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60 + LOCATIONS

THREE WEEKENDS

Hundreds of
ARTISTS &
DESIGNERS
Open Their
Studio Doors
OVER THREE
WEEKENDS

CENTERPLAN COLLEGE SQUARE LLC • FRIENDS OF ARTSPACE


welcome. event calendar
2 Dear Friends:
Welcome to the 14th edition of the City-Wide Open
Dear Open Studios guests and artists:
Since its inception, City-Wide Open Studios has always been one of the highlights of New
grand opening night: October 14 Sponsored by Shock Top Belgian Beer 3
Studios festival. You have the once-a-year opportunity to Haven’s cultural calendar and I look forward to welcoming you to revel in the experience of its Come for the grand opening reception of CWOS, meet all the artists, and stay for a party that spans the whole block!

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

get to know New Haven’s vibrant community of visual 14th season. I am proud of the fact that our city is home to so many artists and creative people
artists, and Artspace bring this to you in a format that and industries. New Haven prides itself on the support provided by local arts organizations and SALSA OUTDOORS L.A.M.P comes to Ninth Square
Ofaypupae & We Are Cable
makes your discovery informative. memorable and fun. agencies, including Artspace that promote initiatives so vital to them: affordable live and work 6 - 7 pm 8 pm - Midnight
A Series of Performance Art Pieces


Over the next three weekends, we hope you will take space, a public art program, comprehensive arts education in the public schools where artists Artspace Lot (corner of Orange and Chapel) After the CWOS opening reception, stroll the
advantage of all the hospitality that artists are offering. work and teach, and a myriad of inclusive exhibition spaces and opportunities for networking
Curated by Erika Van Natta
Last night of salsa dancing, led by Alisa Bowens neighborhood as L.A.M.P. (Light Artists Making
and professional development. The City of New Haven also boasts historic architecture and a
New Haven’s artists look forward to sharing their ideas, of Alisa’s House of Salsa. Presented to celebrate Ofaypupae Places) joins forces with Project Storefronts and
their work and their spaces with you. Many artists stepped world class design community that further contributes to making our town an exceptionally Hispanic Heritage Month. The lesson starts with 7 pm - 9 pm the merchants of the Ninth Square to keep the
creative place. By bringing artists, designers and visitors together in over 60 sites across our
forward to make new work, conceive special installations the basics and will have you stepping and turning The Grove, 71 Orange St celebration going after dark.
and exhibition in downtown storefronts, and a good community this year, Artspace once again champions the important creative placemaking that
like a pro (well, almost) by the end of the hour! Local artists create an energizing light show using
number are offering demonstrations or samplings of defines the spirit of New Haven. I look forward to seeing you in the coming weeks!
Tickets include admissions and a lesson: $10 for Tom Murphy: Tom in a Box
everything from vintage technologies to cutting-edge
their work . All have been preparing for your visits. We Mayor John De Stefano adults, $5 for children. Weather permitting. Tom Murphy will read from ANIMAL INSIDE
lasers, with tours available for residents and visitors.
hope you will support them through your presence, your City of New Haven a recent work by Hungarian author Lazlo
attention, and your conversations. And, if you are looking Walk into the light!
Krasznahorkai with accompanying images by Max
for a creative solution to a problem, or artwork for your Neuman.
office, home, or as a gift to celebrate a special occasion, we
Dear Friends: main exhibition:
hope you’ll consider CWOS as the best time to make your
connections and your acquisitions.
It is my pleasure to welcome you to Artspace’s 2011 City-Wide Open Studios (CWOS), an
extraordinary New Haven visual arts event now in its 14th year. artspace John O’Donnell: Playing on the Stares
Through a series of interconnected performative
October 12-30
On behalf of Artspace, I want to thank all the artists for CWOS is an incredible opportunity to view an impressive array of work by hundreds of area actions John O’Donnell will investigate concepts
Tue-Thu 12-6 | Fri 12-8
contributing their time and energy to offer you a glimpse artists and to meet these very same artists who typically work in solitude. of surface and spectacle intended to examine the
Sat 12-5 | SUN 12-5
of their process. Your ongoing show of support, as we For three consecutive fall weekends, CWOS spans New Haven and vicinity - from Erector intersection of art, audience and amusement.
sustain the festival, is deeply gratifying. My hard working Square, to private studios, to an “alternative” space at Coop Center for Creativity. Artspace
colleagues at Artspace deserve much praise for pulling has added convenience and excitement this year with an iPhone app putting studio info at your
together another great festival. Our faithful friends, fingertips, a passport to exploration that offers a chance to win artwork, a special light show, and
sponsors, and philanthropic supporters make the festival outdoor salsa dancing.
possible, and again, on behalf of Artspace, we are thrilled
The State of Connecticut has been a supporter of CWOS from the beginning. DECD believes
and thankful for your many contributions.
our cities are great places to live and work, and we applaud Artspace for helping keep New
Helen Kauder Haven vibrant and alive.
Executive Director, Artspace New Haven
Christopher “Kip” Bergstrom
Deputy Commissioner
Department of Economic and Community Development

Dear Friends: CWOS HOST COMMITEE


I am so pleased to have this opportunity to welcome you to the 14th Annual City-Wide Congresswoman Rosa DeLauro, Honorary Chair
Open Studios Festival. This extraordinary event allows you to explore the work of hundreds Jeffrey Alexander & Morel Morton
of local artists at more than sixty sites throughout the City. The arts, regardless of medium, Barry Berman & Peggy McCarthy
are an integral piece of our communities - - every exhibit speaking to some intricacy of our Zeb Esselstyn & Polly LaBarre
human experience. Our City has a strong and vibrant arts community and I hope you will
Fred & Kathy Giampietro
take advantage of the many opportunities available to meet the artists and enjoy their work.
Jen Herrlinger & James Baron
I have had many occasions to work with the creative minds of Artspace and I am often in
Harvey Kliman & Sandra Stein
awe of the innovative ways their work, like this annual festival, brings the power and the
magic of the arts to our community. My thanks to Artspace for once again coordinating this Steve & Jane Kovel
wonderful event, to the artists for opening their doors, and to all of you who have come to Ginger Nash
support their good work. Marcy Stovall & Jim Farnam
The Hon. Rosa DeLauro Len Suzio
Member of Congress Barry & Diane Svigals
event calendar event calendar
4 weekend one WEEKEND TWO WEEKEND THREE Other Exhibitions at Artspace 5
Oct 14, 15 - 16 Oct 21, 22 - 23 Oct 28, 29 - 30 on view through October 30

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

erector square PASSPORT: private Studios ALT SPACE

OctOBER 15 October 21 October 28 Barbara Weissberger:


DEMONStRATIONS Exhibition Alt Space Preview/Critical Mass


Pronto Plate Printing 3 pm Identifying Marks: An Inaugural Exhibition After Party The Liver’s Ten Kinds of Desire
Barbara Harder Studio, Bldg. 6 East, 2nd Floor, Studio B Organized by Stephen Kobasa, with six local print makers: Oi Fortin, Aniko Horvath, Fethi 7:30-9 pm A wall-mounted installation of hand-cut,
Printmaker Harder invites visitors to make an image on their own plate, print it on her Meghelli, Roxanne Faber Savage, Thomas Stavovy, Jonathan Waters 210 College St
shaped, symmetrical photo-collages, and
press and take it home. greeting of the artists In (the former) COOPER’S DRESS SHOP
a window Installation consisting of a vinyl
Celebrate October’s ride with a sneak peek of the Alt Space, where artists are
MUSIC 6 pm-8 pm
graphic of a large-scale photo-collage -
The Institute Library putting the finishing touches on their Installations.
Praxis 1-3 pm takes its title from Yusef Komunyakaa’s
847 Chapel St Raffle prizes thanks to The Devil’s Gear.
Stop by ArtFest for alternative/acoustic performances and an exhibition to benefit the poem Anodyne. The poem, an exaltation
Exhibition runs through November 5th. Come in coStume.
listener-supported radio station WPKN.
of the body and its urgent desires — “the

October 16 October 22 October 29 + 30 liver’s ten kinds of desire/& the kidney’s lust

DEMONStRATIONS DEMONStRATIONS We Are Cable for sugar” — celebrates the corporeal in an earthy way.

Veneering-techniques: wetplate 1 pm + 3pm 206 College St, in (the former) Sera Nails Salon
Paper-making 3 pm
Jeff Carter “artist-designer-maker” We Are Cable is a series of performances by ten artists over two days. The Flatfile
Jennifer Davies Studio, Building 3, 3rd floor
Davies will demo Western papermaking, showing basic sheet-forming techniques and 14 Gilbert St. Studios, West Haven performative and relational acts will explore concepts of media, gender, identity, Atmospheres and Environments
www.Westmountgroup.com leisure and entertainment. Curated by artist Erika Van Natta.
options for decorating the surface by layering different colors or including diverse With each set of exhibitions, Artspace invites an individual in the community to
Lecture 1:30 pm Program Guide
material into the pulp.  She will display various pulps, including Asian pulp that she focus on the works on paper in our Flatfiles. This month, architect Kyle Skar, who
Paul Taylor, owner of Renaissance Press & Master Printmaker/Photographer on various Bill Beckett Channel................... Audio Collaboration
processes herself, and talk about the unique properties of each. also serves as CWOS Alt Space organizer, offers his selection.
printing techniques including wetplate collodian & photogravure Alycia Bright Holland Channel... Somatic De-Programming
EncauStic Painting 1 pm
Robert Reynolds Gallery James Holland Channel.............. Somatic De-Programming & V-Hold Atmosphere, in a figurative sense, is the encompassing influence that defines
Building 6 EAST, 1st floor
96 Orange St., New Haven Philip Lique Channel................... I’m better drunk then you are sober. an environment. This influence can be physical or ephemeral. In the end, the
Painter Binnie Birstein will offer a glimpse into an ancient technique that uses
Lithography Demo 2-3 pm Laura Marsh Channel................. Video Girl encompassing nature of an atmosphere is hard to define or measure. This series
pigment suspended in hot wax to create lush atmospheric surfaces. Encaustic paint
James Reed, Master Printmaker Tom Murphy Channel.................. Tom Murphy will perform what is required of him.
was developed by the Greeks and Egyptians, and has been in active use ever since. of work from the flatfile attempts to capture the fine line between objective and
30 Elm St., West Cove Printmaking Workshop, West Haven John O’Donnell Channel............. Inside Animals & works by Jeremy Milk Toast
MUSIC Paul Theriault Channel............... Minnow Sittin’
subjective representation. Each work can be seen as a distilled event that brings
Wry Bred 1-3 pm into focus distinct characteristics of an environment.
Stop by ArtFest for contra dance style music with Micki Koth, Robert Messore, and
October 22 + 23 Erika Van Natta Channel............. Butt Blast! & Go Bananas!

