YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE

3rd
annual
featuring OZONES
RICK AWAR D
special

ROSS
n
editio

TRAE & Z-RO

PLIES
THREE 6 MAFIA
B.O.B.
GUCCI MANE
WEBBIE
GORILLA ZOE
SHAWTY LO
FLO RIDA
RAY
& more
J

OZONE MAG // 1
2 // OZONE MAG
OZONE MAG // 1
 WELCOME TO HOUSTON
9. Sharpstown Mall (7500 Bellaire Blvd.)
Houston’s #1 “Hood Mall,” you can get
everything here from the latest mixtapes to
the latest fashions to gold and platinum grills
and chains. Paul Wall and TV Johnny’s spot is
located here as well.

10. Breakfast Klub (3710 Travis St.)

www.thebreakfastklub.com
You won’t find a better breakfast in the entire
span of Houston. Their unique menu runs the
gamut from Chicken & Waffles to Crawfish
Etouffee with Katfish.

11. Screwed Up Records & Tapes (7717 Cullen

Blvd.)
www.screweduprecords.com
Opened just a short time before he died, DJ
Screw’s Screwed Up Records and Tapes
is still the main place to get your hands on
the man’s extensive catalog, South Side
oriented,T-Shirts, and new mixes by Screw’s
cousin Big Baby.

12. SF2 (215 W. Greens Rd.)

myspace.com/sf2store
The spot for exclusive Hip Hop and
streetwear, SF2 has their own lines designed
by Houston heroes like Mike Frost and Happy
Perez as well as all the new Nikes, New Eras
and shirts that look like a Pokemon vomited
on them. Which, for many, is obviously not a
bad thing.

13. Premium Goods (premiumgoods.net)

Located just steps from the prestigious
campus of Rice University, this small boutique
stocks the most exclusive shoes you will find
anywhere in Texas, alongside their own lines
of streetwear and gear from around the world.

14.Warehouse Live (813 St. Emanuel St.)

www.warehouselive.com
When this venue opened in Houston, no one
could have guessed the impact it would have.
Hosting everything from hood rap to major
label rock, Warehouse Live serves every
musical community in Houston and boasts
one of the most professional sound systems
in the city.

15. Rap-A-Lot Records (2141 W. Governors

Circle) www.rapalotrecords.com
For more than 20 years Rap-A-Lot Records
has brought the hottest music from the south-
ern streets to the world. If you can get past the
gates, you’re in for a musical history lesson on
par with walking into the Motown Museum.

16. This Is It (207 W. Gray St.)

www.thisisithouston.com
The neighborhood that This Is It calls
home used to be straight hood. 4th Ward /
Freedmans Town was built on land donated
to freed slaves, just after Texas got around to
telling them they were free (two years after the
rest of the South). Nowadays, with its close
proximity to downtown, they are surrounded
by yuppies and condos, but still provide some
of the most succulent soul food you’ll find in
H-Town.

17. Spec’s (2410 Smith St.)

www.specsonline.com
The world’s largest liquor store is one of the
most fun places a drinker could ever walk
around on a Saturday afternoon. Beautiful
women serve free samples of everything from
Russian vodka to Chilean wines to Canadian
beers while you peruse their unparalleled

EVENT LOCATIONS
selection of beer, wine, liquor and cigars.

18. Texas Southern University (3100 Cleburne

1. George R. Brown Convention Center St.)
2. Hilton Americas www.tsu.edu
The historic Black university, located in
3. Main Street - Venue, Vault, Club Glo Houston’s 3rd Ward, is a prime spot for watch-
4. Four Seasons Hotel ing young hotties strut their stuff back and
forth between class. And their annual Battle of
5. The Roxy the Bands is one of Houston’s biggest musical
6. Bar Rio events every time.

7. Dave & Busters (There’s plenty more spots to see in Houston,

but all of these places are in fairly close
8. Warehouse Live proximity to downtown – by Texas standards,
or quite easy to get to by car if you are staying
downtown for the OZONE Awards).
2 // OZONE
OZONE AWARDS
MAG 2008
 DOWNTOWN
HOUSTON

GEORGE R. BROWN CONVENTION CTR. THE VAULT

1 3RD ANNUAL OZONE AWARDS SHOW:
MONDAY AUG 11
5 INTERSCOPE/GEFFEN/A&M’s “DJs
ONLY” OZONE AWARDS AFTERPARTY:
MONDAY AUG 11
THE HILTON AMERICAS
2 TJ’s DJ’s TASTEMAKERS DJ/MUSIC
CONFERENCE: AUG 8-11 6 VENUE
OFFICIAL OZONE AWARDS
AFTERPARTY: MONDAY AUG 11
3 THE FOUR SEASONS HOTEL
7 CLUB GLO
SWISHAHOUSE & BOSS HOGG
WAREHOUSE LIVE
4
OUTLAWZ’ OFFICIAL TJ’S DJ’S
RICK ROSS & DJ KHALED’s “I’M SO AFTERPARTY: SATURDAY AUG 9
HOOD” CONCERT: SATURDAY AUG 9
OZONE AWARDS 2008

ITINERARY IS SUBJECT TO CHANGE
Friday August 8th, 2008
3PM - 6PM
Belvedere & Moet present
The Kickoff Pool Party @ private location
Shuttles begin departing Hilton Americas at 2:30 PM
* Registered conference attendees only
7PM - 9PM
Jive Records presents
The UGK Pool Tournament @ Dave & Buster’s (I-10)
Hosted by Bun B
* Shuttles begin departing Hilton Americas at 6:30 PM
* Registered conference attendees only
8PM - 10PM
Derrty Ent presents
Brass Knuckles Celebowl Bowling Challenge
@ Dave & Buster’s (I-10)
Hosted by Nelly & the St. Lunatics
11PM - 2AM
Rap-A-Lot & Cash Money present
The Official Welcome to Houston Kickoff
Party @ Bar Rio (6400 Richmond Ave.)
Hosted by J. Prince, Baby aka the Birdman, & Slim
Special Appearances by Lil Wayne, Scarface, & Bun B
Performances by Z-Ro, Trae, the Dunk Ryders, Damm
D, Brisco, Glasses Malone, & Kinfolk Thugz
Music by DJ Hi-C & the GO DJs
MTV Jams will be in the bulding filming for the Ozone
Awards week special
* Shuttles begin departing Hilton Americas at 10:30 PM
* All registered conference attendees free til 12 AM
2AM - 4AM
The Offical Late Night After-Afterparty
@ Harlem Knights (9834 Jensen Dr.)
* Complimentary admission for registered conference
DJs ONLY (no media access)
Saturday August 9th, 2008
12PM - 1:30PM
Lydia Harris of Lady Boss Ent. presents
The Management Panel @ Hilton Americas (1600
Lamar St.) 2nd Floor
Moderator: Wendy Day (Rap Coalition)
Panelists: Rico Brooks (Gorilla Zoe, formerly Yung
Joc), E-Class (Rick Ross, Brisco), Charles Chavez
(Rob G, formerly Chamillionaire), Johnnie Cabbell
(Shawty Lo, Fabo, Crime Mob), Clay Evans (TI,
Young Dro), Snake (Czar Ent./BloodRaw) & more
2PM - 3:30PM
Ruthless Records presents
The DJ Panel @ Hilton Americas (1600 Lamar St.)
2nd Floor
Moderator: Tony Neal (CORE DJs)
Panelists: DJ Khaled (WEDR Miami), Brandi Garcia
(KBXX Houston), Greg Street (V103 Atlanta),
DJ Hi-C (Houston), DJ Q45 (BET’s Rap City), Bigga
Rankin (Jacksonville), J Que (KBXX Houston) Bay
Bay (K104 Dallas), Jabber Jaws (KBTT Shreveport)
OZONE AWARDS 2008
TEXT “OZONE” TO 313131
TO RECEIVE ITINERARY UPDATES VIA TEXT MESSAGE (you will not be charged for this service)
sat. continued
4PM - 5PM
Open Labs Workshop featuring a free MiKo
Keyboard Workcenter giveaway @ Hilton Americas
(1600 Lamar St.) 2nd Floor
Hosted by Victor Wong, the President & Chairman of
Open Labs
Come to this workshop to learn hands-on about the
latest production techniques and you may win the
sharpest tool in the shed: the Timbaland Special Edi-
tion MiKo Keyboard Workcenter by Open Labs.
5:30PM - 7PM
SMC Records presents
The Independent As Fuck Celebration
@ Hilton Americas (1600 Lamar St.) Suite #21002
Hosted by Killer Mike, San Quinn, Haji Springer,
Beeda Weeda, & J Stalin
5:30PM - 7PM
Jive Records Presents
Big Boi Listening Suite @ Hilton Americas (1600 Lamar
St.) Suite #22002
Hosted by Big Boi
8PM - 10PM
Koch Ent. & Boss Hogg Outlawz present
Tastemakers Sizzing Summer Dinner & Show-
case @ Hilton Americas (1600 Lamar St.) 2nd Floor
Performances by Boss Hogg Outlawz, Hot Stylz,
L.E.P., Rob G, Spark Dawg, Myko, KOB, Jewman,
Young AC, Archie Eversole, New Money, & Keelow
11PM - 2AM
Swishahouse, Boss Hogg Outlawz, & Trill
Entertainment present
The official TJ’s DJ’s Tastemakers Afterparty @
Club Glo (507 W. Main St.)
Performances by: Slim Thug & the Boss Hogg
Outlawz, Lil Keke, Shawty Lo, Lil Boosie & Webbie,
Archie Lee & Coota Bang, & 3 Deep
Music by Michael “5000” Watts & J Que
* Shuttles begin departing Hilton Americas at 10:30 PM
* All registered conference attendees free all night
* Private party (not open to the public)
2AM - 4AM
Rebel Rock presents
The Offical Late Night After-Afterparty
@ Harlem Knights (9834 Jensen Dr.)
Hosted by B.o.B.
* Complimentary admission for registered conference
DJs ONLY (no media access)
Sunday August 10th, 2008
10AM - 8PM (open all day)
Asylum Records presents
The Studio Suite @ Hilton Americas (1600 Lamar St.)
Suite #TBD
Available all day for live recording freestyles or drops
12PM - 1:30PM
Producer Panel @ Hilton Americas (1600 Lamar St.)
2nd Floor
Moderator: Dedra Davis & TJ Chapman (TJ’s DJ’s)
Panelists: Jim Jonsin (Lil Wayne “Lollipop”), Gorilla Tek
(Grind Mode), Bangladesh, Mr Lee, Mouse & BJ (Web-
bie “Independent”), DJ Montay (“Low”), Cory Mo, DJ
Toomp, J.U.S.T.I.C.E. League (2 Pistols “She Got It”),
Sean Garrett, Alchemist, Young L of The Pack & more
2PM - 3:30PM
Break The Bank Entertainment presents
A&R Panel @ Hilton Americas (1600 Lamar St.) 2nd
Floor
Moderator: Grouchy Greg (AllHipHop.com) & TJ Chap-
man (TJ’s DJ’s)
Panelists: Dave Lighty (Jive), Orlando McGhee
(Warner Bros.), Shawn “Tubby” Holiday (Interscope/
Geffen), Jean Nelson (Atlantic); Dee Sonoram (Koch),
Lenny S (Def Jam), Anzel “Int’l Red” Jennings (Rap-A-
Lot) & more
sun. continued
4PM - 5:30PM
DRANK presents
The Artist Panel @ Hilton Americas (1600 Lamar St.)
Moderator: TJ Chapman (TJ’s DJ’s)
Panelists: Slim Thug, Shawty Lo, Rick Ross, Bun
B, Flo Rida, Killer Mike, Chamillionaire, Webbie,
Young Buck, Trae, Mistah FAB & more
6PM - 7:30PM
Columbia Records presents
The Ballin’ Listening Suite @ Hilton Americas (1600
Lamar St.) Suite #21002
Hosted by Jim Jones
6PM - 7:30PM
Nappy Boy presents
The Nappy Boy Digital listening suite @ Hilton
Americas (1600 Lamar St.) Suite #22002
Hosted by Tay Dizm & Young Cash
8PM - 10PM
Capitol Records presents
TJ’s DJ’s Tasties Fashion Show @ Grooves (2300
Pierce St.) restaurant & lounge
Performances by Alfamega, Glasses Malone, Dunk
Ryders, Trai D, Jus Bleezy, & Chop Chop
Featuring Lavish Models & CORE Models
* Shuttles begin departing Hilton Americas at 7:45 PM
11PM - 2AM
OZONE, TJ’s DJ’s, Grand Hustle & T.I. present
The Grand Hustle Takeover @ Bar Rio (6400 Rich-
mond St.)
Hosted by: T.I. & the ENTIRE Grand Hustle Family:
Young Dro, Big Kuntry, DJ Drama, Alfamega,
B.o.B., 8Ball & MJG, Yung LA, JR Get Money,
Ricco, Mitchellel, & Xtaci
Music by DJ Drama & Rap City’s DJ Q45
BET Rap City will be in the bulding filming
* Shuttles begin departing Hilton Americas at 10:30 PM
* All registered conference attendees free til 12 AM
Monday August 11, 2008
11AM - 2PM
Island Def Jam presents
BBQ in the Park @ Discovery Green (across the street
from Hilton Americas)
Hosted by Young Jeezy, DJ Khaled, Ace Hood,
Playaz Circle, Willy Northpole, & 9th Ward
BBQ provided by DTP, So So Def, CTE, Slip N Slide, &
We The Best music group
* meal ticket required
4-6 PM
OZONE Awards Red Carpet @ George R Brown
Convention Center (1001 Avenida de las Americas)
Doors open at 6PM * Doors close at 7PM
7-11 PM
OZONE Magazine & TJ’s DJ’s present
3rd Annual OZONE Awards @ George R Brown
Convention Center (1001 Avenida de las Americas)
Hosted by comedian DeRay Davis
Performances by T-Pain, Plies, Rick Ross, Bun B,
Shawty Lo, Lil Boosie, Webbie, Trick Daddy, DJ
Khaled, The Game, Big Boi, Rock City, & B.o.B.
Backstage VIP Room hosted by TV Jewelry
11PM - 2AM
OZONE Magazine & TJ’s DJ’s present
The Official OZONE Awards afterparty @ Venue
(723 Main St.)
Music by DJ Hi-C & Rapid Ric
* Shuttles begin departing Hilton Americas at 11 PM
* All registered conference attendees free til 12 AM
& next door
Interscope/Geffen/A&M presents
The “DJs Only” OZONE Awards afterparty @
Vault (723 Main St.)
Featuring new records by Sean Garrett, Rock City, & YV
* Complimentary admission for registered conference
DJs ONLY all night (not open to the public)
OZONE MAG // 5
6 // OZONE MAG
OZONE MAG // 7
 Panelist Bios
By Jacinta Howard, Anthony Roberts, Ms. Rivercity

Management Panel DJ PANEL

Elric “E-Class” Prince
(Miami, FL) Bay Bay
Founder and CEO of Poe Boy Entertainm (Dallas, TX via Shreveport, LA)
ent, E- Known for inspiring Hurricane Chris’ “A Bay
Class says that he was destined for the
business. Bay,” DJ Bay Bay originally started as an on-air
An entrepreneur and self-proclaimed
marketing personality with 103.7 in Shreveport, Louisiana.
genius, E-Class has played a vital role
in the main- He later moved on to K104 in Dallas where he
stream success of artists including Flo
Rida, Jacki- currently holds it down from 3 pm – 7pm.
O and Rick Ross. His company is also
home to Poe
Boy Films, CCC Entertainment, Blowout
and Motion Graphics.
Promotions Bigga Rankin
(Jacksonville, FL)
Labeled as Florida’s A&R, Bigga Rankin has one
of the longest resumes in the music business.
Clay Evans CEO of the Cool Running DJs, Founder of Real
(Atlanta, GA) Nigga Radio Mixtapes, Vice President of the
ement team at Grand Hittmenn DJs and President of Slip-N-Slide
As part of the manag
y Eva ns has been an in- Streets are a few of his prestigious titles.
Hustle Records, Cla eers of both T.I. and
car
strumental force in the sible
n, he also was respon Brandi Garcia
Young Dro. In additio edy show, Trippin’ on
we ekl y com (Houston, TX)
for the label’s .
Uptown Comedy Corner Starting as a radio intern in Tallahassee at the
Tuesdays, at Atlanta’s
age of 15, Brandi graduated to commercial
radio soon after finishing high school. She
worked for several Tallahassee stations includ-
s ing 96.1 Jamz, Groovin 106, 100.7 The Beat, 94.9
Rico Brook WTNT, 1270 WNLS before moving to Huntsville,
(Atlanta, GA) ooks has navi-
business, Rico Br AL with Power 93.3. Now with the number one
A veteran in the rq ue e fo rce in the music rated show from 10 AM - 3 PM on Houston’s
m a ma
gated his way fro ld the position of VP at Block 97.9 The Box, Brandi is one of the hottest DJs in
ho
retail business to ugh his management firm the South.
en t. Th ro
En ter ta inm Gorilla Zoe
rre nt ly ha nd les the careers of
he cu Greg Street
among others. (Atlanta, GA)
As one of the most prominent on-air person-
alities in the South, Greg Street’s musical touch
has been felt for over two decades on both
radio and mixtapes. Considered one of the most
Snake
groundbreaking DJs in the country, he contin-
(Atlanta, GA)
ues to introduce artists and set market trends.
Snake’s influence in the industry is one that is virtually unmatched,
largely due to his ability to flex his skills in a variety of arenas. Cur-
rently working with Czar Management alongside Jimmy Henchmen, he
DJ Khaled
(Miami, FL)
is also BloodRaw’s manager.
Khaled’s impact on Florida Hip Hop had been
felt for years before he broke as a national DJ.
Having fathered some of the most respected
mixtapes over the past five years, Khaled
Johnnie Cabbell has become a tastemaker and respected DJ
(Atlanta, GA) worldwide.
Johnnie Cabbell’s position at Hitt Afta
made him an influential force in the
Hitt has Leo G
Atlanta music (Washington D.C.)
scene. As Shawty Lo’s manager, he’s
established a Leo G’s career began over 15 years ago at New
reputation as a dealmaker and busin
essman. York City’s WQHT FM as their Programming
and Promotions Assistant. Presently, Leo G is
the Program Director for XM 66 RAW where he
“gives listeners the very best uncut RAW music
the industry has to offer while maintaining the
Charles Chavez true essence and integrity of Hip Hop.”
(Houston, TX)
A leader in Houston, Charles Chavez has continued
DJ Q-45
to help push the city’s Hip Hop scene to the fore-
(Jacksonville, FL)
front. Widely considered a valuable asset to the
Labeling himself “the ladies’ favorite DJ,” DJ
city, Chavez remains a staple.
Q45 has quickly ascended the ranks of the
music business, armed with his stellar DJ skills
and infectious persona. He’s recently appeared
Wendy Day on BET’s 106 & Park, Rap City and Spring Bling.
(Atlanta, GA)
founded the Rap Tony Neal
In March 2002, Wendy Day
ofit org anization designed to You may be familiar with Tony Neal through
Coalition, a non-pr
tum ultuous music indus-
help artists survive the his position as Founder & CEO of the CORE
Also , the fou nde r of Visionary Management, DJs. Known for his expertise in breaking both
try.
most important
Day has become one of the continues to be records and DJs, Tony Neal is nominated for DJ
sic tod ay and of the Year at this year’s OZONE Awards.
forces in the mu
and forthrightness.
known for her integrity
8 // OZONE MAG
 PRODUCER PANEL Jim Jonsin
(Miami Beach, FL)
“Lollipop” – Lil’Wayne feat. Static Major
Bangladesh “Beautiful Nightmare” – Beyonce
(Atlanta, GA) “Break Something” – Mario
“A Milli” – Lil Wayne “Leather So Soft”- Lil Wayne & Birdman
“Beam Me Up” – Tay Dizm feat T-Pain & Rick Ross “Another Girl” – Bow Wow & Omarion
“Talking Out The Side of Ya Neck” – Dem Franchise Boyz “Show Stopper” – Danity Kane
“Bossy” – Kelis “Unpredictable” Jamie Fox feat. Ludacris
“You Don’t Want Drama”- 8 Ball & MJG
“HO” – Ludacris J.U.S.T.I.C.E League
(Atlanta, GA via Tampa, FL)
Cory Mo (Houston, TX) “She Got It” – 2 Pistols feat T-Pain
“Underground Thang” Bun B feat Chamillionare “Maybach Music”- Rick Ross feat. Jay–Z
“Aint Nobody Trippin” feat. Pimp C “Luxury Tax”- Rick Ross feat. Lil Wayne, Young Jeezy,
“Don’t Fuck With You” - Pimp C and Trick Daddy
“H-Town Anthem” – Brooke Valentine “No One Will Do”- Mary J. Blige
“Another Song” – Z-Ro “Bury Me A G”- Young Jeezy
“When It Get Gangsta” – Geto Boys “Don’t Get Caught” - Young Jeezy
“Nothing 2 Show” – Geto Boys “Rumble Young Man Rumble” – Juelz Santana
“Don’t Go” – Devin The Dude
“Gitcha Mind Right” - Pimp C Mr. Lee
(Houston, TX)
DJ Montay “3 Kings” – T.I., Bun B, Slim Thug
(Atlanta, GA) “Get Throwed” – Pimp C, Jay-Z, Bun B, Young Jeezy
“Low” – Flo Rida featuring T-Pain “Break Em Off” – Paul Wall
“I’d Rather” – Three 6 Mafia “Recognize A Playa” – Boss Hogg Outlawz
“Foolish” – Shawty Lo “Keep Pushin” – Bun B
“2 Step” – DJ Unk “Sex Faces” – Scarface
“Walk It Out” – DJ Unk “Chunk Up Da Deuce” – Lil Keke, Paul Wall, UGK
“Who the Fuck Is That” – Dolla “From the South” – Z-Ro

