Professional Documents
Culture Documents
_Hangzhou_Bay_Urban_Design_Competition________________________________14_
_Cabbagetown_Interpretive_Center______________________________________26_
_Kangwan_Lu_Shopping_District_Urban_Re-Design_________________________40_
_Restructuring_the_Healthcare_Delivery_System_________________________48_
_Atlanta_Gulch_Design_Competition____________________________________54_
_Atlanta_Library_Plaza_Re-Design_Competition__________________________60_
_Taper_Block____________________________________________________________66_
_Early_Fragments______________________________________________________70_
_3_Gorges_Dam_Urban_Design_Competition_____________________________________________Yichang,_China_2010_
Ecosystems Design Studio integrates ecological analysis and interactive landscape systems into
its urban design strategy in china. This competition entry for a marine-based tourism gateway near
the three gorges dam was structurally informed by the local ecological context (viewsheds, renewable
energy avaliability, hydrology, etc.). A dynamic barge island system coheres and then disintegrates
daily in the central bay to activate and complicate the proposed urban nodes’ interrelationships.
_4_ _5_
_3_Gorges_Dam_Urban_Design_Competition_ _Yichang,_China_2009_
_6_ _7_
_3_Gorges_Dam_Urban_Design_Competition_ _Yichang,_China_2009_
_8_ _9_
_3_Gorges_Dam_Urban_Design_Competition_ _Yichang,_China_2009_
_10_ _11_
_3_Gorges_Dam_Urban_Design_Competition_ _Yichang,_China_2009_
_12_ _13_
_Hangzhou_Bay_Urban_Design_Competition_________________________________Shanghai,_China_2010_
Ecosystems Design Studio integrates ecological analysis and interactive landscape systems into
its urban design strategy in China. This competition entry for a marine-based tourism gateway near
the three gorges dam was structurally informed by the local ecological context (viewsheds, renewable
energy avaliability, hydrology, etc.). A dynamic barge island system coheres and then disintegrates
daily in the central bay to activate and complicate the proposed urban nodes’ interrelationships.
_14_ _15_
_Hangzhou_Bay_Urban_Design_Competition_ _Shanghai,_China_2009_
_16_ _17_
_Hangzhou_Bay_Urban_Design_Competition_ _Shanghai,_China_2009_
_18_ _19_
_Hangzhou_Bay_Urban_Design_Competition_ _Shanghai,_China_2009_
_20_ _21_
_Hangzhou_Bay_Urban_Design_Competition_ _Shanghai,_China_2009_
_22_ _23_
_Hangzhou_Bay_Urban_Design_Competition_ _Shanghai,_China_2009_
_24_ _25_
_Cabbagetown_Interpretive_Center______________________________________Options_II_Studio_2009_
Building
Retaining Wall
Views South
Green Fence
Picket Fence
Chain-link Fence
Nothing
This studio project focused on a historic factory town just east of downtown Atlanta. Working with a partner,
I established a form-based code for a prominent stretch of the district. Then, working alone, I developed
this architectural actuation of that code that would house a neighborhood interpretive center and multifamily
housing. my proposal juxtaposes normative/rational architectural strategies (such as the steel frame) with
vernacular forms and site-specific conditions (such as the pitched roof motif and previous building footprints).
Secure Wireless Internet Networks Open Wireless Internet Networks Public Wireless Internet Networks
A
2wire270* L
Dalim* 240Boulevard Open
GoldenPark* bleeblop* 18 1 6.8 0.6
GSnaps* Unkewl* T A
linksys xirtan*
MilltownATL* S
Mudhole*
M
SETUP
2WIRE268*
dickboom*
R
B
AppleNetworkfb2b4d Dynex*
35 33 15 6 10 6 17.4 14.9 4.0 1.7 2.0 1.8
balim* Ether*
gatekeeper*
Q
DABoss*
Happy_Netwrok*
P
6 6.8
PearlSt.Park*
Shiriki Network* rascal*
42 45.9
War Eagle* tudor*
WEST2290* 12
C
O 9.3
N
allison*
Dogpound*
140 savannah*
36912518*
N
fultont*
allmine*
girlhouse
Baby Vomit* 8 4 1 1 5.4 2.6 0.3 0.5
GOALLY*
BBLB*
GUNSHOW*
dan*
hpsetup
linksys
home* B
jackson*
LLLCDH*
jimmypop*
MAJI123*
kaney* 12 9 9.3 6.5
Nirvana*
Licker*
Pearl Street park*
linksys*
PEARL ST
MuffDiver69*
D RachiesNet*
trg346*
fultont*
VeniceTwo* Units per block, 1892 Units per acre, 1892
girlhouse
GUNSHOW* 0
NETGEAR 137network*
superphluf* 140 savannah*
E 2WIRE388*
Delta One* 36912518*
ducklady* home*
eatmyface* kennybisyourmom*
hp setup linksys
M C
Nextran* VeniceTwo*
P 15 8 15 27
F 5.7 4.7 5.8 7.6
2WIRE189*
hpsetup
Nextran*
kennybisyourmom* D
vincentdugaud’snetwork*
West 7917*