Bill Fischer and an exhibition to benefit the listener supported radio station WPKN. limited edition passport. get one while they last. Alexis Zanghi Channel................ Want Catalog
Norm Magnusson
Pick up a limited edition passport designed by local letterpress husband-and-wife team Group Show
Historical Tense
October 15 + 16 Jeff Muller & Kerri Sancomb and set out to discover local Studios and unearth new talent. 210 College St, in (the former) COOPER’S DRESS SHOP
Fill it with stamps and other mementos given out by local artists. Bring your completed Cooper’s Annex Gallery presents a group show featuring artists Anna Betbeze, In the Artspace Lot, 812 Chapel St
EXHIBITION — Meet the Artists
passport back to Artspace by November 1 to be John Bianchi, Myeoungsoo Kim, Jo Nigoghossian, and Michael Yaniro. The “On this site Stood Jane King, whose white male coworkers earn 39% more than
Giampietro Gallery, Building 3, A2-4
eligible to win a graphite drawing by noted local exhibition explores work that wrestles with materiality and brute poetics through she does for doing the same job.”
The gallery will Stay open both days and the artists will be present.
artist Joe Smolinski. Adventure has more than its investigations of design, architecture and formlessness. Curated by artist Ryan
Jonathan Waters, Recent Work  Artspace is honored to present Norm Magnusson’s “Historical Tense,” an
own reward! Wolfe. CLOSING RECEPTION, October 30, 3-6 pm
Mary Barnes, Recent Work Installation of six “historical markers” that invite viewers to engage with
Exhibition runs through November 10th. Bike Tours contemporary issues that often fall victim to our worst emotional instincts. Rather
Meet at 12:30 pm at the Devil’s Gear
than presenting strident or maudlin political
151 Orange St

grand opening night: October 14 A 4-hour exploration of New Haven through


artist spaces.
work, Magnusson provides food for thought,
allowing each marker to tell its own story,
Come for the grand opening reception of CWOS, DEMONStRATIONS gently assertive, firmly thought-provoking,
and just a little bit subversive. The Artspace
meet all the artists, and stay for a party that spans live painting 3-5 pm
Robert Reynolds Owner/Curator Lot provides the first urban home for
the whole block! Robert Reynolds Gallery Magnusson’s project, opening up new
96 Orange St., New Haven possibilities for social engagement.
SEE PAGE 3 FOR DETAILS.
Alternative Space Banner Concept: Dave Coon and Kyle Skar
artists A– Ca artists Ca– Du
6 1 Scott Andrews 3 Cat Balco 205 Susan Bender 148 Christopher Blum 8 Janine Brown 150 Jeff Carter 103 George Corsillo 155 Claudia Cron 212 Megan Czekaj 15 Jennifer Davies 7
Oct 15-16, Erector Square Oct 15-16, , Erector Square Oct 29-30, , 196-212 College St Oct 22 only, 641 Main St, Rear, East Haven Oct 15-16, Erector Square Oct 22 only,14 Gilbert St Studios, West Oct 22-23, 838 Whalley Ave, Unit 12 Oct 22-23, 30 Elm St, West Haven Oct 29-30, 196-212 College St Oct 15-16, Erector Square
Painting/Mixed Painting/Installation Photography Sculpture Painting/Printmaking Haven Design Mixed: Echoes Installation Mixed
By profession I am a clinical social worker, a My work is autobiographical. I am inspired by furniture/design This body of work deals with personal feelings about Observing the transition of ideas and energy into The images that appear in my work refer to natural

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

psychotherapist in private practice. In my profes- objects that I own or find; events in my life; and the passage of time and moments of transformation. Structure and movement is where my work begins. form - waves, rock faces, leaves. Sometimes the
126 Michael Angelis sional work I deal with what is presented, what is
obvious and apparent, but also with what is not,
170 Ethan Boisvert conversations. The medium that I chose to visually
communicate my ideas changes based on what I
119 Megan Craig Forgotten symbols of past fortitude now seem to
gather and collect light or leave traces of energy
Currently I am interested in the relationship between
people and our ideals and how that fits into the
initial form is clear, sometimes more abstract. I am
attracted to forms that have been altered by time,
Oct 22-23, 39 Church St, New Haven Oct 22-23, West Cove Oct 23 only, 87 Union St Unit #3
what lies beneath. When taking photographs I find I determine will best communicate my thoughts. and power in their wake. natural environment. erosion or disintegration.
Painting am often attracted to the visual parallel of what I Painting Painting


