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A Major Step
for solo violin
By Matt Westwood
28/5/2011
Barre Chords: A Major Step aims to explore the potential of a barre chord technique that is
possible using scordatura the G and D strings are tuned down a Major 2nd. When the lowest 3
open strings are sounded together, an F major chord sounds. When a barre chord is played with
the 2nd finger (in first position), a G major chord sounds. And when a barre chord is played with
the 1st finger (in first position), an A major chord sounds.
The title is a play on words the piece can be thought of as being in A major, with the F and G
chords acting as borrowed chords from A minor, and each of those chords move in step wise
motion. I also believe that the discovery of this barre chord technique is a major step forwards
for rhythmic violin playing, opening up a wide range of possibilities that can be applied to
popular genres of music.
Extended Techniques
Barre Chords:
G major:
A major:
The F major chord, as it uses open strings, gives the performer an opportunity to pivot between the
barre chord position, and the usual playing position. An up arrow above the staff indicates the hand
should pivot into the barre chord position, and the down arrow indicates the hand should pivot into the
usual playing position.
Chop: Lower end of the bow strikes the strings heavily as a percussive effect. The unpitched
scrape of the chop should be the predominant sound, however the notes being fingered should
be heard slightly as well.
Duration: 3 mins
q=150
Scordatura: FCAE
Matt Westwood
untransposed
f
5
pizz.
p
11
arco
mf
17
23
29
35
ppp
39
mf
43
48
52
arco
pizz.
57
ff
3
3
3
3
62
66
pizz.
arco
88
80
84
72
76
ff
92
97
101
106
111
117
pizz.
arco
mf
122
128
134
fff
q=150
Scordatura: FCAE
d
8
pizz. sul
arco
mf
p
4
14
sul g
19
24
30
35
3
0
ppp
mf
40
44
48
52
pizz.
55
59
arco
ff
3
3
64
66
4
3
1
1
pizz.
70
75
85
arco
79
82
ff
92
88
96
mp
100
104
arco
112
pizz.
mf
p
118
108
123
128
ppp
fff
133
138