PERCEPTION AND ATTITUDE IN MASS COMMUNICATION

PERCEPTION AND ATTITUDE IN MASS COMMUNICATION

Submitted To: Mr. Submitted By: Mind Readers Group

3nd Semester Mass Communication NUML, Islamabad

CONTENTS

1 2

Definition of Perception, Attitude & Relationship of attitude and perception INFLUENCES ON PERCEPTION i. ii. iii. iv. Assumptions and Perception Cultural Expectations and Perception Motivation and Perception Mood and Perception

3 4 5 6

PERCEPTION AND MASS COMMUNICATION OTHER SELECTIVE PROCESSES MODELS OF INFORMATION PROCESSING CONCLUSIONS

PERCEPTION ATTITUDE AND MASS COMMUNICATION

How do people make sense of the words and images they get in messages? ScientWlc research on perception and information processing can help us answer this question. Mass communicators want audiences to pay attention to their messages, learn the contents of the messages, and make appropriate changes in attitudes or beliefs or make desired behavioral responses. Perceptual theory tells us that the process of interpreting messages is complex and that these communicator goals may be difticuk to achieve. Perception has been defined as the process by which we interpret sensory data (Lahlry, 1991). Sensory data come to us through our five senses. Research has identfied two types of influences on our perception: structural and functional. Structural influences on perception come from the physical aspects of the stimuli to which we are being exposedfor instance, the closer together a series of dots, the more they are seen as forming a line. Functional influences are the psychological factors that influence perception, and therefore, introduce some subjectivity into the process. Selective perception is the term applied to the tendency for peoples perception to be influenced by wants, needs, attitudes, and other psychological factors. Selective perception plays an important role in communication of any sort. Selective perception means that different people can react to the same message in very different ways. No communicator can assume that a message will have the intended meaning for all receivers or even that it will have the same meaning for all receivers. This complicates our models of mass communication. Perhaps mass communication is not just a matter of hitting a target with an arrow, as some models suggest. The message can reach the receiver (hit the target) and still fail to accomplish its purpose because it is subject to the interpretation of the receiver. The process of receiving and interpreting a message is referred to in many I communication models as decoding. The process involves perception, or the taking in of stimuli through the senses and the subsequent processing of that information. Before we consider the operation of perception in the decoding of a mass communication message, we will discuss some of the research findings about perception in general. Modern psychology has shown perception to be a complex process, rather different from the naive view that many people held a century ago.

Perception
Perception is the process by which organisms interpret and organize sensation to produce a meaningful experience of the world. Sensation usually refers to the immediate, relatively unprocessed result of stimulation of sensory receptors in the eyes, ears, nose, tongue, or skin. Perception, on the other hand, better describes one's ultimate experience of the world and typically involves further processing of sensory input. In practice, sensation and perception are virtually impossible to separate, because they are part of one continuous process.

Attitude
What is an attitude? An attitude is a point of view about a situation. An attitude has three components. An attitude is made up of:
y y y

What you think. What you do. What you feel.

Relationship of attitude and perception

 Perception is tainted by attitude  Your attitude is the result of your perceptions. 2 people with different perceptions look at the same thing and thus think about it differently, and end up with different attitudes. Both think they are right.

INFLUENCES ON PERCEPTION
As we have noted, perception is influenced by a number of psychological factors, including assumptions based on past experiences (that often operate at an almost unconscious level), cultural expectations, motivation (needs), moods, and attitudes. A number of experiments have demonstrated the effects of these factors on perception. Assumptions and Perception Much of the research showing that perception is influenced by assumptions has come from a group of researchers working at one time or another at Princeton University. These researchers, who have included Adelbert Ames, Jr., HadleY Cantril, Edward Engels, Albert Hastorf, William H. Ittelson, Franklin P. Kilpatrick, and Hans Tech, have presented what has been called the transactional view of perception. The concept is abstract and somewhat philosophical, but essentially it means that both the perceiver and the world are active participants in an act of perception (Tech & MacLean, 1962). The transactional thinkers have developed a number of convincing demonstrations that perception is based on assumptions. One of the most striking, invented by Adelbert Ames, Jr., is called the monocular distorted room. This room is constructed so that the rear wall is a trapezoid, with the vertical distance up and down the left edge of the wall longer than the vertical distance up and down the right edge of the wall. The rear wall is positioned at an angle so that the left edge is farther back than the right edge. This angle is carefully selected so that the room will appear to be an ordinary rectangular room to an observer looking through a small hole at the front of the room. If two people walk into the room and stand in the rear corners, something interesting happens. The one on the right appears to a viewer looking through the hole to be very large because he or she is closer to the viewer and fills most of the distance from the floor to the ceiling. The one on the left appears to be very small because he or she is farther away and fills less of the distance from the floor to the ceiling. This illusion occurs because the mind of the viewer is assuming that the rear wall is

