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SHAKESPEARE
IN SIXTEEN VOLUMES
VOLUME FOUR
OF THE INTERLINEAR EDITION
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THE WORKS
OF
William Shakespeare
EDITED BY
WILLIAM GEORGE CLARK, M. A., AND
WILLIAM ALOIS WRIGHT, M. A.
IN SIXTEEN VOLUMES
VOLUME FOUR
PHILADELPHIA
GEORGE BARRIE & SON, PUBLISHERS
'''^OVO, UTAH
CONTENTS OF VOLUME IV.
TWELFTH NIGHT.
12 MISS KITTY CHEATHAM AND MR. SYDNEY HERBERT.
— From life 167
13 OLIVIA, VIOLA AND MARIA. Hamilton . . . ., 180
14 SIR TOBY, SIR ANDREW AND MARIA. Hamilton 186
15 MISS JULIA MARLOWE AS VIOLA. —
From life . . 200
16 OLIVIA, MARIA, MALVOLIO, ETC. Ramberg . . 210
17 SEBASTIAN, OLIVIA AND PRIEST. Hamilton . . 226
DUKE, VIOLA, OLIVIA, ETC. Hamilton 232
THE
Taming of the Shrew.
DRAMATIS PERSONS.
A Lord.
n <-
Christopher Sly, a tinker, ) p.„„„, ;„ ^1,0
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V HOSTESS, Pige, Players, Huits- ^YXtiSn
men, and Servants. J
.tj^^ao,}-"°- to Bianca.
servants to Lucentio.
BiaNDELLO, j
servants to Petrucliio.
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M JKATHARiNA.theshrew,
y\ BiAHCA,
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TAMING OF THE SHREW.
[In.
^saanHBHHi
Scene I.] TAMING OF THE SHREW. 5
\_Music,
And twenty caged nightingales do sing:
Or wilt thou sleep? we'll have thee to a couch
Softer and sweeter than the lustful bed 40
On purpose trimm'd up for Semiramis.
Say thou wilt walk; we will bestrew the ground;
Or wilt thou ride ? thy horses shall be trapp'd.
Their harness studded all with gold and pearl.
Dost thou love hawking } thou hast hawks will
soar
Above the morning lark: or wilt thou hunt ?
Thy hounds shall make the welkin answer them
And fetch shrill echoes from the hollow earth.
First Serv. Say thou wilt course; thy grey-
hounds are as swift
As breathed stags, ay, fleeter than the roe. 50
Sec. Serv. Dost thou love pictures? we will
fetch thee straight
Adonis painted by a running brook,
And Cytherea all in sedges hid,
Which seem to move and wanton with her breath,
Even waving sedges play with wind.
as the
Lord. We'll show thee lo as she was a maid<
And how she was beguiled and surprised,
As lively painted as the deed was done.
Third Serv. Or Daphne roaming through a
thorny wood,
8
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Scene II. J TAMING OF THE SHREW. 9
ACT I.
Enter Hortensio.
Hor.How now! what's the matter? My old
friendGrumio! and my good friend Petruchio!
How do you all at Verona ?
Pet. Signior Hortensio, come you to part the
fray?
*Con tutto il cuore, ben trovato,' may I say.
Hor. 'Alia nostra casa ben venuto, molto hon-
orato signor mio Petruchio.'
Rise Grumio, rise: we will compound this quar-
rel.
Gru. Nay, 'tis no matter, sir, what he 'leges^
in Latin. If this be not a lawful cause for me to
leave his service, look you, sir, he bid me knock
him and rap him soundly, sir: well, was it fit for
a servant to use his master so, being perhaps, for
aught two and thirty, a pip out?
I see, *Aiieges.
Whom would to God I had well knock' d at first,
Then had not Grumio come by the worst.
Pet. A senseless villain ! Good Hortensio,
I bade the rascal knock upon your gate
And could not get him for my heart to do it.
