Professional Documents
Culture Documents
by Sergei Prokofiev
Libretto by Sergei Prokofiev and Mira Mendelson-Prokofieva Original version of War and Peace edited by Rita McAllister
World premiere of the original version Conductor Timothy Dean Director Irina Brown Designer Chloe Lamford Lighting Designer Johanna Town Movement Director Kally Lloyd-Jones
Theatre Royal Glasgow Friday 22 and Saturday 23 January 2010, 7.15pm Festival Theatre Edinburgh Thursday 28 and Saturday 30 January 2010, 7.15pm
Running time 3 hours 15 minutes. There will be a 20 minute interval after Scene Six. Sung in Russian with English surtitles.
RSAMD 2010 All details correct at time of going to print. The Royal Scottish Academy of Music and Drama reserves the right to change perfomance details without prior notice if necessary.
The Academy gratefully acknowledges the permission and support of the Prokofiev family for the reconstruction and performance of the original version of War and Peace. The performances are given by permission of Boosey & Hawkes Music Publishers Limited. The Academy thanks Boosey & Hawkes for their help to the editor, and for providing performing material for the reconstruction of the opera.
Sponsored by
Supported by
In association with
Welcome Professor John Wallace OBE Principal, Royal Scottish Academy of Music and Drama
Tonights joint RSAMD/Scottish Opera production is the continuation of a long-term relationship with the Rachmaninov Conservatoire in Rostov-onDon, Russia, and the culminating production of an eighteen-month project, Celtic Cossack Connections, funded by a major grant from the Institution Building Partnership Programme (IBPP): Support to EU Russia Cultural Cooperation Initiatives. This project has encompassed opera, traditional and folk music, classical music and jazz. Tonight, Prokofievs War and Peace brings together Scottish and Russian institutions and their deep wells of talent, to enable you to have the opportunity to hear, for the first time, Dr Rita McAllisters new performing version of the score following the composers original intentions. Be aware that tonight, The Orchestra of Scottish Opera will be sitting sideby-side with the RSAMDs professionals-in-training in the pit, six of the cast are from Rostov and its associated Komitas Conservatory in Yerevan and the rest of the 28-strong cast, plus the chorus, are from the Academy (the proportions will be reversed for the Rostov performances in March 2010). The set, designed by Chloe Lamford, has been built in Scottish Operas workshops, with the involvement of RSAMD Technical and Production Arts students who are also providing a fair proportion of tonights stage crew, mentored by Scottish Opera staff members. This project has been a major milestone for the three partners involved, and I would like to thank my colleagues Alex Reedijk, General Director of Scottish Opera, and Alexander Danilov, Rector of the Rachmaninov Conservatoire, for embarking on such an adventurous journey with us, and seeing it through to such a fruitful conclusion. I would also like to take this opportunity to thank Standard Life for their support of this production.
04
05
06
07
08
09
10
11
Time present and time past Are both perhaps present in time future, And time future contained in time past
T.S. Eliot Burnt Norton
12
Cast /
Prince Andrei Bolkonsky Natasha Rostova Sonya, her cousin Michel de Souza Diana Harutyunyan*/Maria Kozlova** Beth Mackay
15
Two years later. Count Rostov brings Natasha, now engaged to Prince Andrei, to meet Andreis father, the Old Prince. Prince Andrei has been away for a year but is due back soon. The old man refuses to receive the Rostovs. Andreis sister, Princess Marya, comes to greet them instead. The Princess makes awkward conversation, mentioning the threat of war. Then the Old Prince enters. He mocks Natasha. He does not consider her a suitable match for his son. It dawns on Natasha that Andrei has been sent away in the hope of discouraging their marriage. She wishes he were back.
At Hlne Bezukhovas soire, the hostess congratulates Natasha on her engagement to Prince Andrei, but confides that her brother Prince Anatole Kuragin is lovesick for Natasha. Anatole appears, declares his love, and thrusts a letter in Natashas hand. Flustered, Natasha reads the letter, written in an extravagant romantic language. It says she alone must decide Anatoles fate. Rejected by Andreis family, alone and vulnerable without Andrei, Natasha is swept off her feet by Anatole. Sonya overhears her and tries to warn her that Anatoles intentions may be far from honourable. Count Rostov, disapproving of the free-and-easy atmosphere at the soire, takes the girls home.
Cast /
Old Footman Chambermaid Valet Natasha Rostova Count Rostov, her father Princess Marya Bolkonsky, Prince Andreis sister Prince Nikolai Bolkonsky, father of Andrei and Marya Mlle Bourienne, governess Jamie Rock Laura Margaret Smith Ott Indermitte Diana Harutyunyan/Maria Kozlova Stephen Fennelly Maria Brown Craig Wickham Elizabeth Garton
Cast /
Hlne Bezukhova Prince Anatole Kuragin, her brother Natasha Rostova Count Rostov Sonya A French Abb Dr Metivier Lucinda Stuart-Grant Sergey Mankovskiy Diana Harutyunyan/Maria Kozlova Stephen Fennelly Beth Mackay Gitai Fisher Owain Browne
16
17
Anatole, at the quarters of his comrade-in-arms, Dolokhov, is getting ready for Natashas abduction, planned for this night. He and Natasha will be married in a little church outside Moscow and then flee abroad. Although Dolokhov has masterminded the whole plan, including the romantic letter, he encourages Anatole to think again; Anatole is already secretly married and may end up being court-martialled. But Anatole, infatuated, cannot think of the future. Balaga, a troika-coachman, arrives. Over the years he has taken part in many an escapade with his masters.
