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English 102
May, 2009
In the play A Raisin in the Sun, Lorraine Hansberry describes the character Ruth Younger in a
Throughout the play, Ruth is said to be helping and encouraging her family, and with a willful
attitude, she carries out the household duties. Although she is loving, caring, and thoughtful,
Ruth, like most of us humans, has a side of her that is temperamental. She shows bits of anger,
strictness, and confrontation, but has an overall composure of a well-engaged mother, wife, and
sister.
“…the character of Ruth resembles the biblical Ruth in her devotion to her mother-in-law”
(Ardolino). The Ruth in the Bible is depicted as a widow who, with total willingness and
submission, left the security of her family to go live with her widowed and childless mother-in-
law. This selfless, willful act meant that “Ruth was willing to give up remarriage to care for
Naomi, her dead husband's mother…” (Capoccia) Ruth (in the Bible) was surely a character of
good heart. I can’t even imagine myself giving up my own life to go serve another person, with
my attitude being totally agreeable. In the drama, Ruth’s first sign of sacrifice is right in the
beginning. It is the early morning, about 7:30, when Ruth comes out of her bedroom and into the
kitchen. She tries to awaken her son who should be getting ready for school. From the moment
she starts to speak, I can tell that she isn’t having a good morning. There is frustration in her
voice when she talks to her son and husband, and later her sister-in-law and mother-in-law. She
doesn’t have time to get pretty or put on some nice clothes: “Ruth is about thirty. We can see that
she was a pretty girl, even exceptionally so, but now it is apparent that life has been little that she
expected, and disappointment has already begun to hang in her face” (Hansberry 1198). She
awakens her husband in time to go to work, and prepares breakfast. Her focus is not on herself,
Although her attitude is generally calm, precise, sweet, and sophisticated, Ruth shows a bit of
her humorous side a couple of times throughout the play. The first occasion is towards the
beginning of the play when she mocks her son: “[mocking as she thinks he would say it]: Oh,
Mama makes me so mad sometimes, I don’t know what to do! ...I wouldn’t kiss that woman
good-bye for nothing in this world this morning! ...” (Hansberry 1200) Her son then looks at her
with a little bit of embarrassment and says: “Aw gaalee-Mama…” Because she didn’t want her
son to leave on bad terms, Ruth had to have some fun with him, to show that she really did care.
Another instance where she expresses some humor would be when she is sarcastic with her
husband who needs money for carfare: “[looks at him, then warms; teasing, but tenderly]: Fifty
cents? [She goes to her bag and gets money.] Here, take a taxi.” (Hansberry 1204) The reader
understands that this communication is cynical because at the beginning of the play, Ruth
disagrees to let her son do what he wants, due to the lack of money. She tries to save money and
simply worry about their necessities. However, Walter Lee, the father, comes into the scene and
tells the son that he can do whatever he wants; Walter hands him the money which happens to be
fifty cents, just enough for a snack and a cab ride. He gave his son the fifty cents, thinking he
The other main characters in this play seem to be somewhat similar, perhaps because they’re
related. For instance, Beneatha and Walter Lee are constantly having disagreements, and seem to
always have to question what others have to say. In the start of the play, Walter and Beneatha get
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in an argument about the goals that Beneatha attains. Ruth, instead of having to choose a side,
simply acts like the wall betwixt her husband and sister-in-law. She gives a little bit of input, but
doesn’t team up with either of them. She says things like: “Don’t be so nasty, Bennie.” And
“Walter Lee, why don’t you leave that girl alone and get out of here to work?” (Hansberry 1203)
Then she’ll take the role of a mother and add: “Bennie, why you always gotta be pickin’ on your
brother? Can’t you be a little sweeter sometimes?” (Hansberry 1204) She says it in the most
thoughtful way, showing the differences between herself and the other family members.
Ever since the beginning of time, it has been hard for one person to be kind to someone who
is acting difficult and cruel. Ruth, however, shows submission and gentleness to her husband,
even though he is acting despicable towards her. Walter Lee comes home drunk one night and is
an enormous embarrassment for Ruth and Beneatha, since Beneatha’s date is waiting in the
living room. Walter comes in and immediately ridicules George. “Why all you college boys wear
them fairyish-looking white shoes? ...Well, they look crazy as hell--white shoes, cold as it is.”