parallel to the front wall of the room. This assumption is based on prior experience with other rooms that looked similar. The illusion is so strong that if the two people in the corners switch places, one will appear to grow larger and the other will appear to get smaller, right before the viewers eye. Cultural Expectations and Perception Some of the most striking evidence for the influence of cultural expectations on perception comes from research on binocular rivalry (Bagby, 1957). It is possible to construct a device that has two eyepieces like a pair of binoculars, but can be used to present a different picture to each eye. When this is done, people seldom see both pictures. They more often see one picture and not the other or one picture and then the other. Sometimes they see a mixture of some elements of each picture, but this usually occurs after seeing one picture alone first. Bagby used this instrument to investigate the effect of cultural background on perception Subjects were 12 Americans (6 males and 6 females) and 12 Mexicans (6 males and (i females). Except for one matched pair made up of a person from each country, the subjects had not traveled outside their own country. Bagby prepared ten pairs of photographic slides, each pair containing a picture from the American culture and a picture from the Mexican culture. One pair, for instance, showed a baseball scene and a bullfight scene. Subjects were exposed to each slide for 60 seconds and asked to describe what they saw. The assignment of the Mexican or the American picture to the left or right eye was randomized to eliminate the effect of eye dominance. The first 15 seconds of viewing for each slide were scored for which scene was dominantthe Mexican or the American. Dominance was determined by the scene that was reported first or was reported as showing up for the longest period of time. The results indicate a strong tendency for subjects to see the scenes from their Motivation and Perception One of a number of experiments that shows the effect of motivation on perception was done by McClelland and Atkinson (1948). The type of motivation being investigated was hunger. Subjects were Navy men waiting for admission to a submarine training school. One group had gone 16 hours without food, a second 4 hours without food, and the third 1 hour without food. All subjects were told they were participating in a test of their ability to respond to visual stimulation at very low levels. The men went through 12 trials in which a picture was supposedly projected, but actually nothing was projected at all. TO make this realistic, during the instructions they were shown a picture of a car and then the illumination was turned down until the car was only faintly visible. In some of the trials subjects were given clues such as: Three objects on a table. Mood and Perception An experiment using hypnosis demonstrated that mood has an effect on perception. Leuba and Lucas (1945) hypnotized subjects, suggested to them that they were experiencing a certain mood, and then asked them to tell what they saw Food-related responses in a picture. Each subject was put in a happy mood and then shown six pictures. Then the subject was told to forget the pictures and what had been said about them and was put in a critical mood and again shown the same six

pictures. Finally, the subject was given the same treatment once more except that the suggested mood was anxious. The descriptions of the pictures were drastically different depending on the mood the person was in. They differed not only in the train of thought the pictures suggested but also in the details noticed. One picture showed some young people digging in a swampy area. Here is one subjects description of that picture while in a happy mood: It looks like fun; reminds me of summer. Thats what life is for; working out in the open, really livingdigging in the dirt, planting, watching things grow. Here is the same subject describing the same picture while in a critical mood: Pretty horrible land. There ought to be something more useful for kids of that age to do instead of digging in that stuff. Its filthy and dirty and good for nothing. Here is the same subject describing the same picture while in an anxious mood: Theyre going to get hurt or cut. There should be someone older there who knows what to do in case of an accident. I wonder how deep the water is.

