Kemetic History of Afrika * Blue Lotus*

THE BLUE LOTUS IS VICTORY OF SPIRIT OVER THE SENSES. IT SIGNIFIES WISDOM OF KNOWLEDGE. IN VARIOUS PARTS OF THE WORLD, IT HAS BEEN A SYMBOL OF FERTILITY, SUNLIGHT, TRANSCENDENCE, BEAUTY AND ABOVE ALL "PURITY". THE LOTUS IS ONE OF THE MOST ANCIENT AND DEEPEST SYMBOLS OF THE PLANET. THE SUN-GOD WHO FORMED HIMSELF FROM CHAOS OF NUN EMERGED FROM THE LOTUS PETALS AS RA. THE FORTH DYNASTY EGYPTIANS GREATLY VALUED THE "SACRED LOTUS".

KEMETIC SCIENCE

Positive Progress Through The Benevolent Use Of Knowledge

SUNDAY, MARCH 1, 2009

The Temple of Man

Spirit of Sankofa writes.... This is truly an educational piece that is so enlightening. Filled with substance. There are tons of important douments

pertaining to Africa's historical achievements. For the most part, most of western culture is based upon Africa's mindset. This study is of great porportions. It has inspired me to research even deeper for more lost treasures that are'nt plainly revealed. Un raveling the Mystery of Harmony, and man's denial of it. Egyptian philosophies there are older than western cultue. Interesting concepts and belief systems. In other words... Useful Things Established Forever. Synthesis of the mystcal function of Phi. Another eye opener was to discover the lunar part of the wadjet, Haket is identfied with the measure of volume. There is much information out there that fail to even scratch the surface let alone begin to tell the truth about the significant role Africa's beginings benefit the world at time. These are several of the intellectual foods our people need tol absorb. To enable us tofuther comprehend where these concepts originated from. Read more below inorder to grasps a better understanding of the truth Hotep- Know Thyself! _________ Luxor The Temple of Man

"In order for the indefinite volume of a sphere to become form, at least three directions must be defined, the polar axis and the four directions of the equatorial cross. This is the reason for the whole of the celestial mechanics, ordered by numbers that form a marvelous system and for which they are key." Schwaller de Lubicz The Temple of Man

Schwaller de Lubicz moved to Egypt in 1935 with his wife Isha and her daughter Lucy Lamy. Together, they measured and mapped the Temple at Luxor, including floors, ceilings, walls, columns, and everything else that might yield information as regards Sacred Geometry and proportion.

For the next fifteen years they would study the ancient Temples of Egypt, mostly The Luxor Temple, and document their findings for the world to study. The French speaking family would produce their first works in Paris, then little by little their works were translated into English and other world languages. The famed Temple of Man would not be released in English until the winter of 1998, nearly fifty years after it was completed in French.

The story here pales in comparison the the study presented by Schwaller and his family, but hopefully we can share enough information to introduce you to the ingenious work of this brilliant individual, his wife and her daughter.

To his friends and students he was affectionately know as "Aor" and so we will call him Aor. "Man denies the magic of harmonytherefore, loving what he habitually knows. .... As this habituation perpetuates itself, suffering ensues..... Vital suffering is consciousness undergoing the process of surpassing itself. This is the Magic of Harmony."

"Esoterically, that is, from the outside, and therefore objectively, we see the world from the wrong side. We see the spherical bodies turning, and their centrifugal forces seems to us to be active, acting against the centripetal force that

apparently plays a passive role. Seen Vitally from the inside, exactly the opposite is true."

"Nourishing space flows toward the center, not like a fluid towards a solid, but like the spiral currents of an immaterial sphere that appears to be solid at a certain degree of density defined by the central coagulating activity. "

"These falling spirals occur according to the Golden Number; they can easily be constructed on a 1: rectangle, as can the spirals of a snails shell. The Golden Number is Phi which is represented by the symbol , and .618 numerically. One, relative to would produce 1.618" Aor

Figure synthesis of the mystical function Phi.

a.) Following construction of a quarter arc, any diameter of a circle, equal to 1, when rotated around one of its ends will have its opposite end at a distance of 1/ from its original circumference .

b.) The double square results from this function, whereas the usual demonstration of by a double square is but one geometrical resolution of the arithmetical proposition Square root of 5+1/2

From this function, which is the result of a cycle, innumerable forms emerge.