Gorilla Tek Mouse & BJ

(Miami, FL) (Baton Rouge, LA)
“She’s So Fly” – Grind Mode “Independent”- Webbie
“Freaky Deaky” – Flo Rida feat. Trey Songz “Pop It 4 Pimp”- Bun B feat. Juvenile &Webbie
“Champion” & “Pussy Real Good” – Jacki-O “Wipe Me Down” – Foxx feat Lil Boosie & Webbie
“Zoom” – Lil Boosie
“All The Way” – 3 Deep
“Adios” - Trill Fam
A&R Panel “Missing You” – Webbie
“I’m Hot” – Webbie
“You A Trip” – Webbie
liday
Shawn “Tubby” Ho
to hustle. Starting off
“Distant Lover” - Lil Boosie
“Just Like This” – Webbie
Shawn Holiday knows how
rep for Bad Boy Records
at the bottom as a college
y wor ked his way up through the
in the 90’s, Holida
to hold positions at both
ranks and later moved on
Manager of Hitco Music
EMI and VP and General
Hol ida y now serves as Senior VP of A&R
Publishing.
Gef fen Records.
for Interscope and Dee SonOram
Being an executive at arguably the most suc-
cessful indie imprint in the game already says
Lenny S a lot, but that’s not enough for Dee Sonoram.
Throwing up the dynasty sign since before he can Having been with the label since 2005, as VP of
remember, Lenny S is the VP of A&R for the storied Promotions for Koch Records, Sonoram makes
Hip sure that the world knows about Koch’s long list
Hop label Def Jam/Roc-A-Fella. Having been with
the of releases, like projects by DJ Unk, Jim Jones,
label since ’96, S has handled projects for Beanie
Sigel, Hell Rell and DJ Khaled just to name a few.
Ghostface Killah and scores of other Def Jam artists
.
Still on his grind, you can find him on the road at
conferences, talent shows, seminars or wherever
else
talent is found.
Orlando McGhee
Dave Lighty A tastemaker’s tastemaker, Orlando McGhee
A well-known veteran mover and shaker in the industry, Dave Lighty is
is Head Director of A&R for Warner. A key and
Senior A&R at Jive Records. With well over a decade and change grinding
influential figure behind the scenes, McGhee has
in the business, the talent finder and artist developer was instrumental
helped to ink and develop tons of artists including
in signing acts including Lil Mama, as well as helping guide the careers
E-40, Lil Scrappy, Crime Mob, producer Nitty and
of other Jive artists including T-Pain, UGK, Chris Brown and the Young-
singer/songwriter Attitude.
bloodz.

Joie Manda Red (Houston, TX)

Making moves down South for a good minute now, Joie
Manda currently serves as VP of Asylum Records. As an
executive at one of the most powerful labels down bot-
tom, he helps to ensure the success of his roster of art-
ists, which include Bun B, Shawty, C-Murder and Lil Wil.
As an A&R at Rap-a-Lot Records, International Red
has helped to foster the careers of numerous flagship
artists at the label, including Bun B. A fixture in the
Texas rap scene, Red’s vision and tenacity has made
him one of the business’ most respected executives.

OZONE MAG // 9
 ARTIST PANEL
Bun B
Rap legend Bun B has garnered the respect of both fans and
artists from coast to coast. With nearly 20 years in the game,
Bun began his career as half of the seminal Port Arthur, TX
group UGK along with partner Pimp C. Having collaborated with
nearly every major artist including Jay-Z, Snoop Dogg and still
showing love to independent artists as well, Bun is respected
across the board. His 2005 debut Trill featured the Southern
posse cut “Draped Up,” which featured Mike Jones, Paul Wall, Lil
Flip, Slim Thug, Devin The Dude and Z-Ro. Still waving the UGK
flag after the passing of Pimp C, Bun is still releasing music,
with this year’s II Trill debuting at #2 on the Billboard charts
and selling nearly 100,000 copies in its first week.

Flo Rida
Bursting onto the scene with his huge debut single “Low” fea-
turing T-Pain, Flo Rida is making a strong case for rookie of the
year. Collaborating with Timbaland for the follow up “Elevator,”
his album Mail On Sunday is climbing the charts.

Gorilla Zoe
Straight out of the A, Gorilla Zoe has been doing his thing for a
minute. One fourth of the Hip Hop group Boyz N Da Hood, Zoe
has been dropping verses everywhere, including on Block Enter-
tainment/Bad Boy South label mate Yung Joc’s smashes “Coffee
Shop” and “Bottle Poppin’.” His 2007 debut Welcome to the Zoo
helped solidify him as a force in Southern Hip Hop and peaked
at #3 on the Billboard Rap Album charts.

Killer Mike
Also known as “Killer Kill from the ‘Ville”, Killer Mike is one of
Atlanta’s most vocal rhymesayers. From his early days as part of
Big Boi’s Purple Ribbon camp, Killer has always given standout
performances. A previous OZONE Award winner, he has released
three full length albums including his most recent, I Pledge Al-
legiance to the Grind II, on his own Grind Time Official label.

Rick Ross
Hailing from the “M-I-Yayo”, Miami artist Rick Ross has solidi-
fied himself as the biggest thing in the Sunshine State. The
Slip-N-Slide/Def Jam artist exploded on the scene with his
hit single “Hustlin’” off of his debut, Port Of Miami, and hasn’t
looked back since. His follow-up LP, Trilla, debuted at the top
of the Billboard charts and has spawned the singles “Speedin”
featuring R. Kelly, “The Boss” featuring T-Pain and “Here I Am”
featuring Nelly.

Shawty Lo
The self-proclaimed “King of Bankhead”, Shawty Lo has been
making a name for himself as of late. A member of the Atlanta-
based D4L and CEO of D4L Records, Lo has found solo success
with his mega-hit single “Dey Know” and the follow up, “Dunn
It All.” He has maintained a presence via mixtapes as well. His
debut project, Units in the City, was released in February of this
year.

Slim Thug
Better known as the “Big Boss of The North,” Slim Thugga has
been putting it down on the Houston scene since the 90’s, most
notably making appearances on countless Swisha House mix-
tapes. He made his major label debut in 2005 on Star Trak with
Already Platinum, which featured the singles “Like A Boss” and
“I Ain’t Heard Of That” featuring Pharrell and Bun B. He released
the follow-up, Boss Of All Bosses in 2007, and heads up his own
Boss Hogg Outlaw imprint.

Webbie
One of the flagship artists in the Trill Entertainment camp, Baton
Rouge, LA rapper Webbie has being doing his thing for a minute.
With “Gimme That” featuring Bun B propelling his 2005 debut
Savage Life to success, Webbie followed that with Savage Life
2 and his current hit, “Independent” featuring labelmates Lil
Boosie and Lil Phat.

OZONE AWARDS 2008


BEST RAP ALBUM
Plies: Real Testament - Goons and bust it babies can attest, Plies’ debut
album catapulted this Fort Myers rapper to the forefront of the Florida rap
movement.
Rick Ross: Trilla - Ross proved he’s boss among bosses when his second
album debuted at #1 on the Billboard 200, even outselling Snoop’s shit.
Shawty Lo: Units In The City - Critics hated L-O’s album, but they were foolish
to think the streets wouldn’t get, get, get it.
UGK: Underground Kingz - The game belonged to Pimp and Bun when their
long awaited double album dropped last fall, earning the legendary duo their
first #1 album.
BEST RAP ARTIST
Bun B - As one half of the trillest rap group in the South, Bun B was II Trill for
every country rap tune he kicked a verse on.
Lil Wayne - Weezy continued to solidify his “best rapper alive” claims through
countless mixtapes and guest appearances, in addition, finally maximizing his
crossover potential when “Lollipop” became his first #1 hit as a solo artist.
Plies - He dropped hit record after hit record for the radio, clubs and streets,
and let him tell it, a classic verse on “I’m So Hood.” Now the question for the
street is, who’s hotter than Plies?
Rick Ross - Just in case you thought “Hustlin’” was a fluke, the Boss came
back way more Trilla this year.
T.I. - Tip had a tough year, but he still released another platinum album and
continued to set the standard in the A.
Young Jeezy - Da Snowman remained one of the hottest emcees in the game
by smashing guest verses for everyone from Usher and DJ Khaled to Shawty
Lo and Rocko.
BY MAURICE G. GARLAND
& RANDY ROPER
AND THE
NOMINEES ARE...
BEST R&B ARTIST
Chris Brown - This teenage singer hit the ground running (well, dancing)
when his second album, the now platinum Exclusive, came out. Chris Breezy
had Billboard hits, numerous awards and nominations, toured the country,
and girls everywhere (including Rihanna) wishing for a kiss, kiss.
Keyshia Cole - Her second album went platinum and she was nominated for
a Grammy as her songs “Let It Go,” “Shoulda Let You Go,” and “Heaven Sent”
were fixtures on the charts.
Ne-Yo - His second album landed at #1 on the Billboard 200, went platinum
and won a Grammy, solidifying Ne-Yo as an R&B superstar.
T-Pain - Pain’s sophomore album and single “Buy U A Drank” faired well on
the charts, while he was a staple on radio, collaborating with everyone from
Rick Ross to Kanye West to Chris Brown.
The Dream - This A-Town singer/songwriter came out of nowhere and had
fans singing along to “Shawty Is a Ten” and “Falsetto.”
Trey Songz - Still somewhat slept on, the Prince of R&B added a second album
to his resume while serenading “Wonder Woman” with fan favorites like “Can’t
Help But Wait” and “Last Time.”
OZONE
OZONE
AWARDS
MAG 2008
// 11
 BEST RAP GROUP
Birdman & Lil Wayne - Off the heels of their Like Father, Like Son album, the
Birdman and Jr. popped champagne like they won a championship game.
G.R.I.T. Boys - Although this trio isn’t a household name, they spread their
ghetto reality across Texas while releasing a quality slept-on album.
Little Brother - They lost a member and their major label deal with Atlantic,
but these Southern underdogs released their third critically acclaimed album.
Playaz Circle - With an assist from Young Weezy, this DTP duo had everyone
wanting to be a Duffle Bag Boy.
Three 6 Mafia - The last two members of Three 6 spent some time in Holly-
Hood, but everyone knows what these Tennessee boys would rather be doing.
UGK - Add another classic album and a hit single in “International Players
Anthem” to their resume and it’s still UGK 4 Life and R.I.P. Pimp C.
BEST LYRICIST
Andre 3000 - Showing that quality outlasts quantity, 3-thou’s rare guest
spots generate the kind of excitement that many rappers need entire albums
to achieve.
Bun B - The most consistent rapper in the game, Bun continues to raise the
bar in Southern emceeing.
Lil Boosie - The most popular rapper in Louisiana not named Dwayne, Boosie
has been garnering 2Pac comparisons with his ability to wear emotions on
his sleeve through his lyrics.
Lil Wayne - The hardest man in the rap business churns out verses like an
assembly line.
Scarface - Everytime you think you’ve heard the last from him, ‘Face comes
back to prove why he has the best pen in the game.
T.I. - Small in stature, big in attitude, T.I. was able to write on behalf of two
personalities in one album.
BREAKTHROUGH ARTIST
Flo Rida - This Miami native had girls in the club getting “Low” and wanting
to ride his “Elevator.” Flo Rida broke through and proved that he’s here to
make you move however he can.
Gorilla Zoe - With his distinctive voice and catchy hooks, Gorilla Zoe broke out
as a solo artist with his single “Hood Figga,” while filling in for Young Jeezy
as a member of Boyz N Da Hood.
Rocko - Rocko broke into the industry telling everyone “Umma Do Me.”
Shawty Lo - Shawty Lo broke through, stopped all the foolishness and made
sure dey know who the real king of Bankhead is.
Soulja Boy - You may not like his music, but Soulja Boy smashed the radio
waves, had every teen and adult doing his dance in the club and even made
history with ringtone sales.
12 // OZONE
OZONE AWARDS
MAG2008
BEST RAP/R&B COLLABORATION
2 Pistols f/ T-Pain “She Got It” - 2 Pistols and T-Pain teamed up on this syn-
thesize track and made it known that if she’s looking, “She Got It.”
David Banner f/ Chris Brown & Yung Joc “Get Like Me” - David Banner, Chris
Brown, and Yung Joc showed that habits are hard to break especially when it
relates to stunting.
Plies f/ Ne-Yo “Bust It Baby Pt. 2” - Thanks to Plies and Ne-Yo, every guy has
changed their girl’s nickname to “Bust it Baby.”
Ray J f/ Yung Berg “Sexy Can I” - Ray J partnered up with the Chi’s Young
Berg for this collaboration. It was only right to put out this smash after his
sex tape escapade.
Rick Ross f/ R Kelly “Speedin’” - The Boss and Kells made you want to take a
trip to the MIA and speed down 95 while blasting this hit single.
Usher f/ Young Jeezy “Love In This Club” - Usher came back with a vengeance
with a little help from Da Snowman. Usher let everyone know that he’s in love
and doesn’t have a problem making it in the club.
CLUB BANGER OF THE YEAR
DJ Khaled f/ Rick Ross, Plies, & Trick Daddy “I’m So Hood” - This hood anthem
even had the suburbia fans feeling like they were on probation.
Flo Rida f/ T-Pain “Low” - Not all females wear the “Reeboks with the strap”
or “boots with the fur,” but all of them were surely getting “Low” to this
single.
Lil Wayne f/ Static Major “Lollipop” - The only song that will ever cause a
chain reaction of females pulling out lollipops like it’s a fashion trend.
Playaz Circle f/ Lil Wayne “Duffle Bag Boy” - The song was so hot people
didn’t even notice Lil’ Wayne didn’t have a verse on it.
Shawty Lo “Dey Know” - The song that had everybody in the club giving big
ups to all their haters.
Webbie f/ Lil Boosie & Lil Phat “Independent” - Webbie had every woman you
respect in the club jamming to this, plus your aunts, nieces, cousins, and
grandmothers.
MIXTAPE MONSTER AWARD
B.o.B. - While waiting to release his debut album, B.o.B. kept haterz every-
where uneasy with a mixtape hosted by Bigga Rankin, The Future, and an LRG
mixtape with Mick Boogie, Hi My Name Is B.o.B.
Gucci Mane - He dropped a major album this year, but a Gucci track could still
be found on DJ mixtapes from ATL to Texas. And his collaborative mixtape
with Superstar J Kwik was a must-have for any Gucci fan.
Lil Wayne - Weezy F. Baby’s music was in such high demand on the mixtape
circuit he didn’t even know how his songs landed on most mixtapes.
Shawty Lo - L-O didn’t just have Units In The City, he had mixtapes in the city
too, with his I’m Da Man Pt. 2 mixtape hosted by DJ Scream being the most
notable.
Trae - He still hasn’t broken into the mainstream, but through the streets and
mixtapes, Trae remains tha truth.
Yo Gotti - Along with DJ Smallz, your boy Yo Gotti got everyone’s attention on
the streets with his Cocaine Muzik mixtape.

MOST SLEPT ON ARTIST
BloodRaw - Panama City’s pride and joy graced the cover of OZONE in May
2004 and signed to CTE that next year, but since then he’s become every-
body’s favorite rapper that you’ve probably never listened to.
B.o.B. - Everybody knows that the “beast from Decatur” has some heat, but
the only question is, when will we finally get it?
Killer Mike - Slowly building an underground empire, King Kong Killa Kill from
Adamsville is about to wake yo’ ass up this year.
Trick Daddy - After putting his city and state on the map, the high gloss music
coming from there lately has drowned out the grit he got put on with… but
did you notice?
Z-Ro - The biggest Lone Star in his state, Z-Ro continues to be overlooked
when Greatest Emcee conversations are had.
PIMP C AWARD (TRILLEST ARTIST)
(an artist who isn’t afraid to speak their mind)
David Banner - Music fueled with passion and anger backed up by action
show why Pimp took this man under his wing in the late 90s.
Kanye West - Even though he spends most of his time whining, it takes a lot
of gall to make the public displays ‘Ye has become known for.
Killer Mike - When he said he was “ready to go Pimp C Part 3” he wasn’t lying.
Lil Wayne - Even though he’s accused of not saying much in his music, Wayne
has no problem defending himself whether you agree or not.
Trae - Anyone bold enough to brand themselves as an asshole and “The
Truth” has to be nominated for this award.
Trick Daddy - On top of calling out your favorite rappers, Trick gets invited on
Miami talk radio to diss sports celebrities and local officials.
TJ’s DJ’s HUSTLER AWARD
Akon - Akon is only two albums into his career and he’s already an interna-
tional superstar. Not to mention with T-Pain, Ray L, Dolla, Kardinal Offishal,
Rock City and a gang of others under his Konvict Muzik imprint, Kon is doing
pretty damn good for himself.
Bigga Rankin - He’s CEO of the Cool Running DJs, Regional Vice President of
the Hittmen DJs, and President of Slip-N-Slide Streets, all while branding
WRNR mixtapes and maintaining the tour schedule of a major artist.
DJ Khaled - Aside from being one of the most popular DJs in the country,
Khaled has managed to put together two—going on three—rap albums in as
many years, and he doesn’t even rap.
Lil Wayne - He recorded more verses last week than most rappers recorded all
year. You couldn’t turn on the radio without hearing a 16 from Mr. Carter in
the past year, and you don’t even want to know what he charges for a verse.
T-Pain - He released his sophomore album and guest appeared on what
seemed like every song on the radio. And if it wasn’t T-Pain sangin’ on a
song, other artists tried their best to make it sound like him.
TJ’s DJ’s TASTEMAKER AWARD
(Trendsetter in music, fashion, & style)
Greg Street - Credit Greg Street for being the DJ that broke Soulja Boy, who-
made everyone think it was as easy as making up a song and dance and putting
it on YouTube. Plus, Street’s kicks collection has a big impact on sneaker fiends.
Jermaine Dupri - JD continued to make being a producer/rapper/record label
executive with a pop icon girlfriend the most coveted trend in Hip Hop.
Pimp C - Before his passing, Pimp C has a lot to saying. Not everything he
said was well-received, but he did inspire artists to speak their minds.
Polow da Don - According to Polow, the beatmaker behind “Love In This Club,”
he made Usher “cool” again and had people trying to get their rocks off in
the VIP section.
Soulja Boy - Who knew a song called “Crank Dat (Soulja Boy)” would spawn
umpteen other “Crank Dat (insert Superhero name here)” songs?
T-Pain - If artists couldn’t get T-Pain on their songs, they tried out T-Pain’s
auto-tune effect themselves; a trend that most of us wish would go away, or
just left to Teddy Pain.
BEST VIDEO
Chamillionaire f/ Slick Rick “Hip Hop Police” - Tackling some serious issues
by using a little bit of humor proved that the police’s attacks on Hip Hop are
indeed laughable.
Lil Wayne “Lollipop” - Weezy F. Baby hit the Vegas strip to remind you that it
was him and the Cash Money Millionaires that taught you how to stunt. R.I.P.
Static Major.
Lupe Fiasco “Hip Hop Saved My Life” - Capturing the story of the dude on the
block with rap dreams, Lupe’s words were given more life with the reality-
skewered visuals in this Houston-based clip.
Rick Ross f/ R Kelly “Speedin’” - Ross literally lives his life in the fast lane and
gives a pesky traffic cop an expensive watch instead of paying a ticket. Must
be nice.
UGK f/ Outkast “International Players Anthem” - Southern Hip Hop icons unite
to celebrate a wedding and give a toast to the player’s life
DJ OF THE YEAR
Bigga Rankin - The go-to DJ when trying to get on in Florida, Bigga Rankin
will only continue to influence as the newly assigned president of Slip-N-
Slide Street.
DJ Drama - Though his profile is lower than it once was thanks to the results
of the R.I.A.A.’s raid, Drama continued to put out quality music.
DJ Khaled - Yes. Khaled still DJs, although it’s hard to tell these days because
most of the hit records he breaks, are his.
DJ Q45 - Holding down the host spot for Rap City, Q45 still finds time to throw
the hottest parties in the 904 and beyond.
Greg Street - Stepping up to dispute claims that the DJ was dead, Greg was
instrumental in starting the Soulja Boy phenomenon and breaking records like
Big Boi’s “Royal Flush” and Young Jeezy’s “Put On.”
Tony Neal - We know, it’s hard to find evidence of him being on the tables but
he’s put so many DJs on and breaks so much music that he has to be doing
something right.
OZONE AWARDS 2008