Michael Angelis is a 34 year-old painter. He’s lived in deal with verbally in my office what appears on the In my painting, I take a 21st century approach, an My work deals with crowded spaces, architecture,
New Haven for 6 years. Most of his paintings from surface and the interpretation of the as yet untold appropriation of styles created by the 20th century gravity, and Stacks. I’m currently thinking about
that time period have been urban landscapes of New story beneath. avant-garde. Gilles Deleuze’s concepts of virtuality and force,
Haven painted enplein air. He received his BFA from
Purchase College and has a Masters of Art Education 120 Phoebe Barron about abstraction and memory, and about the ways
things distort and change over time.
from Teachers College. Oct 22-23, St. Paul & St. James Episcopal
136 Vito Bonanno 242 Christine Chiocchio
Church, 57 Olive St, New Haven 206 Laura Benevento Oct 29-30, 196-212 College St
Photography Oct 29-30, 196-212 College St Oct 22-23, 756 Chapel St
Mixed Ron Crowcroft 156 Susan D’Angelo 16 Geoffrey Detrani
“What is that?” is one of my favorite responses Photography
131 Colin Burke Drawing/Mixed Oct 22-23, 30 Elm St., W. Haven Oct 15-16, Erector Square
when someone looks at my photographs. I try to
capture an unusual perspective of an object to have
I am a Landscape photographer.
Oct 22 only, 50 Orange St 112 Susan Clinard I explore various media, working on several levels at Printmaking Paint/Drawing
141 anna Bresnick Oct 22-23, Eli Whitney Museum, 920 the same time. I use randomness and chance, and Printing on paper allows me to arrive at subtle My work is rooted in a sense of the natural world
the viewer question what they see. Close-up photo Photography/Installation
Whitney Ave, Hamden enjoy using found materials when possible. variations of color and texture. By collaging these as construed by experience, imagination and ideology.
of a flower – Is it nature or a structure made by
man? What is that? is one of my favorite responses
91 Ann Bindman Oct 22-23, 73 Foster St My current work is an exploration of a photographic
process called “solargraphy,” using handbuilt pinhole Mixed 244 Roxanne Crane separately printed papers I can create tension and The imagery I use explores a hypothetical intersec-
Oct 15-16, Erector Square Mixed contrast between the individual parts. This provides tion between the natural world and the physical
when someone looks at my photographs. I try to I have been working on a series of drawings con-
cameras that capture form, transition and liminal Susan Clinard began her sculpture career over Oct 29-30, 196-212 College St
me with endless problems to solve of value, hue, world of our creating.
124 John Arabolas capture an unusual perspective of an object to have Jewelry
I attempt to combine excitement with a sense of taining elements of nature expressing my concerns
space. eighteen years ago. She works in wood, clay, bronze, Painting/Mixed balance and proportion.
Oct 22-23, Yale Environmental Science the viewer question what they see. about its future. Although my source materials Stone and mixed media. Susan has taught at the Roxanne’s work generally follows a visual narra-
drama in the one-of-a-kind pieces of jewelry I School of the Art InStitute of Chicago, Palette and tive pattern, exploring dualities and the interior
Center, 21 sachem st. fashion. I handcraft semi-precious Stones, glass beads, are very local, the Peabody Museum as well as the
streets of New Haven and its surrounding landscape, Chisel Academy of Art, Creative Arts Workshop, and landscape. Her images draw inspiration from the
Arabolos’ art work is an investigation of our natural silver and gold to make distinctive, natural creations. Gallery 37 to name a few.
the issues I am addressing are universal. Like surrealist and anticraft movements in addition to
world and how we perceive and relate to it, includ- My studio overlooks a peaceful setting, with water
Noah’s dove, only the bird travels easily across land literature, psychology, and music. She is a therapist
ing processes’ of conception and creating and the views, which lends Strength and calmness to my art.
and sea bringing back the news of our survival/ at Oak Hill, a nonprofit organization which serves
metaphysical act of experiencing and becoming.
destruction. people with intellectual, developmental, and physical
disabilities. The Oak Hill Arts Studio provides access
12 Phyllis Crowley
204 Karen Bartone
to art to enrich the emotional, creative, and social Oct 15-16, Erector Square
13 Kevin Daly
9 Claudine Burns Smith lives of its participants. Photography
Oct 15-16, Erector Square 213 Jessica Dickens
Oct 29-30, Alternative Space Oct 15-16, Erector Square In the Horizon series, by eliminating detail, the focus Oct 29-30, 196-212 College St
is on light, color, space and time. With my current Painting/Installation
Painting/Sculpture Sculpture Jewelry
focus on landscapes, I might look for a layered I am interested in the relationship between desire
This mixed media Installation “Springing a Leak”
and necessity, the clashing of the ideal and the
114 Julia Coash
visual experience by photographing through an
expresses ideas about time and beauty using oil
5 Binnie BirStein interface, or expand an idea with multiple or serial actual. The inadequacy of a rationalist program
10 Sharon R. Butler 17 Anne Doris-Eisner
painting, textiles, collage and humor. The work is
2 Judy Atlas
connected to the tradition of Still life painting and Oct 15-16, Erector Square
Painting/Printmaking
118 Johanna Bresnick Oct 22 only, 79 Foster St, New Haven
Painting/Drawing
images, which create layered meanings. of structuring a culture in constant flux results
in its having to constantly revise, regroup, and Oct 15-16, Erector Square
creates a contemporary look at this genre. Oct 22-23, 84 Lyon St Oct 15-16, Erector Square
Oct 15-16, Erector Square My work is dark, ambiguous, dream-like and Julia Coash’s paintings reference forms ranging from accommodate. Painting/Drawing
Mixed Photography
Painting/Printmaking dissonant with a sense of mystery and unease. My vines to the surfaces of time-worn walls dissolved by I respond so Strongly to two things, the natural
A crack in the ice of a glacier, the raindrops on private iconography refers to the darkness in human veils of light and atmosphere. Intentional ambiguity 11 Debora Crichton world and bold marks on paper, and I embrace
the window, the planes of a mountain range, the
view from above, the inside of a leaf...My paintings,
character, the evil of war and persecution, the
repetitiveness and uniformity of life in the suburbs, 7 Rita Brieger 208 Eileen Carey creates a tension between the literal world and the
abstract, allowing solid forms to evolve into sugges-
Oct 15-16, Erector Square them both in my artwork. I am inspired by the
resilience and transformative beauty of the land
Oct 29-30, 196-212 College St craft
monotypes and collages are abstract interpretations the loss and despair that life can bring. Oct 15-16, Erector Square tions of ethereal light and color. above and the supporting rock beneath.
and expressions of what I see and feel. Acrylic Painting/Drawing
Always surprised by what strikes me visually, this
A quote by Azar Nafisi, “Never let reality get in
the way of imagination” sums up my approach to new series was literally driven (no pun intended), 210 Giada Crispiels 211 Reinaldo Cruz
90 David Bassine art. My work flows with intention, playfulness and by the amount of time I spend on the road. While
driving I find myself captivated by the combination
Oct 29-30, 196-212 College St
Installation/Animation
Oct 29-30, 196-212 College St.
Oct 15-16, Erector Square unexplained guidance.
of sky, cement, asphalt and shadows. Since I was little I enjoyed drawing. I thought Art
mixed/painting 14 Maria Damianou
meant a perfect reproduction of reality. During my Oct 15-16, Erector Square
147 Lucienne Coifman
Studies I realized that Art is everything but real. Also
4 Hayne Bayless 6 Meg Bloom if you take a picture, is not the object itself, but it’s 121 Diane Cushing Mathews 139 Conrad Duenkel
Oct 15-16, , Erector Square Oct 15-16, Erector Square Oct 23 only,11 Hickory Hill Rd, North your vision that makes that picture an opera. It’s Oct 22-23, St. Paul & St. James Episcopal 157 Paul Daukas Jr Oct 22-23, Fair Haven
113 Anna Held Audette Ceramic/Metal Sculpture/Mixed Haven
Textile
communication. Church, 57 Olive St, New Haven Oct 22-23, West Cove Studio, 30 Elm St., Glass/Mixed
Oct 22-23, , 21 Everit St, New Haven I love what spawns in the friction between what I My art reflects my ongoing interest in the illusion of Photography W. Haven I’ve been blowing glass for the past 31 years and
want the material to do and what it would rather forms in nature and the ways forms change in light Variety, texture and exploration have always been During a long and tumultuous 2007, many ironic have participated in all 11 CWOS. My medium is
Painting/Printmaking Printmaking
do. The unintended result, often misread as a and space. I often use layering of materials in ways
201 Ashby Carlisle very important to me – in weaving as well as in and surprising twists and turns occurred. The most Blown Glass and all of the above. Enjoy the ride!
207 Alexis Brown
“Industrial decay has a certain mystery, reminding that become metaphors for what are natural and life. I feel that curiosity about our world is the Know what is in front of your face and what is
mistake and so dismissed, is one of the most fertile surprising and unexpected twist was the camera. In
us of a world we dimly remember. The relics have
sources of new ideas. unnatural processes. Oct 29 only, 300 George St Start for wonderful adventures and it is especially many ways, learning about photography has helped hidden from you will be disclosed.
a peculiar and poignant beauty. Time and weather Oct 29-30, 196-212 College St Ceramic/Textile Art for me is a natural exploration for hidden
delightful to look with new eyes at relatively simple me to focus on new beginnings and the beauty that
impose new colors and reshape machines and build- Printmaking/Drawing Where I live in Old Lyme, CT is literally between Structures that are easily within reach. awaits around the bend. arcane archetypes inherent within nature.... and thus
ings, releasing them from their intended function to My media are Lithography, Etching, Silk Screen, and the marshlands, woodland and ocean. Watching the the sublime.
acquire a novel interest.” Ink. Subject matter primarily animals. variety of life in these habitats change throughout
the seasons is phenomenal. As I explore these worlds,
I am drawn to collect the seed pods, shells and
vines which I find there.
artists E– Gu artists H– Ju
8 18 Lambert Edelmann 158 Roxanne Faber Savage 23 Robert Fort 26 Jean Galli 29 Robert Gregson 33 Barbara Harder 43 Cham Hendon 246 Insook Hwang 243 Aileen Ishmael 38 Keith Johnson 9
Oct 15-16, Erector Square Oct 22-23, 30 Elm St., W. Haven Oct 15-16, Erector Square Oct 15-16, Erector Square Oct 15-16, Erector Square Oct 15-16, Erector Square Oct 15-16, Erector Square Oct 29-30, 196-212 College St Collage/Mixed Oct 15-16, Erector Square
Printmaking Painting Printmaking/Drawing Mixed/Painting Mixed/Sculpture Printmaking/Installation painting Drawing/Installation I think that if we are lucky in life, we know that we Photography
Lambert Edelmann is interested in the poetry of Stream of consciousness and a rich store of personal Faces are my passion. When I walk down a crowded My work is a social activity. It exists in the Based on observations of nature, I use the process I combine traditional media (freehand drawing, want to do with our lives from a very young age. Keith Johnson Studied with Harry Callahan and Aaron

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

human made objects and Structures and in revealing memories are the starting place for my prints and 24 Julie Frankel St, I often find myself Staring at people’s faces. ambiguous territory between artist and audience. of Printmaking to transform the images via Installa- painting, Stamping with personalized Stamps, sewing Creativity has always been my lifeline. I have been Siskind at RISD and with Nathan Lyons. Ten years
intricate patterns and subtle variations by focusing
on shapes, textures, and colors, thus creating abstract
drawings. My interest in energy and power, in the
widest sense, provide a central theme through which
Oct 15-16, Erector Square When one catches my eye, imagine how I would
capture that person on canvas in bold Strokes of
The pieces are invitations that provide permission to
be involved. They are not only about me and more
tions with unusual juxtapositions. Some images dance
across the wall on angular wood reliefs, while others
99 Debbie Hesse and collage) with various digital techniques (digital
imaging, printing, animation, video projection and
an artist for as long as I can remember. of teaching led to a move to the business side of
photography completing an MBA. He supports his fine
Mixed/Drawing Oct 15-16, Erector Square
new arrangements. His prints convey images of I channel my experiences. color and light. about us. For me, the act of creation is a balancing are printed on translucent, billowing paper. lenticular prints). art making as a sales and marketing consultant in
Though my work is varied in Style and media, Installation
different products of our culture, like towns and act between autonomy and connectedness. the northeast.