The wedjat eye and the subdivision of the hekat . The hekat , considered as a unit of capacity for the measure of grains (thus of a lunar capacity), is subdivided into sixty-four parts. The Symbols used to express these subdivisions are derived from the ancient myth according to which the eye of Horus was fragmented by Seth. Later Thoth (Hermes, Mercury), symbolized by the ibis, miraculously "filled" or "completed" the eye, bringing together its parts so that the eye reacquired its title "the whole eye" or "the healthy eye". Of the two eyes, it is then the lunar one that is identified with the measure of volume.

The hekat is subdivided into 1/2, 1/4, 1/8, 1/16, 1/32, and 1/64. The fractions added together make 63/64 with 1/64 missing. At right is a hieroglyph from the Luxor Temple showing part of the hekat .

Click on the image above for larger version.

The Temple of Luxor was planned from the very beginning to be bent in this odd shaped curve, derived from Phi, Phi , and Phi. [Remember that Phi = .618]

The idea of following the sun in its precession is an understatement compared to the amount of information contained in the proportions of this great Temple, but let's not loose sight of this fact.

Aor teaches us that the human cannon is 19 "palms" in height, up to the point of the pineal gland. [See enlarged diagram ] The palm is the width across the hand.

There must have been a great reason for Schwaller de Lubicz to leave the cushy trimmings of a Geneva research facility, provided to he and his followers. In 1935 he went to Luxor and immediately learned something, although we have little but conjecture about what that something might have been. He went back to Geneva and packed his bags and returned to Luxor to spend the better part of the next fifteen years.

While at Luxor he wrote many books on the subject of the proportions of the Temple, and their relationship to alchemical processes. Unfortunately it would be another fifty years before his most important work, The Temple of Man would be translated into English. The Spiritual representations of the hieroglyphs at Luxor abound. Here we see the personification of the Ankh, right bottom, with arms holding a staff. To the left we see the Uas scepter, personified as human and holding another staff. Above the Uas we see the personification of Ka with raised hands depicting Spirit.

The Ankh to the left seems to have been added as an afterthought, perhaps by the Coptics who inhabited the Temple in the Ptolemaic era.

Most of the fluted columns are filled with hieroglyphs and cartouches of the men who built the Temple. To the right of center, there is a hieroglyph of Hese, the ancient scribe noted by the ink well.
POSTED BY KEMETIC HISTORY OF AFRIKA * BLUE L OTUS A T 8:09 AM

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BLUE LOTUS

ALKEBU-LAN ORIGINAL AFRICA

THE GREAT SPHINX KEMETIC ORIGINS - Under His Right Bearing The Hierglyphic Symbol For "ONE GOD" (n meaning "god"; the character in fact represents a temple flag) - Discovered by Decipherx1THE EMERALD TABLETS OF THOTH - TEHUTI

r,

(Thought, Consciousness) As is Above, So is Below

WATER GODDESS

EYE OF HORUS

OSIRIS WHITE SEAT

AFRICAN COSMOLOGY
BLOG ARCHIVE

y y o o

2010 (22) 2009 (25) April (7) March (8)

 Earliest Egyptian Chemical Manuscripts  African knowledge on video- Einstein relativity li...  Ma'at, Goddess of Truth, Balance, Order....  Lotus Flower- Symbol of Purity and Great Beauty.  The Hour Watcher  MALE FEMALE ...  Temple of Hathor- Dendera  The Temple of Man o o y February (4) January (6) 2008 (83)
CONTRIBUTORS

y decipherx1 y Kemetic History of Afrika * Blue Lotus

DAILY MIND ELEVATION

24/7/365
DOROTHY HEIGHT GOD MOTHER OF THE CIVIL RIGHTS MOVEMENT

One of Height's sayings was, "If the time is not ripe, we have to ripen the time." She liked to quote 19th century abolitionist Frederick Douglass, who said that the three effective ways to fight for justice are to "agitate, agitate, agitate."
DR. YOSEF BEN-JOCHANNAN

ALKEBULAN - Dr. Ben & M. Garvey - Credited for the discovery of the True name of Africa. Kemetologist (Egyptologist) proves ancient Egyptians were Black.
ALKEBULAN-CENTRIC KEMETIC SCIENCES