Grti. Knock at the gate! O heavens! Spake
you not these words plain, 'Sirrah, knock me
here, rap me here, knock me well, and knock me
soundly ? And come you now with, 'knocking at
'
the gate ?
Pet. Sirrah, be gone, or talk not, I advise you.
Hor. Petruchio, patience; I am Grumio' s pledge:
Why, this's a heavy chance 'twixt him and you,
Your ancient, trusty, pleasant servant Grumio.
And tell me now, sweet friend, what happy gale
Blows you to Padua here from old Verona ?
Pet. Such wind as scatters young men through
the world 50
To seek their fortunes farther than at home
Where small experience grows. But in a few,
Signior Hortensio, thus it stands with me:
Antonio, my father, is deceased;
20 TAMING OF THE SHREW. [Act. 1.
ACT II.
*Guitar stops.
And, with that word, she struck me on the head.
And through the instrument my pate made way;
And there I stood amazed for a while,
As on a pillory, looking through the lute;
While she did call me rascal fiddler
And twangling Jack; with twenty such vile terms,
As had she studied to misuse me so. 160
Pet. Now, by the world, it is a lusty wench;
I love her ten times more than e'er I did:
O, how I long to have some chat with her!
Bap. Well, go with me and be not so discom-
fited:
Proceed in pradlice with my younger daughter;
She's apt to learn and thankful for good turns.
Signior Petruchio, will you go with us,
Or shall I send my daughter Kate to you ?
!
ACT III.
Scene I. Padua. Baptista's house.
Enter Lucentio, Hortensio, and Bianca.
Luc. Fiddler, forbear you grow too forward,
; sir:
38 TAMING OF THE SHREW. [Act IIL
Enter a Servant.
Sew. Mistress, your father prays you leave
your books
And help to dress your sivSter's chamber up:
You know to-morrow is the wedding-day.
Bian. Farewell, sweet masters both; I must
be gone. [^Exeunt Bianca and Servant.
Luc. Faith, mistress, then I have no cause to
stay. _
\_Exit.
Hor. But I have cause to pr>^ into this pedant:
Methinks he looks as though he were in love:
Yet if thy thoughts, Bianca, be so humble
To cast thy wandering eyes on every stale, 90
Seize thee thatlist: if once I find thee ranging,
Hortensio will be quit with thee by changing.
{Exit.
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TAMING OF THE SHREW.
[Strikes him.
Kath. Patience, I pray you; 'twas a fault
unwilling.
Pet. A whoreson beetle-headed, flap-ear'
knave! 160
52 TAMING OF THE SHREW, [Act IV.
Re-enter Petruchio.
Pet. Thus haveI politicly begun my reign,
And 'tis my
hope to end successfully.
My falcon now is sharp and passing empty;
And till she stoop she must not be full-gorged,
For then she never looks upon her lure."^ *Decoy.
Another way I have to manf my haggard, J fTame.
To make her come and know her keeper's call,
That is, to watch her, as we watch these kites
That bate§ and beat and will not be obedient.
She eat no meat to-day, nor none shall eat; 200
Last night she slept not, nor to-night she shall
not; tWildhawk. gFluUer.
As with the meat, some undeserved fault
I'll find about the making of the bed;
And here I'll fling the pillow, there the bolster,
This way the coverlet, another way the sheets:
Ay, and amid this hurl\^|| I intend° Noise. ^Pretend.
n
me.
Here, love; thou see'st how diligent I am
To dress thy meat myself and bring it thee: 40
I am sure, sweet Kate, this kindness merits thanks.
What, not a word? Nay, then thou lovest it not;
And all my pains is sorted to no proof.
Here, take away this dish.
Kath. I pray you, let it stand.
Pet. The poorest service is repaid with thanks;
And so shall mine, before you touch the meat.
Kath. I thank you, sir.
Hor. Signior Petruchio, fie! you are to blame.
Come, Mistress Kate, I'll bear you company.