BEST MIXTAPE / STREET ALBUM
B.G. & DJ Drama - Gangsta Grillz: Hood Generals: Trumping all of his Koch
material from the last couple years, B.G. whetted appetites for his Grand
Hustle/Atlantic debut.
B.O.B. & Mick Boogie - Hi My Name Is B.O.B.: Flowing over a bevy of tracks
including The Beatles’ samples and old Jay-Z beats proving that he’s more
than just a new rapper.
Chamillionaire – Mixtape Messiah 3: At some points Cham sounded like the
best rapper walking, then at others he sounded like he didn’t want to rap
anymore. Either way MM3 displayed Cham in rare form.
Rich Boy – Bigger Than The Mayor: Realizing that no one will support him
more than himself, Rich Boy got on his indie grind to put out music that
didn’t have to be radio friendly.
Shawty Lo & DJ Scream – I’m Da Man 2: This mixtape could have easily
doubled as an album since it gave his fans most of his hits before the major
label got their hands on them.
Yelawolf – Stereo: The only mixtape to receive OZONE’s 5-Blunt rating this
year, Wolf’s blending of Hip Hop and soft rock blurred the genre lines.
Yo Gotti & DJ Smallz – Cocaine Muzik: Bouncing back from his disappointing
major label debut, Yo Gotti returned to the streets and made a soundtrack for
his entire city to ride to.
BEST PRODUCER
DJ Montay - Montay produced this years biggest hit (Flo Rida’s “Low”) as well
as acting as the in-house producer for Big Oomp Records (Baby D, DJ Unk).
DJ Toomp - After producing for Southern heavyweights like T.I., Ludacris and
Young Jeezy, Toomp updated his portfolio by making history with Kanye West,
Jay-Z and Mariah Carey.
Drumma Boy - Having songs that have been banned (USDA’s “White Girl”)
and celebrated (Rocko’s “Umma Do Me”), this classically trained musician has
everyone listening to his tracks, bitch!
J.U.S.T.I.C.E. League - Responsible for most of 2 Pistols’ project, the League
also laced Rick Ross’ Trilla with the best beats money can buy.
Polow the Don - After busting the door open last year, Polow returned pro-
ducing for both ends of the music spectrum from Gucci Mane to Usher.
The Runners - Probably your favorite rapper’s favorite producers, this tandem
continues to prove that music is about sound, not appearance.
14 // OZONE MAG
BEST RAP ARTIST (WEST COAST)
Ice Cube - Almost 20 years in the game and gangsta rap is still makin him,
and us, do it. Ice Cube is constantly comin’ straight outta Compton to
rewrite the history books.
Keak da Sneak - With a sound and voice undeniably his own, “the prince of
the Bay” made major moves, both in and out of hyphy, towards claiming the
kingdom as his own.
Mistah FAB - The Baydestrian has been grinding for years without the
recognition he deserves, so this year Mistah FAB finally ghost rode his
yellow bus and stole it.
Snoop Dogg - Never one to stick to the norm, Snoop Dogg reinvented himself
and sexually seduced the industry... again.
The Game - Critics want to say The Game ain’t shit without a certain half
dollar. This year The Game’s unusually steady grind has proved the industry
ain’t shit without The Game.
BEST RAP GROUP (WEST COAST)
Dem HoodStarz - One of the few groups who exploded onto the scene during
the era of hyphy that has the substance and diversity to get their grown
man on outside of the bay and the west coast.
DPG (Dogg Pound) - The re-emergence of Tha Dogg Pound reminds us why
the West was best in the first place. Now with the bullshit, bitches, and beef
behind them, Snoop D-O-double-G, Daz Dillinger, and Kurupt can reclaim the
throne that’s rightfully theirs.
Mob Figaz - Not even prison bars can stop these three. True to the Bay spirit
Jacka, Husalah, and Marvaless have been on their independent grind since
the late 90s and almost a decade later show no signs of slowing.
Strong Arm Steady - Put together three of the illest solo rappers in Los
Angeles and you’re bound to create either a monster or utter chaos. The
coming together of Krondon, Phil the Agony, and Mitchy Slick produced the
chaotic monster the industry’s been needing.
The Pack - Before The Pack skateboard rap was a kick and a push away from
Hip Hop history. Now it’s a cemented movement from the concrete jungles of
LA to NY.
BEST RAP ALBUM (WEST COAST)
Blu & Exile - Below the Heavens: This collaboration between rapper Blu and
DJ/producer Exile was a surprise sleeper album that many considered to be
one of the best albums in 2007, not just in the West, but in Hip Hop, period.
Keak Da Sneak - Deified: The hit single “That Go” and a slew of strong fea-
tures from Too $hort, Daz Dillinger, Lil Keke, Paul Wall, and the Jacka earned
Keak the best album nom just a month after its release.
Mistah FAB - Baydestrian: With the release of Da Baydestrian, Mistah Fab
left no question as to who runs the streets of the bay. With a plethora of
hits including “Goin Crazy (Big Ol Butt)” featuring Too $hort, Fabo, and 2
Dolla, FAB has solidified his undeniable presence in the game.
Snoop Dogg - Ego Trippin: You’ve come to expect anything from Snoop. Yet
Ego Trippin is still 5 slaps in your face. Only the Dogg Father could
successfully put together such an ecclectic mix of songs from “Sexual
Eruption,” to “Life of the Party,” to “Neva Have 2 Worry,” from the moment
you “Press Play” almost every track is a banger.
Too Short - Get Off The Stage: “Bitch!” With all who have come in gone in
the game when you hear that word you think of one person. Get Off The
Stage is another must-have in the Too $hort collection with hits such as,
of course, “Broke Bitch” and “Dum Ditty Dum” featuring The Pack. The
conservatives are trying, but no one can get Short Dog off the stage.
 PATIENTLY WAITING: ALABAMA
LIVING LEGEND AWARD C Hall
J Prince Deuce Komradz
Jackie Chain
PATIENTLY WAITING: FLORIDA Yelawolf
Ace Hood
BallGreezy PATIENTLY WAITING: LOUISIANA
Brisco 3 Deep
Frank Lini 9th Ward
Grind Mode Lil Cali PATIENTLY WAITING: CALIFORNIA
Haitian Fresh Mack Maine Bishop Lamont
G. Malone
PATIENTLY WAITING: GEORGIA PATIENTLY WAITING: TENNESSEE Jay Rock
Alfamega All Star Kuzzo Fly
B.O.B. Cowboy Roccett
O.J. Da Juice Man JAG The Jacka
Rock City Novokane
Yung LA PATIENTLY WAITING: ARIZONA
Yung Ralph PATIENTLY WAITING CAROLINAS Cinque
Carlos Cartel Hot Rod
PATIENTLY WAITING: TEXAS Shelly B Jiggolo
Damm D Snook Da Rokk Star Willy Northpole
Lil Will Sonny Rich
Spark Dawg
TMI Boyz PATIENTLY WAITING: KENTUCKY
Trai D Hurricane
Kasanova
PATIENTLY WAITING: MISSISSIPPI R Prophet
Gutta Twins YV
Lil C
Rob Gold
XVII (“Seventeen”)
Scrilla Boy

OZONE MAG // 15
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42 RAY J
publisher. Printed in the USA. 20 PLIES

12 // OZONE MAG
RIC K R O S S 5
pg 73-7

TRAE & Z - R o pg 78-83

OZONE MAG // 13
 WORDS BY MATT SONZALA // PHOTOS BY JULIA BEVERLY & RAY TAMARRA
U
ntil recently, you’d be hard pressed to find any information about
Houston that didn’t have to do with NASA or the energy industry. Long
decried as a city devoid of culture, filled with oil-thirsty cowboys
riding the range to riches, the world outside of Houston had no idea that our
nations fourth largest city is also rife with culture. Namely, Hip Hop culture.
It all started for Houston rap in 1986. In the years prior, Houston saw a major
economic upturn, and people began flocking to this new city of opportunity in
droves. Houston began to sprawl as the recent transplants created new suburbs
and communities outside the 610 Loop that surrounds the city center.
Hip Hop had already come into its own up and down the East Coast, and was
beginning to brim with life on the West. At the time, the deep South was the last
place anyone expected to see a Hip Hop movement.
As newcomers found opportunities in this untapped market, some native Hous-
tonians from inner city neighborhoods like 5th Ward, 3rd Ward and South Park
created a musical movement that would provide income for themselves and
their neighbors for years to come.
In a dilapidated house on a used car lot in the Heights neighborhood – just
West of H-Town’s notorious 5th Ward - a young entrepreneur named James
Prince formed what was to become Houston’s first independent Hip Hop label,
Rap-A-Lot Records.
The Geto Boys (known then as the properly spelled Ghetto Boys) Makin’ Trouble
was the first full-fledged, full-length album to come out on Rap-A-Lot Records.
Its raw energy and unparalleled street sensibilities brought a new energy to
the game. The original line-up consisted of 3rd Ward resident Jukebox and East
Coast transplants Raheem, Prince Johnny C and DJ Ready Red.
But it wasn’t until the Geto Boys changed their line up almost entirely to include
Willie D, Scarface and Bushwick Bill, and released their second album in 1989,
14 // OZONE MAG
Grip It! On That Other Level that people from outside the region started looking
at Houston as a music city with a fresh sound.
“People know that it was the Rap-A-Lot blueprint that opened the door and
everybody came after,” Rap-A-Lot founder and CEO J. Prince states from his pa-
latial office on the second floor of his label/compound on the north west side.
“And it’s a good thing. I’m proud of everybody [else] that’s done it [indepen-
dently] because that was my mission from day one. If you listen to those old
songs, I wanted to kick the door in and open it up for a whole lot of the guys.”
J. Prince opened the doors for Houston to thrive as an independent minded
Hip Hop city, but he’s not the only musical revolutionary to touch the Houston
scene. For many, 2005 was the year that Houston really hit the public eye, but
fact is, Houston has had many periods where it seemed as though it was the
most buzzworthy city in the Hip Hop nation.
Around the time when Rap-A-Lot was first making waves,
a crew of emcees from across the city were forming an al-
liance that is solid to this day. The South Park Coalition is a
click formed by K-Rino, a firebrand lyricist widely regarded
as one of the Godfathers of the Houston sound. He’s been
around since day one and to this day survives off of releas-
ing his records independently.
“I was one of the first to start doing it along with the early Ghetto Boys,” K-
Rino remembers, speaking from his South Park hood. “But there were a couple
of people before us. There was a song called ‘MacGregor Park,’ that was a real
big song for Houston, but no one can remember that group’s name. There was
also a band called Perfect Timing in ’83 or ’84 who did one of the earliest rap
records I can remember to come out of Houston. That was one of the things
that made me want to get into it.”
Many of those bands were born out of Houston’s rich history of blues. In the

Bun B reppin’
UGK 4 Life
R.I.P. Pimp C
3rd and 5th Ward areas, artists like Lightnin’ Hopkins, Albert Collins and Texas
Johnny Brown played for decades, and some of the younger bands began to
embrace rapping as a means of getting the party started.
“Rap was in its early stages, period, overall.” K-Rino continues, “So down here
it might not have been as advanced as on the East Coast and on the West Coast.
But shit, a lot of us are still around to this day, making music. There’s a lot of
cats who established that longevity to where they can still be around today.”
In fact the Geto Boys, the recently departed OG Style, The Terrorists, Gangsta
NIP, K-Rino and even members of Street Military – a group who was once
signed to Wild Pitch Records – all have fairly current releases.
Soon after the rise of Rap-A-Lot, many young entrepreneurs followed suit and
began releasing records from the streets on an independent level. Most notably
Russell Washington’s Big Tyme Records – who originally introduced the world to
the duo known as UGK, and Tony Draper – a man who bridged the gaps between
all the cities in the south with his Suave House Records.
If Rap-A-Lot laid the blueprint for the Southern rap business, it was Suave
House that laid the blueprint for the Southern rap sound.
“We knew this sound was going to make it to the mainstream,” Suave House
Founder and CEO Tony Draper recalls of his earliest days. “And now the world is
jumping on it and [starting to] understand it. There’s so many creative lyricists
in the South. We still have to have that branch that can hear the talent and
develop that talent.”
Suave House most notably brought the world 8Ball & MJG from Memphis, but
also seminal artists like South Circle and Crime Boss from Houston.
Around the time when Suave House was at its peak, a new face hit the scene in
Houston, one that would change the landscape and shape all things to come.
DJ Screw started out making slowed down mixtapes in his south side apartment
in the early 1990s. This radical new sound was hard to swallow for mainstream
rap fans, but the folks in the Houston community that surrounded him loved it.
The slow, dragging sounds emanated from every other car in the city, and at
that point Houston Hip Hop had truly found its identity.
His tapes were more than just mixes. They featured freestyles from who would
Geto Boys
Lil Keke
Trae & Slim Thug
J Prince & Scarface
Chamillionaire
& OG Ron C
Mike Jones, Bun B, Myke Diesel,
Pimp C, J Prince, Trae, & Lil Flip
become Houston’s most legendary rap crew, the Screwed Up Click. Led by artists
like Fat Pat, ESG, Lil Keke, Hawk, Lil O, Grace, Los, Mr. 3-2, Big Moe and many,
many more, the Screwed Up Click, at their crest, became the most in demand
rappers in the south.
Lil Troy released his first records around the time Rap-A-Lot was forming, and
even dropped a single with Scarface before he joined the
Geto Boys. A man about town, Troy was always in the mix,
and brought a lot of voices out first via his Short Stop
Records. In 1995 he dropped an independent CD entitled
Sittin’ Fat Down South that featured the mega-hit single
“Wanna Be A Baller.”
That song featured a who’s who from the Screwed Up Click
and became one of the biggest rap singles to ever come
out of Houston. Things were looking good for the city, and labels were flocking
to see who from the SUC they could sign. Sadly, the world really wasn’t ready
for the slowed down sounds of DJ Screw, and the movement didn’t travel too
far outside the region. In November of 2000, DJ Screw was found dead in his
studio, and all seemed lost.
But it wasn’t. There was still plenty of talent in Houston, ready to explode.
A north side DJ who had been doing slowed down mixes similar to DJ Screw,
Michael Watts, had formed the Swisha House some years earlier and was quickly
establishing his own crew of heavyweights.
After years of grinding, selling mixtapes throughout Texas, and later on the
internet to lands as far away as Germany and Japan, the Swisha House began
to seek out a major deal. After landing a contract with Asylum Records, they
released the hit single “Still Tippin’” which was produced by Salih Williams and
featured verses from Paul Wall, Slim Thug and Mike Jones. The song represented
the sound of H-Town and became a huge single around the world, turning all
eyes towards Houston.
In the wake of “Still Tippin’” Houston saw its biggest surge yet, and more artists
from the town than ever before received gold and platinum plaques. What once
was a hobby, relegated to mixtapes that many thought would never leave the
region, is now a worldwide phenomenon and a highly recognized sound within
the genre of Southern Hip Hop. It didn’t happen overnight, and it won’t be go-
ing away anytime soon. //
OZONE MAG // 15