The Master Keys to the Study of Ancient Kemet~ 1. Cultural Antiquity and Continuity Starts in Pre-Dynastic Times and Go to 640 A.D. We must remember this when reading or listening to presentations about Kemet. Even those who eventually conquered Kemet adopted its culture. 2. Older is Better. The older architecture is superior to the later works. It's as if the art and discipline was forgotten with time. 3. The Entire Orientation of the Ancient Kamites is Southern. Word for face and South, right and West, left and East, North and back of head are respectively the same. 4. The Origin of the Kamites is Southern. 5. Leadership is Southern. The main leadership that ruled ancient Kemet always came from the South 6. All Invasions Were Destructive. No one donated culture to ancient Kemet. 7. Arabic Migration Mixes with Nubian People in

the Kemetic Valley at and After the Time of Muhammad. Arabic people come in from Syria and Assyria in large numbers for the first time as the first large population of settlers after Muhammad. And with Islam, you have the first change in the fundamental culture of Kemet. 8. Science Generated Religion. The ancient Kemetic people got religion by studying aspects of nature. Nature, when viewed systematically, represents "God" anywhere you look. If you keep seeing the same patterns and rules repeated over and over again in nature, you suddenly realize that there is something bigger that you can't grasp that is behind all this. Therefore, you study yourself into religion. The religion that the Kemetic people developed through study is the same religion that others borrowed from the ancient Kamites without study. Science generated religion, it generated philosophy, and it generated general culture (religion was not Sunday). 9. There is No Dualism in Kemetic Culture. Dualism in interpretation philosophically or culturally is a western phenomenon. (Example, Kierkegaard: It's got to be either this or that). The priest was a scientist. No split between a person searching truth through one means and a person seeking it through another. No split between science and religion, the sacred and the secular. ~ (From a lecture given by Dr. Asa G. Hilliard, III, a.k.a. Nana Baffour Amankwatia
PROFESSOR CHEIKH ANTA DIOP (1923-1986)

In His Lab , At the University of Dakar. An outstanding Historian,Egyptologist, Philosopher, and Chemist,
KMT SCIENCES

This image implies that something poured into the planet could cause spontaneous growth. The "pouring of water or an offering" and the outlandish angles at which it is being done tends to make it one of countless scenes reinforcing the idea that such scenes are instead showing the migration or transmission of electromagnetic forces. Every sacred symbol linked to the gods - had a scientific as well as an esoteric purpose.
TREASURE YOUR HISTORY

Until the Lion tells His Own story, the tale of the Hunt will Always Glorify the Hunter.
NEFERTERI IS CROWNED BY ISIS AND HATHOR

TWIN FLAMES BALANCE

Reunion of both aspects of your soul at Zero Point

KING TUTT AND WIFE*

REMEMBER THYSELF
FOLLOWERS MAP OF ALKEBULAN

ORIGINAL AFRICA
DESERT VISIONS

PYRAMIDS RELECTIONS SPHINX

IMHOTEP

PRIEST, SCRIBE HEAD PHYSICIAN, VISER, ARCHITECT, VIZER TO KING DJOSER - HIS NAME MEANS "ONE WHO COMES IN PEACE" HE WAS THE WORLD'S FIRST ARCHITECT WHO BUILT EGYPT FIRST PYRAMID. HE WAS AN ASTROLOGER, HE WAS CHIEF MINISTER TO DJOSER AROUND (2630-2611 BC) THE SECOND KING OF THE THIRD DYNASTY. HE IS KNOWN FOR BUILDING THE STEP PYRAMID. IMHOTEP BEST WRITINGS WERE "MEDICAL" HE IS BELIEVED TO BE THE AUTHOR OF THE SMITH PAPYRUS IN WHICH OVER 90 ANATOMICAL TERMS AND 48 INJURIES ARE DESCRIBED. IT HAS BEEN STATED THAT IMHOTEP TREAED; TUBERCULOSIS, GALLSTONES, APENDICITIS, GOUT, ARTHRITIS, HE ALSO PROFORMED SURGERY AND SOME DENTISTRY, HE ALSO KNEW POSITION OF VITAL ORGANS AND CIRCULATION OF THE BLOOD SYSTEM. HIS PRESTIGE INCREASED WITH LAPSES OF CENTURIES. HIS TEMPLES IN GREEK TIMES WERE THE CENTERS FOR MEDICAL TEACHING.
EGYPTIAN ECLIPSE DISC