Cast / Cast /
Prince Anatole Kuragin Dolokhov, his friend, an officer Balaga, a troika driver Matryosha, a Gypsy Joseph, valet Sergey Mankovskiy James Birchall Donald Thomson Melissa Lunn David OHanlon Natasha Rostova Dunyasha, Natashas maid Maria Akhrosimova Gavrila, her butler Prince Anatole Kuragin Dolokhov Sonya Count Pierre Bezukhov Diana Harutyunyan/Maria Kozlova Marie Claire Breen Rebecca Afonwy-Jones Bryan Benner Sergey Mankovskiy James Birchall Beth Mackay Dmitry Ivanchey/Bjartmar Sigurdsson
18
19
Hlne entertains some of her French friends in Pierres study. Pierre confronts Anatole and demands that he should leave Moscow. Disgusted with his wife, his brother-in-law and the others, Pierre wishes he could live in accordance with his ideals. Lieutenant-Colonel Denisov enters with the news that Napoleons troops are gathering at the border: its war.
Cast /
Hlne Bezukhova Count Pierre Bezukhov Prince Anatole Kuragin A French Abb Dr Metivier Lt. Colonel Vassily Denisov Lucinda Stuart-Grant Dmitry Ivanchey/Bjartmar Sigurdsson Sergey Mankovskiy Gitai Fisher Owain Browne Nicholas Morris
20
Scene Seven / Rayevsky Redoubt on the eve of the Battle of Borodino, 6 September 1812
The peasant militia are building a redoubt and digging trenches. They have been inspired to the battle for Moscow by the newly appointed FieldMarshal Kutuzov. Led by him, they are ready to crush the French. Some peasant women from the village of Borodino bring food for the men. The women say they are getting ready for the battle too. Denisov and Prince Andrei meet on their way to see Kutuzov. Denisov shares with Andrei his plan to break through the enemy line with a detachment of peasant militia. Alone for a moment, Andrei reflects on his love for Natasha, their engagement and her betrayal of his trust. He catches sight of Pierre, who has turned up to observe the battle. Andrei is convinced that the battle will be won and expresses to Pierre his contempt for the German generals who, as allies, are military advisers to the Russian Army. They think of nothing but tactics, dismissing the people. Privately Andrei contemplates the possibility of death. Pierre fears they will not meet again. Kutuzov arrives to watch the final presentation of the colours before the battle. As Andreis regiment goes past, Kutuzov invites Andrei to join his staff. Andrei declines. He wants to stay with his regiment and fight. The soldiers and peasants step forward to face the battle. The opening shots are heard.
Scene Eight / Shevardinsky Redoubt during the Battle of Borodino, 7 September 1812
On the other side of the battlefield, Napoleon is dreaming of taking Moscow and civilising Russia. As the situation on the battlefield turns against the French, several adjutants rush in with messages from their commanders, requesting reinforcements. But Napoleon is reluctant to send in his last reserves and is torn by doubts. Nothing seems to work the way it normally would. The French are on the brink of losing the battle.
Cast /
Tikhon Shcherbaty Fyodor Matveyev Trishka Kondratyevna Vassilissa Prince Andrei Bolkonsky Lt. Colonel Vassily Denisov Count Pierre Bezukhov Field-Marshal Prince Mikhail Kutuzov Dolokhov 1st German General 2nd German General Prince Andreis Orderly 1st Staff Officer 2nd Staff Officer Kutuzovs Adjutant Vahagn Margaryan Jakob Holtze Johansen Andrew McTaggart Catriona Morison Charlotte Emma Whittle Melissa Lunn Michel de Souza Nicholas Morris Dmitry Ivanchey/Bjartmar Sigurdsson Aram Ohanian James Birchall Ott Indermitte Owain Browne Benjamin Vale Bryan Benner Jamie Rock Kieran Bain
Cast /
Napoleon Marshal Berthier General de Caulaincourt Monsieur de Beausset General Belliard Aide-de-Camp to Napoleon Aide-de-Camp to General Compans Aide-de-Camp to Marshal Murat Aide-de-Camp to Prince Eugene Aleksey Gusev Owain Browne Cailean Swainson Warren Gillespie Jamie Rock Donald Thomson Gitai Fisher Brynne McLeod Matthew Todd
26
27
Andrei is wounded and delirious. He sees strange visions and hears strange sounds. In moments of clarity, he thinks of Natasha. Suddenly she enters. Seeing her again, he knows his love for her is as it used to be. She stays at his bedside as he dies.
Cast /
Lt. Jacquot Lt. Grard Captain Ramballe Lt. Bonnet Shopkeeper Matveyev Young Worker Dunyasha Mavra Kuzminichna Count Pierre Bezukhov Marshal Davout Davouts Adjutant French Officer Ivanov Platon Karatayev 1st Lunatic 2nd Lunatic 3rd Lunatic Dominic Barberi Steven Phillips Stephen Fennelly Stephen Chambers Elizabeth Garton Andrew McTaggart Jonathan Cooke Marie Claire Breen Jemma Brown Dmitry Ivanchey/Bjartmar Sigurdsson Craig Wickham David OHanlon Nicholas Cowie Barry McAleer Jamie Munn Gitai Fisher Benjamin France John Findon
Cast /
Prince Andrei Bolkonsky Natasha Rostova Michel de Souza Diana Harutyunyan/Maria Kozlova
28
29
The Chorus
The French retreat along the Smolensk road with their prisoners, including Pierre and Karatayev. When a guard shoots Karatayev, a partisan ambushes the guard and kills him. The partisan detachments led by Denisov and Dolokhov meet and decide to attack the French, liberating the prisoners. Pierre learns from Denisov that life is beginning to return to Moscow. The partisans relax, joking about the supposed injuries of one of the partisans. Kutuzov appears and pronounces Russia saved. He thanks the troops, who cheer him and their victory.