Pet. \Aside\ Eat it up all, Hortensio, if thou
lovest me. 50
Much good do it unto thy gentle heart!
Kate, eat apace: and now, my honey love,
Will we return unto thy father's house
And revel it as bravely as the best,
With silken coats and caps and golden rings.
With ruffs and cuffs and fardingales and things;
With scarfs and fans and double change of
bravery,* *Finery.
With amber beads and all this knavery.
bracelets,
What, hast thou dined? The tailor stays thy
leisure,
To deck thy body with his rufHingf treasure. 60
tRusUing.
;
Enter Tailor.
ACT IV.
ScENie I. Petruchio's country house.
Enter Grumio.
Gru. Fie, fie on all tired jades, on all mad
masters, and all foul ways! Was ever man so
beaten ? was ever man so rayed ?^ was ever man
so weary ? I am sent before to make a fire, and
they are coming after to warm them. Now, were
not I a little pot and soon hot, my very lips
might freeze to my teeth, my tongue to the roof
of my mouth, my heart in my belly, ere I should
come by a fire to thaw me: but I, with blowing
the fire, shall warm myself; for, considering the
weather, a taller man than I will take cold.
Holla, ho! Curtis. *Arrayed.
48 TAMING OF THE SHREW. TACT IV.
Enter Curtis.
Curt. Who is that calls so coldly ?
Gru. A piece of ice: if thou doubt
it, thou
mayst from my shoulder to my heel with no
slide
greater a run but my head and my neck. A fire,
good Curtis.
Curt. Is my master and his wife coming,
Grumio ?
Gru. O, ay, Curtis, ay: and therefore fire, fire;
cast on no water. 21
Curt. she so hot a shrew as she's reported.-*
Is
Gru. She was, good Curtis, before this frost:
but, thou knowest, winter tames man, woman
and beast; for it hath tamed my old master and
my new mistress and myself, fellow Curtis.
Curt. Away, you three-inch fool! I am no
beast.
Gru. Am
I but three inches ? why, thy horn
isa foot; and so long am I at the least. But wilt
thou make a fire, or shall I complain on thee to
our mistress, whose hand, she being now ar hand,
thou shalt soon feel, to thy cold comfort, for
being slow in thy hot ofiice ?
Curt. I prithee, good Grumio, tell me, how
goes the world ?
Gru. A cold world, Curtis, in every office but
thine; and therefore fire: do thy duty, and have
thy duty; for my master and mistress are almost
frozen to death. 40
Curt. There's fire ready; and therefore, good
Grumio, the news.
Gru. Why, 'Jack, boy! ho! boy!' and as much
news as will thaw.
Curt. Come, you are so full of cony-catching!^
Gru. Why, therefore fire;have caught
for I
extreme Where's the cook.^* is supper
cold.
ready, the house trimmed, rushes strewed, cob-
webs swept; the serving-men in their new fus-
tian, their white stockings, and every officer his
wedding-garment on? Be the jacks fair within.,
the Jills fair without, the carpets laid, and every
thing in order.? *cheating.
—
A.ctW ScawV.
Scene V.] TAMING OF THE SHREW. 67
Re-enter Bioi!iTt'^ijL,o.
Act L Scene i.
disease.
Laf. How called you the man you speak of,
madam ?
Count. He was famous, sir, in his profession,
and it was his great right to be so: Gerard de
Narbon. 31
82 ALL'S WELL THAT ENDS WELL. [Act I.
Enter Parolles.
\_Aside'\ One that goes with him: I love him for
his sake; no
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fix'd evils sit so fit in him,
That they take place, when virtue's steely bones
flvook bleak the cold wind: withal, full oft
i' we see
Cold wisdom waiting on superfluous folly.
Par. Save you, fair queen!
HeL And you, monarch!
Par. No.
HeL And no. 120
Par. Are you meditating on virginity ?