The Sun god Atum is the eclipsed Sun passing the second contact of a total eclipseRa/Re is the eclipsed Sun shining past the third contact as the Diamond Ring effect. The Scarab Khepri was a representation of the dark New Moon. The Hawk Horakhty, Horus - is the Sun through totality. The Great Sphinx was the Egyptian 'Lord of Solar Eclipses'. Hathor was the Egyptian goddess of solar eclipses. The God Aten of the Amarna Revolution is the shadow bands phenomenon. Inundation of the Nile Month of Thoth
SOUNDING HORN OF KEMET

GREAT AFRICAN KINGS

THUTMOSE III - SMITING ASIATIC CAPTIVES - KARNAK SEVENTH PYLON - FROM THE 4 CORNERS OF AFRICA. Thutmose III - Pharaoh of Egypt (1504-1450 BC) Thutmose III was a member of one of the greatest families in the history of African royalty. A Family which laid the basis for the 18th Dynasty of ancient Egypt. Shaka - King of the Zulus (18181828) With cunning and confidence as his tools, Shaka built a small Zulu tribe into a powerful nation of more than one million people, and united all tribes in South Africa against Colonial rule. Moshoeshoe-King of Basutoland (1815-1868) For half a century, the Basotho people were ruled by the founder of their nation. Moshoeshoe was a wise and just king who was as brilliant in diplomacy as he was in battle. He united many diverse groups, uprooted by war, into a stable society where law and order prevailed. Tenkamein - King of Ghana (1037-1075 A.D.) The country of Ghana reached the height of its greatness during the reign of Tenkamenin. His principles of democratic monarchy and religious tolerance made Tenkamenin's reign one of the greatest models of African rule. Khama III The Good King of Bechuanaland (1837-1923) Khama distinguished his reign by being highly regarded as a peace-loving ruler with the desire and ability to extract tecnological innovations from Europeans while resisting their attempts to colonize his country. Menelek II - King of Kings of Abyssinia (1844-1913) Menelek was an overshadowing figure of his time in Africa. He converted a group of independent kingdoms into the strong, stable empire known as the United States of Abyssinia (Ethiopia). Affonso I - King of the Kongo (1506-1540) Affonso I, was a visionary, a man who saw his country not as a group of separate cultures, but as a unified Christian nation fully equipped with advanced knowledge and tecnology. Affonso I, was the first ruler to modernize Africa on a grand scale. Taharqa - King of Nubia (710 - 664 B.C.) At the age of sixteen, this great Nubian king led his armies against the invading Assyrians in defense of his ally, Israel. During his 25-year reign, Taharqa controlled the largest empire in ancient Africa. ! We will expound throughout time to make you very much more aware of the who we are and what we are. Peace
QUEEN NANDI

ZULU QUEEN
*AFRICAN ADORNED*

-artist* Charles Bibbs*

BANTU WARRIOR

SPIRIT OF SANKOFA *

Sankofa is an Akran word that means, "We must go back and reclaim our past so we can move forward; so we can understand why and how we came to be who we are today." The Asante of Ghana use an Adinkra symbol to represent this same idea and one version of it is similar to the eastern symbol of a heart, and another version is that of a bird with its head turned backwards taking an egg off its back. It symbolizes one taking from the past what is good and bringing it into the present in order to make "Positive Progress Through the Benevolent Use of Knowledge. Adinkra symbols are used by the Asante to express proverbs and other philosophical ideas. These ideas are numerous and are used throughout the world because of their aesthetic and spiritual beauty. Sankofa has since been adopted by other cultural groups in the area and around the world. In the Toni Morrison novel Song of Solomon the reoccurring motif of flight as a way to escape is indicative of sankofa. The protagonist Milkman returns and recovers his past, and by doing so he is able to fly. Sankofa is also the name of the step dance team at Williams College.
QUEEN NEFERTITI--EGYPTIAN OR PRUSSIAN WOMAN?