PERCEPTION AND MASS COMMUNICATION

So far this discussion of research has shown that perception in general is influenced by assumptions (often unconscious), cultural expectations, needs, moods, and attitudes. The same kinds of forces are at work when people respond to mass communication messages, as the following cases show. U.S. Army TV Spots Mass media messages are often misunderstood. Keck and Mueller (1994) con- ducted a study of U.S. Army television commercials to see whether viewers were perceiving the intended messages, and if not, what messages they were perceiving. The study focused on two 30-second TV spots. One spot, titled Dear Dad, was intended to show that Army service builds personal growth, maturation, and character development, and to portray the Army as exciting, adventurous, and challenging. The second spot, titled Basic Excellence, portrayed basic training as a means to discover ones ability and to overcome personal fears and inhibitions. The target audience for the ads was white males between 18 and 24 years of age. A group of 396 respondents drawn from the target audience was then shown the spots and asked to fill out a questionnaire. Results showed that some of the intended messages were being perceived by the audience. For instance, 61 percent of the respondents agreed that the activities portrayed in Basic Excellence were exciting and challenging. Also, 68 percent agreed that a sense of personal accomplishment could be gained from engaging in the activities highlighted in the spot. But large percentages also perceived unintended messages. For instance, 39 percent perceived that the drill sergeant was not portrayed realistically in the advertisement. And 66 percent perceived that engaging in the activities portrayed in the commercial would not lead to a good job. There were also systematic relationships between misperceiving the ads and various characteristics of the audience. For instance, 54 percent of the black respondents felt that the drill sergeant in Basic Excellence was accurately portrayed, while only 26 percent of the white respondents and 32 percent of the Hispanic and Asian respondents felt that he was. In addition, 84 percent of those with no college education thought that Dear Dad was a true representation of life in the Army, while only 27 percent of those with some college and 9 percent of the college grads felt that it was.

Antiprejudice Cartoons
Satire is a familiar journalistic device. It has been used in works ranging from Jonathan Swifts Gullivers Travels to Garry Trudeaus Doonesbury comic strip. But how is satire perceived? The American Jewish Committee was interested in studying the effects of satire in reducing prejudice. It sponsored a study by Eunice Cooper and Marie Jahoda (1947) that investigated the effects of antiprejudice cartoons. The cartoons featured an exaggerated figure named Mr. Biggott~ who appeared in situations designed to make prejudice appear ridiculous. For instance, one cartoon showed Mr. Biggott lying in a hospital bed and dying. He is saying to the doctor, In case I should need a transfusion, doctor, I want to make certain I dont get anything but blue, sixth-generation American blood! people looking at the cartoon would see how ridiculous prejudice is and would lessen their own feelings of prejudice. Cooper and Jahoda tested the cartoons on 160 white, non-Jewish workingclass men. About two-thirds of the sample misunderstood the cartoons. Some said the purpose of the cartoons was to legitimize prejudice. These people explained that the cartoons showed that other people had attitudes of prejudice, so the viewer should feel free to have those attitudes also. The cartoons were most likely to be understood by respondents low in prejudice and most likely to be misunderstood by respondents high in prejudice. Cooper and Jahoda suggested that fear of disapproval by a social group was one of the factors leading to this evasion of propaganda. They argued that accepting the antiprejudice message threatened the individuals security in groups the individual valued. This study suggests that making fun of prejudice is not an effective way of reducing it. People tend to view satiric cartoons differently, depending on their own attitudes. Both prejudiced and unprejudiced people tended to see elements in the cartoons that confirmed their existing attitudes. All in the Family When the television program All in the Family appeared in 1971, some television critics began immediately to suggest that the program might have a harmful effect of reinforcing bigotry. They pointed out that the main character, Archie Bunker, was portrayed as a lovable bigot; and that this condoned and perhaps even encouraged bigotry. They also pointed out that the program was teaching racial slurs such as coon, chink: and wop, some of which might have been fading from the American scene at the time. Producer Norman Lear replied that the program actually reduced prejudice by bringing bigotry out into the open and showing it to be illogical. He said the program showed Archie to be a fool, and that the program was a satire on bigotry. He claimed that the program showed Archie losing at the end to Mike, who made more sense. Carroll OConnor, the actor who played Archie, also defended the program. He stated in a Playboy interview that the effect of the program was to help reduce prejudice. The Los Angeles chapter of the NAACP agreed with this favorable evaluation and gave the program an award in 1972 for its contribution to racial relations. Neil Vidmar and Milton Rokeach (1974) conducted a study to determine how the program was being perceived by viewers. They conducted surveys of a sample of U.S. adolescents and a sample of Canadian adults. Contrary to the opinion of Lear, neither sample indicated that Archie was the one seen as being made fun of. U.S. adolescents were most likely to pick Mike as the one most often being made fun of, and

