinad: Athangudi tiles; Chettinad plaster, frescoes; textiles: silk, cotton; basket work; wood carving; figurines and sculptures in terracotta; bronze work; gold and silver work, jewellery; stone sculptures; Tanjore paintings; concrete sculptures Imported objects: polished marble and granite; lacquer ware from Burma; terracotta from China, Vietnam and Burma; ceramics from Japan and Great Britain; stained glass; enamel vessels
Example of exhibits: Baskets, kottans, various containers, vessel at Rm. Rm. Foundation in Kanadukathan
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2007 and 2008 Chettinad Heritage Studio-Programmes within the framework of international exchange between Anna University (Chennai) and School of Chaillot (Paris), with the collaboration of UNESCO and ArcHe-S
2007 and 2008 Chettinad Heritage Studio-Programmes within the framework of international exchange between Anna University (Chennai) and School of Chaillot (Paris), with the collaboration of UNESCO and ArcHe-S
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The Centre for Training and Production of Handicrafts and Applied Arts:
Starting a Virtuous Cycle
The handicraft centre will ensure: - Provision of training, particularly for women and youth, to give employment opporunities in the production units and restoration sites. This would have the dual purpose of improving their standard of living and also preserving the cultural heritage of the region. - Creation of work for experienced artisans, thus helping the transfer of knowledge from generation to generation. - Training in technical areas as well as in the fields of design, management, commercial techniques and new technologies. - Constant guidance for artisans to master the technical and theoretical aspects of their crafts through a permanent support from the professionals of the Centre and the invited experts. - Logistics of production and marketing.
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Credit :
ArcHe-S and Dept of Tourism, Tamil Nadu Government: Anna University in collaboration with ArcHe-S City of Chinon Sector Protection Plan Chinon: ArcHe-S photos: ArcHe-S diagram: Mr. Abby Philip, ArcHe-S: Mr. S. Mudhiah: Mr. V. Muthuraman: Unknown Old photo of Chettiars: Ms. Marie Kindel Maps: 9 35; 57/61; 63/66; 72 85;89; 95; 101 Cover; 4/7; 11; 15; 21/56; 62/63; 65; 67/77; 80/81; 85/86; 88; 92; 95; 97/99; 103/104 10; 12; 79; 87; 97; 48/49 24 37 13; 16 14; 18/19
Special thanks to the Students of Anna University: Usha Devi, Sujitha, Sivakumar, Sharanya R., Pavithra, Jayakumar, Askara Fahmin, Cchristina, Dinesh, Bivvya, Kiruthika, Neha, Ridhi, Bharathi, Elizabeth, Karthik, Lakshmi, Prathikssa, Saritha, Dhileep, Greg, Janani, Rahdika, Sivabharathi, Suvetha, Aparna, CLBF, Gomathy, Ranjani, Shruti, Valshnavi, Vidhya, Adithya, Anuradha, Apoorva, Prita, Raja, Sangeetha, Subhashini
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United Nations Education, Scientific and Cultural Organization (UNESCO) B5/29 Safdarjung Enclave New Delhi 110 029 INDIA Phone : +91-11-2671 3000 Email: newdelhi@unesco.org website: www.unesco.org/newdelhi
The printing of the publication was supported by LA MAISON DES INDES, FRANCE