I was once asked by someone, who was aware of my view that African art objects in European museums should in principle be returned to Africa, which of the African queens in European museums, Nefertiti or Ida was the most beautiful. My answer, not surprising for him, was that I could only really appreciate the full beauty of the ladies now kept in

European captivity when they are released and freely return to their home countries; that for me beauty was more than the physical appearance. I need to see these persons in their social and cultural environment and to appreciate the respect and the veneration their people bring to them. Surely, their charisma can only be understood when they are with people who regard them as part of themselves and their history. I need to hear the songs of praise that the existence and the activities of these persons have generated. I know this is perhaps difficult for many Europeans who attach great importance to physical appearance and have no use for the spiritual attributes of such persons. Europeans are very likely to measure the nose and other parts of the body as they do with prisoners. The ethnologists, especially the Germans were famous for that. African art objects are not simply objects to be admired but objects with a function and raison dtre. We are what we are not because of the length of our noses and the size of our heads but because of the circumstances of our birth, our function in society and our own achievements. But the famous African queens are not the only African cultural objects illegally held in European collections. There are all the Benin bronzes, Akan gold, Nok terra cotta, various kotas from Central Africa, stools, statutes and various sculptures from the Akan, Baule, Chokwe, Dan, Dogon, Fang, Guro, Hamba, Senufu, various religious and other cultural objects, including precious artistic manuscripts from Magdala, Ethiopia. The Louvre, Quai Branly Museum, the Ethnology Museum, Berlin, the British Museum, the Ethnology Museum, Vienna and a whole lot of museums in the USA, Germany, Britain, France, Portugal, Holland and Spain have stolen African objects in their inventories. But how did these objects come all the way to Europe and why have they not been returned? I. HOW DID THESE OBJECTS COME TO EUROPE? Most of the African art objects now in European and American museums came there as a result of some illegality or some dubious means during slavery, the colonialism and our present neo-colonial times. Most of them have been seized either through the use of massive force or threat of use of force, bribery and intimidation or stealth. DECEIT EGYPTSo much cultural objects have been stolen or illegally transported from Egypt that one cannot hope to do justice to the issue here. We have chosen to consider very briefly the best known case of unjust possession by European museums of cultural objects from Africa: Nefertiti, the Egyptian Queen, whose famous bust is everywhere presented and for some, the very essence of beauty. The Germans, who have been illegally detaining the African queen in the Altes Museum, Berlin for almost hundred years, now claim that she is a German, a Berlinerin. But how did this Egyptian queen end up in a German museum? On 6 December 1912, when Egypt was still under Turkish domination (1) a group of German archaeologists and Egyptian assistants, under the leadership of the German archaeologist, Professor Ludwig Borchardt, dug out what turned out to be the bust of the Egyptian queen, Nefertiti. The practice at that time was that when such findings were made, they were presented to a committee that decided what part was to remain Egypt and what part would go to the country of the archaeologist who made the discovery. The committee at this time was always presided over by a European; in this case a Frenchman and many of the members were Europeans. In this particular case, Borchardt, was also a member of the committee. According to Gert v. Pacezensky and Herbert Ganslmayr, Nofretete will nach Hause; Europa - Schatzhaus der Dritten Welt, (2)Borchardt covered the find with a layer of grime, in such a way that the member of the committee who made the evaluation of the found did not see properly the whole lot and thus was not aware of the importance of the find. It was decided to leave the socle on which the bust stood in Egypt and let Borchardt have the bust. From documents later available, it was clear that the professor realized how important the found was and was planning to take it to German. When the bust came to Germany in August 1913 it was kept secret for some ten years and not exhibited so as to avoid the Egyptians getting to know about it. Finally, in 1923, after a decade, the bust of Nefertiti was shown in a book by Borchardt Portrts der Knigin Nofretete. After this publication, the Egyptians started demanding that the bust be sent back. But the Germans have refused to return the bust.
MALCOLM X AT MECCA

Malcolm realized that going back to where life begain was the way to understand the present and lead a clear way to the future. Education is the passport to the future, for tomorrow belongs to those who prepare for it today. I'm for truth, no matter who tells it. I'm for justice, no matter who it's for or against. Without education, you are not going anywhere in this world. You don't have to be a man to fight for freedom. All you have to do is to be an intelligent human being. Education is the passport to the future, for tomorrow belongs to those who prepare for it today.
ALGERIAN ANCIENT ROCK ART