Canadian adults were most likely to pick Edith as the one most often being made fun of. In another question, respondents were asked whether Archie typically wins or loses at the end of the program. People low in prejudice were most likely to say Archie Ioses, but people high in prejudice were most likely to say Archie wins. The Vidmar and Rokeach study shows the operation of selective perception in viewing All in the Family. Viewers high in prejudice and viewers low in prejudice were likely to perceive the program in line with their existing attitudes. Producer Norman Lear later changed his opinion about the effects of All in the Family. To think about what the show might accomplish is to defeat the creative process, Lear has said. I seriously question what a half-hour situation comedy can accomplish when the entire JudeoChristian ethic has accomplished so little in the same area . OTHER SELECTIVE PROCESSES Three other processes that are similar to selective perception sometimes come into play in mass communication. These are selective exposure, selective attention, and selective retention. Selective exposure is the tendency for individuals to expose themselves to those communications that are in agreement with their existing attitudes and to avoid those communications that are not. The notion of selective exposure follows nicely from FeStingers theory of cognitive dissonance (Chapter 8), which suggests that one way to reduce dissonance after making a decision is to seek out information that is consonant with the decision. Nevertheless, the research findings show that under several conditions people will expose themselves to dissonance-producing materials (see Chapter 8). However, individuals often cannot judge the message content beforehand. Selective attention is the tendency for individuals to pay attention to those parts of a message that are consonant with strongly held attitudes, beliefs, or behaviors and to avoid those parts of a message that go against strongly held attitudes, beliefs, or behaviors. Selective retention is the tendency for the recall of information to be influenced by wants, needs, attitudes, and other psychological factors. Some evidence for selective retention comes from studies of rumor transmission by Allport and Postman (1947), in which they found that details were frequently left out when people passed on stories or descriptions of pictures. In another study supporting selective retention, Jones and Kohler (1958) found that people in favor of segregation learned plausible prosegregation and implausible antisegregation statements more easily than they learned plausible antisegregation and implausible prosegregation statements. The reverse was true for antisegregationists. Both groups learned most easily the information that would be useful in protecting their own attitudinal positions. In a third study supporting selective retention, Levine and Murphy (1958) found that subjects confronted with proor anti-Soviet material learned it more slowly and forgot it more quickly when it conflicted with their own attitudes. The selective processes can be thought of as four rings of defenses, with selective exposure as the outermost ring, followed by selective attention, then selective perception, and finally selective retention. Undesirable information can sometimes be headed off at the outermost ring. A person can avoid those publications or programs that might contain contrary information. If one expects a mix of information in a message, a person can pay selective attention to only the parts of the message that are agreeable. If this fails, the person can then exercise selective perception in decoding the message. If this fails, the person can then exercise selective retention by simply failing to retain the contrary information. Sometimes one of these selective mechanisms will be more appropriate