AWARDS EDITION
CHIN CHECK
By Charlamagne Tha God
Peace to the planet! It’s me Charlamagne Tha God,
a.k.a. The Predator! You know why? I’m always the
Predator never the prey, always the victor never
the victim. I’m the man in the drive thru ordering
the extra value meal, and you’re the filet-of-fish
with cheese! Most of you dudes are born to be
dinner. There’s people that eat, and people that
get eaten. So ask yourself, which one are you?
Now, the 3rd annual OZONE Awards and TJ’s DJ’s
Tastemakers DJ/Music Conference is upon us. I have
come to the conclusion that since Southern rap
music is the only rap music that matters right now,
the OZONE Awards have to be the biggest award
show in the world! It only makes sense, right? So I
take great pride and pleasure in reflecting on the
previous year in music and picking my winners for
this year’s OZONE Awards. Well, not every category.
Just the ones I give a fuck about.
BEST RAP ALBUM
Plies - Real Testament
Rick Ross - Trilla
Shawty Lo - Units in the City
UGK - Underground Kingz
This is a tough category right here. All four of
these CDs got major rotation in various vehicles I
was driving in this past year. But I’ve got to give
it to Rick Ross; Trilla was serious. This CD was so
good we let Rick Ross walk around with his shirt
off everywhere and no one said anything. It was
almost like we were saying to ourselves, “Since
Rick did his thing on Trilla, he can walk around
with his stomach out if he wants to.”
BEST RAP ARTIST
Bun B
Lil Wayne
Plies
Rick Ross
T.I.
Young Jeezy
16 // OZONE MAG
Can we start calling this the Andre 3000 award?
If he’s in this category it’s not fair to anyone
else. Scarface and Bun B are both legends who
shouldn’t even be nominated. They should just
be honored in some way, shape or form every
year. They have influenced everyone else in this
category. I don’t know if Lil Boosie is necessarily
a lyricist but I feel him. T.I. is one of my top five
favorite emcees of all time. The only question I
have is how the fuck did the braintrust at Ozone
exclude Killer Mike? Y’all must not have heard I
Pledge Allegiance to the Grind Part 2 yet.
If we are going strictly off the past year, Rick
Ross has to take this one home too. The streets BREAKTHROUGH ARTIST
are waiting on that Recession by Young Jeezy; T.I. Flo Rida
spent most of the year on house arrest, Bun B is a Gorilla Zoe
legend and should be forever excluded from this Rocko
category, Plies is still growing, and just because Shawty Lo
Wayne sold a million in a week doesn’t mean he Soulja Boy
deserves this awards. The Carter 3 did not live up
to expectations! In fact, The Carter 3 was like a I want to say Soulja Boy. Who wasn’t doing the
dunk in the WNBA. You hear so much hype about Superman last year? If it was up to me I would say
it until you actually see the highlight on Sport Shawty Lo. He can’t rap worth shit but I fuck with
Center and then realize why it will never be as his music and I think he’s going to be in the game
popular as the NBA. In Wayne’s case he will never for at least another five years. Being that he’s
be truly considered one of the greats. CEO of D4L records maybe he will be nice enough
to release a Fabo solo album. I can’t be the only
BEST R&B ARTIST person wondering what happened to that project.
Chris Brown
Keyshia Cole BEST RAP/R&B
Ne-Yo COLLABORATION
T-Pain 2 Pistols f/ T-Pain “She Got It”
The Dream David Banner f/ Chris Brown & Yung Joc “Get Like
Trey Songz Me”
Plies f/ Ne-Yo “Bust It Baby Pt. 2”
T Pain or The Dream. These are two people who Ray J f/ Yung Berg “Sexy Can I”
have no business in front of the camera but both Rick Ross f/ R Kelly “Speedin’”
have conquered the world of R&B; only in Amerik- Usher f/ Young Jeezy “Love In This Club”
kka! Whenever I see the Dream and T Pain I say to
myself, “Either all the stylists in the industry have Ray J featuring Yung Berg was my record, even
gone on strike or they just possess a real sick though whenever that cornball Yung Berg started
sense of humor.” rapping I would just put my brain on mute. I
remember seeing Ray J in LA and he asked me
BEST RAP GROUP what I thought of the record and I told him it was
Birdman & Lil Wayne dope except for Yung Berg’s verses. I’m biased
Grit Boys because I have never heard a Yung Berg verse
Little Brother that I like. Yung Berg is like an evil little Mogwai
Playaz Circle who wasn’t fed after midnight so he hasn’t turned
Three 6 Mafia into a full blown gremlin yet. It’s like he’s stuck in
UGK the middle; tpo bad to be a Mogwai, but too soft
to be a gremlin.
Little Brother. Carolinas All Day!
CLUB BANGER OF THE YEAR
BEST LYRICIST DJ Khaled f/ Rick Ross, Plies, & Trick Daddy “I’m
Andre 3000 So Hood”
Bun B Flo Rida f/ T-Pain “Low”
Lil Boosie Lil Wayne f/ Static Major “Lollipop”
Lil Wayne Playaz Circle f/ Lil Wayne “Duffle Bag Boy”
Scarface Shawty Lo “Dey Know”
T.I. Webbie f/ Lil Boosie & Lil Phat “Independent”
“I’m So Hood,” no question. So many people TJ’s DJ’s TASTEMAKER AWARD Snoop Dogg
violated probation this year because of Plies’ last (Trendsetter in music, fashion/style, etc.) The Game
verse. “Damn my P.O. you can tell him I said it / Greg Street
Piss test me all you want, I’ma smoke when I’m Jermaine Dupri None of them should win this award. Cube is a
ready.” Classic. Pimp C legend and shouldn’t be listed here; same with
Polow da Don Snoop. Game is dope, I fuck with his music heavy
MIXTAPE MONSTER AWARD Soulja Boy but Best Rap Artist should be Bishop Lamont,
B.O.B. T-Pain Dre’s new artist. Go get the street album the
Gucci Mane Confessional if you think I’m crazy.
Lil Wayne Pimp C, because he set the trend for honesty in
Shawty Lo Hip Hop. “Say what the fuck you want to say when PATIENTLY WAITING:
Trae you want to say it.” That was his motto and a GEORGIA
Yo Gotti motto I live by. Alfamega
B.o.B.
Lil punk ass Wayne. How ironic would it be if he BEST VIDEO O.J. Da Juice Man
won this award after the, “fuck mixtape DJs” Chamillionaire f/ Slick Rick “Hip Hop Police” Rock City
comments he made. Maybe during his acceptance Lil Wayne “Lollipop” Yung LA
speech he will take the time to issue a real apol- Lupe Fiasco “Hip Hop Saved My Life” Yung Ralph
ogy to mixtape DJs. Rick Ross f/ R Kelly “Speedin’”
UGK f/ Outkast “International Players Anthem” O.J. Da Juice Man is the next star from G.A., give
MOST SLEPT ON ARTIST him his award.
BloodRaw UGK. Do I have to say why? You saw it.
B.o.B. PATIENTLY WAITING:
Killer Mike DJ OF THE YEAR CAROLINAS
Trick Daddy Bigga Rankin Carlos Cartel
Z-Ro DJ Drama Shelly B
DJ Khaled Snook Da Rokk Star
Killer Mike! Are yall listening to this man? I was DJ Q45 Sonny Rich
debating with my partner DJFrosty.com the other Greg Street
day about Killer Mike’s place in the game. I was Tony Neal This award means a lot to me, because it’s the
arguing that Killer Mike is one of the top five MC’s Carolinas. Who should get this award? Well, Carlos
alive right now and he would have competed in Greg Street, for the simple fact he doesn’t get Cartel invested in himself more than a lot of
the mid-90s when the game was really competi- the props he deserves, plus he ethered Jermaine artists; Snook’s presence has really been felt the
tive. Socially conscientious, gutter or pimping, Dupri. That is the first time I’ve seen a DJ make an past year in SC; Sonny Rich is dope, I’m fucking
Mike can give you what you want. Mark my words, executive die a slow, slow, death. with him; but the artist that embodies the essence
“We’re dealing with Ice Cube in his prime, Nas of what the patiently waiting award really means
when he was on the Illmatic shit, I been pledged BEST MIXTAPE / STREET ALBUM is my homegirl Shelly B. You have never seen an
Allegiance To The Grind. B.G. & DJ Drama - Gangsta Grillz: Hood Generals artist, male or female, perform like my girl Shelly
B.o.B. & Mick Boogie - Hello My Name Is BOB B, plus she can spit. I’m a true fan and she has
TRILLEST ARTIST: THE PIMP C Brisco & Bigga Rankin - From Dade to Duval: WRNR my vote.
AWARD (Someone who’s not afraid to speak Chamillionaire - Mixtape Messiah 3
their mind) Rich Boy - Bigger Than The Mayor PATIENTLY WAITING:
David Banner Shawty Lo & DJ Scream - I’m Da Man 2 CALIFORNIA
Kanye West Yelawolf - Stereo Bishop Lamont
Killer Mike Yo Gotti & DJ Smallz - Cocaine Muzic G. Malone
Lil Wayne Jay Rock
Trae Rich Boy’s Bigger Than The Mayor CD should have Kuzzo Fly
Trick Daddy been his album. It was that good. Roccett
The Jacka
Kanye West. Why? “George Bush doesn’t care about BEST PRODUCER
black people.” Forget dissing mixtape DJs or other DJ Montay Glasses Malone is my man; he and Bishop have
rappers, Kanye went at the most powerful man in DJ Toomp been grinding together for years. It should go to
America live on national television. How Trill was Drumma Boy both of them.
that? J.U.S.T.I.C.E. League
Polow the Don Now that I have given my 99 cents on all the
TJ’s DJ’s HUSTLER AWARD The Runners nominations that I care about, any nominee that
Akon I may have upset should go kick rocks in traffic
Bigga Rankin Damn OZONE, another year goes by and y’all still with your head down. Until next time -
DJ Khaled haven’t given Toomp his lifetime achievement
Lil Wayne award?! Charlamagne Tha God
T-Pain
BEST RAP ARTIST (WEST COAST)
DJ Khaled sold records, broke artists, and started Ice Cube
his own label, not to mention he’s the only person Keak da Sneak
I’ve seen who doesn’t rap but can headline a Mistah FAB
show.

OZONE MAG // 17
18 // OZONE MAG
(above L-R): Lil Boosie & Young Jeezy on the set of DJ Khaled’s “Out Here Grindin’” in Brooklyn, NY (Photo: Julia Beverly); Baby & Shawty Lo on the set of Shawty Lo’s “Foolish” remix
video shoot in Miami, FL (Photo: J Lash); Bun B & TI @ Reliant Arena for the 93.3 car show in Houston, TX (Photo: Knowledge)

01 // TJ Chapman, Playboy Tre, & BOB @ Hot 107.9’s Birthday Bash (Atlanta, GA) 02 // Malik Abdul & Pookie @ Bar Rio for JB’s birthday bash (Houston, TX) 03 // DJ Khaled & Joie
Manda on the set of Shawty Lo’s “Foolish” remix video shoot (Miami, FL) 04 // Rick Ross, DJ Christion, & DJ Khaled @ Club Skye (Tampa, FL) 05 // Ed of Trill Images & Seventeen on
the set of Bun B’s “You’re Everything” (Houston, TX) 06 // DJ Drama & DJ Hi-C @ Reliant Arena for the 93.3 car show (Houston, TX) 07 // Lil Ru & DJ B-Lord @ Club Hypnotik (Florence,
SC) 08 // TV Johnny & Chamillionaire @ the Galleria’s Louis Vuitton store for Bun B’s private album release party (Houston, TX) 09 // Trae & Hurricane Chris on the set of “Nothin’ To
A Boss” video shoot (Houston, TX) 10 // Skip Cheatham & Plies @ Nokia Theatre for K104 Summer Jam (Dallas, TX) 11 // Juggie, DJ Ro, Tony Neal, & the Apple Bottom Models @ Club
Ampersand for the Apple Bottom model search (New Orleans, LA) 12 // DJ Ro, 6 Shot, & 5th Ward Weebie (New Orleans, LA) 13 // Late night BBQ @ Prince Boxing Gym (Houston, TX) 14
// Akon & Alex Gidewon @ Hot 107.9’s Birthday Bash (Atlanta, GA) 15 // Terrence Tyson & his dad Trevor @ SeaBreeze for Terrence Tyson’s birthday bash (Jacksonville, FL) 16 // Midget
Mac, Terrence Tyson, & porn star Kara Kane @ SeaBreeze for Terrence Tyson’s birthday bash (Jacksonville, FL) 17 // Bun B & Terri Thomas @ the Galleria’s Louis Vuitton store for Bun
B’s private album release party (Houston, TX) 18 // Int’l Red & his kids with David Banner @ Reliant Arena for the 93.3 car show (Houston, TX) 19 // Bigga Rankin & J-Baby @ 4th of
July party (Jacksonville, FL) 20 // OG Ron C, David Banner, guest, & DJ Hi-C @ Reliant Arena for the 93.3 car show (Houston, TX)

Photo Credits: J Lash (03); Julia Beverly (01,02,07,10,13,14); Knowledge (05,06,08,09,17,18,20); Luis Santana (04); Marcus DeWayne (11,12); Terrence Tyson (15,16,19)

OZONEMAG
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19
 10 Be the Best Sexual Experience – From a male’s perspective, a bust it
baby is that one female that when it comes to being intimate is the
best over anyone else you’ve had contact with. Your bust it baby may
or may not be your girlfriend, but she’s the best sexual experience
you’ve ever had in your life. Regardless if you’re in a relationship or
not, she just does it for you.

9 She’s Got that Come-Back – I don’t think any of us have ever had sex
with someone that was our best and we didn’t want a part of ‘em
again. If she’s your best, you definitely gotta see her again. From
a male or female perspective, anytime you have the opportunity to
connect with a person physically, and they satisfy you in a way you’ve
never been satisfied before, you always think about that person.

8 Go-Getter – I always looked at the golddigger thing in a different

light. I don’t see nothing wrong with a woman that doesn’t want to
be with a broke man. I don’t wanna be with a broke female neither. I
never looked at the golddigger thing as a bad thing. Just don’t let a
woman get nothing from you that you don’t want them to have.

7
Lady-like – That’s the type of woman I choose to deal with. She’s
gotta be lady-like with the way she carries herself. I hate a loud
woman. That’s the biggest turn-off ever to me.

6
Freaky/Exotic – I’m a spur-of-the-moment type of dude and I need
someone that can fulfill that need. She’s gotta be like that to do it for
me. There’s different strokes for different folks but in my situation, I
always want your imagination to run with me. I can’t give too much
information on what I like because it [might not always be the same].

5 Sex Appeal – She’s gotta be attractive to the eye for me to even [be
interested].

4 Flexibility – To have good sex she’s gotta be flexible.

3 Great Stamina – Sometimes you might be in the mood for a quickie;

you don’t want it to take all day. Sometimes you might be in the car
and don’t have an extended period of time. But sometimes we gonna
do it all night so I definitely feel like stamina is very important.

2 Dirty Talker – I love a communicator. I love a dirty talker.

1
“Pussy Like Water” – She’s gotta be super clean in terms of hygiene in
her lower body parts.

Nominated for Best Album, Best Rap Artist, Best Rap/R&B Collaboration,
& Club Banger of the Year

As told to Ms. Rivercity // Photo by Bob Croslin

20 // OZONE MAG
(above L-R): Kardinal Offishal, Bun B, & David Banner @ Bar Rio for JB’s birthday bash in Houston, TX (Photo: Julia Beverly); Lil Boosie & Stax @ Blockwear in Jackson, MS (Photo: King
Yella); DJ Khaled & TI @ Hot 107.9’s Birthday Bash in Atlanta, GA (Photo: Julia Beverly)

01 // Cristal Bubblin & 50 Cent @ 93.3 (Houston, TX) 02 // DJ Ro & Spindarella @ the NV Lounge (New Orleans, LA) 03 // Ed of Trill Images & Bankroll Jonez on the set of Bun B’s
“You’re Everything” (Houston, TX) 04 // DJ Christion & Tay Dizm @ Wild 98 (Tampa, FL) 05 // Gator, BloodRaw, & Mike Fresh @ Phillips Arena for Hot 107 Birthday Bash (Atlanta, GA)
06 // Bun B & Queen @ Bar Rio for JB’s birthday bash (Houston, TX) 07 // Rocko & Killa Kyleon on the set of the Grit Boys “Now Later Paint” video shoot (Houston, TX) 08 // Lil Ru &
Collard Greens @ Club Hypnotik (Florence, SC) 09 // Rick Ross & Carol City Cartel @ Club Skye (Tampa, FL) 10 // Crisco Kidd & Trae @ Reliant Arena for the 93.3 car show (Houston, TX)
11 // Juggie & Bonose TV @ Club Ampersand for the Apple Bottom model search (New Orleans, LA) 12 // Hoetester & Plies @ CD Connection for Plies in-store album signing (Jackson-
ville, FL) 13 // Maricia Magana & Kardinal Offishal @ Reliant Arena for the 93.3 car show (Houston, TX) 14 // Tattoo Smurf, Baby Boy, Flo Rida, Fi’Jah, & Tee @ The Venue (New Orleans,
LA) 15 // Washington Wizards Stephen Jackson & Andre’ Pitre’ @ The New Orleans Arena (New Orleans, LA) 16 // Play & Skillz & Slim Thug @ TUMS (Dallas, TX) 17 // DJ Infamous, Don
Cannon, DJ Drama @ Hot 107.9’s Birthday Bash (Atlanta, GA) 18 // Big Teach, guest, Pitbull, Orlando, Purple, & DJ Christion @ Club Skye (Tampa, FL) 19 // Ray J, Boomtown, & Shorty
Mac on the set of the Boss Hogg Outlawz “Keep It Playa” video shoot (Houston, TX)

Photo Credits: Julia Beverly (06,08,16,17); Knowledge (01,03,07,10,13,19); Luis Santana (04,09,18); Marcus DeWayne (02,11,14,15); Terrence Tyson (05,12)

OZONEMAG
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21
 10 Listen to Music – I like to ride around and listen to music. I
mess with a lot of CDs on the market. I like to critique music.

9 Traveling – I like vacationing. I like going to the beach and

going to different casinos. I like to gamble.

8
Shopping – I like to go shopping in California, like L.A. or
something. I like shopping at the mall they have in Orlando. I
like shopping in Columbus, Ohio at the Polaris mall. In Atlanta
I hit the Lennox Mall.

7 Buying/Fixing Up Cars – I like buying cars. I like fixing up my

cars and going to my detail shop in the hood, make sure my
cars are straight. I’ll get my car painted, get some music in it,
or get the interior done. My favorite car is my BMW M6 with the
drop top.

6 Dating Girls – I like going on dates to nice restaurants.

5
Go to the Aquarium – I like to go to the aquarium in Atlanta.
They’ve got a big aquarium with all kinds of fish in there,
sharks, whales, dolphins. I’ve been down there two times
[and] I’ma try to go up there again this summer. One time I
went up there and saw a bunch of stars in there. It’s a lot of
celebrities at the aquarium. It’s one of the best aquariums in
the world.

4 Reading – I like to read all the current magazines and books

to get my vocabulary right.

3 Spend Time with Family – I definitely like to spend time with

my aunties and ‘em.

2 Spend Time with Friends – I like to go see my friends.

1 Sleep – I’ll get in some good rest. That’s the best thing. I’ll get
in my big ol’ bed and lay down and rest my head.

Nominated for Mixtape Monster

As told to Ms. Rivercity

22 // OZONE MAG
(above L-R): Jim Jones & Shawty Lo on the set of Shawty Lo’s “Foolish” remix video shoot in Miami, FL (Photo: J Lash); Suga D & Plies @ CD Connection for Plies in-store album signing
in Jacksonville, FL (Photo: Terrence Tyson); Bun B reppin’ Pimp C on the set of “You’re Everything” in Houston, TX (Photo: Julia Beverly)

01 // Julia Beverly, Vawn, & Jazze Pha @ Phillips Arena for Hot 107 Birthday Bash (Atlanta, GA) 02 // Young Jeezy & Gil Green on the set of DJ Khaled’s “Out Here Grindin’” (Brooklyn,
NY) 03 // Bigga Rankin & Jim Beam @ SeaBreeze for Terrence Tyson’s birthday bash (Jacksonville, FL) 04 // Ernest, Bay Bay, Brittney & Lil Josh on the set of “Jigga Juice” (Baton
Rouge, LA) 05 // Baby Boy, Flo Rida, & Grand Hussle @ The Venue (New Orleans, LA) 06 // Ace Hood, DJ Khaled, & BloodRaw @ Phillips Arena for Hot 107 Birthday Bash (Atlanta, GA)
07 // Slim Thug & Crisco Kidd @ Reliant Arena for the 93.3 car show (Houston, TX) 08 // Paul Wall & David Banner @ Bar Rio for JB’s birthday bash (Houston, TX) 09 // Bun B reppin’
UGK on the set of “You’re Everything” (Houston, TX) 10 // King Yella @ Skybox (St Louis, MO) 11 // Young B & DJ Chill on the set of Bun B’s “You’re Everything” (Houston, TX) 12 //
Montana Mack & Bigga Rankin @ Club Christopher’s for Young Cash’s birthday bash (Jacksonville, FL) 13 // Whitey, RIP, Bryant D, & Rage @ Hang Time (Nashville, TN) 14 // Partnerz N
Crime & Dizzy @ Dizzy’s video shoot (New Orleans, LA) 15 // Lil Ru & Rob Lo @ Club Hypnotik (Florence, SC) 16 // DJ Nasty & Papa Duck @ Club Voyage for Plies’ Myspace Secret Show
(Orlando, FL) 17 // DJ Benny Boom & Bizzle @ Club Mirage (Miami, FL) 18 // DJ Scorpio, Kaspa the Don, & DJ Red Alert @ Esso for ATL Record Pool (Atlanta, GA) 19 // Crisco Kidd, Lus-
cious Liz, & Big Boy @ 93.3 (Houston, TX)

Photo Credits: Janiro Hawkins (13); Julia Beverly (02,08,09,15); King Yella (04,10); Knowledge (07,11,19); Lex (17); Marcus DeWayne (05,14); Ms Rivercity (18); Terrence Tyson
(01,03,06,12,16)

OZONEMAG
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 10 Larger Bank Account = More
Handouts – A lot more zeros were
added to my bank account. Three 6 Mafia
has sold millions of records independently
5
since we been out in ’91, so I had a lot of zeros to
begin with. But I did get a lot of extra ones after the Oscar.
And now, people know my face from the TV show so I got more
people looking for handouts. I got people that I don’t even know
walking up to me in the streets asking for money.
9 A Lot of Extra Women – The caliber of women is…whoo! I could
show you some pictures of these girls and you’d shit yourself. I’m
not trying to toot my own horn, but I always had a good caliber of
women to begin with. I just got a nice, nice caliber after the Oscar.
Now I got the rich girls that I usually never got before. They ain’t
the scary girls with gold teeth and tattoos like they were before.
8 Cars – The cars actually got cheaper, to be honest. I done had
every car you could name but I stopped doing that ‘cause cars
depreciate too much. When I won the Oscar I was riding in a Rolls
4
Royce Phantom. These days I got a Hummer and an S550 Mercedes
and a Smart Car. The Smart Car is made by Mercedes Benz and it’s
real small. It’s a lil bitty car that don’t use no gas. You can ride
for $300 a year in gas. That’s what I use to go the grocery store
or the studio, just for quick trips. I ain’t gon’ pull up to no fancy
3
restaurant in it. It don’t use no gas. I got to the point where I was
thinking, I spend my money on a lot of dumb shit like drugs and a
lot of alcohol, but gas gotta be the dumbest thing in the world to
waste money on! My Hummer was eating up over $100 a week in
gas. I was like, this is dumb. That’s like throwing away a pair of Air
Jordans every week and it don’t make no sense. I stopped wearing
Air Jordans ‘cause they got so expensive. So why wouldn’t I buy
2
Air Jordans, which is something I love, when I’m spending money
on gas? Nigga, fucking gas? When the country took over the gas, or
whatever they did, and the gas prices went up, I’m like fuck that!
7 More Houses – Right now I’ve got two houses in L.A., two houses
in Memphis, and a house in Florida. I’m finna start branching out
into other countries. I had the two houses in Memphis and the
1 Things Move Faster – Everything hit all at one time. The last album
house in Florida before the Oscar, but not the houses in L.A. My
Florida house was on MTV Cribs. I was getting into buying proper-
ties before the Oscar, but afterwards I got into it more because I
started seeing more. I saw how the property was so much more
valuable in California than a lot of other places.
6 Seeing More of the World – We did an overseas tour. We coulda
went overseas before – we got called to do that but we never liked
to fly. We still don’t like to fly. We always rode everywhere. We got
two custom vans with flat screen TVs, refrigerators, Playstations,
and everything. We never flew nowhere unless it was really seri-
ous. When we went to California we had to fly more so I got used
to flying, and I got hooked up with my first overseas tour through
24 // OZONE MAG
a guy at Karl Kani. Now I get a lot of calls for shows overseas.
We Have to Work Harder – Being in California opened my eyes. I got
lazy when I was at home in Memphis all the time. I would just sit and
BBQ and drink beer every fucking day. All my houses and stuff in the
South were paid for ‘cause it was so much cheaper. I was to the point
where I was like, “I don’t gotta go overseas. I didn’t really need the
money.” But when I moved to California, it’s so much more expensive.
It’s like triple the price of everything in the South [so] it gave me
a whole new outlook on money and grinding. In order to maintain
all my properties and keep living the way I am, and while I got all
this stuff coming to me, I might as well take advantage of it. In L.A.,
every car you see is a Rolls Royce or a Maybach or a Ferrari, and I’m
the type of guy that if I see something I want I go get it.
It’s a Different Style in L.A. – If you go to L.A. and look at the news,
and then you go back to the South and look at the news, tell me the
difference you see. The women on the news in L.A. look like models.
They have big ass titties! Some of the news ladies are even actresses
on the side. I love my city, but it’s just a different style. The women
on the news in Memphis look more like your auntie. The women on
the news in L.A. look like your girlfriend or fuck partner.
The Respect Level Increased – The respect level went up. We always
had a lot of respect, we were never into bullshit, but it’s so much
more now. I can go anywhere. You can take me to L.A. or drop me in
any hood and I’ma come out with a hundred niggas that wanna roll
with me. Right now I’m in a hotel in Miami; it’s packed with all kinds
of cars. As soon as I walk outta here I get mad love from everybody.
Bigger Fan Base – After the Oscar and the TV show, more people
know us now. A lot of people think that Three 6 Mafia just started
with “Stay Fly” and the Oscar, but we’ve been out here since ‘91.
was the true meaning of “watch what you wish for.” We had made a lot
of money, but we had never been on the cover of a lot of major maga-
zines. There were a lot of things we had never done even though we
had sold more records than a bunch of people in the music business.
We had never won any awards for nothing. The first award I ever won
was the Oscar. I never won shit in my whole life! Man, I would twist
open a Sprite top and wouldn’t win nothing. If I opened a Cracker Jack
box it didn’t have the toy in the bottom of it. That’s how bad my luck
was. But once we made that album, things changed overnight. It was
the first time we had three strong, hit singles on one album. Then the
Oscar came, then the TV show – shit just started rolling.
Nominated for Best Group
As told to Ms Rivercity (by DJ Paul) // Photo by Ty Watkins
(above L-R): Ace Hood & Rick Ross on the set of DJ Khaled’s “Out Here Grindin’” in Brooklyn, NY; Collard Greens & DJ B-Lord @ Club Hypnotik in Florence, SC (Photos: Julia Beverly); Bun
B & Slim Thug @ the Galleria’s Louis Vuitton store for Bun B’s private album release party in Houston, TX (Photo: Knowledge)