Footmen, chambermaids, dancers, peasant militia, peasant women, Russian and French soldiers, Muscovites, partisans and all other parts are played by the members of the Chorus.
Cast /
Captain Ramballe Lt. Bonnet Lt. Grard Lt. Jacquot Young Grenadier Old Grenadier French Officer Platon Karatayev Count Pierre Bezukhov Tikhon Shcherbaty Fyodor Trishka Kondratyevna Vassilissa Lt. Colonel Vassily Denisov Dolokhov Field-Marshal Prince Mikhail Kutuzov Stephen Fennelly Stephen Chambers Steven Phillips Dominic Barberi Matthew Todd Ott Indermitte Jamie Rock Jamie Munn Dmitry Ivanchey/Bjartmar Sigurdsson Vahagn Margaryan Jakob Holtze Johansen Catriona Morison Charlotte Emma Whittle Melissa Lunn Nicholas Morris James Birchall Aram Ohanian
Sopranos
Victoria Atkinson Rachael Brimley Jessica Broad Sarah Forbes Elizabeth Garton Monica McGhee Rebecca Hooper Helen Knight Deborah Rudden Charlotte Emma Whittle
Mezzo-sopranos
Lucy Anderson Lynn Bellamy Louisa Cheshire Melissa Lunn Brynne McLeod Catriona Morison Catherine Pope Laura Margaret Smith Fiona Wilkie
Tenors
Kieran Bain Stephen Chambers Jonathan Cooke Jakob Holtze Johansen John Findon Gitai Fisher Warren Gillespie Barry McAleer Steven Phillips James Slimings Cailean Swainson Christian Schneeberger Matthew Todd Benjamin Vale
Basses
Domnic Barberi Bryan Benner Owain Browne Nicholas Cowie Ott Indermitte Stephen Fennelly Andrew McTaggart David OHanlon Jamie Rock Donald Thomson Craig Wickham
30
31
The Cast
Kieran Bain / Kieran Bain is in his first year of the BMus Vocal Performance course at the RSAMD, studying with Ian Paton. For the past three years he has been a member of the National Youth Choir of Scotland and has performed in concerts including Proms in the Park and the Scottish premiere of Howard Goodalls Eternal Light. Later this year he will be touring Germany with the choir. Dominic Barberi / Dominic Barberi began studying at the RSAMD in 2008 with Stephen Robertson. The winner of the Jean Highgate Scholarship for Singers at the end of his first year, he recently competed in the Junior Kathleen Ferrier Competition. A member of both the National Youth Choir of Great Britain and their chamber choir Laudibus, he has performed various works as a soloist and choral member. As a soloist he has performed works including Mendelssohns Elijah, Faurs Requiem, Mozarts Requiem and Rossinis Petite Messe Solennelle. Bryan Benner / American-born baritone Bryan Benner is in his final year at the Academy and looks forward to returning home to continue his vocal studies in the US after an exciting four years in Scotland. He will next be heard singing Jacob in the upcoming Academy production of Rory Boyles new opera Kaspar Hauser: Child of Europe. He would like to give a special thanks to Sylvia Rumori for all her support during his studies. He is a student of Stephen Robertson. James Birchall / James Birchall was a chorister at St Georges Chapel, Windsor Castle. He studied at St Johns College, Cambridge and the Royal Academy of Music, and now studies with George Gordon on the Opera course at the RSAMD. He has sung Messiah with the City of Birmingham Symphony Orchestra in Symphony Hall and in the Usher Hall, St John Passion in St Pauls Cathedral, Christmas Oratorio in Norway, and St Matthew Passion in Symphony Hall (recently released on live CD). He has twice appeared as a soloist at the Three Choirs Festival. Operatic roles include Swallow Peter Grimes, Mphistophls Faust, Zuniga Carmen and, in scenes, Don Giovanni, Belcore and Capulet. Marie Claire Breen / Marie Claire Breen is currently on the Master of Opera course at the RSAMD under the tuition of Patricia Hay. She played the role of Naiad in the Spring 2009 production of Strausss Ariadne auf Naxos and was this years recipient of the Governors Recital Prize for Singing, following which she recorded a special performance for BBC Radio Scotlands Classics Unwrapped. Recent engagements include two performances at St Marys College of Marylands annual River Concert Series, where she performed with trumpet virtuoso John Wallace. She is currently preparing the role of Susanna for the Academys 2010 production of Le nozze di Figaro. Jemma Brown / Jemma Brown obtained a BMus (Hons) from the University of Glasgow, studying with Patricia MacMahon. She completed her PGDip and MMus at the RSAMD with Kathleen McKellar Ferguson and is now on the MMus (Opera) course. She sang the world premiere of Kirsty Blackwoods These Delicious Promptings at the 2008 Glasgow International Visual Arts Festival, and Maxwell Daviess Dark Angels to critical acclaim in the Academys recent Max at 75 festival. She has appeared in opera scenes as Leonora La Favorita and Genevive Pellas et Mlisande. She covered Madame de Croissy Dialogues des Carmlites in 2008. She will be singing Marga in Rory Boyles new opera Kaspar Hauser: Child of Europe. Maria Brown / Maria Brown is currently on the MOpera course at the RSAMD, studying with Stephen Robertson. She attained a Diploma in Theology, Music and Worship at the London School of Theology and a BMus (Hons) in Music at the Academy, receiving the Mary D Adams Scholarship for Voice. She also has a PGDip in Opera Studies and a MMus in Opera from the Academy. Her opera roles include Dryad Ariadne auf Naxos (RSAMD), Miss Baggott The Little Sweep (Aberdeen International Youth Festival), Nun Dialogues des Carmlites final scene (Edinburgh International Festival), Larina (cover) Eugene Onegin (RSAMD/Scottish Opera), and chorus for Un ballo in maschera and Kta Kabanov (Opera Holland Park) and The Rakes Progress (British Youth Opera). Future engagements include Daumers sister in the premiere of Rory Boyles opera Kaspar Hauser: Child of Europe and Marcellina Le nozze di Figaro, both at the Academy.