or more possible to use than the others. For instance, in watching a televised debate between two presidential candidates, you might not want to practice selective exposure, avoiding the message entirely. If you want to see and hear the candidate you agree with, you may watch only that candidate, practicing selective attention. If you do see and hear the opposition candidate and are exposed to contrary material, you can always fall back on selective perception and hear only what is agreeable, or on selective retention and forget all but the points that reinforce your original point of view Earlier reviews of the research relating to selective exposure tended to cast doubt on the validity of the phenomenon (Scars & Freedman, 1967), but later research has found more support for selective exposure. Cotton and Hieser (1980) required subjects opposed to nuclear power plants to write essays that avored locating such plants near populated areas. They manipulated the amount of dissonance by putting some people in a low-choice (low-dissonance) condition and others in a high-choice (high-dissonance) condition. After writing the essays, subjects were given the opportunity to indicate on rating scales how much they would like informational pamphlets dealing with four issues, one of which was nuclear power. The highchoice (high-dissonance) subjects expressed a greater desire for consistent information than did the low-choice (low-dissonance) subjects. They also expressed less desire for inconsistent information than did low-choice subjects. This latter finding of an active avoidance of dissonant information provides stronger support for selective exposure than many early studies were able to do. Cotton reviewed a number of studies from 1967 to 1983 and concluded that the later research on selective exposure, generally more carefully controlled, has produced more positive results. Almost every study found significant selective- exposure effects (1985). MODELS OF INFORMATION PROCESSING Researchers have come to realize that it is basically impossible to separate the process of perception from the process of information processing. To a certain extent, research that focused on perception has been replaced by research that focuses on cognitive information processing. Human information processing appears to take place in stages, and a number of models have been suggested to identify the key components and stages of the process. Many of these models are based on the workings of the computer. The following paragraph by psychologist John F. Kihlstrom (1987) presents a usefil example of an informationprocessing model: The classic information-processing conception of human cognition, modeled after the modern high-speed computer, includes a set of structures for storing information, as well as a set of processes by which information is transferred from one structure to another. In this model, information from the environment, transduced into a pattern of neural impulses by the sensory receptors, is briefly held in the sensory registers, one for each modality. Information in the sensory registers is then analyzed by processes known as feature detection and pattern recognition. By means of attention, information that has been identified as meaningful and relevant to current goals is then transferred to a structure known as primary or short-term memory where it is subject to further analysis. At this stage perceptual information is combined with information retrieved from secondary or long-term memory. Primary memory, which has an extremely limited capacity to process information, is considered the staging area of the cognitive system, where processes such as judgment, inference, and problem-solving take place. Information resides in primary memory only so long as it is rehearsed. On the basis of an analysis of the meaning of the stimulus input, some response is generated; and finally, a trace of the event is permanently encoded in secondary

memory. (p. 1445) Numerous models of information processing have been developed, each to suit a slightly different purpose. Much of this work is taking place in the interdisciplinary field of cognitive science. SCHEMA THEORY One concept that might add to our understanding of how people process information from mass communication is the idea of schema. Although scholars do not agree about exactly what a schema is, the following definition is useful: In a nutshell, a schema is a cognitive structure consisting of organized knowledge about situations and individuals that has been abstracted from prior experiences. It is used for processing new information and retrieving stored information (Graber, 1988, p. 28). The concept of schema has become widely used by psychologists, cognitive scientists, political scientists, and communication researchers because of its apparent usefulness in understanding how people process information. Fiske and Kinder describe schemas as serviceable although imperfect devices for coping with complexity (1981, p. 173). They suggest that people are cognitive misers whose limited complexity for dealing with information forces them to practice cognitive economy by forming simp~led mental models (p. 172). Doris Graber (1988) has done research that indicates that people use schemas to process news stories from newspapers or news broadcasts. She found that people processing news stories choose from a number of strategies, including straight matching of a news story to a schema (interpreting a political candidate as another Nixon), processing through inferences (deducing that a cease-fire in Lebanon would not work well because ceasefires had not worked well in Northern Ireland), and multiple integration of a story with several schemas or schema dimensions (a story on school busing can be related to schemas about political participation, the disruption of public education, or the achieving of a multicultural society). Graber found that in processing news stories, people tend to store the conclusions drawn from the evidence, rather than the evidence itself. She argued that processing news through schemas is an effective means of dealing with information overload. Finally, Graber points out that the matching of news stories with schemas is influenced by cueing, and notes that the mass media are a major source of cueing information. Thus, in the preceding example concerning school busing, the news media themselves can, by means of headlines, pictures, captions, and so forth, help determine whether the story is seen as dealing with disruption of education or achieving a multicultural society. This kind of cueing can also influence schema development, so that when the next story on school busing comes along it is more likely to be related to either the disruption of education schema or the achieving a multicultural society schema. In summary, the notion of schema can help us to understand how people may process many news stories. It appears that they attempt to match the information in a news story to some existing schema through a number of different matching strategies. If a match can be found, some part of the information or inferences from the information is likely to be stored in the form of a modtiled schema. If a match cannot be found, the information is likely to pass by without being assimilated.