certain ideas and principles are consistently at play.
architecture, messages and writing. I have an abiding interest in the physical embodi-
41 Aniko Horvath
ment of psychological States, a sense of the internal
becoming visibly external.
Oct 15-16, Erector Square 36 Robert Jacoby
Printmaking/Photography Oct 15-16, Erector Square
Painting/Drawing
133 The Institute Library
214 Ellen Hackl Fagan 218 Michael Galvin 34 Sidney Harris 245 Brian Huff Oct 22 only 847 Chapel St
Oct 29-30, 196-212 College St Oct 29-30, 196-212 College St 30 Joleen Grussing Oct 15-16, Erector Square Oct 29-30, 196-212 College St Printmaking group show 37 Julita Januszewska 92 Tony Juliano
174 Eileen Eder Sculpture/Painting Oct 15-16, Erector Square Acrylic/illustration Collage/Found Material Oct 15-16, Erector Square Oct 15-16, Erector Square
Oct 23 only, Off Map
Painting/Sculpture
Influenced by scientific theories—both real and
25 Kathryn Frund Mixed Media/Photography. For the past five years, my work has focused on
Painting/Drawing
Painting/Drawing imagined my abstract paintings and interactive Oct 15-16, Erector Square collage and the medium that surrounds it. I often
247 nicole Iovanne
I am inspired by light and how it reveals objects performance build connections between color and Mixed/Painting 27 Chelsea Genzano 35 Deborah Henchel incorporate images from old children’s books, found
objects, and 1950’s era Boy’s Life magazines. Oct 29-30, 196-212 College St 97 Erin Jenkins
and nature with an endless variety of color and sound. This exploration has led me to create a series The collages, paintings and Installations examine the Oct 15-16, Erector Square Oct 15-16, Erector Square
Oct 15-16, Erector Square
value. of interactive games with viewers the most recent evolving relationship between man and the environ- Jewerly I create woodcut relief prints, carved blocks, and
ment. Conscious of a fragile landscape, I am drawn Painting/Drawing
being The Color Sound Grammar Game. The main thing that I love about making Sterling paintings that depict emotion-driven illustrative
to healing the severed parts, as well as the broken Don’t Think, Just Create.
silver fretwork jewelry is that every piece that I landscapes and figures through the use of simplified
parts I may not be aware of. make is unique, and I have no idea what it will form and dynamic color.
31 Lys Guillorn look like until the last interior has been sawed out.
Oct 15-16, Erector Square
Mixed/Photography
“Landscapes and Accidents”. When I take photographs
I tend to look for things that look like art found
137 Ripple Effect in nature, and the interaction of nature with human-
Oct 22-23, 756 Chapel St, New Haven
22 John Fallon
created forms. I like to see objects being reclaimed
219 Craig Gilbert by the elements, covered in rust and vines.
Oct 15-16, Erector Square 159 Maura Galante Oct 29-30, 196-212 College St
19 Nancy Eisenfeld Painting/Sculpture Oct 22-23, West Cove Studio & Gallery, 30 Drawing/Installation
Oct 15-16, Erector Square Elm St., W. Haven
Drawing/Sculpture Printmaking/Mixed
The forces of nature are benevolent and destructive, 215 Nelson Feliciano 3rd Although I like to experiment with a variety of
Oct 29-30, 196-212 College St media, I consider myself first and foremost a
necessary for our existence, and out of human
control. My sculptures and drawings address these printmaker. I am fascinated by the various tools, the 32 Sarah GuStafson
issues and the cycles of growth and decay. I look at smell of the inks, the machinery of the press. Oct 15-16, Erector Square
216 Ralph Ferrucci
Salutes the
nature with curiosity and constant surprise. Mixed/Printmaking
Oct 29-30, 196-212 College St I assimilate observed patterns, shapes, colors
28 Kelly Gilleran
and textures into a system of imaginary linear
Painting/Mixed landscapes. I am fascinated by architecture, mapping
Oct 15-16, Erector Square
painting
and textiles. I create
atmosphere in fields of color; while having the lines
14th Annual
127 Silas Finch maintain Structure. My explorations of Structure,
Oct 22-23, 39 Church St #H New Haven
Sculpture/Mixed
boundaries, and surfaces are unified in this body
of work.
City-Wide Open Studios (CWOS)
My creating began with a pair of wire cutters, some 202 Gallery one
101 Christopher Engstrom
Oct 22-23, 910 Whalley Ave #1b, New
copper and leather, while tinkering in my dad’s barn.
Inhabited by a collection of antiques, I saw beauty
Oct 29 only 300 George St
Painting/Watercolor
For all their years of service
behind fragments left behind by once utilized objects.
Haven
Painting
The objects in their natural form are a work of art
in themselves.
Gallery One, Old Saybrook, Connecticut, is a co-opera-
tive gallery showing the work of mid-career artists
working in a wide variety of media and Styles
and support of the
from representational to abstract in photography,
New Haven Community
21 Chad Etting
Printmaking, painting, sculpture and ceramics.

Oct 15-16, Erector Square

Contributing to a
252 Sherry Fogel Strong New Haven Making a Difference Together
Oct 29-30, 196-212 College St www.yale.edu/onhsa
AUG
UR 
ST
Studio map
MILL ROCK RD

10 ARMORY ST
Artspace invites you to discover Open Studios in two new ways. This year, we’ve teamed up with Dexterity Press to This symbol means that Artspace has confirmed
wheelchair access at a studio complex. If you
11
MORSE ST
offer you a limited-edition passport that you can bring along, and keep handy to collect stamps, marks, drawings, or other
have questions about access at a private studio,
contributions from artists you visit during the middle weekend (private studio spaces). Collect enough and you’ll be eligible

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

T
please call Artspace and we will contact the
GOODRICH S to win a graphite drawing by noted local artists Joseph Smolinski! Or, go digital and download the Roammeo App on to your
ALBERTUS EAST ROCK PARK artist for you. 203 772-2709.
MAGNUS
COLLEGE android or iPhone, and get up-to-the moment information dispatched directly from artists’ studios.
112
HUNTINGTON ST 152

East HAven


SOUTHERN  120 Phoebe Barron
CONNECTICUT 
STATE  October 15+16 St. Paul & St. James Episcopal Church
57 Olive St.
148 edwin Salmon
UNIVERSITY
1-100 Erector Square 315 Peck Street 121 Diane Cushing Mathews
641 Main St., rear, Sat. Only
Only first floor is wheelchair accessible 149 Christopher Blum
113 St. Paul & St. James Episcopal Church
641 Main St., rear, Sat. Only
57 Olive St.
115
122 Gwenith Severance
West Haven
107-

October 22+23
111 116
AVON
-117
St. Paul & St. James Episcopal Church
 S T
57 Olive St. 14 Gilbert Street Studios, Sat. Only
103
101-175 artist studio locations

AT W
234
141
-4
1-115
ERECTOR 150 Jeff Carter

H ST

ATE
101 114
SQUARE Downtown 151 Mark Potter

R
Whalley Ave./Westville

NAS
-2

ST
1-88
123 The Ladies’ Auxillary 152 Robert Taplin
101 Christopher Engstrom 38 Trumbull St. 2nd fl.
910 Whalley Ave. #1B
139
124 John Arabolos West Cove Printmaking workshop
W. PARK AVE

124
102 John Keefer Yale Environmental Science Center
138 & Gallery
EET

910 Whalley Ave. #4


FOREST RD

Behind Peabody Museum, 21 Sachem St.


LL STR

105
103 George Corsillo 155 laudia Cron
125 Elm City Artists Gallery
BROWNE

123 140
838 Whalley Ave., unit #12 284 York St. 156 Susan D’Angelo
106
104 Susan McCaslin 126 Michael Angelis 157 Paul Daukus
122 125
838 Whalley Ave., unit #12 39 Church St. 158 Roxanne Faber-Savage
212
118
105 Leonard Moskowitz 127 Silas Finch 159 Maura Galante
115 West Park Ave. 39 Church St. #H 160 John Klammer
106 Jesse Larock 128 Jo Kremer 161 Jean Scott W
32 Brownell St. 39 Church St. 3A
133 162 Jeffrey Starkes
204+
ALT. 
132
129 Nick Mead 163 Thomas Stavovy
91 Shelton Ave.
136-
SPACE 137
119 39 Church St.
200 164 Kathleen Thomas
-203 126
-130
131 120 107 Phil Lique 130 Gerald Saladyga
-122
91 Shelton Ave.. 39 Church St. 4A 165 Jonathon Waters       
108 Laura Marsh 131 Colin Burke 166 Valery Richardson
91 Shelton Ave. Artist-in-Residence @Artspace, 50 Orange St. 167 Anita Soos
109 J.D. Richey Sat. Only 168 Barbara Marks
91 Shelton Ave. #513 132 Reynolds Fine Art Gallery 169 James Reed
MAIN EXHIBITION AT ARTSPACE 110 Perry Obee 101 96 Orange St 170 Ethan Boisvert
91 Shelton Ave. 133 The Institute Library 171 Fethi Meghelli
ERECTOR SQUARE OCT 15+16 MA
IN 
ST
RE 111 Thuan Vu “Identifying Marks: An Inaugural Exhibition
ET
—Six Printmakers” 847 Chapel St.
ARTISTS STUDIO LOCATIONS OCT 22+23 148
-149
91 Shelton Ave. Studio 530
136 Vito Bonano Studio
other locations—off map
ALT SPACE OCT 29+30 174 Eileen Eder
East Rock 756 at 756 Chapel St.
167 Uncas Point Rd., Guilford, CT, Sat. Only
242 112 Susan Clinard 137 “Ripple Effect”
Expanding Coolaborative Installation Project Studio 175 Oak Hill Arts Studio
Sculpture Studio, 920 Whitney Ave., Hamden 120 Holcomb St., Hartford, CT
756 at 756 Chapel St.
113 Anna Held Audette
Erika Van Natta
CIRCU

21 Everit St., rear


The Grove, 71 Orange St., Oct. 21 Only.
October 29+30
FO

MA
HOWARD

141 anna bresnick


LAR A
RES

TH

city bench
ER

73 Foster St.
TR

WHITNEY AVE

204+ alternative space


ST
VE

100 Crown St.


D

AVE

ST 114 Julia Coash


TR

KE
EA

150- CH BRA LA Only first floor is wheelchair accessible


DW

UR DLE 79 Foster St.


EL

152
Y AV
Fair HAven
CH
EL
LA

GO E
LS

ST
TG

RHA
115 Chen Reichert
T

MA
300 george st., Sat. Only
RA

AVE

VE VE
138 Brian Gill Wendler
SS

EA HEL 19 Anderson St.