The Cast
Owain Browne / Owain Browne is a Suffolk-born baritone of Welsh stock on the final year of the RSAMD Opera course. He has performed roles such as Dr Malatesta Don Pasquale, Mozarts Count Almaviva, Billy Budd, Pellas and Schaunard La bohme in scenes. He made his debut on the opera stage as Mr Gedge in Brittens Albert Herring with the Co-Opera Company at the London Oratory School in August 2009 and is excited to be creating the title role of Kaspar Hauser in the premiere of Rory Boyles Kaspar Hauser: Child of Europe at the Academy this Spring. Stephen Chambers / New Zealand tenor Stephen Chambers graduated from the University of Otago in 2005 with a BSc in Physiology, as well as a BMus (Hons), having studied with Judy Bellingham and Isabel Cunningham. In 2008 he graduated with a GPD (Opera) from the Boston Conservatory, under the tutelage of Dr Rebecca Folsom. His operatic roles include Male Chorus The Rape of Lucretia, Peter Quint The Turn of the Screw, Alpheus/Ares in Mark Adamos Lysistrata and Tamino Die Zauberflte. He also premiered the role of Tramp in Dust of the Road by Marcus Karl Maroney. Jonathan Cooke / Jonathan Cooke is in his third year at the RSAMD. In his second year, he represented the Academy in the Junior Kathleen Ferrier Competition. He has sung in opera choruses for Rossinis La donna del lago at Garsington Opera, Donizettis Emilia di Liverpool with the European Opera Company and Brittens Peter Grimes and Death in Venice at the St Endellion Music Festival. In 2008 he sang the tenor solo in Edinburgh University Music Societys performance of Beethovens 9th Symphony. Recently he performed Nemorino in a scene from Lelisir damore with Edinburgh Studio Opera. Nicholas Cowie / Glasgow-born Nicholas Cowie started singing lessons with his father Gordon when he was at school, until he accepted a place at the RSAMD in 2008 to study with Alan Watt. He made his solo debut singing The Call from Vaughan Williams Five Mystical Songs with the National Youth Choir of Scotland, which was broadcast on BBC Radio 4. For the past two years he has been a choral scholar at New Kilpatrick Church in Bearsden, with whom he has performed solos in Handels Messiah, Schuberts Mass in G and Stainers Crucifixion. He is a recipient of the Peter Mooney Scholarship at the Academy. Stephen Fennelly / Stephen Fennelly has performed with all of Irelands leading opera companies, including Opera Ireland, Wexford Festival Opera and Anna Livia Opera, in chorus and small roles. As a soloist he has sung such roles as Dulcamara, Bartolo and Don Pasquale with Opera in the Open in Dublin. In operatic scenes at the RSAMD he has sung roles as diverse as Colline La bohme and Hunding Die Walkre. On the concert stage he has sung numerous masses and requiems in Ireland and the UK. Upcoming projects include Mozarts Requiem at Paisley Abbey and the title role in Le nozze di Figaro at the Academy. John Findon / John Findon is from Manchester and has been singing in choirs since he was six years old. He is in his first year of the BMus (Hons) course at the RSAMD. Although this is his opera performance debut, he has sung tenor solos in works such as Handels Messiah and Mozarts Requiem. He has also performed lead roles in a number of musical-theatre pieces, including Les Misrables and The Phantom of the Opera. Elizabeth Garton / Elizabeth Garton studied at the Royal Welsh College of Music and Drama with Gail Pearson. During this time she studied and performed various operatic roles and choral repertoire. For Welsh National Youth Opera she performed Marenka The Bartered Bride, Lady Billows Albert Herring and The Old Lady Candide. She has also participated in workshops with British Youth Opera, playing the role of Fiordiligi Cos fan tutte. In 2006 she gained a scholarship to study at the Hochschule fr Musik und Theater in Leipzig, where she studied under Professor Friedemann Rohlig. She is currently studying for a PGDip in Opera at the Academy. Warren Gillespie / Born in Edinburgh, Warren Gillespie graduated from the RSAMD in 2008 and now studies on the MMus (Opera) course with Stephen Robertson. He performed as tenor soloist for a performance of Messiah involving numerous choral societies from around the country in Edinburghs Usher Hall. His solo performances also include Mozarts Requiem, and Haydns Creation and Nelson Mass. At the Academy he has appeared as Scaramuccio in Ariadne auf Naxos and Frantz in The Tales of Hoffmann. He has worked with distinguished artists in masterclasses, including Alan Opie, Karen Cargill, John Mark Ainsley, Malcolm Martineau and Julius Drake. He is supported by the RSAMD Trust Fund.