HeL Ay. You have some stain of soldier in
you: let me ask you a question. Man is enemy
to virginity; how may we barricado it against him?
Par. Keep him out.
HeL But he assails; and our virginity, though
valiant, in the defence yet is weak: unfold to us
some warlike resistance.
Par. There is none: man, sitting down before
you, will undermine you and blow you up. 130
HeL Bless our poor virginity from underminers
and blowers up! Is there no military policy, how
virgins might blow up men ?
Par. Virginity being blown down, man will
quicklier be blown up: marry, in blowing him'
down again, with the breach yourselves made,
you lose your city. It is not politic in the com-
monwealth of nature to preserve virginity. Loss
of virginity is rational increase and there was
never virgin got till virginity was first lost. That
you were made of is metal to make virgins. Vir-
ginity by being once lost may be ten times found;
by being ever kept, it is ever lost: 'tis too cold a
companion; away with 't!
HeL will stand for
I 't a little, though therefore
I die a virgin.
Par. There's little can be said in 't; 'tis against
the rule of nature. To speak on the part of vir-
ginity, is to accuse your mothers; which is most
—
*
After my flame lacks oil, to be the snufF
Of younger spirits, whose apprehensive senses 60
All but new things disdain; whose judgements
are
Mere fathers of their garments; whose constancies
Expire before their fashions. This he wish'd:
I after him do after him wish too,
Since I nor wax nor honey can bring home,
I quickly were dissolved from my hive.
To give some labourers room.
Sec. Lord. You are loved, sir;
They that least lend it you shall lack you first.
King. I fill a place, I know't. How long is't,
count.
Since the physician at your father's died? 70
He was much famed.
Ber. Some six months since, my lord.
Ki7ig. he were living, I would try him yet.
If
Lend me an arm; the rest have worn me out
With several applications: nature and sickness
Debate it at their leisure. Welcome, count;
My son's no dearer.
Ber. Thank your majesty.
\Exeu nt. Flourish
Enter HELENA.
Even so was with me when I was young:
it
If ever we are nature's, these are ours; this thorn
Doth to our rose of youth rightly belong;
— —
were,
So that my lord your son were not brother,my
Indeed my mother! or were you both our mothers,
I care no more for than I do for heaven, 170
So I were not his sister. Can't no other,
But, I your daughter, he must be my brother ?
94 ALL'S WELL THAT ENDS WELL. [Act l.
Enter Lafeu.
Laf. {^Kneeling] Pardon, my lord, for me and
for my tidings.
King. thee to stand up.
I'll fee
Laf. here's a man stands, that has
Then
brought his pardon.
I would you had kneel'd, my lord, to ask me
mercy.
And that at my bidding you could so stand up.
King. I would I had; so I had broke thy
pate.
And ask'd thee mercy for't.
Laf. Good faith, across: but, my good lord,
'tis thus; 70
Will you be cured of your infirmity ?
King. No.
Laf. O, will you eat no grapes, my royal
fox?
Sc. I.] ALL'S WELL THAT ENDS WELL. 99
Yes, but you will my noble grapes, an if
My royal fox could reach them: I have seen a
medicine^ ^
*Physician.
That's able to breathe life into a stone.
Quicken a rock, and make you dance canaryf
With spritely fire and motion; whose simple
touch fl/ively dance.
Is powerful to araise King Pepin, nay,
To give great Charleniain a pen in's hand 80
And write to her a love-line.
King. What *
her ' is this ?
Laf. Why, Dodlor She: my lord, there's one
arrived.
If you will see her: now, by my
faith and honour,
If seriously I may convey my
thoughts
In this my
light deliverance, I have spoke
With one that, in her sex, her years, profession,
Wisdom and constancy, hath amazed me more
Than I dare blame my weakness: will you see
her.
For that is her demand, and know her business ?
That done, laugh well at me.
King. Now, good lyafeu, 90
Bring in the admiration; that we with thee
May spend our wonder too, or take off thine
By wondering how thou took'st it.