Algeria, a treasure house of prehistoric Saharan art, has discovered more neolithic rock etchings in the desert from around 8,000 years ago showing cattle herds, a government newspaper reported Monday. El Moudjahid daily said local tour guide Hadj Brahim found about 40 images near the town of Bechar, about 800 km (500 miles) southwest of the capital Algiers. Prehistoric paintings are found in many parts of the Sahara, often portraying a garden-like environment of hunting and dancing in bright greens, yellows and reds at a time before desertification, which happened around 4,000 years ago. Algeria's best known drawings are in the southeast in the Tassili N'Ajjer mountains. The site of 15,000 images has been named world's finest prehistoric open-air art museum by UNESCO. Despite a rich Saharan inheritance, Algeria remains off the beaten track for most tourists because of its politically unstable history and an undeveloped tourist sector.
DOGONE-- "HOUSE OF WORDS"

A 'Togu Na' - 'House of Words' - stands in every Dogon village and marks the male social center. The low ceiling, supported by carved or sculptured posts, prevents over zealous discussions from escalating into fights. Symbolic meaning surrounds the Togu Na. On the Gondo Plain, Togu Na pillars are carved out of Kile wood and often express themes of fertility and procreation. Many of the carvings are of women's breasts, for as a Dogon proverb says, "The breast is second only to God."
KAMUNYA MAASAIA

Rich Culture
SOUNDS BEATS & POETIC VIBES

SHALL WE AWAKE* Why does it seem like we are walking in a "Mental Haze" Through Timeless years, whips and chains. Staggering and Intoxicated by the thief of life's best game. Through smoke screens of lies told from old, the Truth still rings for Justice Code. Only to be shot down by bureaucracy! If we could keep our focus visualize the real ..open our eyes.. then we would see! It's like being confused but saying one understands. Was confusion the enemy special plan? Somewhat

like wanting change but refusing to do , what it takes to get the job done. We talk a great game, but when it's crunch time, we are long gone. Only to give the excuses of why we can't seem to make it. Is this statement real or could we just fake it. Knowledge given is knowledge applied! For this reason alone so many of our ancestor's died! If we could Awake, and change the state of our minds, to talk of missions and interpret our time. To listen to the message the drum portrays. A code that was meant only for the tribes to display, they took our lands and left us bare. All I want to do is to share. Still some can't seem to face the painful memory, of our lives recorded tragedy. "Awake Sunbaked Nation"....Your Beauty lies in your dedication. Knowledge is your gift, of a strong and Vibrant Nation. Let's give Tribute to those who blood, sweat and tear's build a connection. Bowing continually in humble adoration. Empowering the Earth Rise Sunbaked Beauties a New , to a song of a Heroic, Determined Fine Few. ~ Feel Your Intellect Rising , feel your Sprirt Soar. For what was stolen is now returned unto you once more. Seek out our knowledge at all cost. This is the only way for us to put our lives and spirit back to where the Creator desired and ordained it so to be. Marching into a New Millenia strong intellectual and free ~ 4/15/06* Peace*
ECHOES OF LEGEND DRUMS BY CHIDI OKOYE

ECHOES OF LEGEND DRUMS ~ Like the magnetic current of the Lightning . is drawn to reflective objects on earth: Like the endless bond between gas and fire. We have bonded with sounds of legend drums. The covenant of souls and spirits of music, like the bond of moon and stars, will never be broken. It is a legend bond of eternity that tickles minds and bodies. Unlike covenant of man to man, it is an agreement of total submission of self. Like the helpless flies of the night drawn to beams of light, so we are drawn to the echoes of our legend drums. Rhythm of our land, rhythm of unstoppable forces of nature. He who refuses to lift up his legs in dance shall nod in respect. Echoes of our land, a call to obey. Echoes of our drums, a garnished and spicy food of souls. Echoes of our legend drums, a legend therapy of troubled souls. Echoes of our drums, a priceless heritageto be preserved. Like forces of great wind of hurricanes in a love dance with a trash can, we have given in to the powers of music in legend dance of life.
ANUBUS