01 // 6Shot, Raj Smoove, & Grand Hussle’s Street Team Adrianne, Pinky, Nakeya, & Ralaiya (New Orleans, LA) 02 // Rob G, Crisco Kidd, & Michael Watts @ Bar Rio for JB’s birthday bash
(Houston, TX) 03 // Plies in-store CD signing @ Brandsmart (Miami, FL) 04 // Red Cafe. Erick Sermon, & guest on the set of DJ Khaled’s “Out Here Grindin’” (Brooklyn, NY) 05 // Prima J
& Cindy Hill @ Reliant Arena for the 93.3 car show (Houston, TX) 06 // Play & Skillz & Bun B on the set of Bun B’s “You’re Everything” (Houston, TX) 07 // Ladies reppin’ Citrus CRUNK!!!
Energy Drink @ Studio 72 (Atlanta, GA) 08 // Tony Yayo & 50 Cent @ 93.3 (Houston, TX) 09 // DJ Drama & DJ Holiday @ Club Crucial for ATL Record Pool (Atlanta, GA) 10 // Malik Abdul
& Tony Neal @ Templo Lounge (Miami, FL) 11 // Derek Jurand, Aleshia Steele, & guest @ TUMS (Dallas, TX) 12 // Ace Hood, J Lash, & ladies @ Summerfest 2008 (Miami, FL) 13 // Tom
G & Orlando @ Club Skye (Tampa, FL) 14 // Video models on the set of Shawty Lo’s “Foolish” remix video shoot (Miami, FL) 15 // Oddz N Endz & Slim on the set of Slim’s video shoot
(Atlanta, GA) 16 // Supastar J-Kwik & DJ Kool-Aid @ 4th of July party (Jacksonville, FL) 17 // Tiffany J & Willy Northpole @ Patchwerk for BloodRaw’s listening party (Atlanta, GA)
18 // Steve Jackson & Bun B @ the Galleria’s Louis Vuitton store for Bun B’s private album release party (Houston, TX) 19 // T-Roy & Plies @ CD Connection for Plies in-store album
signing (Jacksonville, FL)

Photo Credits: Ben Rose (07); Edward Hall (11); J Lash (03,12,14); Julia Beverly (02,04); Knowledge (05,06,08,18); Luis Santana (13); Marcus DeWayne (01); Ms Rivercity (09,17); Terrence
Tyson (10,16,19); Vinnet Bradshaw (15)

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 10
Grind Hard – Definitely go hard at whatever you do. You gotta
be a go-getter to keep the cash flowing. You can’t sit down or
anything like that.

9 Stay Away From Groupies – You gotta stay away from them to
keep your cash flowing!

8 Touch Other Countries – You have to build a network bigger,

touch other fans that will go out and get your music, buy your
albums, and stuff like that.

7
Stay Hot – You gotta stay relevant. If you stay in the rap game
or music game, you gotta stay hot to keep the cash flowing.

6
Own Something – Another way you can generate cash is by
owning something like a house. That way if you want to rent it
or sell it, you can make money.

5 Invest Your Money – Invest in something that’s worth invest-

ing into. I might invest in a restaurant or something like that,
maybe a clothing line.

4 Pay the IRS – You’ve got to pay the IRS. If you don’t, they’re
gonna take away your cash flow.

3 Keep a Positive Circle – You’ve gotta have positive people

around you in order to generate the right amount of funds.

2 Be the Best Like We the Best – You gotta be the best at what
you’re doing.

1 Give 10% to the Church – Putting God first is definitely the #1

way to keep your cash flowing.

Nominated for Patiently Waiting Florida

As told to Ms. Rivercity // Photo by Wuz Good

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 10 Shakira – Have you seen Shakira? Oh my God! You see the
way she moves?

9
Kimora Lee Simmons – I just like her sassiness. She’s got
very sassy ways about her.

8
Angelina Jolie – You see those sexy lips? She got sexy ass
eyes too. Yeah, she can get it.

7
Cameron Diaz – She’s got little sexy ways about her. She’s
powerful. I like her power in her movies.

6
Katy Perry – Katy Perry is the truth. I fucks with Katy Perry.
She’s sexy as fuck. She got this song called “I Kissed a Girl.”
You know, I kissed a girl too. I kissed a girl, then I kissed a
girl again. Then I felt like Britney, “Oops, I Did it Again!” I
guess that makes me a lesbian now.

5 Esther Baxter – For the simple fact that Esther Baxter is

stacked like a muthafucker. She’s the truth. Got to give her
props. You can’t take nothing from her.

4 Lil Kim – I’d do Lil Kim on the simple fact that she’s a vet in
the game.

3
Sylvia Rhone – I’d bang Sylvia Rhone. What’s wrong with that?
Ain’t nothing wrong with Sylvia Rhone. She’s an old sexual
lady. You can tell back in her days she was a straight tiger.

2
Vivica Fox – Vivica, man! I feel like Eddie Murphy on his first
song, “Put your mouth on me.”

1
Stacey Dash – That doesn’t have to be explained. Everything
about that doesn’t need to be explained. Stacey Dash, she
can truly, truly get it.

Nominated for Patiently Waiting Georgia

As told to Maurice Garland // Photo by Zach Wolfe

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 10 You Hate on My Song – Every time “Haterz Everywhere” comes
on in the club people you start hating on it.

9
Birds of a Feather Stick Together – You find yourself attracted
to people that hate the same things you hate.

8 You Can’t Stand to See Me Shine – You’re hating as you’re read-

ing this article.

7
Your Middle Finger is Always Up – Your middle finger is your
favorite one to use.

6
You Hate on Michael Vick – You were happy to see Mike Vick go
to jail.

5 You Hate on Obama – If you’re not gonna vote for Obama as

President, you’re hating. You probably won’t even vote at all.

4 Haterade is Your Favorite – You even thought Haterade was an

actual drink.

3
You’re Confused About Your Hater Status – At this moment
you’re still wondering if you’re a hater or not. If in doubt, as-
sume you are one.

2 You’re in Denial – Anytime you hear the word hater, you’re the
first to say, “That ain’t me.”

1 You Don’t Support B.o.B. – If you don’t own the B.o.B. 12th
Dimension EP, you’re a hater.

Nominated for Mixtape Monster, Best Mixtape, & Patiently

Waiting Georgia

As told to Ms. Rivercity // Photo by Wuz Good

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 10
It’s Feel Good Music – It’s music you can play in the house or
car when you’re feeling down. It’ll make you think about a lot
of things in life and get your perspective in order.

9 The Streets Love Me – The album is gonna show you why the

3
streets love BloodRaw.
8 It’s Motivation – Buying my album is gonna bring reality in
your life. It’s not just about my life. You’re gonna be able to
understand that you need to make some better choices or dif-
ferent decisions. It’s motivation for cats who’ve ever been in
trouble. It lets them know that it’s not the end of the road just
‘cause you a felon. You can be successful even if your mother
or father wasn’t there. It’s an album that lets you know that
we need to stop making excuses. We need to put things behind
Production – I got J.U.S.T.I.C.E. League, Drumma Boy,
Mannie Fresh, The Runners, Midnight Black, and the
Nasty 1. The production is what gets people’s atten-
tion. That’s what makes you get into the music and
feel where the artist is coming from. If the beat gets
your attention, then you’ll listen to the artist, espe-
cially with me being a new artist. Producers get a lot
of credit for making albums become classic albums. It’s
the producer and the artist put together.

2
us and get on with our lives. We can all be whatever we want It’s a Banger – It’s good music. I got this Mannie Fresh
to be if we put God first. record called “Almost There.” It applies to everybody;
anyone that’s trying to get to the championship and
7 It’s a True Testimony – The lyrics are about real life situations.
The lyrics are relevant and meaningful. They’re everything that
needs to be said about what’s going on in the world.
it lets ‘em know that we almost there. There’s another
one the females need to look out for with my girl Trina
called “What’s Happenin’.” It’s about dudes trying to
get at females. It’s about how I approach the situation.
6 It’s Music For the Soul – The soul is something that needs

1
to be fed. Listening to my music will give you a feeling like
you’ve been there before, you’ve been through that, or you’ve
seen that and you’re glad somebody is talkin’ about it. It’s
some of the things people want to say but can’t.
5 Check My Resume – I gave you Indictment Papers. I gave you
Triple Beam Dreams. I gave you Against All Odds. I gave you
I’m Done Bullshitting.
It’s a Classic – The way it was thought up, the format,
the creativity, and the topics all make it a classic.
Everything about the album was put together like a
classic, from the production to the features. It’s not
too much, not too little.
Nominated for Most Slept-On Artist

As told to Ms Rivercity // Photo by Terrence Tyson

4 Features Your Favorite Artists – I got Young Jeezy on the
album, of course. I got Lyfe Jennings, Trina, Mannie Fresh, Slick
Pulla, Big Rube – he did all the spoken words for Outkast.

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 10 Robin Givens – I didn’t really have a long conversation with
her or nothing, I just seen her and had a brief conversation.
I grew up watching Boomerang and all that so it was weird.

9 Ray J – I think I was just like everybody else in music – you

listen to his songs and think they’re good but in your mind
you never think you’ll meet that person or talk to ‘em, so-
cialize or kick it with ‘em. Prior to me meeting him, I didn’t
really think he was the cat that he is. He’s an actor on all
them television shows and he’s a fly boy so when you meet

4
him you’d think he’s bougie or stuck-up. But in reality, he’s Winky Wright – Me and Winky Wright kick it crazy. We play hoops
just a nigga from the streets. He ain’t no different. together. He’s my people. Whenever we’re in the same city we’ll
hit each other. I was in New York and he hit me like, “Come to

8 Rick Ross – I met him before I got a deal. After the deal,
we kicked it at studios or whatever. You wouldn’t think Rick
Ross the Boss would have known shit about me or my music
this boxing match.” I was in Florida at Chuck E. Cheese for my
girl’s birthday and it was his son’s birthday so we were out
there kicking it too. He’s real good people. He’s real down-to-
or talk to me on some G shit or respect me. But when I met earth. I figured niggas wouldn’t be like that but they are.
him he was a cool ass dude. He talked to me and explained

3
different shit I should try with my records. We had some
good conversations. I ain’t expect him to be open and be
the individual that he is. He’s definitely a hard worker.
7 The President of My Record Label [Universal], Monty Lipman
– I had heard so much about him and never thought he’d
Nas – I met Nas recently at the BET Awards briefly. He was out
there just like every other artist. I didn’t get to have too much
conversation with him but I really respected him. He wasn’t
really doing nothing that I’m not doing. He was in there doing
interviews and DVD shit – just grinding.

2
be the individual that he is. I met a lot of executives before
I got my deal but when I met him, he was just different. He
won’t bullshit with you or none of that. He was cool. A lot of
record label execs were bullshitting with me but he believed
in me as an artist more than just the one record I had out.
Yung Berg –Me and Yung Berg are cool as fuck too. I like that
new single “The Business” he’s got out right now too. It’s crazy
as fuck. He hit me about the video like, “Yo, what’s up.” I spent
my own money to fly to L.A. and jump in the nigga’s video.

1
He saw my movement and my potential and looked as me as Fat Joe – I fuck with him stronger than anybody else. I was
being no different than Nelly. I appreciated that. doing the promotions thing before I got my deal and I brought
him down for a couple of shows. I did DJ Christion’s party in
6 Trey Songz – I met him in Vegas and it was funny – he was
crazy drunk when I met him. He had a full cup of Cognac
and was like “What’s up!” – all spilling his drink everywhere.
Tampa. Tampa was fucking with my record before anyone else.
Christion had this big party and ain’t nobody really knew who I
was but they knew of the record. And this nigga Fat Joe was on
Him being an R&B cat, I didn’t think he smoked and kicked the stage – he knew me from Bradenton – and he kept saying
it like that. But dude is really gangsta, really street. He was my name like 100 times. Between every song he was like, “That’s
twisted. Nigga cool. 2 Pistols! I see ya in the corner. That’s my nigga. I really fuck
with him.” Fat Joe has been in the game for years and every-
5 BloodRaw and Slick Pulla – I met them niggas and they
fucked with me. This is some funny ass shit – before I got
a deal, Bloodraw came to my house to do a record ‘cause
body saw that he fucked with me like that. The next day he hit
me and invited me to Miami for Memorial Day Weekend. I didn’t
have no deal or nothing then; he just really fucked with me.
I was on house arrest. I was fucking with this chick that
wanted two miniature [dogs] so I bought a boy and a girl. Nominated for Best Rap/R&B Collaboration
When Blood came to my house, the girl had just went into
heat and she got stuck together with the boy dog. So he As told to Ms. Rivercity
comes to my house and it’s two dogs stuck together in my Photo by Jonathan Mannion
living room. He was fucking with me like, “What, you got a
farm or something over here?”

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 10 I Promote Memphis in May – That’s one of the biggest events
we’ve got in Memphis. They’ve got the best BBQ in the world.
If you ain’t never been out to Memphis in May, please come out
next year. Last year Fergie performed, the Black Eyed Peas, Three
6 Mafia, and Nelly. It takes place the whole month of May. We got
crazy performances – from country, to rock, to R&B, to rap; every
genre of music. The kids love it as well. It’s right on the river at
Tom Lee Park. Don’t miss it in 2009.

9 I Rep Memphis Titans – That’s my #1 team of all time. I like to

put them on the map as much as possible. I grew up in Memphis.
That’s who I was supposed to play ball for. I gotta keep them
right there on tuck. Them my homies.

8 Pass on Knowledge – To me knowledge is the key. Knowledge is

more important than money, power, or respect. Without knowl-
edge, most people won’t get respect and without respect you
don’t get money. Without getting money, you damn sure ain’t
gonna be powerful. That’s how I roll. If it ain’t beneficial, it ain’t
necessary. That’s my motto. Ever since I’ve been living my life
like that my life’s been great. I try to pass that on.

7 Give Back to the Community – That’s a must. We’re into a couple

of years of the hood Celebrity Basketball Game. That’s an an-
nual charity thing we do to put money back in the city and the
streets, especially for the kids. I do another thing with a couple
of the other organizations in Memphis called Dreams Do Come

3
True. On Thanksgiving we provide turkeys, dressing, yams, Deliver Quality Product – Quality music is important. I represent
greens and just let everybody come eat, make sure everybody Memphis music. Anyone who is a fan of my music is a fan of
gets fed. We gotta do as much community service as possible. Memphis music. That’s where I was birthed.

6 Create and Invent New Styles – Anytime you see me on the red
carpet or in the clubs, you’ll see my flavor and swag. I don’t
dress like nobody else. We got our own Drum Squad clothing. I
2
just do me and represent myself and be as fashionable as pos-
sible. I dress to impress. When I look good, Memphis looks good.
Put Others in Position – I’ve got several other producers on the
staff that I’m developing and encouraging. We’ve got a couple
of artists from the city on the team – the Drum Squad label. We
got street teams and crews that hit all of the events; make sure
our flyers are throughout the whole city. When anyone comes
through the city they see us and know we got the whole city

5 Encourage Others to Have Faith in Their Dreams – Without a

dream you ain’t nothing. I’m trying to encourage the younger
locked down.

generation to keep them dreams alive ‘cause without that you

ain’t got no passion. You ain’t alive without a dream. 1 Standing for City with My Success – My success represents Mem-
phis’ success. Anything I do or accomplish, the city accomplishes.

4
Put Forth 100% – My work ethic is motivation for others. The Nominated for Best Producer
next, younger generation back home hits me on Myspace and
tells me I’m the reason they making beats or I’m the reason As told to Ms. Rivercity // Photo courtesy of Helio PR
they’re out the street. I’m making music an outlet for a lot of
underprivileged kids to get out of the hood like basketball once
was. Dudes are getting into music and making beats to get out
of the hood. They see that if I did it, they can do it too.

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 10 Trying to Go From Nothing to Having Something – I got
a song on the album called “And I” talking about com-
ing from nothing to having something. You switch your
whole flavor up – your clothes, your car game. It’s about
upgrading.

9 They See Other People Doing It – Some muthafuckas are

just out there tryin’ some shit but they might not know
what comes with it.

8 They Trapped – Sometimes they might get in trouble and

can’t go do nothing else. They get trapped in the trap.
Sometimes they’re there ‘cause they ain’t got no other
choice. Ain’t no turning back.

7 Sellin’ Pussy – He might be on the corner sellin’ some

pussy.

6 Waiting on a Bus – A lot of folks in Atlanta gotta use

the transit [system] so they might be at the bus stop or
something.

5
Holdin’ Another Nigga’s Work – He might be holdin’ an-
other nigga’s work or trying to do they own lil’ shit.

4 Watchin’ Other Niggas – They standin’ on the corner

lookin’ for another nigga on the corner. He finna make
his move on another nigga. Some muthafuckas watch
other mu’fuckas, that’s they whole hustle.

3 They Ain’t Got Nowhere to Go – They fucked up. They

waitin’ for something to pop off, tryin’ to get on some
kind of hustle. Niggas tryin’ to get some money and get
somewhere.

2 Trying to Get Them Packs Off – If their corner is in a

drug-infested area, they pro’lly tryin’ to get on some
work and sell their shit.

1
Ain’t No Reason to Be On the Corner – They’re really ain’t
too many good reasons to be on the corner. Sometimes
muthafuckas just don’t go no other option.

Nominated for Breakthrough Artist

As told to Ms. Rivercity

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 5
Jeezy’s “Don’t Get Caught” from Thug Motivation 101 – You
got to put that one up there because that’s the first one
that really put us out there and we were very, very new
when we worked with Jeezy and banged that one out.

5 4
2 Pistols f/ T-Pain “She Got It” – That’s the biggest club
Wonder Woman – I would have to compare Trina to Wonder
joint we’ve had so far. We saw the potential in 2 Pistols
Woman. They just have the same style.
and that song. When we first got together with him, we
knew the potential was there. We just knew it had to be
4
Batman – I’ma have to go with Jeezy on this one. Jeezy’s
done right. We had to go back and re–record it and make
always had that dark style going on; that real hood, street
sure it was right, but I knew it was gonna be huge.
shit.