O

G
ELL
AVE

AN EN
200 maureen squires
BL

OR ST
116 Linda Lindroth Brian Wendler Studio, 26A Clifton St.
DIXW
VD

LY

143
201 ashby carlisle
BER

1S
TA DR 85 Willow Street, Marlin Bldg. Sat. Only 139 Conrad Duenkel
R HILL
KIM

VE
WOODIN ST LEEDE 117 Constance LaPalombara Glass,103 Clinton Ave. 202 Gallery one
147
85 Willow Street, Marlin Bldg. Sat. Only 140 William Meddick 203 Jill Vaughn
M AVE Meddick Studio, 337 Summit St.
PUTNA
NEWHA

Wooster Sq
Hamden
LL ST

155-
118 johanna Bresnick
WA

T 173
MS
TE

EL 84 Lyon St. 143 Paier College of Art: student + faculty group


RS
T

MA
IN ST
119 Megan Craig 20 Gorham Ave.
87 Union St., Unit #3
WEST HAVEN HAMDEN NORTH HAVEN North HAven
west haven USE! north haven 147 Lucienne Coifman
11 Hickory Hill Rd.North Haven, CT 06473
artists Ka– Li directions
12 39 Daniel Kaminski 128 Jo Kremer 46 Jacqueline LaBelle-Young 106 Jesse Larock 51 Martha Lewis artspace erector square alternative space 13
Oct 15-16, Erector Square Oct 22-23, 39 Church St 3 A Oct 15-16, Erector Square Oct 22-23, 32 Brownell St, New Haven Oct 15-16, Erector Square
Painting/Graphite Drawing/Painting My work is intended to engulf the viewer into the Drawing/Painting 50 Orange St | 203.772.2709 315 peck Street 196-212 College Street
I believe the value of Art should be measured by

october 12 30 , 2011
visual and emotional energy extracted from myself
Artspace’s 14th Annual City-Wide Open Studios

the profundity of the artist’s experience in the act 44 Jaime Kriksciun


My favorite subject matter is animals and the
outdoors, and my approach shows the influence of during the entire creative process that I encounter.
Ingredients: Diagram, Mandala, Absurd, Plan, Anxiety,
Pencil, Hybrid, Drawing, Scheme, Color, Threat, Urban, October 12 - 30 October 15 + 16 October 29 + 30
of creation and his capacity to paint the inspiration Oct 15-16, Erector Square Impressionism and subsequent movements such as The concept is to allow yourself to be lead away Paper, Desire, Hubris, Flatten, Science, Propaganda,
born of those experiences upon the canvas of his from the mind by the senses and allow one to
Main Exhibition & The Artspace Lot I-95 I-95 North
Stained Glass Cubism and the Blue Rider group, particularly Franz Micro, Past, Sprawl, Faith, Future, Blow-Up, Map,
life everyday. Marc. I am interested in abstraction of form and connect to the piece. Pixilated, Macro, Pompous, Sly, Mechanical, Trace, Scan, Grand Opening Night: October 14, 5 - 8 pm Take exit 48 to I-91 North. Follow the directions from I-91,
I use the copper foil method of Stained glass Take exit 6. Merge onto CT 34 W via exit 47. Take exit 1 to


construction in building my pieces. My body of work shape, and often work in black and white. Intricate, Electronic.
I-95 below.
consists of panels of stained glass meant to filter Downtown/New Haven. Drive straight onto N. Frontage Rd.
light, as well as more tactile sculptural pieces, Take exit 48 to I-91 north. Follow the directions from I-91 North Turn right on Church. Turn left on Crown. Take 2nd Left onto
depicting everyday objects rendered in glass. I-91, below. Take Exit 5, State St/Fair Haven. At the bottom of the College.

I-91 ramp, go straight. Take the second right onto Blatchley


I-91 south
40 Kathy Kane Take Exit 3, Trumbull St. Turn Left onto Orange. Turn Left Ave. First left onto Peck St.
Take Exit 3, Trumbull St. Turn right on Trumbull. Turn left on
Oct 15-16, Erector Square 259 Ivan Lebedev 52 Nathan Lewis onto Elm. Turn right onto State. Turn right onto Crown. I-91 south Temple. Turn right on Crown. Take 1st left onto College St.
Painting/Mixed 47 Janet Lage Oct 29-30, 196-212 College St Oct 15-16, Erector Square See Parking, below. Exit 6 onto Willow St. Take a left at the bottom of the
Oct 15-16, Erector Square Photography/Printmaking Painting From Union Station
102 John Keefer Painting/Drawing Merritt Parkway ramp, drive under I-91. As you cross State, Willow
Go northeast on Union Ave. toward Meadow St. Turn left on
Oct 22-23, 904 Whalley Ave, #4, New 45 Jacob Antone KÖnst My latest work is a collection of mark making on Take exit 59 to merge onto CT-69, Whalley Ave. Turn becomes Blatchley. At the next intersection, turn left onto
N. Frontage Rd. Turn right on Church. Turn left on Crown.
Haven Oct 15-16, Erector Square canvas, paper and board. The compulsive marks in 123 Larissa Hall, The Ladies’ right onto Whalley and continue for 3 miles. Whalley Pack St.
Take 2nd Left onto College.
Painting Art, at its best, revolves around the struggle between
life and language - between raw, unstratified reality
the paintings and drawings live along side the world
of discipline and the formal painting process. Auxiliary merges into Broadway, which merges into Elm. Take Elm
I would like it if people were made ever so much
Oct 22-23, 38 Trumbull St Merritt Parkway North Parking
happier as they were looking at my pictures. and our complex cognitions of such. My art practice to State, turn right onto Crown. See Parking, below.
attempts to situate itself at the vague boundary of Mixed/Conceptual Take exit 54 to I-95 North. On I-95, take exit 48 to I-91
Special Alt Space Parking Discount at the LAZ lot next to
that dialectic, to observe the boundary itself and the The Ladies’ Auxiliary is a maternal organization North. Follow directions from I-91 North, above.
sublime experience of confronting it. dedicated to the promotion and preservation of the the Alt Space: $5 all day, Saturday/Sunday only
homely aesthetic. Our membership is comprised of 172 Evie Lindemann Parking at Artspace Merrit Parkway South
married women professionally trained in the func- Oct 22-23, 30 Elm St., W. Haven Parking is available in several lots all within a few blocks
117 Constance LaPalombara tionless arts who have chosen to reside in peaceful,
wholesome communities where they can nurture both
printmaking/Drawing of Artspace, including the LAZ lots on either side of
You can take exit 67 or 63, both merge onto I-91 South.
Oct 22 only 85 Willow St, New Haven Follow directions from I-91 South, above.
their families and fixations. Crown between State and Orange and the ProPark lot in
42 Zachary Keeting Painting/Drawing
Oct 15-16, Erector Square
My interest is in light and the effects that it can 116 Linda Lindroth back of Artspace on Crown St. Parking
Painting
Here is the challenge: be brave, struggle to build a
produce through it’s absence and/or presence. For
further information please go to my website:
Oct 22 only 85 Willow St
Photography/Installation By Train or Bus NEW HAVEN
There are ample parking lots directly in front of Erector
Square and behind it. To access the back lot, use the
ERECTOR SQUARE
248 Kristina Kuester-Witt
www.constancelapalombara.com
vivid document. Courageously push the materials to a New Haven’s Union Station is less than 10-minutes by 315 Peck St
driveway on Blatchely Avenue between State and Peck.
surprising place, accept an art of rough approxima- Oct 29-30, Alternative Space foot from Artspace. MTA Metro North and Amtrak trains,
tion, of free- improvisation, where careful measure- Painting/Printmaking 107 Phil Lique as well as Greyhound and Peter Pan buses, serve Union
W IL L
OW S EXIT
ments may be entirely inappropriate. If successful, Oct 22-23, 91 Shelton Ave, New Haven T 6
My work evolves around duality since the mid
the paintings will make visual what is within. Station. T
49 Hannah Leckman
(SOUTH)
1990`s when I lived and studied in Germany and Mixed/Sculpture K S
PEC

COUNTY ST
The Netherlands. My primary medium is oil on Examining the dialogue between nature and artifice. To walk to Artspace from Union Station, walk north on T
EXIT
Oct 15-16, Erector Square RY S 6

BL A
 AVE
canvas and sometimes I transfer my paintings into The dichotomy of construction and decay. The HEN (NORTH)
paper- Lithography using photographs. Ceramic Union, which becomes State after the underpass. State

TCH
confrontations imposed by scale. The most dynamic
48 Maria Lara-Whelpley

WHITNE Y

JA M
My work is functional first. I want to drink coffee

DI X
conflicts within our society. forks immediately; bear left. Then take a left onto Crown.

LE Y
Oct 15-16, Erector Square from the mug I made, and eat soup from my bowl.

ES S
WEL
Artspace is at Crown and Orange, on your right.

 AV
Painting/Collage I want to put flowers in my vases and candles in

L AV

E
I paint for the dialogue. Making art is the manifest my candlesticks.
Taxis are usually waiting at Union Station, or call Metro WHAL

E
part of an ongoing conversation. My immediate goal LE Y A

 ST
VE E
Taxi, 203·777·7777. D AV

E
within the picture space is to merge figurative mo- GR A N

AT
160 John Klammer

ST
ments with personal geometric awareness.
ELM 91
Oct 22-23, 30 Elm St., W. Haven  ST
249 Lee La Forte 98 Robert Lisak VE

 ST
CH A N D A
Oct 15-16, Erector Square PEL  GR A

NGE
Oct 29-30, Alternative Space ST ST
255 Tony Koslowski Painting Photography CH A
PEL 
50 Mary Lesser pport

OR A
Help us su

 ST
Oct 29-30, 196-212 college street My current work is the result of active exploration ARTSPACE
Oct 15-16, Erector Square

RC H
Photography of techniques and styles. Earlier realistic and semi- ts 50 Orange St
realistic water colors and acrylics have evolved into Painting/Printmaking 251 Mary Little the artis

CH U
95
I paint in oil and acrylic. I also make prints. My
icipate
EXIT
experimental semi-abstract works. Oct 29-30, 196-212 College St
work is mostly figurative and emotionally provoca- Design/Sculpture w ho part ALTERNATIVE SPACE
34 1

in CW OS .
tive. While I am clearly interested in storytelling, I We design soft sculptural objects. An interest in EXIT
hope to make the work sufficiently mysterious that COOP Center for Creativity
om the
practical function lies at the core of our work and, 47
viewers will be inspired to develop their own stories a work fr our 196-212 College St
together with context, informs the development of Consider ry
about the images. ibition fo
main exh
each piece that we make. UNION STATN 95
y
r birt da
h
holiday o e e d s .
n
present
artists Lo– Ne
14 209 karleen Loughran 108 Laura Marsh 57 Christian Miller 253 Courtney Miller-Rao 105 Leonard Moskowitz 15
Oct 29-30, 196-212 college St Oct 22-23, 91 Shelton Ave, New Haven Oct 15-16, Erector Square Oct 29-30, 196-212 College St Oct 22-23, 115 West Park Ave
Drawing/Mixed Painting

P
Painting/Pastel Drawing/Sculpture Paint/Photography
Karleen Loughran, a resident of Hamden, CT, began My work deals with the sensation of being The task of the artist is paradoxical by nature. Moving my hands and creating art in multiple media

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

her artistic career in Chicago where she studied uncomfortable in one’s own skin. I’m interested He strives to create all at once the essence of an is something I believe makes me a whole human
at the Art Institute of Chicago at the age of 11. in how individuals measure their physical emotional moment to be recreated endlessly in the being. My main media tend to be portable, such as
pencils, pastels, and small watercolor sets. This way, I
254 Magda Mraz
A look at our changing interactions with libraries as they—and we—adapt to the digital world. She received her BFA in studio art in 1979 from appearance relative to mass media standards, veiwer’s mind. In this sense the artist is defining the Oct 29-30, 196-212 College St
Michigan State University. consumer beliefs, social interactions, and moment of the present to be recreated infinitely as am able to work whenever something inspires me.
w w w.l i b ra r y s ci e n c eexhibition.org Mixed
fetishized objects. far the mind can image.