Laf. Nay, I'll fit you,
And not be all day neither. \^Exit.
King. Thus he his special nothing ever pro-
logues.
Re-enter IvAPEu, with Hejlena.
Laf. Nay, come your ways.
King. This haste hath wings indeed.
Laf Nay, come your ways;
This is his majesty; say your mind to him:
A traitor you do look like; but such traitors
His majesty seldom fears: I am Cressid's uncle,
That dare leave two together; fare you well. loi
{Exit.
King. Now, fair one, does your business fol-
low us ?
Hel. Ay, my good lord.
:
Enter ParolI/KS.
ACT III.
as I thought he would. 40
Count. Why should he be killed ?
Clo. So say I, madam, if he run away, as I
hear he does: the danger is in standing to't;
that's the loss of men, though it be the getting of
children. Here they come will tell you more:
for my part, I only hear your son was run away.
{Exit.
Enter Helena and two Gentlemen.
First Gent. Save you, good madam.
Hel. Madam, my lord is gone, for ever gone.
Sec. Gent. Do not say so.
Count. Think upon patience. Pray you, gen-
tlemen, 50
I have felt so many quirks of joy and grief,
That the first face of neither, on the start.
Can woman me unto't: where is my son, I pray
you?
'
Hel. Which is he ?
Dia. That jack-an-apes with scarfs: why is
he melancholy ?
Hel. Perchance he's hurt i' the battle. 90
Par. Lose our drum! well.
Mar. He's shrewdly vexed at something:
look, he has spied us.
Wid. Marry, hang you
Mar. And your courtesy, for a ring-carrier!
{^Exeunt Bertram, Parolles, and army.
Wid. The troop is past. Come, pilgrim, I
will bring you
Where you shall host: of enjoin'd penitents
There's four or five, to great Saint Jaques bound,
Already at my
house.
Hel. I humbly thank you:
Please it this matron and this gentle maid
100
To eat with us to-night, the charge and thanking
Shall be for me; and, to requite you further,
I will bestow some precepts of this virgin
Worthy the note.
Both. We'll take your offer kindly.
\Exeunt,
ACT IV.
Scene I. Without the Florentine camp.
Enter Second French Lord, with Jive or six other
Soldiers in ambush.
Sec. Lord. He can come no other way but by
this hedge-corner. When youupon him,
sally
speak what terrible language you will: though
you understand it not yourselves, no matter; for
we must not seem to understand him, unless some
one among us whom we must produce for an in-
terpreter.
First Sold. Good captain, let me be the inter-
preter.
Sec. Lord. Art not acquainted with him?
knows he not thy voice? 11
First Sold. No, sir, I warrant you.
Sec. Lord. But what linsey-woolsey hast thou
to speak to us again ?
First Sold. E'en such as you speak to me.
Sec. Lord. He must think us some band of
strangers i' the adversary's entertainment.* Now
he hath a smack of all neighbouring languages;
therefore we must every one be a man of his own
fancy, not to know what we speak one to another;
so we seem to know, is to know straight our pur-
pose: choughs' language, gabble enough, and good
enough. As for you, interpreter, you must seem
very politic. But couch, ho! here he comes, to
beguile two hours in a sleep, and then to return
and swear the lies he forges. *service.
Enter Parolles.
Par. Ten o'clock: within these three hours
'twillbe time enough to go home. What shall I
Bay I have done ? It must be a very plausive in-
vention that carries it: they begin to smoke me;
— —
ACT V.
Scene I. Marseilles. A street.
Enter Helena, Widow, and Diana with two
Attendants.
Hel. But this exceeding posting day and night
Must wear your spirits low we cannot help it
;
But since you have made the days and nights as one
To wear your gentle limbs in my affairs,
Be bold you do so grow in my requital
As nothing can unroot you. In happy time;
Enter a Gentleman.
This man may help me to his majesty's ear.