3 Flash – Flash would be Twista, of course.

3 “Bury Me a G” by Young Jeezy – That one is particularly
hard to me because we worked on that track and really
gave it a huge sound, relative to where it was before. We
2 Superman – Hov is Superman all day. Superman would
definitely be like Jay-Z.
started off with the sample, with a monumental track,
and Jeezy came behind it and really stepped it up with
the story he told. I like that track. It’s got choirs, guitars,
1
Hulk – I’d have to say the Hulk would be compared to Lil
pianos, and everything else you can think of.
Wayne. Wayne’s a pretty mellow guy outside the booth, but
when he gets in there he turns into a beast. Yeah!
2
Mary J. Blige’s “No One Will Do” – Mary always kills it, but
on that particular track she started the album off with
Nominated for Best Producer
a banger. That was her first song on The Breakthrough
album. She showed a lot of emotion right there.
As told to Ms. Rivercity by Kenny

1
Photo by Julia Beverly
Rick Ross featuring Jay-Z “Maybach Music” – I loved
that one because once again we teamed up and did our
thing on the production tip. We came in and added a lot of
instrumentation. We really took our time with that beat. We
went back and make sure everything was right. When we
heard Ross’ first verse and then heard Jay’s verse after that,
it was crazy.

As told to Ms. Rivercity by Kenny

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 5 Dallas, TX – I can’t even remember the name because this strip club was
so crazy. I went in there with one of my homeboys who got about $150
million. Me and all the homies went in the back to the VIP and every girl
that worked in the club came back there. It went from the homie making
it thunder to girls doing any and everything you can imagine inside this
room. It was so crazy, something I’ve never experienced before. When I
left, I went right to sleep.

4
Onyx – Houston, TX – Whoa! Onyx is outta control. When I used to go to
Onyx, we would go in at about 3 AM and leave when the sun came up.
After we partied and spent about 2 or 3 stacks, they would come out with
pancakes and bacon and French toast. When you’ve been drunk in the
club all night,the next thing you wanna do is eat. They provide that for
you with the best breakfast. It’s like being in a high-end restaurant and
strip club at the same time.

3
The Players Club – Bronx, NY – DJ Kay Slay and myself did a party at The
Players Club. He always throws parties there and he did a couple parties
for me. It was so packed you couldn’t even move in there. The outside
was so packed the police had to shut it down. It was unbelievable. The
girls were fly. Kay Slay gave out about $5,000 for a booty contest. It was
so many chicks on stage doin’ the do. Unforgettable.

2
Diamonds – Miami, FL – Crazy! We did a Ray J/Knock Out/Koch party out
there. It was bananas. There was about 20 girls in this one little box just
butt naked, all on each other. It looked out of control. It was sexy. The
after-event was unexplainable. The ending was as happy as it could get.

1
Strokers – Atlanta, GA – I think that’s the one that Shawty Redd put me
onto. It’s live. It felt like a club in there. Everybody’s cool. The chicks are
cool. The vibe is real chill. You can drink and have a good time. I love
Strokers. We did it big in there.

Nominated for Best Rap/R&B Collabo

As told to Julia Beverly // Photo by Ray Tamarra

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 7
6
5
4 Go to the Car Wash – On a good day I like to pull the whips out
3 Hit the Hood Mall – I go to Greenbriar Mall. That’s over there on
10 Party in the Club Scene – All us round up and hit the club scene.
Club Crucial is on Bankhead. I go up there on Thursday or Satur-
2
day. Club ESSO on Fridays and Saturdays. Velvet Room on Sunday. I
also like PURE Atlanta.
9 Hit the Club Scene Again – We party all night ‘til the sun comes up,
1
then we do it again.
8 Kick It In the Hood – After I get my jewelry cleaned I head back to
the hood and kick it with my homies in Bowen Homes. When I’m in
town I holla at all the players and ballers in Zone 1 and Zone 6. I
might go over to Bricks 20 off Candler Road or Adamsville. I fuck
with my pa’tnas in Decatur too – Gucci Mane and ‘em.
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Phipps Plaza – I like to go to Saks in Phipps Plaza. That’s where I
get my cologne. After I get my cologne, I go to the Gucci shop.
Shine Up the Jewelry – Before I go out to my shows, I go get my
jewelry and everything cleaned up. My jeweler’s name is Sonny.
He owsn a couple of jewelry stores – one in Greenbriar Mall, one
in the Cobb Galleria Mall, and a few other stores too.
Lennox Mall – We like to go out to Lennox Mall. Everybody likes
to bring their good cars out to Lennox and put it in valet on a
good day. I like to go to Metro Park. That’s one of the best stores
I go to. I like Soulstice.
and take ‘em to a car wash on Bankhead, get ‘em cleaned up and
wiped down. I pull out the Mercedes on a good day.
my side of town, the Westside area. I go there to get my white
tees, black tees, Air Force Ones, and my A hats.
Eat Soul Food – I like to eat at K & K Soul Food on Bankhead
and Chantrelle’s over there in the West End. Those are my two
favorites.
Hit the Strip Clubs – I’ll hit the Blue Flame. It’s on my strip on
Bankhead. It be poppin’. When I get home from shows on Monday
I like to hit the Blue Flame. I also like Magic City and Onyx.
Nominated for Best Rap Album, Breakthrough Artist, & Club
Banger
As told to Ms Rivercity
OZONE MAG // 45
 10 Get Like Me – You have to change your original name
to Cartier Benjamin, like me. Watch all my videos and
get all my CDs to learn how to be a Rich Boy. Get my
mixtape Bigger Than Tthe Mayor.

9 Rep Alabama – You have to be born in Alabama like me.

8 Your Girl Gotta Have a Girlfriend – You need to have at

least two to three ménage a trios a year.

7 Always Put God First – God has given me my success,

most definitely. That’s who I would credit.

6 Be Yourself – Always be original. I feel like I’m original

‘cause I grew up around a lot of soul music instead
of rap. I’m true to myself and people really love it. I
listened to a lot of old stuff like Marvin Gaye and Curtis
Mayfield. I like music like that, even Keith Sweat. I want
to have a lot of soul on my next album so I’m going
back and listening to some of the older music.

5 Love What You Do – You gotta really love it. You can’t
just want a huge check.

4 Be High Class and Country at the Same Time – You have

to know how to be high class and country at the same
time. That’s the definition of my style and finesse.

3 Expand Your Business – I might start a car care center. I

might open up a shoe store. There’s just so many things
you can do. You have to build yourself.

2 Be Creative with Your Thinking – You have to think of

ways to make money, not spend money.

1 Believe in Yourself – With my situation, I believe in

myself so much. That’s most important.

Nominated for Best Mixtape/Street Album

As told to Ms Rivercity // Photo by Jessica Hatter

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 10
Taiwan – The only time I had ever heard of Taiwan was when I
looked at different products that said “Made in Taiwan.” I was
like, “They listen to music over there?” We got there and my hotel
was across the street from the club. Prior to the show I was get-
ting a massage at my hotel and decided to walk outside. I had
to go back in ‘cause the line was around the entire block. I had
to sneak in the back door of the club. The VIP was crazy. What
really stood out was when I was on stage. I was wondering why
everybody had their I.D. in the air. One person was like, “Give me
a happy birthday shout out.” I didn’t realize there were a lot of
American fans there and they were trying to show me they was
from the U.S. I was like, why are they holding out their I.D.s? Is
that some new type of swag?
9
Malaysia – They had me as a headliner for a big Hennessy event
recently. I was scared to perform ‘cause a lot of times when I
perform I take off my shirt. They told me, “This time if you take
off your shirt you’ll get the death penalty.” A lady told me, “You’d
be surprised. You don’t gotta take your shirt off all the way. Just
act like you’re gonna take it off and watch what happens.” Man,
them people went crazy. They called police and stuff to stand by
the stage. As far as being loud, those were the craziest fans. It
was probably about 5,000 people but it seemed like it was about
20,000. That’s how energetic they were. I was so overwhelmed
how they responded off of everything I said even though they
don’t know the [English] language.
8 Germany – I did a show about an hour and a half away from the
hotel. Right after the show it was a bunch of girls and guys that
wanted autographs. It got so crazy I had to leave. When I got
back to the hotel, it was people in the lobby and by my room
door. They had to change my room and everything.
7 Belgium – I’ve never seen Boys II Men perform and I actually got
to see them perform while I was there. I did a lot of television
shows and magazine covers. I like the fans because as soon
as I got to the hotel it was nothing but fans there. It was a
high school across the street from my hotel and they were just
screaming “Flo-Rida!” That stood out.
6
England – I got to work with one of the hottest female rap art-
ists there; we did a remix to one of her songs. I did a lot of tele-
vision too. The fans there really know your music. They go into
detail like never before. I had to sign autographs at the radio
stations and most of the audience was a bunch of older people.
One of the ladies was like 50 years old and she was like, “I love
‘Get Low’.” I asked her if she goes to the club and she said, “No,
but I heard your song and I love it.”
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5
Sweden – Going to the airport, I was thinking, “Okay, I’ve been to
all these other places, so maybe I’m just going to do radio.” But the
clerks at the airport had my CDs and everything. When I first got off
the plane to check in and find out where to go, they didn’t know
who I was – I had on a hat. But when they found out who I was they
were pulling out CDs. I was like, how did they get my CDs? I guess
they knew I was gonna come. That definitely stood out for me.
4 Paris – I’ve been there two times. I had went there first on a promo
tour and they were telling me, “Next time you come here everyone’s
going to know you.” The next time I was there, I was walking
down the street coming from a club, and a cab driver stopped all
the traffic and told me he had seen me in a club in New York and I
performed real good. He caused a traffic jam getting out of his car
to come say “what’s up” to me.
3
Japan – I opened up for MTV Japan. Mariah Carey was there, Paris
Hilton, Fergie, Nelly, everybody was there, and we all hung out at
the afterparties. Everywhere I went in Japan, as soon as I got off
the plane, they’d see me from blocks away. They would be like,
“Flo-Rida!” I’d never been there before and they knew who I was.
It was crazy. I performed at almost every television show out there
and at each show they had literally 100 girls around me dancing.
2 Canada – I’ve been there a lot of times. I did the Canadian MTV
Awards. I opened up the show and they had me flying off of a five
story building onto the stage. That was my first time in a harness.
I was so scared. They had helicopters watching over me. It was a
grand entrance opening up for MTV. That was pretty big. I performed
with Simple Plan. We did a rock version of “Low.”
1 Philippines – I performed at one of the largest malls in the world.
I performed at like five different malls and did all the television
shows out there. It was basically the same thing, except the traffic
over there is so crazy. They had the police escort me out of there
because the fans were so crazy. Those were the craziest fans I’ve
ever seen in my life. They will actually attack you and rip you apart.
Nominated for Breakthrough Artist & Club Banger of the Year
As told to Ms Rivercity // Photo by Chad Griffith
OZONE MAG // 49
 4
Gas Too Expensive for High Speed Chases – Gas prices are too

10 Hip Hop Police Secretly Love Rappers – They love rap and want high and it’s cheaper for them to park outside of a club venue,
to help first week album sales by taking whichever rapper is holla at some groupies, and wait for somethin’ to pop off.
dropping an album this week to jail.

3
They’re Tired of Rappers Clownin’ Cops – Every rap music video

9 Flavor Flav is the New Hugh Hefner – It annoys them that presents the image that police run slow and they ain’t feelin’
Flavor Flav was able to become the new Hugh Hefner so they all the “police eat too many donuts” references.
take it out on the rest of the rappers.

2
Myspace Bragging Rights – All police officers have Myspace

8 Rappers Make Way More Money than Police – They are pissed pages and they like to have rapper mugshots to use as their
off that Lil Wayne could sell that many records in a week and default pictures.
that Baby could blow up exotic cars in his videos like it’s
nothing.
1 Felons Can’t Vote – They know felons can’t vote and they think
all the rappers will vote for Obama (who will eventually paint

7
Police Can’t Make It Rain Like Rappers – Police get upset at
rappers that can make it rain a police officer’s whole year’s
salary in one night at the strip club.
the white house black and make UGK’s “International Players
Anthem” the official national anthem).
Nominated for Best Video

6 Tour Buses Are an Easy Target – Tour buses are easy to spot
and are too slow for rappers to get away. As told to Ms. Rivercity // Photo by Jonathan Mannion

5
Birth Control – They think that if they lock up all the rappers it
will lessen the chances of their daughters getting pregnant.

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10
Houston’s Musical Influence/History – We had our run where
Screw Music was introduced to the whole world and I think a
lot of the music that’s out right now was influenced by Houston
artists. We never have awards shows here and it’s time for
people to come down here and see the culture. It’s a good
way to pay homage to DJ Screw. I think he’d be real proud that
somebody wanted to have something here. People really need
to go by the Screw Shop when they’re in town and get them
old-school tapes, see where Paul Wall got “Sittin Sideways”
from. That’s the foundation.
9 It Brings Unity to Houston – It brings unity to a lot of artists in
Houston. We feel like we got something going on.
8 It Brings Exposure to Houston – We were just independent at
first. It brings more exposure back to us. We ain’t fell off. It
gives opportunities for other artists that aren’t from here to do
collaborations. They can maybe work with artists they haven’t
had a chance to work with yet.
7 Houston is Beautiful – It’s a beautiful city. It’s the fourth larg-
est city in the country. There’s a lot more to Houston than just
the popular conception, what you see on TV. It’s a big city just
like L.A. and New York.
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6
Nightlife – Every time Diddy comes to town he goes to Club Hush
to throw his parties. Trae the Truth got his club in the hood.
Downtown is where all the bougie girls be.
5
Houston Has Southern Hospitality – When I go other places, like
in Miami, they don’t give a damn who you are. They ain’t letting
you in the club if they don’t want to. It ain’t like that in Houston.
It’s respect. If Rick Ross comes through, it’s gon’ be respect.
4 Diversity – There’s a lot of diversity in Houston. People need to
come experience it first hand.
3
Experience the Soul Food – When people think of the South, they
think of the soul food. You can go to Frenchy’s [Chicken]. There’s
so many places to eat – Boudreaux’s, a lot of seafood.
2 Shopping – The Galleria Mall is the upscale mall. Then there’s
King’s Flea Market. TV Johnny’s shop is at the Sharpstown Mall.
That’s where the locals go to shop for clothing and jewelry.
1
The GRiT Boys are in Houston – The nomination is real big for us
because we don’t have a lot of support from radio or media. We’re
a predominantly underground group. Being nominated in the same
category with UGK and Three 6 Mafia is a big accomplishment at this
point in our career. It lets us know we’re on the right track.
Nominated for Best Group
As told to Ms Rivercity
OZONE MAG // 53
 10
Ray Paul Massaun – Ray Paul has a genuine, authentic
hood flare. Everybody just likes him, even people who
don’t really know him. His superstar quality is so real.

9 Vistoso Bosses – It’s two girls in the group. They’re

young – like 16 or 17 years old. They’re super talented.
They’re gonna be the next TLC. The whole concept of the
group is to be role models for young females. Young fe-
males have nobody to look up to. The female role models
are Beyonce, Fergie, Mary J. Blige, Ashanti, Mariah Carey,

3
and Janet Jackson, and most of these women are older.
The whole image with Vistoso Bosses – the stuff they
do with their hair and clothes – is not negative. It’s not
hoochie. It’s kinda like how TLC came out with the baggy
clothes, they weren’t half naked. It’s a whole other vibe I
think the girls and young women are really gonna like.
OJ Da Juiceman – A lot of people who are into Hip Hop and
rap may not understand his style, but he’s another person
that people like. And when people like you, it’s not all about
being the best rapper or the best lyricist. It’s about your star
quality as a person. Even some of the best rappers from back
in the day weren’t the best lyricists, but they sold a lot of
records.

8
Ace Hood – His energy and his ability to rap is his true

2
talent. He has what it takes to take the We the Best music Lil Chuckee – He’s like a 20-something-year-old Ludacris
brand to another level for DJ Khaled. trapped in a kid’s body. He’s one of those artists who’s al-
ways in your face. He’s always in the right places at the right

7
YV – YV has what it takes to be the next Nelly. He has
the style. He’s very creative and he’s different from what
everybody else is trying to be. He’s being himself and I
think a lot of people are gonna be able to relate to him
time. His ability to speak while being so young is just crazy.
His whole swag and personality is gonna allow him to take
the Young Money brand to a whole other level.

1
and the stuff he talks about in his raps. Keri Hilson – Keri can be to Atlanta what Mary J. Blige is to
New York. We have a lot of superstar females in Atlanta from

6
Cutty Cartel – Cutty is one of the original members of
Jim Crow with Polow and Mr. Mo. He has a solo deal with
Warner Brothers. He’s an all around superstar.
Xscape to Monica, but I think by Keri not coming into the
game big as an artist first, it’s allowed her to have an educa-
tion that’s gonna make her career a lot bigger than other
females. She also has the star quality that’s gonna make her

5
Maino – He has an incredible story. A lot of stuff he’s
gone through in his life is gonna allow him to be a real
factor in the game. He’s bringing his history and real life
experiences to Hip Hop. If his first record blows he’ll have
a really good chance. If the people buy into his story,
it’ll be real official. You got a lot of artists who have a
real story but sometimes they can’t sell it to the public. I
think Maino will be able to sell it.
big. Even though she’s more of a pop artist, she’s still a girl
from Decatur who’s been raised around the best of the best
artists in the hood.
Honorable Mentions: Brisco, Gorilla Zoe, Chilly Chill
Nominated for Tastemaker of the Year, DJ of the Year
As told to Ms. Rivercity

4 Rock City – They’re superstars. They’re great produc-

ers, incredible songwriters and performers. When you’ve
got all those ingredients and you’re signed a label like
Interscope through Akon and Devyne Stephens, it’s kinda
hard for you to lose.

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 10 “Slap” – Ludacris – That was a different record for us and Luda.

9
“Come In” – Day 26 – That’s off their debut album. It was like an
old-school R&B record. The whole vibe and instrumentation was dif-
ferent for us. It was a really dope R&B record.

8 “Didn’t I Tell You” – Keyshia Cole featuring Too $hort – We’re about
to go back in with her on this new album. But I like that one ‘cause
there’s two sides to The Runners – the hardcore Rap side and then
there’s the R&B side. This was the first time we really combined the
sounds. Keyshia was a great person to do that with ‘cause she fits
that mold.

7 “Damage” – Chris Brown – That’s a big one for us ‘cause it was a

ballad. It was something we showed the world we could do.

6
“Money On My Mind” – Lil Wayne – I guess you could call that a
street hit for Lil Wayne. That was one of our first placements before
“Hustlin.” It was real dope working with Wayne.

5 “Cash Flow” – Ace Hood featuring T-Pain – It was something differ-

ent for us. It was a little different from what we normally do.

4
“Go Getta” – Young Jeezy featuring R. Kelly – Jeezy is one of our
favorite artists. Just to work with him and do a hit record with him
and R. Kelly – the King of R&B – was an honor.

3 “Out Here Grindin” – DJ Khaled featuring Akon, Rick Ross, Young

Jeezy, Lil Boosie, Ace Hood, & Plies – That’s the new one. First off,
the combination of music and all the artists on it is just incredible.
Khaled did a remarkable job putting it together with Boosie and
the way Plies comes in. It debuted on the Top 100 at #38 in the first
week. That’s the actual Hot 100, not the Rap and R&B charts. That’s a
nice start for us.

2
“I’m So Hood” – DJ Khaled featuring Trick Daddy, Rick Ross, T-Pain, &
Plies – That was our biggest record as far as charts.

1 “Hustlin’” – Rick Ross – That’s got to be our all time favorite because
it was the first record that really solidified us. We came into the game
with Rick Ross, both of us together.