LIBRARY SCIENCE Curated by Rachel Gugelberger
63 Jeff Mueller & Kerri
Erica Baum · David Bunn · Chris Coffin · Madeline Djerejian · Melissa Sancomb
Oct 15-16, Erector Square
Dubbin & Aaron S. Davidson · Philippe Gronon · José Hernández Candida 87 Roy Money Printmaking/Design
Höfer · Nina Katchadourian · Reynard Loki · Loren Madsen Jorge Méndez
53 Jane Lubin Oct 15-16, Erector Square
Photography
DEXTERITY PRESS: Jeff Mueller & Kerri Sancomb
Blake · Allen Ruppersberg · Mickey Smith · Blane De St.Croix · Xiaoze Xie Oct 15-16, Erector Square Letterpress and Design Studio Specializing in LP /
When something I see piques my interest I try to
56 Justin C Maturo 58 Denise Miller
CD printing, Wedding Invitation design and print,
Collage/Mixed

S
allow myself to be taken in by the process. It is not Art-prints, Business Identity, Show Posters, etc.
New Commissions & Projects The postcard works deal with our evolving societal Oct 15-16, Erector Square Oct 15-16, Erector Square just a question of composing with light and line
identity. We must accommodate ever widening cat- The Ivory-billed Woodpecker ranks among the Jewelry but navigating the invisible barrier between here
The Whitney Library of the New Haven Museum | Colin BurkE egories of color, ethnicity, religion, self-image, gender
and its roles, and even violence. As our culture
largest woodpeckers in the world and the larg-
est in the United States. The closely related and
We are an expression of our inner selves. What we and there.
64 Susan Nally
The New Haven Free Public Library | Heather Lawless becomes ever more diverse, our interactions become
choose to wear tells the world who we are. Just as
Oct 15-16, Erector Square
likewise possibly extinct Imperial Woodpecker our thoughts shape our destiny, our physical image
Sterling Memorial Library at Yale University | Carol Padberg & Andy Deck more complicated. (C. imperialis) of Western Mexico is, or was, the shapes our thoughts. In my art, I have combined Painting/Mixed
largest woodpecker. both vintage and new materials to create unique, I think of my still life paintings as small reflections
The Institute Library | Meredith Miller & Rob Rocke of complex relationships. Rendered in oil, they are
one-of-a-kind accessories of expression.
Robert B. Haas Family Arts Library at Yale | Tyler Starr spare statements where the distance between objects
60 Maria Morabito may indicate intimacy or detachment. Some partici-
pants take precedence, while others are relegated to
Oct 15-16, Erector Square supporting roles.
FILM FEStIVAL co - presented by the connecticut library consortium
Painting/Printmaking
My abstract compositions are inspired by the visual
Desk Set · 1957 Bloomfield Prosser Library power of marks, lines and rhythms of written
54 Will Lustenader languages and by colors, lines, and shapes found in

N
Farenheit 451 · 1966 Bridgeport Bridgeport Public Library Oct 15-16, Erector Square 104 Susan McCaslin 59 Meredith Miller ancient cultures, in the streets and on the walls of
Oct 15-16, Erector Square my native Italy, and in everyday life.
The Gun in Betty Lou’s Handbag · 1992 Brookfield Brookfield Library Painting/Drawing Oct 22-23, 838 Whalley Ave, Unit 12
Ink on paper/Acrylic Photography
Clinton Henry Carter Hull Library
The Hollywood Librarian · 2007 With my formal artistic influences drawn from Meredith Miller is an emerging artist living and 65 Pamela Neri
The Librarian: Quest for the Spear 2004
ColcheSter Craign Memorial Library Publication Studio, 217 Andres Camilo Madariaga the symbols and iconography of Byzantine and working in New Haven, Connecticut. She received
her undergraduate degree in Visual Art from the
Oct 15-16, Erector Square
Deep River Deep River Library “a maker and destroyer of books,” Oct 29-30, 196-212 College St Medieval cultures and content from life stories Painting/Collage
The Music Man · 1962 Drawing past and present, I am developing thematic university of Chicago before earning an MFA in
Primitive and unusual shelters, aerial views of land,
Guilford Guilford Free Library comes to New Haven for a week-long series such as “The Vessels.” I prefer muted, photography from Yale School of Art, where she also
Out of Obscurity · 2000 natural colors with ink and watercolor as my won the Blair Dickinson Memorial Prize. boxes set on table tops and the compartmentaliza-
New Britian New Britian Public Library residency, November 14–19. 61 Lawrence Morelli tion of objects in dresser drawers share a similar
Puss in Books: Adventures of the Library Cat · 1997 55 Helen Malchow
medium and paper my preferred substrate. structure. There is order but it is imperfect and off
New Haven New Haven Free Public Library Oct 15-16, Erector Square
Daily demonstrations of printing kilter. Demolition sites, dilapidated buildings, worn
Save and Burn · 2006 Norwich Otis Library
Oct 15-16, Erector Square Painting facades share a similar aesthetic.
and binding; lectures; refreshments, Jewerly The process seems to be turning inward.
Soylent Green · 1973 ridgefield Ridgefield Library Helen designs her jewelry with vintage glass from
Storm Center · 1956 Rocky Hill Cora J Belden Library and a book rebinding party! around the world, semiprecious stones, sterling silver,

H
and vintage brass. Her latest creations used the
The Man Who Wanted to Classify the World · 2002 Stratford Stratford Library Pop-up shop at 196 College Street, last year’s of polymer clay experiments. They are
colorful, bold, happy, and Statements about the world
The Twilight Zone: Time Enough at Last · 1959 West Hartford West Hartford Public Library New Haven, Connecticut we live in. 93 Irene Miller
129 Nick Mead Oct 15-16, Erector Square
Please visit www.artspacenh.org for a complete schedule of film screenings and links to the libraries. For full schedule and Oct 22-23, 39 Church St, New Haven Printmaking/Collage
more information, Painting My work is influenced by Post Minimalism and 62 Sharon Morgio 66 Susan Newbold & Binnie
Neo-Geo and focuses on the geometry of circles,
Artspace is grateful for the support for this exhibition from the Andy Warhol Foundation for the Visual go to www.publicationstudio.biz rectangles, squares and Stripes as conceptual Struc-
Oct 15-16, Erector Square
Water Color Painting
BirStein
Arts, the David T. Langrock Foundation, the City of New Haven Economic Development, Connecticut Oct 15-16, Erector Square
140 William Meddick
ture to a series of individual ideas. Layering forms
Commission on Culture and Tourism, the Greater New Haven Community Foundation, and the or www.library.yale.edu/beinecke relationships, and mark-making can detail patterns I am a painter and calligrapher who has become
Printmaking/Painting
National Endowment for the Arts. We thank the Connecticut Library Consortium for their commitment Oct 22-23, 337 Summit St that are experiential in life. immersed in painting watercolors since 2006. I enjoy
Susan Newbold’s paintings and prints are her
and participation. A project of Beinecke Library 168 Barbara Marks Painting the fluidity and layering possibilities of the medium.
Subject matter includes both natural and man-made response to nature as a metaphor for life’s organic
& ArtSpace New Haven Oct 22-23, West Cove Studio, 30 Elm St, themes. flow. Through a vocabulary both representational and
West Haven abstract, she illustrates the vibrant path of valleys,
Painting/printmaking 171 Fethi Meghelli oceans, fields, and rocks.
Oct 22-23, 30 Elm St., W. Haven
Mixed/Installation
Artspace | 50 Orange St | New Haven, CT 06510
artists Ni– Ro artists Ro– Ta
16 67 Jan Nichols 110 Perry Obee 224 Ellen Papciak 70 Tom Peterson 256 Max Reichert 229 Margaret Roleke 95 Deirdre Schiffer 122 Gwenith Severance 79 MarkSt. Mary 234 Michael Stock 17
Oct 15-16, Erector Square Oct 22-23, 91 Shelton Ave, Studio #513 Oct 29-30, Alternative Space Oct 15-16, Erector Square Oct 15-16, Erector Square Oct 29-30, 196-212 College St Oct 15-16, Erector Square Oct 22-23, St. Paul & St. James Episcopal Oct 15-16, Erector Square Oct 29-30, 196-212 College St
Printmaking/Collage Painting/Printmaking Painting/Printmaking Photography Mixed Wall Drawing Painting/Printmaking Church Photography Silkscreen
I am curious and I love to make things. I am My Studio will be open Saturday, October 22nd and Ellen Papciak-Rose returned to CT last year after As a life-long resident of Hamden, Connecticut, my I am an artist who creates politically aware work. Working from life, I am interested in the themes Photography My current work centers not so much on traditional I believe in producing art that is affordable and