32
33
The Cast
The Cast
Aleksey Gusev / Russian baritone Aleksey Gusev was born in Belaya Kalitva, Rostov region. He enjoyed music and singing from childhood. In 2000 he finished music school as a bayan player. In 2005 he entered a preparation course at the Rostov State Rachmaninov Conservatoire, where he is currently in the third year of his studies for his BMus. In 2007 he was invited to the Rostov State Musical Theatre as a soloist, where he prepared a number of opera parts in a short time period. He was awarded a prize at the first Rachmaninov international singing competition in 2009. Diana Harutyunyan / Soprano Diana Harutyunyan was born in Yerevan, Armenia, and started studying singing and the piano at the age of seven. In 2001 she entered Yerevan State Conservatoire under the tutelage of Larisa Mkrtchyan and will soon graduate from her postgraduate studies in Vocal Studies. She has performed the roles of Volpino in Haydns The Apothecary, Donna Elvira in Mozarts Don Giovanni and others, and is also one of the soloists in the conservatoires Opera Studio. She has been successful in several competitions in her home country of Armenia. Ott Indermitte / Ott Indermitte is an Estonian baritone. He has been on the Vocal Studies course at the Estonian Academy of Music and Theatre in Tallinn for three years and is spending his fourth year as an exchange student at the RSAMD. His operatic roles include Bogumil in Leo Falls Der liebe Augustin, Florimond in Emmerich Klmns Das Veilchen vom Montmartre, Simone Gianni Schicchi and Clock and Cat Lenfant et les sortilges. Dmitry Ivanchey / Dmitry Ivanchey is a Russian violinist and tenor. He graduated from the Gnesin Academy of Music in Moscow after studying at the Rostov School of Arts. Now a postgraduate student at the Rostov State Rachmaninov Conservatoire, he also works with the Moscow Philharmonic. A violinist, he is also a third-year vocal student at the Moscow P I Tchaikovsky Conservatoire and has taken part in masterclasses with Elisabeth Bice, Mario Melani and Carlo Pari. He has significant stage experience and has been successful in competitions for violin and voice in Ukraine, Russia, Germany and Italy. Forthcoming roles include Mengone in Haydns Lo speziale, Marco in Rachmaninovs Monna Vanna, conducted by Vladimir Ashkenazy, and Parade of Tenors in Voronezh.
Jakob Holtze Johansen / Danish tenor Jakob Holtze Johansen has an MA in Voice from the Royal Danish Academy of Music. He now studies Opera at the RSAMD with Stephen Robertson. He has been the soloist at a large number of concerts, with a varied repertoire of art songs and excerpts from opera and operetta. As a soloist he has appeared in Handels Messiah, Puccinis Messa di Gloria, Mozarts The Magic Flute, Beethovens 9th Symphony and Gades Elverskud with various orchestras and choirs. He has sung in masterclasses with Malcolm Martineau, Dame Ann Murray, Bo Skovhus, Ryland Davies, Helmuth Deutsch and Reiner Goldberg. Rebecca Afonwy-Jones / Welsh mezzo-soprano Rebecca Afonwy-Jones joined the RSAMD in 2008, performing La Muse/Nicklausse in the 2009 production of Les contes dHoffmann. Her other operatic roles include Minskwoman (cover) Flight for British Youth Opera, scenes from the roles of Hnsel, Serse, Carmen, Cendrillon and Annio at the RSAMD and Composer Ariadne auf Naxos in Rostov-on-Don. She also played the roles of Dorabella, Cherubino, Annio and Zerlina in scenes for the 2009 Anghiari Festival in Italy. Her future plans include Cherubino Le nozze di Figaro at the Academy. She is grateful to have been generously supported in her studies by Serena Fenwick, The Seary Charitable Trust, The Independent Opera Scholarship, The WCOM Allcard Award and The MBF Sybil Tutton Award. Maria Kozlova / After graduating in choral conducting from the St Petersburg Conservatoire in 2005, Russianborn Maria Kozlova came to the RSAMD to study under Patricia Hay. She recently graduated from the Master of Opera course with distinction. Her credits include Tatyana Eugene Onegin, Nicolette The Love of Three Oranges, Bachs B minor Mass, Handels Messiah and Antonia Les contes dHoffmann (RSAMD). Future engagements include Vivaldis Gloria and Mozarts Coronation Mass in Kilmacolm in March. She is the winner of the Tony and Tania Webster Prize for Russian Song (RSAMD, April 2007) and Ye Cronies Opera Award (May 2009).