If he would spend his power. God save you, sir.
Gent. And you.
Hel. Sir, I have seen you in the court of France.
Gent. I have been sometimes there. 1
Enter Lafeu.
Here isa purr of fortune's, sir, or of fortune's cat,
—but —
not a musk-cat, that has fallen into the
unclean fishpond of her displeasure, and, as he
says, is muddied withal: pray you, sir, use the
carp as you may; for he looks like a poor, decayed,
ingenious, foolish, rascally knave. I do pity his
distress in my similes of comfort and leave him to
your lordship. \_Exit.
Par. My lord, I am a man whom fortune hath
cruelly scratched. 29
Laf. And what would you have me to do ? 'Tis
too late to pare her nails now. Wherein have
you played the knave with fortune, that she should
scratch you, who of herself is a good lady and
would not have knaves thrive long under her?
There's a quart d' ecu* for you: let the justices make
you and fortune friends: I am for other business.
Par. I beseech your honour to hear me one
single word. *Quarter crown.
Laf. You beg a single penny more: come, you
shall ha't; save your word. 40
Par. My
name, my good lord, is Parolles.
Laf. You beg more than 'word,' then. Cox
my passion !* give me your hand. How does your
drum ? *God's passion.
Par. O my good lord, you were the first that
found me!
Laf. Was I, in sooth ? and I was the first that
lost thee.
Par. It lies in you, my lord, to bring me in
some you did bring me out.
grace, for 50
Laf. Out upon thee, knave! dost thou put
upon me at once both the ofiice of God and the
devil? One brings thee in grace and the other
brings thee out. \^Tru7npets sound.'] The kind's
coming; I know by
his trumpets. Sirrah, in-
quire further after me; I had talk of you last
night: though you are a fool and a knave, you
shall eat; go to, follow.
Par. I praise God for you. \_Exeunt.
Sc. III.] ALUS WELL THAT ENDS WELL. 1 53
Enter Bertram.
Laf. He looks well on't.
King. I am not a day of season,
For thou mayst see a sunshine and a hail
In me at once: but to the brightest beams
Distradled clouds give way; vSo stand thou forth;
The time is fair again.
Ber. My high-repented blames,
.
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Sc. III.] ALL'S WELL THAT ENDS WELL. 163
EPIIvOGUE.
King. The king's a beggar, now the play is
done:
All is well ended, if this suit be won,
That you express content; which we will pay,
With strife to pleavSe you, day exceeding day:
Ours be your patience then, and yours our parts;
Your gentle hands lend us, and take our hearts.
^Exeufit. 340
Twelfth Night ; or,
Vio. I'll do my
best 40
To woo your lady: \_Aside\ yet, a barfuP strife!
Whoe'er I woo, myself would be his wife.
*Full of impediments. [^Exeunt.
wit. 40
Enter IvAdy Oi^ivia with MAivVOi.10.
God bless thee, lady!
Oli. Take the fool away.
Clo. Do you not hear, fellows? Take away
the lady.
Oli. Go to, you're a dry fool; I'll no more of
you: besides, you grow dishonest.
Clo. Two faults, madonna, that drink and
food counsel will amend: for give the dry fool
rink, then is the fool not dry: bid the dishonest
man mend himself; if he mend, he is no longer
dishonest; if he cannot, let the botcher mend him.
Anything that's mended is but patched: virtue
that transgresses is but patched with sin and sin ;
Re-enter Maria.
Mar. Madam, there is at the gate a young
gentleman much desires to speak with you.
Oli. From the Count Orsino, is it ?
Mar. I know not, madam: 'tis a fair young
man, and well attended. 11
Oli. Who of my people hold him in delay ?
Mar. Sir Toby, madam, your kinsman.
Oli.Fetch him off, I pray you he speaks no- ;
—
cram with brains for, here he comes, one of thy
! —
kin has a most weak pia mater. *Brain.
Re-enter Maria.