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

constantly looking for new things to figure out. Since Sunday, October 23 from 12pm to 5pm at 91 Shel- living in South Africa for many years. Her cheeky state’s ever-changing urban environments have always There are problems and chaos in the world around of portraiture and interior space not with objective Reflection, textures, shapes, and the interplay of photographs, but rather, using the photographic accessible to everyone. My catalog ranges from basic
the birth of my son, I have been designing and ton Ave., on the 5th floor, along with several other paintings, prints and cut-outs are playful (like a interested me. Since my photography has provided us and I deal with these issues in my art. I work in realism as a goal, but rather the portrayal of subjec- water, stone, clouds and sunlight have caught my eye process to create art. The images are titled so as and simplistic forms printed on a t-shirt, to more
creating one-of-a-kind, custom made garments. artists. In my work, I draw from nature to create word game), drawing on situational instances which me with an exciting means to visually record the several media including sculpture, wall relief, works tive emotional states. and imagination this year. not to put myself between the piece and the viewer, complex images that are
complex shape and color arrangements. bring another set of visual possibilities to mind. various aspects of Connecticut’s urban environment. on paper, mail art, photography, and video. allowing them to be part of the art through their worthy of galleries and museums. I strive to create
www.ellenpapciakrose.com I’m attracted to the color, light and composition of own definition of the piece. pieces that have a timeless appeal, while still


115 Chen Reichert
everyday objects that often go unnoticed. maintaining cultural relevancy.
Oct 22-23, 19 Anderson St, New Haven
After college I spent a year teaching angsty teens
and energetic 6-year olds in Nara, Japan. I lived in
96 Edward Shaw
68 Susan O’leary a small town and traveled to big towns. I filled up
a sketchbook with characters and ideas that would 230 Daniel Schmidt Oct 15-16, Erector Square
220 Tim Nikiforuk
Oct 15-16, Erector Square become Botodesigns. 74 Joseph Saccio Oct 29-30, 196-212 College St 162 Jeffrey Starkes
Photographic Quilts/Photographs Oct 15-16, Erector Square
Oct 29-30, Alternative Space
Painting/Drawing 225 Mitch Parker Sculpture/Installation 100 Casper Smith Oct 22-23, 30 Elm St., W. Haven
Painting
235 Juli Stupakevich
Oct 29-30, Alternative Space 151 Mark Potter 132 Reynolds Fine Art My sculptures are in a variety of sizes and materials, 125 Ralph Schwartz Oct 15-16, Erector Square Oct 29-30, 196-212 College St
This group of images is a sampling of my figurative
and abstract works on paper from the last year and
223 Matthew Osborne & Oct 22 only,14 Gilbert St suit M114 A, 1st Oct 22-23, 96 Orange St ranging from Installation size, for indoors or out- Oct 22-23, 284 York St
The elements of human culture and society form
the basis of my abstract compositions. Bits and
Photography/Mixed
a half. The figurative focuses on portraiture and Elizabeth Walker fl, West Haven Meet the artist Paul Taylor Saturday, doors, to pedestal size and utilize both natural and Painting pieces from everyday life, or patterns that suggest ...quietly causing trouble in new Haven. Trouble
self-posting/social media sites. While the abstract is Oct 29-30, 196-212 College St 69 Aurora Pellizzi Ceramics/Sculpture October 22nd at 1:30pm for an informal lecture on
synthetic materials. The majority of my work uses
natural materials, primarily wood, and found objects,
Elm City Artists 78 Kathleen Curran Smits the rhythms and structures of our social order, are [truhb-uhl] verb, -bled, -bling, noun–verb (used
without object) 6. to put oneself to inconvenience,
concerned with biological entities and systems. Mixed Oct 15-16, Erector Square I’m a painter and potter, who can’t resist making photogravure, wet-plate collodion, and other printing Oct 15-16, Erector Square combined with arbitrary or freeform backgrounds.
joined together in a primitivistic manner. extra effort, or the like.–noun 10. civil disorder,
Painting/Textile sculptures and writing poetry. I combine these works processes, as well as his collaboration with other art- Oil/Photography
ists. Meet artist Robert Reynolds October 22-23 from disturbance, or conflict: (political trouble in the new
in tantric squares. In a recent project I attempted
3-5pm who will be painting live in the gallery. republic; labor troubles.)
to give away 36 tea bowls (6 x 6 =36) online.
Eighteen were ‘accepted’. All the tea-bowls were
wood-fired, each came from the same firing. 167 Anita Soos
Oct 22-23, 30 Elm St., W. Haven
Pastel
130 Gerald Saladyga 163 Thomas Stavovy
94 Liz Pagano 231 Cynthia Schwarz
173 Douglas Nygren Oct 15-16, Erector Square 226 Lori Petchers
Oct 22-23, 39 Church St 4A
Painting/Installation Oct 29-30, 196-212 College St 233 Christina Spiesel Oct 22-23, 30 Elm St., W. Haven 81 Rashmi Talpade
& susan Nichols Printmaking/Mixed Oct 29-30, 196-212 College St I consider myself a landscape painter, but not in the Oct 29-30, 196-212 College St Printmaking/Drawing Oct 15-16, Erector Square
Oct 22-23, West Cove Accidental beauty inspires me. I love looking at OLD BAGS is a video installation that explores the 166 Valerie Richardson traditional sense. For me landscape means everything Painting/video I am concerned with the development of biomorphic Collage/Mixed
76 Suzan Scott
contemporary American female midlife experience and geometric form in relation to the edge of the As an artist and photographer my work reflects
Photography textures and how they reveal a history. I am always Oct 22-23, 30 Elm St, West Haven about the cosmos--within, on and outside the planet I am a painter. When my time is too fractured, I
through photographic image, audio, and documentary picture plane and to other forms in the composition. my surroundings in minute detail. My photographs
on which we live. I began this particular artistic
71 Sarah Wendell Raynold
searching for unexpected possibilities. My work Painting/Printmaking Oct 15-16, Erector Square make photographs which have to do with painting. I
film. It is one part of a larger transmedia project. The relationship suggests a narrative. evolve into photo-collages of dense, reconstructed
magnifies moments, capturing movement, sometimes venture about seven years ago. teach with video and make it. This portfolio consists
The intention is to use art to confront conventional Oct 15-16, Erector Square Painting/Photography landscapes which speak of history, humanity, and
reactions or fusions. The part I can’t control keeps in still digital photography (very current) and video
me chasing/searching/moving. My process is about attitudes towards women after their childbearing I am a painter. I paint sky. I am awed by its beauty stills (from videos that have soundtracks. our place in it.
exploring interactions of chance and control, coinci- years have ended. 109 J.D.Richey and complexity. Observed changes in weather fronts,
169 James Reed
dence and intent. Oct 22-23, 91 Shelton Ave, Studio #513 cloud formations, and shifts in light and color
inform my work. Atmospheric conditions constantly
221 Sean O’Brien Oct 22-23, 30 Elm St., W. Haven change; countless, precise, invisible, adjustments
Oct 29-30, 196-212 College St Printmaking/Drawing are ceaselessly processed, balanced, and realigned.
I record my life. These systems are vital and alive to me. My work
Photography
149 edwin salmon is also about process. I have created a method of 80 Kevin Stevens
200 Maureen Squires
I’ve always enjoyed cameras as gadgets, each with
Oct 22 only, 641 Main St, Rear, East Haven working that combines my interests in art, nature Oct 15-16, Erector Square
their own capabilities and idiosyncrasies, and I’m
generally drawn to techniques that emphasize Sculpture and science. Oct 29 only, 300 george st Mixed/Sculpture
Painting/Pen I view art as the individual expression during the 152 Robert taplin
73 Rob Rocke
artificiality and process -- instant photos, wide-angle www.edwinsalmon.com
lenses, collage, motion blur. Lately I’ve been shooting 227 Elaine Peters ews3d.com Maureen enjoys taking the words of wonderful writ- process of getting from a blank ground to a finished Oct 22 only 14 Gilbert St 1St fl, West
with a DSLR through the viewfinder of an old 143 Daniel Paier & students Oct 29-30, 196-212 College St Oct 15-16, Erector Square ers and poets and trying to express their meanings work of art. The finished piece is not the final des-
Haven
twin-lens camera. Paier College Arts Mixed 228 Thomas Regner Photography through the use of the appropriate alphabet in tination however. There is another voyage of going
Sculpture
once again from the start to the finished.
Oct 22-23, 20 Gorham Ave, Hamden I’m a Multi-Media Performance and Crafts Artist. Oct 29-30, 196-212 College St
Mixed/Digital/Web-based
In my self-portrait work, I am interested in using my
body to explore the human figure in its relationship 75 Mark Savoia combination with color, illustration, illumination or
abstract gesture. Writing whose appearance, as well
I make representational work that attempts to
Painting/Photography In my pieces I may use every day items such as Oct 15-16, Erector Square reconcile the rationalist and the romantic strains
recycled bottles yarn, fabric, raffia, beans, rice. These My art combines the scientific and the artistic to the natural world, especially the way in which a as content, evokes response in the viewer. within Modernism in a manner analogous to that of
Our show represents work from a number of juxtaposition of the two shows echoes of one upon Photography
talented students from our varied art programs. Art are reminiscent of the Glass Bottle Dolls of Africa. I aspects of my personality to play and experiment the great mid-century abstractionists such as David
the other. I have been working on a portfolio of photographs
programs at Paier College of Art include Fine Art, use my Caribbean and African American heritage to
transform these objects into art.
with the natural world, my existence as a part of it,
and my interactions within it. of found curiosities during my travels throughout 161 Jean Scott Smith and Mark Rothko using, however, an entirely
different vocabulary. The sculptures present the im-
Illustration, Graphic Design, Photography and Interior New England for the past six years. The goal of Oct 22-23, 30 Elm St., W. Haven
222 John O’Donnell Design. For more information, call 203-287-3031 this new body of work is to evoke not only humor, Drawing/Printmaking
age of a contemporary individual not as an emblem
of the suffering of mankind or the destiny of the
Oct 29-30, 196-212 College St www.paiercollegeofart.edu but the irony visible in encounters with everyday Chicken egg, egg chicken...sometimes content drives eternal soul but as a protagonist in the development
Collage/Installation situations. process; sometimes process reveals content. Lately of modern consciousness.
Q: Is your art funny? drawing leads the way; charcoal or oil stick on
A: If you think it is funny, yes. But if you don’t paper, felt but not fancy. I make a lot of marks.
think it is funny then it’s about the futility of Things can get dense.
existence. I don’t necessarily make art that is funny;
It’s more that I’m inspired by things that are funny,
or awkward, or both.
artists Ta– Z thank you
18 72 david taylor 237 Erika Van Natta 111 Thuan Vu 138 Brian Gill Wendler 241 Aicha Woods We are most grateful to all the organizations, businesses and individuals who have helped make this year’s City-Wide Open Studios possible. 19
oct 15, erector square Oct 29-30, 196-212 College St Oct 22-23, 91 Shelton Ave, Studio 530, New Oct 22-23, 26A Clifton St, Fair Haven Oct 29-30, 196-212 College St
painting, Sat only Video Haven Paintings/sculpture Drawing/Photography
Also performing on OCT 14 at 71 Orange ST Painting My current art practice began in the kitchen with
I believe a life in art is one of continual learning Alternative Space HoSts Design Team Artspace Staff Artspace Interns