SUBLIMINAL PERCEPTION One other topic involving perception and mass communication is the controversial and rather dubious technique known as subliminal perception. This is the notion that people can be influenced by stimuli of which they are not aware. Subliminal perception first came to public attention in 1957 when James M. Vicary of the Subliminal Projection Company began attempting to sell a special projector. The machine was reported to flash a message on a motion picture screen every five seconds at the same time that a regular motion picture projector was showing a film on the same screen. The message flashes were very brief in duration 1/3,000 of a second. Vicary reported that he had conducted an experiment in a New Jersey movie house in which subliminal messages stating Eat popcorn and Drink Coca-Cola were flashed on the screen. He said he achieved a 57.5 percent increase in popcorn sales and an 18.1 percent increase in Coca-Cola sales. Vicary said subliminal advertising would be a boon to the consumer because it would eliminate bothersome commercials and allow more entertainment time (Persuaders Advertising Age, Sept. 16, 1957, p. 127). Vicarys claims provoked quite a negative reaction. Norman Cousins (1957), editor of Saturday Review, wrote an editorial that began with the sentence Welcome to 1984. Some people were worried that subliminal ads would be used to force people to drink alcohol against their will. Subliminal advertising was banned in Australia and Great Britain, and in the United States it was prohibited by the National Association of Broadcasters. Since Vicarys original report, the notion of subliminal perception or subliminal persuasion has reappeared in a number of different forms. Wilson Bryan Key presented a variation of the old idea in his books Stibliminal Seduction (1972) and Media Sexploitation (1976). Key claims that many advertisements contain within them subtle printings of the word sex as well as disguised representations of male and female sex organs. These hidden words and symbols are called embeds. According to Keys theory, which is loosely based on Freudian theory, the viewer perceives these embeds unconsciously and is influenced by them to desire the advertised product, whether it is a bottle of perfume or an automobile tire. Keys books contain little in the way of scientific documentation. His proof rests more on the reproduction of advertisements supposedly containing embeds. Most of these are ambiguous at best. In keeping with perception theory, one begins to wonder if the fact that Key sees these pictures as filled with sexual references does not tell us something about Key rather than something about the advertisements! Another variation on the subliminal perception idea is the subliminal message self-help (SMSH) audiotape, a business with sales that are estimated to range between $50 million and $1 billion a year. The typical SMSH audiotape contains audible classical music or sounds of the ocean with therapeutic messages recorded below the threshold of conscious hearing. Different tapes are available for various therapeutic benefits: stopping smoking, losing weight, building self- -esteem, or improving memory. The purchaser of the tapes is supposed to receive these therapeutic benefits if he or she listens to the tape repeatedly over an extended period of time. Vicarys movie theater study was never described fully enough that researchers could evaluate it. Other researchers began to look into the phenomenon, however. Much of the research on subliminal perception was undertaken by the advertising industry. The industry was concerned that the controversy about subliminal perception was giving it a bad name. Researchers who attempted to study subliminal perception immediately ran into some problems. Subliminal perception is supposed to be perception that takes place below the threshold of awareness. One of the first problems is that there is no distinct threshold of awareness (Wiener & Schiller, 1960). At one moment a person