withoutcopper*
L
G Q
2WIRE874* 2WIRE189*
Mercury JiuJitsuVoiceYoga*
RedFish* kennybisyourmom*
30 33 49 28 25 19 14.9 14.9 13.2 8.0 5.0 5.6
withoutcopper*
H
airport thru R
bluestone* G-7* 30 32.8
Dawgs ROXXOR* 14 10.9
Megoo* twells
Wilderness* WEST5304*
S
I
K J I
Mi Barrio* 2WIRE488*
linksys
H G F E
Network 10 26 18 10 4 6.7 16.7 7.4 4.0 2.0
unless*
J upperdeckATL*
71473360 WEST9995*
Coldcrush
Mi Barrio* T
Modern* 1635 2204*
2WIRE488* 8 4 2 6.2 2.9 1.5
K AppleNetwork5d9d53
71473360 Belkin_G_Plus_MIMO.085544
chef* TheLip*
coldcrush
Units per block, 2009 Units per acre, 2009
_26_ _27_
_Cabbagetown_Interpretive_Center_ _Options_II_Studio_2009_
_28_ _29_
_Cabbagetown_Interpretive_Center_ _Options_II_Studio_2009_
ity framing common normative armature Axonometric detail of photo gallery + staircases
Scale: 1/4” = 1’
_32_ _33_
_34_ _35_
Sections and Elevations
Scale: 1/8” = 1’
_Cabbagetown_Interpretive_Center_ _Options_II_Studio_2009_
director reception
store
dumpster
lobby photo exhibit exhibit exhibit exhibit lobby archive exhibit photo exhibit exhibit exhibit exhibit archive exhibit photo exhibit exhibit archive exhibit
Floor Alley Level/Basement Third Floor Second Floor Ground Floor Fourth Floor Third Floor Second Floor Fourth Floor Third Floor Fourth Floor
Floor Plans
Scale: 1/8” = 1’
_38_ _39_
_Kangwan_Lu_Shopping_District_Urban_Re-Design___________________________Guangzhou,_China_2009_
Working at the Guangdong Urban Planning and Design Institute, I was the lead designer for this initiative
to cohere five buildings along Guangzhou’s most important shopping street with a pedestrian shopping
bridge and contextual landscape design. The pattern across the bridge’s facade and plazas’ expanses
is directly informed by the intricate, ancient urban fabric just east of the site. Materials would be
mostly vernacular and, whenever possible, recovered from nearby villages contemporaneously undergoing
demolition. I presented this project to a series of high-ranking government officials and won their approval.
_40_ _41_
_Kangwan_Lu_Shopping_District_Urban_Re-Design_ _Guangzhou,_China_2009_
_42_ _43_
_Kangwan_Lu_Shopping_District_Urban_Re-Design_ _Guangzhou,_China_2009_
_44_ _45_
_Kangwan_Lu_Shopping_District_Urban_Re-Design_ _Guangzhou,_China_2009_
_46_ _47_
_Restructuring_the_Healthcare_Delivery_System______________________________Options_III_Studio_2009_
Using a Revit-based integrated design process, my 4-student team proposed a resturcturing of the healthcare delivery
system both architecturally and systemically. GIS analysis informed a new, state-wide network of flexibly modularized
facilities hierachically sized in proportion with both population density and demographic demand. Replacing
“patient treatment” with the notion of “community wellness”, we added programmatic dimensions such as recreation,
social services, economic development, and town planning to encompass a more holistic definition of “healthcare”.
_48_ _49_
_Restructuring_the_Healthcare_Delivery_System_ _Options_III_Studio_2009_
_50_ _51_
_Restructuring_the_Healthcare_Delivery_System_ _Options_III_Studio_2009_
UP
UP
UP
DN
UP
UP
DN
DN DN DN
_52_ _53_
Copy of Level 3
1
1/16" = 1'-0"
_Atlanta_Gulch_Design_Competition________________________________Atlanta,_Georgia_2010_
Stationed around the world, from Atlanta to Shanghai, from the Gulf to the Berkshires to the Atlantic, Team Rodeway
transforms the 48-hour competition into an international, round-the-clock game of telephone. Dividing the allotted
time into five shifts, the team spread production responsibility across space and time: each team member was allocated
a drawing type and a position along the temporal chain. The first team member reads the brief and responds,
emailing the resulting drawing to the next worker at the end of the shift. The second worker considers the
first workers image as it responds to the brief and tries to develop any intuited conceptual threads in
his own piece. The third worker only sees the brief and the second workers contribution, nothing more, and
so on. Like a game of telephone, the project takes shape by passing fragments from one player to the next,
presumably losing information along the way but undoubtedly accumulating spontaneity in return. Laid out
beforehand to ensure objectivity, the final presentation board is mechanically assembled and submitted.