Nominated for Best Producer

As told to Ms Rivercity

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 10 Consistency – We consistently put out good music. That’s so impor-
tant in today’s market ‘cause it’s so much music out there that peo-
ple’s attention spans are growing shorter and shorter. If you don’t
consistently put out music to keep your name out there, people will
forget about you like you never happened. It was different back in
the day when artists put out records every two years. That was cool
‘cause you were anticipating it. But now if you wait two or three
years between records, people think you died or something. For us
it’s been easy to do ‘cause all we do is make music. It’s something
that comes naturally to us.
9 Building Anticipation – We had the opportunity to put out three
albums, and in between those albums we put out three mixtapes as
well, which were almost like albums with all the original material.
The fans can’t wait to hear how we’ve improved. My whole rhyme
game has improved with every album. Now that 9th Wonder isn’t
part of the group anymore, they anticipate hearing what we’ve got
on the production. They anticipate hearing what we’re gonna come
up with next. They know the music is gonna be dope, but what else
are we gonna bring ‘em this time?
8
Take ‘Em By Surprise – The first two albums had heavy themes
involved. People got accustomed to that so when we came out with
Getback people were waiting to hear what the new theme was gonna
be. We actually surprised them by not having a theme.
7
Taking Advantage of Technology – We’ve been able to adapt to the
internet world. I think we were one of the first groups to start that
whole thing where groups become stars on the internet. That’s how
we got a deal. That’s how people heard of us. It played a major role
in the beginning stages of Little Brother. We’ve embraced that ever
since. We run our own Myspace pages. We’re heavily involved in our
website. Everything you see or hear from us on the internet, 9 times
out of 10 we’ve had our hands on it.
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6 We’re Soulful – When you hear a Little Brother song it’s gonna touch
a certain nerve in you no matter who you are or where you’re from or
how much money you’ve got. It touches everybody in a different way.
That’s what soul music is all about. We’ve got that real soulful sound.
5
Chemistry – Our chemistry has improved with every album.
4 Having Fun with the Music – A lot of things we come up with just
comes from us joking around and a lot of ideas pop up like that. The
whole Minstrel Show theme came about after we made the first record
and we were just messing around.
3
Our Music is Informative – When you listen to our lyrics they tell you
exactly what’s going on in our lives and around us at that particular
time. Like with the first song on Getback called “Siren,” I start off my
verse talking about how people were wrapped up in the use of the
word “nigga” at that time – like should people use the word or not.
It’s a lot of other issues that we could talk about than that word.
Things like that keep people up to date. When you used to listen to
Public Enemy you knew exactly what was going on at that time. We
don’t have people making those types of records anymore.
2
Touring – We stay on the road. We tour heavily. We do at least one
major tour in the U.S. and overseas every year. Touring and having a
live show is one of the most important things that an artist can have.
Music is free but the actual experience of going to a show and seeing
your favorite artist perform their ass off, you can’t download that.
We’ve always taken performing very seriously because we knew that
was gonna be our money maker. That keeps the lights on.
1 Simplicity – We just put out dope music.
Nominated for Best Group
As told to Ms Rivercity
OZONE MAG // 59
 10
Have a Genuine Love for Music – Those BMI checks keep me moti-
vated but man, I love music. Music keeps me motivated, period. I
might be tired of going to the club but after an hour or two of play-
ing music, I’m right back on it.

9
Listen to the People – I definitely gotta keep doing it for the fans.
That’s another thing that keeps me motivated.

8 Stay Grinding – I gotta stay up on new music, keep grinding, staying

up on new beats.

7
Breaking New Artists – People send me a lot of songs, and I still
listen to other people songs like, “That’s a tight-ass song.” I break a
lot of artists [in Atlanta] so that helps me keep a lot of relationships
with all the artists so I can stay working.

6
Working with Beyonce and Michael Jackson – I landed a track on Be-
yonce and Michael Jackson’s albums. We’ve been working with both
of them. That helps me stay in the game, landing tracks on people’s
albums [of that status] definitely helps us stay working.

5 Getting Flo Rida Another Hit – I’m getting him another hit for his
next single.

4
Supplying the Oomp Camp with Product – I show that I’m an Oomp
Camp grinder. My Oomp Camp artists still have hits and singles – art-
ists like Baby D, [DJ] Unk, Loko, and our R&B group Blaze.

3
Staying on the Radio Station – I make sure I’m in good with all the
radio people and everything. I also DJ on the radio in Atlanta so
that’s a big help too. I DJ for Hot 107.

2
Stay in the Clubs – As far as DJing, staying in the clubs lets me know
what’s hot. Me being in the clubs also helps me produce. Seeing what
the people like and what they do in the clubs — I’ll be like, okay they
like something like this so I’ll just switch it up and make my own lil’
style. I’ll be like, okay they missing something like this and I can just
come up with it.

1
Keep God First – Without Him blessing me with the talent to be able
to make beats, I couldn’t DJ in clubs and stay in demand. He gives me
the ability to do all of that. Without God I wouldn’t be able to do it.

Nominated for Best Producer

As told to Ms. Rivercity

60 // OZONE MAG
OZONE MAG // 61
 10 Fake Business – I hate when random artists or promoters
hit me up asking what I charge for a feature verse or how
much it costs to book me for a show and then when I tell
‘em the price they be like, “Uh, oh ok, I’ma hit you back
after I discuss it with my business partner or manager.”
Nigga, if you ain’t got at least a stack in your hand ready
to go, then you ain’t really got no “business partner” or
“manager.” Stop cappin’!
9 Free Verses – Now, don’t get me wrong, I love my city,
Killeen, Texas, but I hate when local artists expect me to
give ‘em free verses just because we’re from the same
city. Biggie said it best when he said the rap game is just
like the crack game. My flows are my “dope.” If I was still
slangin’ pills or pushin’ dro, you wouldn’t come up to me
talking ‘bout, “Hey lemme get 16 XO’s or 16 grams of dro
for free since we’re both from Killeen.” So don’t think you
finna get 16 bars for free either, ya dig? Now if you really
‘bout cha business, you can “Hit Me On My Sidekick” at
DaLoneStarKid@tmail.com.
8 Sideways Hating – I hate when jealous-ass artists call my
phone asking me how come I’m always in OZONE Magazine.
Uh, maybe because I’m out here grinding and making
moves while you’re sitting at home prolly thrown darts at
my pics in the magazine. Go get some grind about cha self
and stop staring at my pics so hard, lame ass nigga.
7 Looking for Hoes – I hate when niggas text me talkin’
‘bout, “Where the hoes at?” Apparently not with you, nigga.
6
Identity Verification – I hate when random people hit me
on AIM (HitMeOnMySk) or Yahoo (Spark42683) asking, “Is
this really SparkDawg?”
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5
Voicemails – I hate when people leave voicemail messages.
It’s 2008. Just text a nigga unless you wanna wait after 9pm or
until the weekend for me to actually check your message be-
cause T-Mobile charges 25 cents a minute. I ain’t finna spend
a whole quarter just to hear you say some shit you coulda
texted me for free. Step ya technology game up lil mama. If
you’re a dude, you should already know better than to leave
another grown-ass man a voicemail message unless it’s ‘bout
some business or else you’re getting the “Dial Tone.”
4 Asking for My Real Name – I hate when I meet a chick in the
club and give her my number and the first thing she wants to
know when she calls is, “What’s ya real name?” Bitch, if you met
me in the club as SparkDawg, then that’s what it is until further
notice. You ain’t special. I don’t even know you like that.
3
Claiming to Be Someone I Know – Every time I do a radio in-
terview or appear in a DVD, I get a call from some random-ass
boppa I prolly went to high school with or a “distant family
member” I’ve never met before takin’ ‘bout, “Oh my God, I
always knew you’d make it!”
2
Asking “When is the Scarface Presents: Greencity album
dropping?” – The album is in stores right now! My solo album
Da Lone Star Kid is coming soon.
1 Asking If I’ve Slept With Any of the OZONE Staff – I hate when
people ask me if I’ve ever slept with any of the OZONE staff
members to get in the magazine. If I did, I woulda been on the
cover by now, stupid. But I’d sleep with JB whether she had
the magazine or not. I like white girls with big booties. Ms.
Rivercity could get it too, ya dig?
Nominated for Patiently Waiting Texas
As told to Ms. Rivercity
OZONE MAG // 63
 6 Grills – We pretty much made it cool for everyone to have a grill.
5 The Women – Shit, we’ve got some of the finest women in the
4 Clubs – We got so many clubs out here, the way we club is ridicu-
3
10
Cars – A lot of places got their own culture when it comes to cars,
but in Texas, it’s like a ritual for cars to have the candy paint
and swangers. You might take an old 1984 Cadillac and put some
swangers on there, some peanut butter leather seats, a woodgrain
wheel, some TVs. You gotta get a pop truck with the neon lights.
That’s Texas all the way.
9 2
The Food – We’re big eaters down here so the portions on the plates
are a lot bigger. But I’m actually from Galveston, Texas. It’s this thing
down there I don’t think you can’t get anywhere else called a Bronco
Burrito. You can’t get that nowhere else but Galveston.
1 DJ Screw – If it wasn’t for DJ Screw, none of us would be on right
8
Music – Before Texas was seen on a national level, a lot of dudes
were moving 100,000, 500,000 units on their own, by themselves
– like ESG., Lil Keke, Big Pokey, Slim Thug, Bun, Chamillionaire, Paul
Wall, Geto Boys, Scarface, and J. Prince. Shout out to Trae too. A lot
of cats were doing it big in the music scene without any major help.
They just got in they car and did what they had to do.
7 Jewelry – We’ve got some of the best jewelers in the world in Texas.
Shout out to TV Johnny. We got three of the top jewelers in the
industry that stay right here in Houston. You got Exotic Diamonds
on Westheimer Road. You got King Johnny at King’s Flea Market and
he’s got another shop across from Sharpstown Mall. TV Johnny’s got
shops at Sharpstown and the Galleria [Mall].
64 // OZONE MAG
We basically made that a fashion statement. In ’05, that was like
the accessory of the year.
world. You come down here and see some of the finest, most
thickest women you will ever wanna see.
lous. You got the club on the inside and then you got a car show
on the outside. Straight up.
The OZONE Awards – We really doing it big if the OZONE Awards
is coming to Texas. The Great State! That’s what it is. You never
know what’s gonna happen when you get down here. I know a
lot of people when they found out the OZONE Awards was coming
down here, they said “Uh-oh, we gotta get our shit together.”
I know dudes that finna get they cars repainted for the OZONE
Awards. I got some pa’tnas that got new jewelry for the OZONE
Awards. It’s gonna be crazy.
TMI Boyz – We got next. We follow behind our big brothers, Trae,
Slim, Paul Wall, Chamillionaire, R.I.P. Hawk and DJ Screw.
now. The first time I ever heard a Screw tape, I was in elementary
school. I was like, “What the hell is this?” My older brother was
in the streets, and I was riding with him one day and he played
it and I asked him, “What’s this?” He said it was a DJ Screw tape.
I said “DJ Screw, who the hell is that?” Then I started hearing all
these stories about a place called the Screwhouse. There would
be people lined up around the corner just to get a Screw tape. He
probably moved a million tapes with no major label. He started
a genre of music and now it’s worldwide. If he was still living, I
think he would be as big as DJ Khaled. DJ Screw is one of the fore-
fathers of Texas music, hands down. DJ Screw is Texas Hip Hop.
Nominated for: Patiently Waiting Texas
As told to Ms. Rivercity by Husky // Photo by Joe Robinson
OZONE MAG // 65
66 // OZONE MAG
10 My Street Records – I got some of the hottest records in the
streets right now. I got “Just Know That.” I got that “Bitch I’m
Me” out. I got a record with Ballgreezy called “I’m the Shit.”

9 “Bitch I’m Me” – I’ve been grinding all my life. Everybody

knows me. “Bitch I’m Me.”

8 I’m On Everybody’s Album – I’m on the new Carter 3 album,

Flo Rida’s new album, Rick Ross’ album, DJ Khaled’s album.

7 My Album is Dropping 4th Quarter – I’m coming out with

Street Medicine album later this year.

6 I’m Expanding – I eat/sleep/shit music. I done studied

the best of ‘em and I’ve been growing. I’m expanding my
horizons.

5
I’ma Opa Locka Goon – I am the streets. My music speaks for
itself.

4 I’m Signed to the Biggest Record Labels that Exist – Poe Boy
and Cash Money. Shout out to Triple C’s – Maybach Music.

3 My Stage Presence – My fans love that. I got that swag going

on. I try to put that swag out.

2 I’m Always Fresh – My clothes and everything, I always come

out fresh.

1 My Music is Hot – My music is crazy. That’s the most impor-

tant thing.

Nominated for Best Mixtape/Street Album & Patiently Waiting:

Florida

As told to Ms Rivercity

OZONE
OZONEMAG
MAG////67
67
 10 “A Milli” (Excel’s Goblin Remix) – Lil Wayne – Play the original
and mix into the Excel mix for some 1 AM club energy. Dope!

9
“Ching a Ling Remix” – Missy feat. Jay-Z – I added a Jay verse to
this, and the internet spread it before Atlantic promoted Missy’s
original. The label was pissed, but it definitely helped the song.

8 “Takin’ What’s Mine” – Mick Boogie & Busta Rhymes – Me and

Busta got together to tribute the great J Dilla. If I had to choose
one song from our project, this is it.

7 “It’s Me Remix” – Swizz Beatz feat. Lil Wayne – Anytime you have
prostitutes and drug dealers rapping in French you’re a beast.

6 “Roc Boys” – Jay-Z – Sampling still exists. Hov killed it on this

with those 70s horns.

5 “Clumsy Remix” – Fergie feat. LMFAO – This takes a slow pop hit
and makes it into a club banger. Play this in Vegas and it’s over.

4 “Low/Elevator/In the Ayer” – Flo-Rida – They’re all like the same

song, but all dope. They’re great up-tempo bangers for the club.

3 “Paper Hood Figgaz” – MIA feat. Gorilla Zoe – This is an ill mash-
up done by my homie Neoteric. This remix killed the clubs for the
ladies and the guys.

2 “Check Your Coat” – Oneal McKnight feat. Greg Nice – Electro club
bangers are the new thing, and this bridges the gap between
hipster and current R&B. Great song.

1 “Good Life” – Kanye West – Channeling Michael Jackson into

contemporary Hip Hop is never easy, but Kanye does it easily.

Nominated for Best Mixtape/Street Album

As told to Ms Rivercity

68 // OZONE MAG
OZONE MAG // 69
 10 Julia Beverly – That’s my girl!

9 Keyshia Cole – You know she independent!

8 Lauryn Hill – I liked her since back when she was with the
Fugees.

7 All Women Who Make It on TV – As long as you’re not on there for

being wanted or murdering somebody or killing your kids, that’s
independent. All y’all, congratulations.

6 Rihanna – I like music if you can hear and feel something from it.
Some people make music and they just rapping or they just sing-
ing, but some people actually got a meaning to it.

5 Ciara – I like what she be saying in her songs.

4 Mary J. Blige – I been liking her all my life. You already know
why she’s independent; she says it in her songs.

3 My Grandmother – She’s been working her whole life, ever since I

was born and way before I was born. She do it all.

2 My Twin Daughters – They’re two years old. There names are

Tiara and Jocelyn.

1 All Strong Women – You know an independent woman when

you see her. It’s really no such thing as more independent then
the next – independent is In-da-pen-dent! You don’t need to
depend on nobody, you by yourself, a strong woman. No woman
is more independent then the next. You got your own house; you
got your own situations under control; and you don’t need to
depend on no man every morning when you wake up. You not
waiting for somebody to give you something – you go out and
get it. Even if you not a millionaire, you can handle business like
a motherfucker. I don’t know if you can go buy a Phantom or a
Bentley or a mansion tomorrow, but if you can get a house and a
car and take care of your kids by yourself then you are indepen-
dent and you make my top 10 list.

Honorable Mentions: Gladys Knight, Chaka Khan, Janet Jackson,

Alicia Keys

Nominated for Club Banger of the Year

As told to Ms Rivercity // Photo by King Yella

70 // OZONE MAG
 Slim Thug sippin Drank

DRANK
In March 2008 OZONE Magazine released their 2nd Annual drug issue that featured an
in-depth article chronicling the negative effects that “lean” (also known as “drank”)
has had on the Houston Hip Hop community and the threat it has on the rest of the
country and society. The piece, that included commentary from many prominent
Houston Hip Hop artists, at times revealed that many could possibly have an un-
derlying dependence on the concoction. This dependence, according to many media
outlets, was a key factor in the deaths of DJ Screw and Big Moe, among others.

Having seen this with his own eyes, Peter Bianchi, founder and CEO of Innovative
Beverage Company, felt that he had to put his resources to use and do something
about it.

“I’ve seen artists in the studio, working on music, but couldn’t function or go in
the booth because they didn’t have any drank around,” says the former financial
consultant who also spent a part of his life as a musician touring with the likes
of George Clinton. “Someone looked at me and told me I need to find a way to
make this stuff legal. From there my mind went off.”

From there Bianchi created Drank, Extreme Relaxation Lifestyle Beverage. Also
billed as an “anti-energy” drink, Bianchi had already been sipping the concoc-
tion he created himself for a while. It wasn’t until his revelation in the studio
that night that he decided to share it with the public. After six months of fine
tuning the drink, it’s finally ready to be unleashed on the world. So far the
response has been overwhelming, even by Bianchi’s standards.

“A lot of the studios I go to now, I look in the corner and see piles of crunched
up cans,” gloats Bianchi. “I’ve even seen some of my favorite recording artists
walk out on stage with it in their hand. That’s the best feeling ever.”

As far as the feeling that the Drank drinker will receive, Bianchi likens it to
taking a warm shower or plopping on the couch and watching a good game.
Providing the antithesis of what an energy drink such as CRUNK! does, Drank
is designed to be relaxing.

“At the end of the day when you grab beer or wine, it’s to relax or unwind,”
he says. “They relax you, but it alters your state and it’s not good for your
body. I’ve created a drink that relaxes you but doesn’t alter your state.”

Also unlike many other energy drinks, Bianchi insists that Drank only
contains natural ingredients. He also notes that Drank doesn’t contain
a cocktail of exotic, nearly unpronounceable vitamins that many
Tum Tum sippin Drank
energy drink makers use to cover the fact that their product is
simply full of sugar and caffeine. Because of this, Drank boasts
an enjoyable taste similar to grape soda.

Though Drank was inspired by an adult activity, Bianchi

hopes that his creation can not only impact them, but
impressionable youngsters as well.

“A lot of people out there are feeling pain behind the

effects of sipping drank, so we want to put a positive
vibe on it,” he says plainly. “So now when kids hear
their favorite rapper talking about drank, they can
go to the store and buy something that’s healthy
for them.” //

Words by Maurice G. Garland

Photos by Julia Beverly

OZONE MAG // 71
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OZONE MAG // 73
 10 My Beacon Score – I could sign my name and buy your magazine.
Your Beacon score is very important. I wasn’t taught that when I
was coming up. Once I got those [credit] cards I tore them mutha-
fuckers up. The younger generation needs to know that it’s very
important to protect the integrity of your Beacon score.

9
Silicone – Not silicone titties, I’m talking about the armour that
goes on your tires to make them shine. It’s like that Mac lip gloss
for your tires.

8
My Macbook Laptop – I keep a lot of classic [songs] on there. I
do a little bit of everything on there. I keep in touch with my fans
[online].

7
My Verizon Cell Phone – Verizon just shows me that love, espe-
cially when I go overseas. I’m the Boss of Berlin.

6
Levi Denim Jeans – I like the 501 Blues, those $49.00 joints. That’s
me all day.

5
Diamonds – Diamonds are a man’s best friend, so why not have
diamonds?

4
Mouth – That mouth keeps me well-grounded. (laughs) The
key to good mouth is that natural talent, that knowledge, that
understanding.

3 Kush – I can’t live without kush because it keeps me in that

relaxed state of mind. It makes me look at the world differently,
especially that Cali.

2 Paper – Other than my family, that’s the reason I get up every

morning.

1 Family – One is family. My loved ones know who they are, and
that’s most definitely #1.

Nominated for Best Rap Album, Best Rap Artist,

Best Rap/R&B Collaboration, & Best Video

As told to Julia Beverly // Photo by SLFEMP

74 // OZONE MAG
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78 // OZONE MAG
ABN CouldWORDS
Be the Biggest
BY MAURICE Texas
G. GARLAND Rap
// PHOTOS Duo
BY MIKE Since UGK…
FROST
But Is It In Their Nature To Be That?