might need 1/25 of a second to be able to identify a stimulus, but a short time later the same person might be able to identify a stimulus shown for only 1/100 of a second. Psychologists have typically solved this problem by defining the threshold as the Point where the subject identifies the stimulus 50 percent of the time. But this is essentially an arbitm~ definition. Also, thresholds differ from person to person and for the same person depending on fatigue and other factors. It is not clear which of the various thresholds should be used. A number of studies of subliminal perception have shown that people can respond to a stimulus below the threshold of awareness. For instance, a person who has been given a shock when exposed to certain nonsense words wilI Sometimes show a galvanic skin response reaction indicating fear when these nonsense words are flashed so briefly that the person still cannot recognize them (Lazarus & McCleary, 1951). The results of research on subliminal persuasion have been mixed, but the Preponderance of the evidence has been against any significant persuasive effect. For instance, in one experiment Beatty and Hawkins (1989) investigated the Possible effect on thirst of presenting the word Coke subliminally. PERCEPTION OF PICTURES The mass media frequently employ pictures as part of messages. What do we know about how people interpret these pictures? Scott (1994) has argued that we need a theory of visual rhetoric to help us understand how people process pictures, and has offered some thoughts to move us forward in developing such a theory. Scott suggests that much research on images in advertising has dealt with pictures either as transparent representations of reality or as conveyors of an emotional appeal. She argues for a third possibilitythat pictures can act as symbols and can be used to construct rhetorical arguments. She states that visual elements are capable of representing concepts, abstractions, actions, metaphors, and modifiers, and that they can be assembled into complex arguments. Furthermore, this conceptualization of images means that pictures need to be processed cognitively like other forms of information. Scotts article brings out three ways of thinking about pictures in the mass mediaas transparent representations of reality, as conveyors of affective or emotional appeal, and as complex combinations of symbols put together to make up rhetorical arguments. Different types of pictures in the mass media may be used in these three ways to varying degrees. For instance, news photos may be higher in use as transparent representations of reality than pictures in advertisements, while pictures in advertisements may be used as parts of rhetorical arguments more than news photos. Both types of images may be at times high in conveying affective or emotional appeal. To illustrate the rhetorical use of visual images, Scott analyzes a Clinique ad that shows tubes of lipstick and makeup immersed in a glass of soda water garnished with a slice of lime. The image is not intended to be taken literallythe message is not that the lipstick and makeup tubes are waterproof, for instance. Scott says we can restate the message of the image in verbal terms in this way Cliniques new summer line of makeup is as refreshing as a tall glass of soda with a twist. The ad is essentially a visual simile. It is an example of a visual trope, an argument presented in a figurative form in order to break through a viewers skepticism, boredom, or resistance. Perceiving the Clinique ad correctly requires some rather complex information processing on the part of the perceiver. The viewer must compare two rather dissimilar things soda water and cosmeticsand deduce what they have in common. Of several things they have in common, the correct one must be selected (refreshing but not tasteless) in order to arrive at the simile. The perceiver must also reject the literal message of the imagethat someone

would try to drink a glass of soda water with lipstick in it. Scott argues that the field of information processing has been biased toward the processing of verbal information, and that it needs to be expanded to also deal with the processing of visual images. Furthermore, some tropes also involve interaction between images and text, and this kind of interaction needs further study. Scotts notion of the rhetoric of pictures gives us a richer and more realistic way to look at the use of pictures in the mass media. Scholars can add depth to their analysis of advertisements, news photos, and other pictures in the mass media by building on Scotts ideas of visual rhetoric. Likewise, consumers of the mass media can use Scotts ideas to add to their understanding of the use of
pictures in the media.

CONCLUSIONS Perception is a complex process that involves structural factors, or influences from physical stimuli, and functional factors, or psychological influences from the perceiving organism. Among these psychological influences are the perceivers needs, wants, moods, attitudes, and assumptions. Psychologists and cognitive scientists have found it difficult to distinguish perception from information processing. Models of information processing typically demonstrate that it is an operation involving stages, with various kinds of cognitive work being done at each of the stages. Some of these stages involve inferences and pattern matching, with room for various kinds of errors. Schema theory suggests that people processing information from the mass media may act as cognitive misers, throwing out a great deal of the information they are exposed to as irrelevant. The processing of images or pictures from the mass media raises some additional important questions about perception and information processing. Much of the research on mass communication has treated pictures as either transparent representations of reality or as sources of affective or emotional arousal. But images and pictures are obviously used to communicate in more complex ways. The theory of visual rhetoric suggests that pictures and images can be used to construct subtle and complicated arguments, adding a powerftd dimension to communication through the mass media.