GOD'S UNIVERSE

OUR WORLD

ZULU MEDICINE MAN

Zulu traditional medicines (or umuthi) have changed very little over the ages. The administrators of these traditions have various roles in the Zulu society. They are the inyanga or herbalist who is concerned with medicines made form plant and animals, the isangoma or witchdoctor who makes contact with the ancestral spirits and prescribes medicine according to their dictates and the isanusi who is a diviner capable of "smelling out" sorcerers and other evil-doers. Both the inyanga and isangoma must acquire their knowledge through a long apprenticeship, the isangoma however, must have been sacredly called to their profession, and have little choice when called. In modern society the status of these medicine men or woman has been translated into wealth. Most izinyanga (plural of inyanga) in urban areas have shops in which they have consulting rooms and from which they sell their medicines. ~ DIAGNOSIS~ MAGICAL PLANT MEDICINES Tribal doctors use three main methods of diagnosis: 1.Throwing of Bones Amathambo or the throwing of bones is the ability to consciously interpret though images or symbols produced by the arrangement or the bones that have been thrown, and apply them to the health of the patient. There is no direct perception from the consultant to the doctor. 2. Transmental Diagnosis In this method, the Sangoma goes into a trance to determine what is ailing the patient. This is simply an altered state of consciousness brought about by drugs, plants or in many cases self induced, as with autohypnosis. 3. Perceptive Diagnosis This form of diagnosis implies the ability to see or feel and interpret the various vibrations emitted by the patient (almost like an aura). The doctor sits a few feet away from the patient and, without having to exchange words, he or she will physically perceive the pain actually experienced by the patient. All tribal doctors have developed their unique methods of diagnosis and act intuitively. They seldom touch their patients to find the troubled part. To explain the phenomenon of those who have perceptive power is beyond rational understanding. It is an inborn gift which many Sangomas have inherited. These powers are called imimoya nayambibi.
DANCE, DRUMS & HORN OF AFRICA

Feel the Flow of the Spirit*

TUGEN WOMAN

DOGONE SAND STONES HOUSES

These sandstone cliffs run from southwest to northeast, roughly parallel to the Niger River, and attain heights up to 600 meters (2000 feet). Within these regions the Dogon population of about 300,000 is most heavily concentrated
AFRICAN'S UNIQUE JOURNEY

ALL SEEING EYE

Isis, Iris, Pupil, Rods and Cones, Masonic Symbolism

DESERT DREAMS II

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KING TUT

CHARIOT WAR
ORION AND THE PYRAMIDS

BELT STARS OF ORION AND THE GREAT PYRAMID ~ THE MIDDLE KINGDOM BASED THEIR C A L E N D A R O N T H E H E L I A C A L R I S I N G O F S I R I U S , W H I C H O CC U R R E D J U S T B E F O R E T H E A N N U A L F L O O D I N G O F T H E N I L E A N D T H E S U MM E R S O L S T I C E . T H E D O G O N D E S CR I B E THIS 'STAR' SPECIFICALLY AS HAVING A CIRCLE OF REDDISH RAYS AROUND IT, AND THIS C I R C L E O F R A Y S I S ' L I K E A S P OT S P R E A D I N G ' B U T R E M A I N I N G T H E S A M E S I Z E . T H E D O G O N A R E A W E S T A F R I C A N T R I B E W H O H A V E K N O W N A B O U T , A N D W O R S H IP P E D , S I R I U S A A N D I T S T W I N T H E I N V I S I B L E S T A R S I R I U S B , F O R T H E P AS T 5 , 0 0 0 Y E A RS . T H E Y A R E H A V E A L S O B E E N A W A R E O F T H E P L A N E T S C I R C L E T H E S U N I N E L L I P T I C A L OR B I T S , T H E F O U R M O O N S O F J U P I T E R A N D T H E R I N G S O F S A T U R N . T H E Y S A Y TH A T S I R IU S B I S I M M E N S E L Y H E A V Y , I N V IS I B L E , V E R Y S MA L L , Y E T E X T R E M E L Y P O W E R F U L . T H E I R U N D E R S T A N D I N G O F T H E T W O S T A R S ' OR B I T S C O I N C I D E S E X A C T L Y W I T H M O D ER N A S T R O N O M I C A L F I N D I N G S , Y E T W AS A R R I V E D A T T H O U S A N DS O F Y E A R S B E F O R E I T W A S S C I E N T I F I C A L L Y P R O V E N . T H E Y A LS O C LA I M T H A T A T H I R D S T A R E M M E YA - S O RG H U M F E M A L E - E X I S TS I N T H E S I R I U S S YS T E M. L A R G E R A N D L I G H T E R T H A N S I R I U S B , T H I S S T A R R E V O L V E S A R O U N D S I R I U S A AS WE L L . T H E D O G O N A L S O B E L I E V E T H A T A P P R O X IM A T E L Y 5 , 0 0 0 Y E A R S A G O , A MP H I B I O U S G O D S , C A L L E D N O M M O , C A M E TO E A R T H I N T H R E E L E G G E D S P A C E S H I P S F R O M TH E S I R I U S S T A R S YS T E M . T H EY H A V E D E S C R I B E D P E R F E C T L Y T H E D N A P A TT E R N M A D E B Y T H I S E L L I P T I C A L O R B I T C R E A T E D B Y T H E T W O S T A R S AS T H E Y R O T AT E M A K E A R O U N D E A C H O T H E R . T H E Y B E L I E V E S I R I U S T O B E T H E A X I S O F T H E U N I V E RS E , A N D F R O M I T A L L M A T T E R A N D A L L S O U L S A R E P R O D U CE D I N A GREAT SPIRAL MOTION.
EGYPTIAN PAPYRUS - WEIGHING OF THE HEART