Melissa Lunn / Melissa Lunn is currently on the RSAMD Postgraduate Opera Studies course, studying with Margaret Izatt. She has worked with many choirs and choral societies throughout Britain in works including Vivaldis Gloria and Stabat Mater, Mozarts Requiem, Durufls Requiem, Haydns Maria Theresa Mass, Handels Messiah and Bachs Magnificat. Her roles in opera scenes include Filippevna Eugene Onegin, Frau Reich Die lustigen Weiber von Windsor and Mrs Noye Noyes Fludde, and she has understudied Arnalta Lincoronazione di Poppea and Florence Albert Herring. She is supported by the Yorkshire Ladies Council of Education and North Yorkshire County Council. Beth Mackay / Beth Mackay completed a Postgraduate Diploma at the RSAMD in July 2009, and is now studying in the Academys Opera School under Pat Hay. Her roles include the Bakers Wife in Sondheims Into the Woods and Larina in Eugene Onegin. She has played Idamante Idomeneo, Dorabella Cos fan tutte, Hnsel Hnsel und Gretel, Nancy Albert Herring and the title roles in Handels Ariodante and Serse, Brittens The Rape of Lucretia and Rossinis LItaliana in Algeri in excerpt series. This year she will play Cherubino in the Academys production of Le nozze di Figaro. She is grateful to the RSAMD Scholarship Trust and the Dewar Award for supporting her studies. Sergey Mankovskiy / Russian tenor Sergey Mankovskiy was born in Primorsko-Akhtarsk, Krasnodar region. While studying at school, he received prizes in a number of junior competitions. After school he went to Krasnodar Art College to further his vocal studies. Between 2002 and 2007 he studied at Krasnodar and St Petersburg State Conservatories. In 2007 he moved to the Rostov State Rachmaninov Conservatoires, where he is currently in the fifth year of his BMus. In 2008 he was invited to Rostov State Musical Theatre as a soloist. Vahagn Margaryan / Bass Vahagn Margaryan was born in Hrasdan, Armenia. He didnt start his musical studies until he was 17 years old, when he entered the Yerevan State Conservatoire and studied under Svetlana Kolosaryan. At the same time he was also a solo singer with the Opera Studio of the conservatoire. He has performed the roles of Don Annibale from Donizettis Il campanello, Don Basilio The Barber of Seville, Simone Gianni Schicchi and Doctor La traviata. He has performed extensively throughout Armenia on the concert platform. He will graduate in June 2010 from his postgraduate course in Yerevan.
Barry McAleer / Barry McAleer is from Omagh, Northern Ireland. He currently studies with Stephen Robertson at the RSAMD. He has toured America, the UK and Ireland and Europe, as a soloist and in chorus, with Omagh Community Youth Choir, Youth Opera Northern Ireland, Welsh National Opera, Fife Opera, Lakeland Opera and the Academy. He has appeared in the chorus in over 30 productions and performed roles such as The Preacher Down in the Valley, Lockit The Beggars Opera, PoohBah The Mikado, Masetto Don Giovanni, Guccio Gianni Schicchi, Ferdinand The Turing Test, Monostatos Die Zauberflte, Cochenille Les contes dHoffmann and Cascada The Merry Widow. Brynne McLeod / Canadian mezzo-soprano Brynne McLeod completed her Bachelor of Music in Voice Performance at the University of Toronto Faculty of Music and is now completing her Master of Music in Concert Singing at the RSAMD. On the opera stage, she has appeared as Ernesto in Haydns Il mondo della luna and Katisha in The Mikado. She has performed as a chorister and soloist with the Festival Ensemble Stuttgart and as a soloist at the Casalmaggiore International Festival. This year at the RSAMD she looks forward to singing the role of Marijke in Rory Boyles new opera, Kaspar Hauser: Child of Europe. Andrew McTaggart / Andrew McTaggart, BMus (Hons) is currently studying with Kathleen Ferguson and George Gordon. During his time at the Academy he won The Florence Veitch Ibler Prize for Oratorio Singing. He performed in the premiere of Love in the Blue Corner by Gareth Williams and roles including Copplius in The Tales of Hoffmann and Bob in The Little Sweep. Broadcast on BBC Radio 3, he sang the baritone solos in Howard Goodalls Requiem: Eternal Light. He also took part in a recording with Jamie MacDougall for the BBC3 programme Classics Unwrapped after a week-long intensive masterclass with Malcolm Martineau at Crear, Kilberry. Catriona Morison / Edinburgh-born mezzo-soprano Catriona Morison graduated from the RSAMD with a BMus (Hons) in Vocal Studies in July 2009. While studying for her degree she went on an ERASMUS exchange to the Universitt der Knste in Berlin where she studied with Professor Julie Kaufmann. She has participated in masterclasses with Hkan Hagegrd, Svein Bjrky and Malcom Martineau. Last year she understudied the role of Smeraldine for the Academys production of Prokofievs The Love of Three Oranges. She is currently studying for a PGDip in Opera Studies under the tuition of Margaret Aronson.
34
35
The Cast
The Cast
Nicholas Morris / Nicholas Morris is currently studying on the Academys Opera course, supported by the RSAMD Trust and the Thomas and Margaret Roddan Trust, learning with Alan Watt. He has trained on English National Operas Opera Works programme, and at the Guildhall School of Music and Drama. He is an alumnus of the Britten-Pears Young Artist Programme at Snape Maltings. Later this year he will play Count Almaviva in Le nozze di Figaro at the Academy. This last summer he covered Nick Shadow in The Rakes Progress for British Youth Opera. Last year at RSAMD he played Lindorf in The Tales of Hoffmann and Tchelio in The Love of Three Oranges. Jamie Munn / Jamie Munn sings under the tuition of Iain Paton and has also spent time at Berlins Universitt der Knste (UdK) with Siegfried Lorenz and Peter Maus. While at the RSAMD, he has played Spalanzani in The Tales of Hoffmann and covered the role of Pantalon in The Love of Three Oranges. He has sung in recital in prestigious venues in Edinburgh, Berlin, London and Glasgow, and was recently broadcast on BBC Radio performing rediscovered songs by Mendelssohn. He has sung in masterclasses with Malcolm Martineau, Ann Murray, Richard Stokes, Hkan Hagegrd and Robin Bowman. Aram Ohanian / Aram Ohanian, born in Aleppo Syria, studied at the AGBU School in Aleppo from 1989 to 2000. After graduation he moved to Yerevan, Armenia, to study at the Yerevan State Conservatoire. He has a Masters degree in Vocal Art, and is studying now as a postgraduate student at the Opera Studio of Yerevan State Conservatoire. He has sung in many opera performances in the Opera Studio including the title roles in Gianni Schicchi, Don Giovanni, Michele in Il tabarro and Figaro in Il barbiere di Siviglia.
