OVERVIEW OF INDIAN FOLK MUSIC

by David Courtney

India has a very rich tradition of folk music. The extreme cultural diversity creates endless varieties of folk styles. Each region has its own particular style. There is a tendency to lump folk music along with tribal music. There is actually a difference. Where folk music is a mere rustic reflection of the larger Indian society, tribal music often represents cultures that are very different. Some of these tribal cultures are throwbacks to cultural conditions as they were thousands of years ago. Tribal and folk music is not taught in the same way that Indian classical music is taught. There is no formal period of apprenticeship where the student is able to devote their entire life to learning the music, the economics of rural life does not permit this sort of thing. The musical practitioners must still attend to their normal duties of hunting, agriculture or whatever their chosen profession is.

Music in the villages is learned almost by osmosis. From childhood the music is heard and imbibed along with ones mother's milk. There are numerous public activities that allow the villagers to practice and hone their skills. These are the normal functions which syncronize village life with the universe. The music is an indispensable component of functions such as weddings, engagements, and births. There is a plethora of songs for such occasions. There are also many songs associated with planting and harvesting. In these activities the villagers routinely sing of their hopes, fears and aspirations. Folk music is also used for educational purposes. For instance sex education has traditionally been taught in Andhra Pradesh by song. There is a function when a girl has her first menses. In this function the elderly women in the community gather at the house (men are definitely excluded), the girl is given her first woni and langa (half sari which is worn by unmarried girls), rich food and other gifts. During this function the women sing songs that are extremely bawdy. To an outsider this would seem uncharacteristic of obviously respectable community members. However the function of such songs is to provide the girl's first instructions on her emerging womanhood and what her future marital duties will be. Musical instruments are often different from those found in classical music. Although instruments like the tabla may sometimes be found it is more likely that cruder drums such as daf, dholak, or nal will be used. The sitar and sarod which are so common in the classical genre are absent in the folk music. One often finds instruments such as the ektar, dotar, saringda, rabab, and santur. Quite often they will not even be called these names, but may be named according to their local dialect. There are also instruments which are used only in particular folk styles in particular regions. These instruments are innumerable. The instruments that folk musicians use are generally not as refined as the classical musicians use. The instruments of classical music are crafted by artisans whose only job is the fabrication of musical instruments. In contrast the folk instruments are commonly crafted by the musicians themselves. It is very common to find folk instruments that have been fabricated of commonly available materials. Skin, peritoneum, bamboo, coconut shells, and pots are but a few commonly available materials used to make musical instruments

Pages for "Folk Music"

The Vaoaiya Folksong of Northern Bangladesh - The vaoaiya (bhawaia) is a popular folk song of Northern Bangladesh and North East India. Kushan Theatre Revival In Bangladesh - The Kushan is a folk theatre of Northern Bangladesh.

Folk Musical Instruments

Andelu

Banam

Bansuri

Bombashi

Charchari

Chenda

Chikara

Chimpta

Daf (Duf, Daphu, Daffali)

Damaru

Dramyen

Dhad

Dhak (Daklu)

Dhol

Dholak

Dholki (Nal)

Diggi

Dotar #1

Dotar #2 (Dotora)

Ektar

Getchu Vadyam (Gettuvadyam)

Ghatam

Ghungharu

Goga Dhol

Gol Kathi (Dancing Stick)

Gopichand (ektar)

Gummeta (Dakki, Budike)

Harmonium

Idakka and Udaku (Udakai)

Jaspuria

Jhorka & Korka

Kamancha

Kanjira

Kartal

Kasht Tarang

Katho (Khomok)

Kenda

Khol (Mridang)

Madar

Maddal

Manjira

Mukhavina

Murchang

Nagada

Nissan, Mawaloti, or Lohati

Nout

Ottu

Pena (a.k.a. Bana)

Phara

Pung

Pungi

Rabab (Kabuli Rabab)

Ravanhasta

Sambal

Santur

Sarangi

Saringda

Shankh

Shehnai

Shuddha Madalam

Tamak

Tasha

Thanthi Panai

Timki

Tumbak

Tuntuna (Chohokhode)

Urumili