OH. Give me my veil: come, throw it o'er my
face.
We'll once more hear Orsino's embassy.
Enter YioiiA, and Attendants.
Vio. The honourable lady of the house, which
is she ?
OH. Speak to me; I shall answer for her.
Your will? 180
Vio. Most exquisite and unmatch-
radiant,
—
able beauty, I pray you, tell me if this be the
lady of the house, for I never saw her: I would
be loath to cast away my speech, for besides that
it is excellently well penned, I have taken great
pains to con it. Good beauties, let me sustain no
scorn; I am very comptible,* even to the least
sinister usage. *Tractable.
OH. Whence came you, sir? 189
Vio. I can say little more than I have studied,
and that question's out of my part. Good gentle
one, give me modest assurance if you be the lady
of the house, that I may proceed in my speech.
l8o TWELFTH NIGHT: OR [Act I.
TWELFTH OTGH.T
OUvia. Viola kjtano.-
Act I. SccneV.
d — ;
love him:
! ;
TWEZ.FTEL WIGMT
Sir Teby Belch. Sir ^dndraw A./uec'if£>c ScM^^ri^.
^ct H. Scene HI.
Scene III.] WHAT YOU WILL. 187
Sir To. My
lady's a Cataian,* we are politi-
cians, Malvolio's a Peg-a-Ramsey, and Three '
cember,' 91
Mar. For the love o' God, peace!
Enter Malvolio.
Mai. My masters, are you mad ? or what are
you ? Have you no manners, nor honesty,
wit,
but to gabble like tinkers at this time of night?
Do ye make an alehouse of my lady's house, that
ye squeak out your coziers'* catches without any
mitigation or remorse of voice? Is there no respecT:
of place, persons, nor time in you ? *Taiiors;
Sir To. We did keep time, sir, in our catches.
Sneck up!* *Hang yourself. lOI
Mai. Sir Toby, I must be round with you. My
lady bade me tell you, that, though she harbours
you as her kinsman, she's nothing allied to your
divSorders. If you can separate yourself and your
misdemeanours, you are welcome to the house;
if not, an it would please you to take leave of her,
she is very willing to bid you farewell.
Sir To. 'Farewell, dear heart, since I must
needs be gone.' no
Mar. Nay, good Sir Toby.
Clo. 'His eyes do show his days are almost
done.'
Mai. Is't even so ?
Sir To. But I will never die.'
'
ACT III.
TWELFTH NIGHT,
wisdom there.
Vio. Nay, an thou pass upon me, I'll no
more with thee. Hold, there's expenses for thee.
Clo. Now Jove, in his next commodity of
hair, send thee a beard 5
Vio. By my troth, I'll tell thee, I am almost
sick for one; [^Aside] though I would not have it
grow on my chin. Is thy lady within?
Clo, Would not a pair of these have bred, sir?
Vio. Yes, being kept together and put to
use.
Clo. I would play Lord Pandarus of Phrygia,
sir,to bring a Cressida to this Troilus.
Vio. I understand you, sir; 'tis well begged.
Clo. The matter, I hope, is not great, sir,
begging but a beggar: Cressida was a beggar.
My lady is within, sir. I will construe to them
whence you come, who you are and what you
202 TWELFTH NIGHT, OR, [Act in.
odours;' well.
Vio. Mymatter hath no voice, lady, but to
your own most pregnant^ and vouchsafed ear. 100
Sir And. 'Odours,' 'pregnant' and 'vouch-
safed:' I'll get 'em all three all ready. *Ready
: : —
think?
Have you not set mine honour at the stake
And baited it with all the unmuzzled thoughts 130
That tyrannous heart can think? To one of your
receiving^ *Capacity.
Enough is shown: a cypress,! not a bosom,
Hideth my heart. So, let me hear you speak.
Vio. I pity you. fKind of crape.
OH. That's a degree to love.
!
move
That heart, which now abhors, to like his love.