Steven Phillips / For over five years Steven Phillips has been singing across Southwest England and with auditioning choirs in Paris and Brittany, at Exeter, Truro and Manchester cathedrals, and at Westminster Abbey. For three years he has been awarded scholarships and solo scenes at Ardingly International Music School, last year singing Robinson in Robinson Crusoe and previously Albert in Albert Herring. He also toured with Duchy Opera as Jupiter in Semele and will sing again on their 2010 Cyprus tour. He has successfully auditioned for masterclasses with Dame Emma Kirkby and Philip Langridge, and now studies with Iain Paton at the RSAMD. This year he will sing Don Curzio in Le nozze di Figaro at the Academy. Jamie Rock / Following studies at the Royal Academy of Music, Jamie Rock is now studying Opera at the RSAMD with Stephen Robertson. He has taken part in masterclasses with Thomas Allen, Ann Murray, Dennis ONeill and Graham Johnson. His recent opera roles include Bartley Riders to the Sea, Aeneas Dido and Aeneas, Count Ceprano Rigoletto and Giuseppe The Gondoliers. He has performed in St Martin-in-the-Fields, the National Concert Hall (Dublin), Ulster Hall (Belfast) and Salzburg Cathedral. Performed works include St John Passion, B minor Mass, Messiah, Petite Messe Solennelle and Brahms Requiem. This year he plays Figaro in the Academy production of Le nozze di Figaro. He is grateful for the support of Bloxham Stockbrokers, Derek Hill Foundation, Sir James Caird Scholarship and Arts Council of Ireland. Bjartmar Sigurdsson / Bjartmar Sigurdsson was born in Reykjavk, Iceland. Although he showed a talent for music at an early age, it was not until he was 28 that he realised the potential to become a classical singer and he began to study privately in Iceland and the UK. He has participated twice on the Florencevoice course in Italy, and taken part in masterclasses with Ian Storey, Philip Langridge, Julian Rodescu and Laura Brooks. His roles include Bacchus Ariadne auf Naxos and, in excerpts, Don Jos Carmen, Pollione Norma, Jenk The Bartered Bride, Rodolfo La bohme and Siegmund Die Walkre. In 2007 he moved to the RSAMD, graduating with a PGDip in Opera Studies. He is now on the Masters course in Opera, studying with Stephen Robertson. In 2009 he was granted the Wagner Scholarship from the Wagner Society in Edinburgh.
Laura Margaret Smith / Laura Margaret Smith is a music graduate of the University of Edinburgh and a postgraduate student in Vocal Performance at the RSAMD, studying singing with Margaret Izatt. During her studies in Edinburgh, she was a finalist of the Donald Tovey Performance Competition. She has sung with Edinburgh Studio Opera in Smetanas The Bartered Bride, and sang the role of Clarissa in the world premiere of Julian Wagstaffs The Turing Test at the Edinburgh Fringe in 2007. She has given recitals at various venues, including the Reid Concert Hall, St Cecilias Hall and the Edinburgh Society of Musicians. Michel de Souza / Michel de Souza was born in Petropolis, Brazil. He started studying music with the Canarinhos de Petropolis boys choir, later graduating in Organ from the School of Music at the University of Rio de Janeiro, where he also studied Singing. In 2007 he won first prize in the Maria Callas Vocal Competition in So Paulo. He has performed roles in Faust, Fidelio, The Fall of the House of Usher, Gianni Schicchi, The Love of Three Oranges, Elektra, Ariadne auf Naxos, The Tales of Hoffmann and Il signor Bruschino. He is currently studying on the MMus in Opera course at the RSAMD with a scholarship from the Associated Board of the Royal Schools of Music. Lucinda Stuart-Grant / Lucinda Stuart-Grant is on the Opera course at the RSAMD. She obtained a BMus (Hons) at the Guildhall School of Music and Drama. Her operatic experience includes Irene Theodora, Ino Semele (Handel Festival, High Wycombe); Stewardess (understudy) Flight by Jonathan Dove, 3rd Boy The Magic Flute (British Youth Opera). Selected scenes include Nancy Albert Herring (RSAMD); Meg Page Falstaff (Royal Albert Hall); Larina Eugene Onegin; Mercds Carmen, Hermia A Midsummer Nights Dream (GSMD). Her concert engagements include a concert with the Bridge Duo (Luton Music Club) and Pierrot Lunaire Schoenberg (GSMD). She is supported by the RSAMD Trust, South Square Trust and McGlashan Charitable Trust.
Matthew Todd / Matthew Todd is a tenor, currently studying at the RSAMD. Before attending the Academy he completed an HND at Stevenson College Edinburgh and was given the award for Best Advanced Music Student. He has sung with many choirs and enjoys conducting and composing choral music. He is also a dedicated youth worker and is trained in residential childcare, community music, and as an archery coach. He has a passion for teaching children to sing and is a firm believer in the empowering benefits of music. Charlotte Emma Whittle / Charlotte Emma Whittle is from Fife and has been studying singing since she was 13 with Robyn and George Gordon. Annually, she took part in the Fife Festival of Music, and has been a member of the National Youth Training Choir of Scotland. She performed in the Usher Hall at the opening concert of the 2008 Edinburgh International Festival alongside the Royal Scottish National Orchestra in Kurt Weills The Rise and Fall of the City of Mahagonny, conducted by H K Gruber. She has also appeared in the RSAMDs production of Dialogues des Carmlites, and recently took part in the Junior Kathleen Ferrier Award for Singers. Craig Wickham / American bass Craig Wickham, from Michigan, is currently pursuing a Master of Opera degree at the RSAMD. Currently, he is preparing the role of The Man in Black in the premiere of Rory Boyles Kaspar Hauser: Child of Europe and also Dr Bartolo in Le nozze di Figaro, both at the Academy. Before his move abroad, he received a BM in Voice Performance from Eastern Michigan University. He was a member of the Michigan Opera Theater Chorus for their 2008 Season. He also holds a BA in Apparel Design.