(Hansberry 1222) Ruth is appalled at Walter, and she instantaneously apologizes to George for
Walter’s inappropriate behavior. Although she’s upset, Ruth shows respect and consideration
towards her husband by not harshly correcting and rebuking him. This is an excellent act of self-
control. After George and Beneatha leave, Walter suddenly starts angrily conveying his feelings
about Ruth. He states things that aren’t true about her; like that she constantly nags him about
everything, and that she complains frequently. Instead of arguing with him, she ignores it and
calmly, with compassion and with all kindness, offers him things to drink. He gets mad and
scowls at her for no apparent reason. At this time, it would be easy for Ruth to suddenly give up
Along with being an excellent housekeeper, wife, and mother, Ruth acts like an older sister to
Beneatha. Ruth expresses her opinions about Beneatha freely: “I wish certain young women
‘round here who I could name would tak inspiration about certain rugs in a certain apartment I
could also mention.” She implies how Beneatha doesn’t help clean the house and how she acts
careless. Beneatha then gets angry, using foul language that her mother doesn’t agree with. “Just
listen to her-just listen!” says Ruth (Hansberry 1207). In addition, Ruth welcomes Beneatha’s
date when he comes to the house to pick her up. Instead of carelessly minding her own business,
Ruth greets the guest with enthusiasm and warmth. She kindly chats with George as any other
polite person would be expected to. Rather than keeping to herself and finishing the ironing that
she felt obliged to do, she greeted George and made him feel at ease. In this section of the play,
Ruth stood out to me as one who isn’t afraid to reach out to others, welcome them, while placing
Ruth’s goals are never aimed towards herself, but towards her family. There is never a time
when she states what she wants done for herself and for her own life; she is constantly doing
things for others. In the beginning it is apparent that she is caring for her family, rather than
herself. There is one day when Ruth is feeling very sick and tired, but still feels obliged to go
into work. Her mother-in-law tries to make her stay at home because she needs rest. “I can’t stay
home…I got to go in. We need the money.” (Hansberry 1206) Ruth is willing to go to work
feeling sick, just for the good of the family. Her willingness is definitely enhanced in this section
of the play. Lena (her mother-in-law) tries to tell Ruth that she has enough money for the whole
family, but Ruth denies it saying: “Now that’s your money. It ain’t got nothing to do with me.”
She then tells Lena to take her money and go on a vacation:” I’m serious. Just pack up and leave!
Go on away and enjoy yourself some.” (Hansberry 1206) Instead of thankfully accepting the
money, she refuses to take it for herself. Ruth thinks wholly and carefully about Lena and what
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she could do to have fun with the money she’s earned. Her focus is entirely off of herself and on
Even though Ruth’s kindness, generosity, humility and willingness should be recognized and
applauded, the only character who truly acknowledges these traits is her mother-in-law. On page
1206 she notices her illness and shows concern for Ruth. She realizes the work that Ruth does
and tells her to take a break. Then a little later she notices it again:” [Worriedly hovering over
Ruth]: Ruth, honey—what’s the matter with you—you sick? …Come on now, honey. You need
to lie down and rest awhile…then have some nice hot food.” (Hansberry 1213) As it moves on, I
start to realize how stubborn Ruth really is. She doesn’t want to lie down and eat food. She
persistently does the housework, not wanting her mother-in-law to have to do it. What the rest of
the family does not realize is that Ruth is the one holding them all together. She fixes the meals,
The reality in this play gives a piece of the author’s perspective on things. Towards the end of
the play, the Younger family plans to buy a house which happens to be in a nice neighborhood,
where no colored people reside. A man comes to their door the day they plan to move and makes
a proposition that he will pay them not to move into that house because the people living there
would feel uncomfortable, and because they fear for the safety of their children amongst colored
people. It was a shocking arrangement that he planned to make. They were appalled with him
since he had been so kind to them. The thoughts and perceptions of the white people in that
neighborhood were suddenly revealed. Their dream was unexpectedly crushed, or, to be more
precise, it was probably dried up, like a raisin in the sun. However, they kept their ground,
moved into the house, and intended to stay there, showing pride and dignity, upholding the honor
Ardolino, Frank. "Hansberry's A RAISIN IN THE SUN." Spring 2005. Proquest. 23 April 2009
<http://proquest.umi.com/pqdweb?
did=844581821&sid=4&Fmt=3&clientId=1407&RQT=309&VName=PQD >.
<http://www.biblebb.com/files/KSS/kss-ruth.htm>.
Hansberry, Lorraine. "A Raisin in the Sun." Literature for Composition. Pgs. 1196-1249. 'Ed.
Barnet, Sylvan; Burto, William; Cain, William E.. Pearson Longman, 2007. Print.