K E M E T I C H I S T O R Y O F A F R I K A * B L U E L OT U S
CATHODE-RAY TUBE- EGYPTIAN LIGHT BULB

THE CATHODE-RAY TUBE OR "CROOKES' TUBE" LIKE OBJECT DEPICTED IN SCENES FROM T H E T E M P L E O F H A T H O R A T D E N D E R A M A Y D E P I C T A R E L A T I V I S T I C S O U R C E O F TH E S E H E A V Y E L E C T R O N S - WH I C H C O U L D D R AS T I C A L L Y E XP E D I T E T H E M A G I C A L P R O CE S S E S W H I C H I N V O L V E T H E S E P A R T I CU L A R T U B E S . T E M P L E O F H A T H O R A T D E N D E R A M A Y D E P I C T A R E L A T I V I S T I C S OU R C E O F T H ES E H E A V Y E L E C T R O N S - W H I C H C OU L D D R A S T I C A L L Y E X P E D I T E T H E M A G I C A L P R O C E S S E S W H I C H I N V O L V E T H E S E P A R T IC U L A R TUBES.
THE WALLS ARE DECORATED WITH HUMAN FIGURES NEXT TO BULB-LIKE OBJECTS REMINISCENT.

O F O V E R S I Z E D L I G H T B U L B S . I N S I D E T H E S E " B U L B S " T H E R E A R E S N A K E S I N W A VY L I N E S . T H E S N A K E S ' P O I N T E D T A I L S I S S U E F R OM A L O T U S F L O W E R , W H I C H , W I T H O U T M U C H I M A G I N A T I O N , C A N B E I N T E R P R E T E D A S T H E S O C K E T O F T H E B U L B . S OM E T H I N G S I M I L A R T O A W I R E L E A D S T O A S M A L L B O X O N WH I C H T H E A I R G O D I S K N E E L I N G . A D J A C E N T T O I T S T A N D S A T W O - A R M E D D J E D P I L L A R A S A S Y M B O L O F P OW E R , W H I C H I S C O NN E C T E D T O T H E S N A K E . A L S O R E M A R K A B L E I S TH E B A B O O N - L I K E D E M O N H O L D I N G T W O K N I V E S I N H I S H A N D S , W H I C H A R E I N T E R P R E T E D A S A P R O T E C T I V E A N D D E F E N S I V E P OW E R . I N HIS BOOK THE EYES OF THE SPHINX, ERICH VON DNIKEN WRITES THAT THE RELIEF IS FOUND IN "A SECRET CRYPT" THAT "CAN BE ACCESSED ONLY THROUGH A SMALL O P E N I N G . T H E R O O M H A S A L O W C E I L I N G . T H E R O O M I S N O T S O S E C R E T , H O W E VE R , A S M A N Y T OU R I S TS V I S I T A N D P H O T O G R A P H T H E R O O M E V E R Y Y E A R . V O N D A N I K E N S E E S THE SNAKE AS A FILAMENT, THE DJED PILLAR AS AN INSULATOR, AND CLAIMS " T H E M O N K E Y W I T H T H E S H A R P E N E D K N I V E S S YM B O L I Z E S T H E D A N G E R T H A T A W A I T S THOSE WHO DO NOT UNDERSTAND THE DEVICE." THIS "DEVICE" IS, THE READ ER IS ASSURED, AN ANCIENT ELECTRIC LIGHT BULB.
TENDER THOUGHTS ON THE MOTHERLAND

AFRICAN MOON SONG

MALCOLM X

VISIT TO EGYPT
ISIS GIVEN HONOR &RESPECT

VIDEO BAR

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