36
37
Scenery Construction Lecturer Zander Lee Scenic Art & Design Lecturer Jamie Mackay Stage Technology Lecturer Steve Macluskie Lighting & Sound Lecturer Simon Cadell Props Construction & Design Lecturer Martin Mallorie Costume Technology & Design Lecturer Christine Murphy Stage Management Lecturer John Wilkie RSAMD Central Production Unit Staff Head of Production Planning Andrew Storer Production Manager Lynfryn Mackenzie Production Support Technician Sarah Leask Costume Tutors Anna Antczak Gillian Affleck Cate Mackie Lynn McGinley Gillian McLeod Lighting Tutor Christine Scott Props Tutor Astrella Oldham Scenic Art Tutor Gary Fry Workshop Tutors Simon Cook Kris Whitehead Our thanks go to the following for their support of this production: Darren Joyce and all the Production Staff at Scottish Opera All staff at Theatre Royal Glasgow All staff at Festival Theatre Edinburgh SG Baker Ltd, sgbaker.co.uk Brian Clements Dundee Repertory Theatre 2nd Glasgow Scout Hall David Lloyd Jones M&S Argyle Street, marksandspencer.com Noel Kegg Ltd Ralph Plastics Scottish Opera (Claire and Alistair) Shearer candles, shearer-candle.com Tesco Toolbank, toolbank.com Kris Whitehead Hugh Whoriskey The World Flag Store
Surtitle Operators Gemma Summerfield Katherine Grant For James Watt College Make-up Artists Nina Blake Emma Rock Gemma Thompson Kayleigh Sutherland Michelle Lyons Angela Beattie Lisa Campbell Megan Gillies Ruth Higgins Linsey Gillhooley Natasha Dardas RSAMD Technical and Production Arts Staff Head of Production Ros Maddison
38
39
Royal Scottish Academy of Music and Drama Foundation The Royal Scottish Academy of Music and Drama is the United Kingdoms first conservatoire of Dance, Drama and Music. In order to achieve our aim of providing the best student experience in Europe, we need your support.
The Royal Scottish Academy of Music and Drama Foundation has been established to advance the levels of philanthropic giving and support to students, staff, facilities and the performances through which our students learn. There are many ways to support our Academy. The Annual Fund encourages unrestricted giving at any amount, or you can join our Membership Programme, starting from 24 a year. Many specific opportunities are encouraged, whether these are aimed towards scholarships or to one of our special funds. In September 2007, the Academy introduced a programme of International Fellows. Nadine George, the Lecoq family, Angelo de Castro in Drama; the Brodsky Quartet, Johannes Goritzki, Ilya Gringolts, Lorna McGhee in Music. This programme of masterclasses and intensive teaching periods has been made possible through the support of generous individuals who share our value of going beyond excellence. Our Piano and Instrument Fund was established in 2007 to ensure that our students benefit from a world-class fleet of pianos and instruments at the Academy. The production of War and Peace was greatly helped by the support of our Opera Fund by Standard Life. Please consider making a gift to the Academy which will be used to ensure that we continue to provide the optimum student experience. The Foundation Team is available to answer any questions you may have about supporting the Academy and to assist you in making a donation. John Wallace / Principal Royal Scottish Academy of Music and Drama Registered Charity Number: RSAMD SCO 15855
40
41
Our Supporters
Major supporters: The Binks Trust Chevron Upstream Europe Glasgow City Council Russian Delegation of the European Commission (IBPP) Standard Life Other support gratefully received from: Douglas Boyd Sir James Cayzer Mrs Anne Clutterbuck Charitable Trust Miss Anne Donald Mr & Mrs Jim Fallen Serena Fenwick Ian Fleming Mary Garden Scholarship Fund James Hunter Blair Bursary Fund Forson Singing Bursary Hamilton Duval Music Trust Mr & Mrs Norman Lessels The Leverhulme Trust Professor Niall Lothian Arnold and Anna Maran John Mather Charitable Trust Ena Mitchell Award Musicians Benevolent Fund The Robertson Scholarship Trust RSAMD Trust John and Caroline Sibbald Thomas Sivewright Catto Charitable Settlement Ian Smith of Stornoway Trust Maurice Taylor Trades House of Glasgow Ye Cronies Dowager Viscountess Younger of Leckie And anonymous donors
Take A Seat
Now that the redevelopment of the New Athenaeum Theatre at the RSAMD is complete, we need your help. Dedicating a seat is a great way to invest in creativity. Make your mark and show your support of the Academy, the performances we present, our students and staff. All contributions, large or small, really can make a huge difference. 42
Making a seat dedication is easy. For a minimum donation of 250 (500 for businesses), you can dedicate: As an individual, couple or family In the name(s) of a special person or loved one As a commemoration of an occasion or performance As a business If you would like further information, please contact Ailsa MacKenzie on 0141 270 8215 or email: a.mackenzie@rsamd.ac.uk
100 Renfrew Street Glasgow G2 3DB +44 (0) 141 332 4101 www.rsamd.ac.uk
Design by www.weared8.com