Atlanta’s main public library is a controversially brutalist Marcel Breuer monolith downtown. In 2009, a
group of 3 fellow architecture students and I entered this 48-hour design competition to enliven and/or re-
imagine the building’s hard and desolate exterior entrance plaza. We proposed turning the library inside-
out: the plaza would seep into the building and the library’s contents would scatter across the landscape.
The library would transform from a sealed material archive to a pourous, virtual hotspot. WiFi kiosks
would pepper the city, extending municipal internet access to districts otherwise distant from the place.
PLAZA SERVES NEW MEDIA IN AND OUT OF DOORS. A dynamic amalgamation of internal and external public
confluences, the new media court promotes an off-the-shelf future of wireless interactivity. Animate display
panels populate the interior portico as kiosks, projections, and other multimedia installations stimulate the
exterior. The library becomes a disseminator of information, experience, and social momentum; the conjured
gestalt electrifies the district in ways few Brutalists could handle.
_60_ _61_
_Atlanta_Library_Plaza_Re-design_Competition_ _Atlanta,_Georgia_2009_
YESTERDAY’S MONUMENT DICED INTO ICON-O-LOUNGERS FOR THE PEOPLE. The age of the outsized architectural LIBRARY SPILLS OUT INTO PLAZA. Even as books fade into obsolescence, libraries remain vibrant social centers.
monolith has given way to an era of useful public goods. The huge signpost of yore has been segmented and Though today most information-activity happens wirelessly on private computers, people prefer the company
strewn across the public landscape in bite-sized pieces of monumental democracy. of others. The library must continue to meet this need by extending its presently internalized sanctuary
out into the sun. The front plaza smoothes into a congregational surface, extends into the building’s first
floor, and pops out the other side. Media panels, projections, and icon-o-loungers populate an enlivened site
that, within an invisible Wi-Fi cloud, provide the plugged-in public a place to meet and gather.
_62_ _63_
_Atlanta_Library_Plaza_Re-design_Competition_ _Atlanta,_Georgia_2009_
BRANCH KIOSKS PEPPER LANDSCAPE. As the library BENCH SIGNS EMERGE FROM SNAKING
trades bookshelves for computer terminals, the AFPL 24”
TUBULARITY. Indulging Marcel Breuer’s
institution’s role in society shifts from a penchant for bent stainless pipe, the
repository of printed information to an access
point to the digital world. The library fragments
Af PL 18”
sprawling plaza is embossed inside
and out by a ribbon of metal tubing
into geographically scattered outpost-hotspots that that repeatedly breaches the ground
inject computers and wireless internet directly plane to pen the library’s initials
into communities at the neighborhood level. and simultaneously establish an
bench + sign section ergonomically elevated surface upon
2” which to sit - a bench.
3’ - 0”
18”
_64_ _65_
_Taper_Block__________________________________________National_CMU_Design_Competition,_2009_
Taper Block
The primary goal of our efforts was to design a
simple block that requires no alteration to
standard manufacturing processes, while
providing a wide range of possibilities for
spatial and structural configurations. Our CMU
goes beyond creating an interesting surface
or texture. By using a basic taper operation
on the 8x8x16 block, our CMU not only acts as
a transition piece between standard block
Tasked to rethink the CMU, my team wanted to adjust the conventional concrete block in the simplest way possible
CMU
to most dramatically expand its formal capabilities. We generated a family of incrementally tapered blocks sizes, but also generates a rich array of
that,
when aggregated in various ways, vastly advances the CMU’s architectural possibilities. Importantly, the forms
Taperand spatial conditions when assembled
Block’s fabrication process is the same as a conventional block - save from requiring a slightly different mold.
into load bearing walls. In addition to
Our project won first prize at the National Concrete Masonry Association’s 2009 trade convention in Chicago.
successfully addressing the corner and the
window detail, the Taper Block allows for an
exploration in form-making and
unconventional opening types.
_66_ _67_
_Taper_Block_ _National_CMU_Design_Competition_2009_
_68_ _69_
_Early_Fragments_______________________________________________________________Before_2009_
Array of granite monuments designating
granite deposit near Elberton, Georgia.
A sampling of earlier work from school and elsewhere exhibiting additional skills, talents, and propensities.
_70_ _71_
_Early_Fragments_ _Before_2009_
_74_ _75_
_Early_Fragments_ _Before_2009_
_76_ _77_
_Early_Fragments_ _Before_2009_
_78_
Exemplars of two painting styles: mediated flows and sculpted canvas. _79_