october 12 30 , 2011
Artspace’s 14th Annual City-Wide Open Studios

Kristina Newman-Scott, Director


Erika’s Video Lounge - a curated performance series My lates paintings combine Eastern and Western tra- and I am always occupied with the study of it. After molten wax and frozen water balloons, frothy pillow
of Programs, Boston Center for
164 Kathleen Thoma ditions of depicting nature. To describe a space that years of non-figurative painting I recently returned flocking arranged on Stemware, tissues hovering on
filament, pearlescent buttons pinned to the walls.
Centerplan College Square LLC
the Arts
George Corsillo—T Shirt Design
Competition Winner
Helen Kauder, Executive Director Moses Balian
Oct 22-23, 30 Elm St., W. Haven is as much emotional as it is physical. This space, at to directly painting the people and places in my Coop Center for Creativity Michael Galvin, PR/ Joy Daniels
once thunderous, mysterious, and yet hopeful, mirrors immediate environment. These fragile, ephemeral experiments are obsessively Lexi Lee Sullivan, Koch Curatorial Dexterity Press—Passport Communications Director
Printmaking/Painting Caleb Hendrickson
the refugee experience of creating a sense of home imaged and drawn. Connecticut Media Sponsor Fellow, DeCordova Museum &


My work reflects an exploration of images from Concept & Design Martha Lewis, Curator of
and self in a new land. Sculpture Park Sinclaire Devereux Marber 
within. These images come from sudden insights The New Haven Advocate Joshua Wang, design intern Education, Erector Square
Nick Pfaff
83 Catherine Vanaria
while in nature or from the world of my dreams. Barry Rosenberg, Director, Coordinator
Regional Media Sponsor Contemporary Art Galleries at Bookkeeping Barbara Hawes, Private Studio
Ryan Sweeney
Oct 15-16, Erector Square UConn
Photography Art New England Richard Dove Weekend Coordinator Katherine Szabo
I have been attracted to and photographing the 239 Sid Werthan Lighting Sponsor
Claire Rudd, former Associate Lisa Magson, Carter Hayes Kyle Skar, CWOS/Alt Space Kadija Tyrell
human face for 30 years. This body is a departure Oct 29-30, 196-212 College St Director, Fluent~Collaborative,
Coordinator Florence Waks
from my original portrait work. My traditional The UI Company Austin, TX; MBA Candidate, Yale Festival Exhibition Crew Lizzy Star, Volunteer Coordinator, Joshua Wang
82 Robert Thomas method demanded sharp focused, environmental
89 Robert Zott
School of Management
Andrew Francis
Oct 15-16, Erector Square
locations mixing both available and strobe light. This 84 Alison Walsh 85 Ben Westbrock Oct 15-16, Erector Square
funders Andres A. Verzosa, Owner/Director
Johanna Bresnick
Public Ally Jeremy Wolin
new work echoes the origins the photography. Oct 15-16, Erector Square City of New Haven Economic Aucocisco Galleries Nadia Westenberg
Photography Oct 15-16, Erector Square Photography/Mixed
Installation/Mixed Development Jay Cusano
As an engineer, I enjoy the cameras ability to accu- Ceramics/Drawings
rately capture the moment and reflect the vision of My work is informed by my personal history and the
Robert Zott takes photographs of tombstones...
not your average tombstones. Each bears a single Connecticut Commission on Bike Tours Michael Galvin
what I see. I have learned not just to document but marks left in my making. Presently, I am focusing Culture The Devil’s Gear & Matt Feiner & Martha Lewis
last name that is also a common English word. To
on the isolating effects created by mans constant
86 Karen Wheeler
WHAT IS ARTSPACE?
to apply the creative aspects of composition and the locate his subjects, he physically surveys over 10,000 & Tourism Dave Kahn
fight to control nature and as a result alienating Eric Litke
freedom offered with digital image processing. tombstones per week, selecting only those without
himself from her. Oct 15-16, Erector Square Greater New Haven Community
203 Jill Vaughn Mixed/Drawing given names, dates, or epitaphs. Foundation
Marketing, Promotion & Kerri Sancomb
Kevin Stevens
Oct 29 only 300 George St My mixed media assemblages merge traditional ma- New Alliance Foundation Outreach
WaterColor terials and methods with digital techniques. I enjoy Shelly Stevens
I have always drawn from nature, inspired by the the ancient art of papermaking equally with using Marshall Coyne Foundation Bruno Baggetta
Jeff Mueller Artspace is a dynamic non-profit organization whose mission
soft shades of purple tree trunks, hazy blue skies, the latest version of Photoshop. Both handmade TD Bank Margaret Bodell
iridescent green moss, and the silhouettes of twigs papers and digital collages are combined with my
Yale University Jessica Cole, Roammeo
Paul Theriault is to connect artists, audiences, and resources; to catalyze
after a rain storm. Trees represent a reverent and drawings, richly textured painted surfaces, and found
stately connection to our earth. objects to create my work Dichello, Inc./Shock Top Belgian Alex Hahn Artspace Board of Directors artistic activity; and to redefine where art can happen.
236 Rita Valley Beer Kathy Demeo David Leffell, Chair
Artspace has helped thousands of emerging artists develop
Oct 29-30, 196-212 College St 238 Brian Walters Mallory Deitrich Harvey Koizim, Treasurer
S/N/L Speed/Networking/Live!
Collage/Fabric Oct 29-30, 196-212 College St
Daniel Belasco, Henry J. Leir
Josh Mamis and the Staff of Nick Lloyd, Secretary their careers through exhibition, teaching, and commissioning
Financial crisis! Economic meltdown! Faulty credit Metal The New Haven Advocate
Cassandra Albinson
default swaps! Hedge fund pandemonium! Zombie Associate Curator, Jewish opportunities. Our programs give visual artists unparalleled
banks! Sounds like art to me! Long before our pres- Museum. Special Thanks Steven Angeletti
ent fiscal dilemma, I was preoccupied by the world 165 Jonathan Waters Prof. Nuit Banai, Department of Jock Reynolds, Jill Westgard & the Kathleen DeMeo visibility, training and income, and are designed to foster
of numbers, money, credit and predatory transactions. Oct 22-23, 30 Elm St., W. Haven Visual and Critical Studies, Tufts Staff of the Yale Art Gallery William Kalinowski
Sculpture/Printmaking 240 Linda Wingerter University, and contributing editor, appreciation for the vital role that artists play in improving
Lee Moody, Mohawk Paper Sam Peterson
Please go to www.jonathanwatersart.com Oct 29-30, 196-212 College St Artpapers and reviewer, Artforum
the community.
Kim Futrell, Kelly Murphy Scotia Ryer
Illustration/Sculpture Saleh Barakat, Director, Agial and Barbara Lamb Caroline Wharton
Gallery, Beirut, Lebanon
Kathy Telman, Erector Square
Prof. Mia Brownell, Southern
Roy Smith West Cove Studios Artspace Visual Arts Committee We need your help! Please consider contributing to Artspace
Connecticut State University
Marisa Alvarado Johanna Bresnick, Chair
Nina Carlson, former Education
Kwadwoe Adae to help keep our gallery open and our programs running.
Curator, Aldrich Contemporary Art Meaghan Monaghan
Museum Maegan McElderry Melanie Carr Your gift is fully tax deductible and can be mailed to

CWOS t-shirts!
Paul Clabby, Director, John Slade Debbie Hesse
Ely House
Erika Van Natta
Todd Jokl
Artspace, 50 Orange Street, New Haven, CT 06510. You may
Chairigami
Helen During, Independent Curator Yale Recycling Eric Litke also make donations online at www.artspacenh.org
and Art Advisor Willard LuStenader
New Haven Fire Marshall’s Office
Congratulations to George Corsillo, whose design adorns the fabulous new Gillian Forrester, Curator, Prints &
Drawings, Yale Center for British
Robert Landino
Jason Rudnick
Meredith Miller
Michael McElderry Want to get involved in other ways? Know how to hang
Art

t-shirt for CWOS 2011. Stephen Kobasa, Contributing


Editor, Art New England and
Ron Wuennemann
Liang Guo
Kerri Sancomb
Rashmi Talpade
artwork, paint walls, drive a truck, answer phones, smile, talk
Paul Theriault enthusiastically, or shake hands? We would really like you
Get them early, in our shop or online at http://artspacenh.org/shop.asp.
Independent Curator Yale Day of Service Students
Martha Lewis, Artist, Education
Curator, Artspace Identity & Design to spend some time lending a hand at Artspace. For more
Frank Mitchell, Curator, The Nancy Sepe, Star Hill Studio information about our volunteer projects and events, contact
Amistad Center
Lizzy@artspacenh.org

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