\_Exeunt.
OH. Ha!
Mai. Some achieve greatness,*
'
stockings,'
OH. Thy yellow stockings!
Mai. And wished to see thee cross-gartered.
'
*
OH. Cross-gartered!
Mai. Go to, thou art made, if thou desirest to
'
be so; '
OH. Am I made ? 59
Mai. If not, let me see thee a servant still.'
'
b
"A
to r
6?
O
!
Enter Antonio.
Ant. Put up your sword. If this young gen-
tleman
Have done offence, I take the fault on me:
If you offend him, I for him defy you.
Sir To. You, sir! why, what are you?
Ant. One, sir, that for his love dares yet do
more
Than you have heard him brag to you he will.
Sir To. Nay, if you be an undertaker,^ I am
for you. *tQ^tx-\xvoi<\yx^rc€is\Theydraw. zs^
2l8 TWELFTH NIGHT; OR, [Act IIL
Enter Officers.
ACT IV.
Scene I. Before Olivia's house.
Enter Sebastian and Clown.
Clo. Will you make me believe that I am n.ot
Sf^nt for you ?
Seb. Go to, go to, thou art a foolish fellow:
Let me
be clear of thee.
Clo. Well held out, i' faith! No, I do not
know you; nor I am not sent to you by my lady,
to bid you come speak with her; nor your name
is not Master Cesario; nor this is not my nose
neither. Nothing that is so is so.
Seb. I prithee, vent thy folly somewhere else:
Thou know'st not me. 11
Clo. Vent my folly! he has heard that word
of some great man and now applies it to a fool.
Vent my folly! I am afraid this great lubber,
the world, will prove a cockney. I prithee now,
ungird thy strangeness and tell me what I shall
vent to my lady: shall I vent to her that thou
art coming ?
Seb. I prithee, foolish Greek,^ depart from me:
There's money for thee: if you tarry longer, 20
I shall give worse payment. *Bawd.
Clo. By my troth, thou hast an open hand.
These wise men that give fools money get them-
—
selves a good report after fourteen years' pur-
chase.
Enter Sir Andrew, Sir Toby, and Fabian.
Sir And. Now. sir, have I met you again ?
there's for you.
Scene L] WHAT YOU WILL. 221
ruled by me !
knave.
Mai. [Wit/ii/i] Who calls there?
Clo. Sir Topas the curate, who comes to visit
Malvolio the lunatic.
Mai. Sir Topas, Sir Topas, good Sir Topas,
go to my lady.
Scene II.] WHAT YOU WILL. 223
down to my
lady it shall advantage thee more
:
I prithee, be gone.
Clo. \Singing'\ I am gone, sir, 130
And anon, sir,
be with you again,
I'll
In a trice,
Like to the old Vice,
Your need to sustain ;
ACT V.
Scene I. Guvia's house.
Before
Enter Clown and Fabian.
Fab. Now, as thou lovest me, let me see his
letter.
Clo. Good Master Fabian, grant me another
request.
Fab. Any thing.
Clo. Do not desire to see this letter.
Fab. This is, to give a dog, and in recom-
pense desire my dog again.
TWELFTH NIGHT.
TWELFTH NIGBTT
Sehastinrv.OU.vLa,k Fneji
SCBNB I.] WHAT VOU WILL. 227
O, welcome, father!
Father, charge thee, by thy reverence,
I
Here to unfold, though lately we intended
To keep in darkness what occasion now
Reveals before 'tis ripe, what thou dost know
Hath newly pass'd between this youth and me.
Priest. A contradl of eternal bond of love,
Confirm'd by mutual joinder of your hands, 160
Attested by the holy close of lips,
Strengthen'd by interchangement of your rings;
And all the ceremony of this compa(5l
Seal'd in my funcftion, by my testimony:
Since when, my watch hath told me, toward
my grave
I have travell'd but two hours.
Duke. O thou dissembling cub! what wilt thou
be _
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