OZONE MAG // 79
 In the spring of 1986, Houston, Texas had a lot to be proud
of. Their hometown heroes, the Houston Rockets, had just
defeated the Los Angeles Lakers and were headed to the
NBA Finals to face the Boston Celtics. Underdogs for most
of the season, no one expected them get that far. But their
dynamic duo of Hakeem Olajuwon and Ralph Sampson aka
the “Twin Towers” led them to the promised land by over-
powering their usually smaller opponents by playing above
the rim and out of their reach.
22-years later H-Town should be celebrating all over again for similar reasons.
Known as an epicenter for independent Southern Hip Hop, two of its biggest
products, Z-Ro and Trae collectively known as Assholes By Nature (A.B.N.)
are back with their long-awaited album It Is What It Is. In the aftermath of
Houston’s 2005 explosion, Z-Ro and Trae are standing strong as two of the
few rappers who still have the luxury of capitalizing off the underground roots
that made them, not having to worry about nationwide image and major label
obligations. In layman’s terms, neither one of them look like they “fell off.”
“When that Houston wave came, you didn’t learn about me,” says Trae. “You
learned about me because I put myself out on my own. Muthafuckas didn’t
want to hear Trae, you go look at cat’s albums, I’m not featured on nobody’s
shit, man. I can tell you now, that they done fucked up because if they let me
get on, Houston gonna be right back on top all over again.”
After turning in solid solos such as 2006’s Restless and 2007’s Life Goes On
Trae has added major label and commercial interest to his already loyal
underground following. Not to be outdone, rhyme partner Z-Ro has also of-
fered his fair share of quality street music, releasing a new album every year
since 2004 through internationally known and locally respected powerhouse
Rap-A-Lot Records.
“We’re just showing these other rappers and the listening audience that we
have skills, not just that, ‘man hold up/lean in my cup’ shit,” says Z-Ro. “Hous-
ton got real rappers, not just fly-by-night cats. We got real rappers talking
about shit that’s happening in the black community, even the white commu-
nity.”
80 // OZONE MAG
Just like Olajuwon and Sampson, Z-Ro and Trae play to win and represent
their city. But also just like the original “Twin Towers” a rift threatens to
silence the true potential of the duo. For undisclosed personal reasons Z-Ro
and Trae have not spoken to each other since they completed the A.B.N.
project in Fall 2007. While their squabbles and periods of non-communication
are nothing new to their fans and followers, this latest instance is magnified
in that both emcees are getting older and growing into their own lives as
men with their own responsibilities. Far from schoolkids fighting at the play-
ground, coming to the table to express emotion and talk things over becomes
more difficult with age. However, Z-Ro and Trae have opted to keep their
personal issue separate from their professional dealings all for the sake of
making sure their new album performs well. Giving an even stronger meaning
to the album’s blunt title, It Is What Is It.
“We ain’t beefing, we just not fucking around,” says Z-Ro. “Whatever it takes
to make the A.B.N. record work, we will come together to make the album
work. But beyond the album ain’t nothing there.”
Trae, who actually shared the stage with Ro months ago (footage can be
found on YouTube), even in the midst of not talking to each other adds, “At
the end of the day, we’re still cousins. We can go long periods of time without
talking, because that’s what family can do. When it’s time to get work done,
we get it done. That ain’t hard to do because we’re grown.”
With the 3rd annual OZONE Awards coming to their hometown of Houston,
we caught up with both Z-Ro and Trae to talk about their new album, their
upcoming solos and why for some reason, they are better apart than they are
together.
Grown Man Business
Z-RO
If you’ve ever met Z-Ro, hell, if you listen to his music, he doesn’t strike you
as the most approachable person in the world. It doesn’t help that he likes
to wear a skull cap with the words “Don’t Bother Me,” either. Something like
a modern day blues musician, Z-Ro’s style is emerging as a needed boost of
reality in a time where people seem to prefer escapist music in the midst of a
recession. But today on a random July afternoon ‘Ro sounds unusually chip-
per when he exclaims, “What’s up, brotha?” when greeted.

You sound upbeat right now. What’s going on with you?

I’m trying out something new right now that I ain’t ever tried before called
networking. I usually keep to myself and I don’t mess with too many rap
niggas because rap niggas are fragile, handle-with-care ass niggas. I ain’t
fitting to do too much fraternizing with niggas now, but I’m doing things dif-
ferently. I’m going places where I ain’t even got shows and I’m fucking with
niggas. I guess you can say I’m getting my networking up and my work ethic
up right now.

Did something drastic happen to where you wanted to go out and start
networking with folk?
To tell you the truth I don’t like doing that shit cause as many real niggas
as you encounter, you encounter that many haters. But what really brought
the change about is really, this is the first time in my life where my money is
right, where I can afford to just really fuck off. Before I couldn’t afford to do
it and leave my city and stay five or six months away from home. You don’t
want to leave your family and come back and find that the lights, water or
something is cut off. A nigga had to make sure home was taken care off be-
fore I left home, so that’s the only difference. Home is taken care of because
the finances are there now, so it’s cool to leave from home.

You said you don’t like networking, but is there anything you found out about
yourself since you first started?
Right now my patience is at an all-time high. If I woulda tried to do this shit
before I went to jail my ass wouldn’t have been able to. If you wasn’t talking
about no money or you wasn’t talking about an album to produce to get
to money, I really didn’t want to talk. But now I’m really finding out about
myself. Now I find myself sitting there listening to muthafuckers talk about
nothing and for the first time I ain’t cussing them out, I’m actually having
conversations with muthafuckers that ain’t related to rap and I’m not trip-
ping. Like I told you, when the money comes into your life you come about a
whole lot of shit differently than when you’re broke.

Would you go as far to say this the happiest you’ve been in a long time, if
not ever?
I wouldn’t say happy, but I would say content. I don’t have nothing to com-
plain about right now. I’m really content, I won’t be happy until I meet them
pearly gates. But I’m content right now.

How about the people around you, are they saying you seem like a new person?
To tell you the truth, not really, because I don’t get around to hanging with
that many people on a day-to-day basis. The only person I see on a day-
to-day basis is the nigga I get my weed from. I don’t really do no kicking
it with nobody but I notice [the change] within myself because I’m really
having conversations with people and I’m actually going to the clubs when I
ain’t got a show. That’s the only thing that’s really different and plus I’m not
on no papers or having to go to court, because that had a lot to do with my
temperament. The law ain’t fucking with me no more, or should I say I ain’t
giving the law no reason to fuck with me no more cause I’m not fucking with
the wrong crowd of niggas. So everything is strictly professional right now.

Being a grown man.

You hit it on the nail. I’m being a man now, not the kid I was a few years ago.
The kid liked to fight and keep the pistol cocked. That’s when I was running
around trying to gain a stripe every day. Now, I got kids, and they watch my
every move. I don’t need them watching me, fucking up like I did. I’m doing
this for my kids and other people’s kids. Like my mama said, if you ain’t got
nothing to say, don’t say anything at all. I used to just say shit even when it
was negative, but now, what’s the use? I grew up a lot this past year. I had a
whole lot of time to think about this when I was in prison. All I had to think
about was how to better Z-Ro, the Mo’ City Don, the King of the Ghetto, Ro-
ther Vadross, how to better myself. I bettered myself mentally first and then
physically. I’m not trying to use my hands to make fists, I’m using my hands
to use my pen and make some money. I’m not beefing with niggas no more.

OZONE MAG // 81

TRAE
Not to call the man predictable, but there’s three things you can expect from
Trae when you see or hear from him. If it’s a picture, he’s almost always giv-
ing the middle-finger salute. If it’s a verse, he’s gonna call himself an asshole
99.9% of the time. But in that, Trae always lives up to his nickname, The
Truth. Though his rough exterior exudes the attitude of a loner, Trae is rapidly
earning a reputation of a being one of the hardest working artists in the
industry, receiving daps and head nods of respect from his peers. Fittingly,
when we ran into Trae he was fresh out of the booth from working on Jay-Ton
of S.L.A.B.’s upcoming mixtape. One of his many efforts to as he puts it, “run
circles around the industry.”
You have a lot of music floating in the streets. Do you make it for yourself or
for the listeners?
I make it more for me. If a nigga tells me bootyshake is in right now, hell
no. I ain’t making that because that ain’t me. Whatever I feel at the time, I’m
gonna do it. They’re gonna take to it or they’re not gonna take to it. But do I
personally care about it? No, because I do music just to do music, then at the
end of the day, I’m a real nigga, so real niggas tend to relate to what I do.
So I think my music reps for me and them and I’m content with that. Now I’m
seeing my music is able to appeal to the masses so a lot more people feel like
how I be feeling. I don’t feel I need to make music that ain’t me. I wouldn’t
be the truth then.
Does it shock you to see who and how many your music is touching?
It amazes me, bro, but at the end of the day I’d rather give that honor to God.
That shit is amazing, I used to be sleeping house to house bro. Me and Z-Ro
used to stay in a gotdamn duplex on a dope block. I done came from a little
bit of nothing. Just be able to see what my life has evolved to is special, I
never forget where I come from. That’s why niggas tell you I’m one of the
coolest niggas you’ll ever come across.
How is it balancing your music with your life? You’re typically known for a
down tone in your music. Will success along the way get you out of touch with
82 // OZONE MAG
your fans?
Anyone who tells you that will be a muthafuckin’ lie. Any nigga that
really know, knows money brings more problems. I don’t think I’m gonna
fall out of touch because my music is me and always gonna be me. If I
get out here and talk about feeling decent and spending money I worked
hard for and if I want to talk about having fucked up problems and how
stress still ain’t left how much money I got, I can do that because that’s
me. Prime example, “In Da Hood” with me and Yung Joc or “Screwed Up”
with me and Wayne, that shit wasn’t commercial, but that shit carried
over to radio. “Swang” with Hawk, that shit wasn’t commercial but it
crossed over to radio, so I’m always gonna do me. Being me, and being
one of the few thorough niggas left out here, I feel that’s what gonna
carry me, man.
How much do you appreciate how much people genuinely love your
music?
I’ll tell you the two most powerful moments of my career that a fan
told me. One was when a guy said if it wasn’t for my music they’d be
dead somewhere right now. When they said that, I understood what
they meant. It’s a beautiful thing to know I’m not the only person going
through what I’m going through to where I need to give up all the way.
I’m showing that whatever you’re going through, I went through the
same shit and I made it. I want you to do the same; I want you to weath-
er that storm. For me to be able to touch them, that’s everything. The
second thing is why I’m doing the prison tour. I did that shit out the love
of my brother Dinkie; he’s the one that got me doing this rap shit. When
he told me that me coming there was the happiest day of his life, he
had been in there 18 flat, that shit was bigger than winning a Grammy.
That’s why I ride for them. Whether or not we get in touch with each
other again, whenever you see me, I represent for TDC (Texas Department
of Corrections). I represent for these little females out here who been
molested or raped, the niggas with no daddies or guidance. As long as
I’m touching them by the masses, that means everything to me. For a
while, I didn’t want to do no good feeling music, but then when you got
niggas who go through what I go through and feel how I feel and say,
“Fuck that, nigga. Be happy sometimes, bro, it’s always someone going
through something worse than you,” I had to respect that.
Is it difficult for you to make “happy” music?
My happy music really ain’t that gotdamn happy. My shit is probably
something you can vibe to in the club, sometimes I do have problems.
For example, you put on a track right now, and you talk about a struggle,
that verse is done in less than 10 minutes. But if you put on a track
talking about stuntin’ or how you feel, it may take me 20-30 minutes. It
don’t come out as fast as what my mind is already trained for. I’ve lived
struggle way more than I’ve lived comfortable now, but my mind still
trained like we on a army mission. If you go from being a killer in the
field to just being a medical surgeon, that killer in the field ain’t never
gonna leave you.
Where are you right now. Are you happy or content right now? When we
asked Z-Ro, he said content.
Me and him are so different but at the same time we are so much the
same. Before you told me that, I would have said I was content. I don’t
think I’ll ever feel all the way happy, as long as I’m cool, I’m content,
I done dealt with so much pain, being content is cool with me. I got a
brother doing three life sentences, a son who is sickly and two sisters
that’s been murdered, so it’s gonna take a lot of shit to make me happy,
bro. I’m cool with being content. When I’m able to touch people, that’s
my comfort zone. Like with my holiday.
Tell us more about that.
The day is July 22 and it’s called Trae Day. I didn’t ask for that, I wasn’t
expecting that. When they told me I was like, “What the hell are you
talking about?” They repeated it, I was like, “Stop lying to me.” they
repeated again and I saw they was for real, it’s crazy. The holiday is
based on everything I’ve done in the community from the penitentiary to
No More Victims to the children of incarcerated parents to anything. When
it comes to holidays I don’t really sit with my family, I jump out help
somebody. I don’t do that for publicity, I do it because it’s what I know.
That’s why the media calls me an asshole, because I think the shine
should be on the people, not me. Don’t come asking me no gotdamn
questions about my career when I’m doing this. This year they gave
me the whole backside of the Sharpstown mall. I got entertainers, NBA
players, BET, everybody coming out for these kids for free. I got school
supplies, HIV testing, I got live entertainment, I got everything out there,
bro, I jumped back out there for my people because they stood up for
me.
Family Business
How did the ABN project come to pass?
Trae: We just said we was gonna jump out there and do it, and we did it. We
jumped out there for a few weeks and did what we did. Of course produc-
tion on the album has changed, it wasn’t the same production we had when
we finished, but we jumped out there and did it. One thing people gotta
understand is we realized what they already know and that’s we are powerful
by ourselves, but together, we a force to be reckoned with, we them mutha-
fuckas man. “Who’s The Boss” wasn’t supposed to be a single, we just leaked
it so people can know we working on an album. The streets picked that up on
their own.
Z-Ro: When I got out of jail this last time, I was in the studio everyday at the
crib. One day my phone rang and it was Trae, he wanted me to meet him at
Chili’s or Applebees, and we talked about what drove us apart and after that
we called J Prince and I said “I’m fucking with Trae right now, what you got
for us?” I came home on July 9th 2007, and about a week later, J asked how
I felt about doing a ABN album. At first I said fuck that shit. Then a couple
months later we had that chit chat and we was in the studio every night after
that. Fourteen days went by and the muthafucka was finished, ABN been
finished for along ass time, we was just waiting from some other things to go
down. I just left the label to get my copy and they said it was the last one.
Trae: It took us no time. I told you earlier, this is what we do. We don’t go in
specifically to make a radio or club hit, our music is a form of us expressing
ourselves, definitely for me, this I how I vent. It was nothing to put an album
out, it’s gotta be another 1,000 songs muthafuckas ain’t heard from a nigga. I
know I got shit sitting up in my hard drive just like I know he got shit sitting
in his hard drive; this is what I do. I might be pissed one day and crank out
4 songs, might be happy and knock out 6, might be straight and knock out a
couple mixtape tracks.
What direction did you set out for in recording it?
Z-Ro: The direction we took on this album is similar to a Z-Ro solo album.
We’re talking about everything Z-Ro or Trae would talk about on their solo
shit. We got some tight ass production on the album. We got remakes of Pac
shit like “Picture Me Rollin’.” We on the same page throughout the record.
Talking about snitches, crooked cops, we got songs about these busted ass
bitches as always. Nothing different, just group effort this time.
What was it like working together as opposed to alone?
Z-Ro: To tell the truth, it was really the same. Trae would bring beats to my
house and nine times out of ten one of us would have a show that night, so
he’d give me the beats and just be like “come up with some hooks, put in on
the beat and I’ll come back and take it to my house.” I did all my verses at
my house, and he did most of his verses at his house, so really, it was like
doing a solo.
Did you run into any challenges being in a group with someone you don’t talk
to?
Trae: Since we finished, we ain’t talked at all. We did a show in the process of
working on the album. I don’t see us running into no problem with these rap
cats though. Our only competition in this rap is me and him. We’ll never have
a problem with no rap cat or no one in these streets. At the end of the day,
even though we ain’t dealt with each other, if I reach out to him he’ll respond
back to me and vice versa.
Do you think things would be harder if you were always in each other’s face?
Trae: The way things are right now, it always makes it better, it puts us on our
game and up to par. If we were to run into problems together, we might be
able to beat that situation since we know how to handle it alone.
How crazy is it that with the status of your relationship, the album is titled It
Is What It Is?
Z-Ro: Yeah, it’s just an album. It was some family shit. We’re riding for each
other on the album, but it ain’t like that on the streets right now. If I was to
see him on the side of the road, I would help him, and I hope he would do
the same for me. We are family, we ate dog food together before. We been
down and out together. I’ll kill for him, I’m not sure if he feels the same, but
I ain’t tripping.
Trae: He launching his label, I’m pushing mine and doing things other than
music like this prison tour and making movies. When the time comes to come
to the table we’ll do that. If it don’t come, shit we still cousins and it is what
it is, it ain’t no other way to say it, it is what it is. People don’t understand,
that title means so muthafucking much in different ways. Even political white
people say, “It is what it is.” That term can carry itself for a long time, man.
Strictly Business
Trae
You’re no longer signed to Rap-A-Lot, but you still have an album coming out
with them, right?
The RAL album is called The Beginning. I’ve been off RAL since February,
but they still had some music from me, so the homie J [Prince] felt that’s
something the fans might need. People got to understand that even though
I’m not over there, me and that nigga are close beyond the music. I get near
him and we don’t even talk about music, we get to laughing about shit and
these other niggas. But that album may come out the month that this issue
is coming out. It’s gonna be 12 songs, strictly me, I don’t think I had any
features on there, I might have had an older song with Khujo Goodie. I’m
getting them warmed up for my new album The Truth. I got bunch of labels
shooting at me right now, so whichever one I decide to get with, Def Jam,
Universal, Interscope, J, I haven’t really thought on it yet. I’m just trying to
warm up my buzz.
You’ve worked with a lot of people since you entered the game. Even more
over the last few months, we’re even seeing you do songs with DJ Khaled.
That’s different from the Asshole By Nature attitude we see you exude.
I work with a lot of people. That’s why I’m respected; there’s nobody that
doesn’t fuck with me. But being an asshole, I still got that in me. Any real
nigga stays humble to themselves, so they not really gonna chastise you or
check you or go off on you if you ain’t did nothing wrong. But a lot of cats I
come across, the relationship we got is alright. I can call them 4 or 5 in the
morning and need something done and they do it, just like I’ll jump out there
for them. With that said, I’m able to venture out and deal with a lot of cats.
One thing everyone understand about me is if you fuck him over or do him
wrong, he’s coming. I can mess with a million R&B, pop dudes, it don’t matter,
I’m still the same Trae, as long as you respect me, I’ll respect you. But the
time you disrespect, I’ma show you what not to disrespect.
Sometimes people confuse respect with fear.
That something you ain’t gotta tell me, I already know. Sometimes I see how
cats wanna go through Houston and they jump to get with Trae, because
when you come to Houston ain’t no nigga in the streets more than me. I’m
able to go to any hood, I’m able to go squash beefs. A lot of people saw that
first hand and probably dealt with me out of fear, but after being around me
and understanding that yeah this nigga can be a threat but he is cool as hell.
A lot of my relationships are built off that. To those who I only feel did it for
protection, they was cut off.
Earlier you mentioned the possibility of signing with a major. In this climate
it seems like independent is the way to go. What would you stand to benefit
in going to a major?
What’s crazy is, what people don’t understand is I was still independent when
I was on RAL. I’m one of the only indie artists with major recognition. I wasn’t
on a major, I was on RAL, we were an indie entity. I had distribution through
Asylum, but as far as seeing their brand all across my stuff where they was
pushing it to BET and radio, that was moreso RAL. I was indie all the way, I
just fuck with so many people my rep carried itself. Only benefit is to go over
there, work and go back out on your own. Thing about me, once I have a fan I
have a fan, they don’t leave. So if I gain a million fans, I do what needs to be
done. We do music daily, bro. It ain’t shit for us to make an album. I do what I
gotta do, when my contract up, I’m back indie and eating. I’ve been indie my
whole life, I’ve scanned over 300k independently on my own. My RAL releases
jump out doing 70-80k, 50k or whatever it is, but that’s by word of mouth
because a lot of people still don’t know the album out. You got cats who got
all the radio and TV and moving less units than me.
What’s stopping rappers from saying fuck the majors altogether?
If you ain’t start off in the indie shit, it’s gonna be hard for you. If you start
off in the bottom, when you jump out here with what we’re doing indie or in
these streets, you can’t depend on nobody to come hold your hand or walk
you through it. So cats ain’t got that heart or hustle to be out here link that.
That’s not to discredit anyone on a major; some people were blessed to get
on a major and the shit worked. Some cats on a major and still work their ass
off. Wayne is on a major but that nigga works just like I work on an indepen-
dent. I believe last year me and him probably had more music out than any
cat on earth, he made me feel lazy because he knocking out 2-3 songs a day
and I’m knocking out maybe one. They gotta have that heart and that hustle,
that’s what we both got. So when I get to a major imagine how much more
deadlier I’m gonna be to a lot of the industry bro. My work habits is crazy
right now. You can call J Prince, Wendy Day, Tony Neal, or TJ Chapman; they
gonna tell you that Trae is a monster when it comes to his work, he on it. //
OZONE MAG // 83
84 // OZONE MAG
Blood Di a monds
Houston is home to three jewelers who
aggressively pursue the Hip Hop dollar.
In this competitive environment, anything goes.
by DeVaughn Douglas
J
ewelry is synonymous with being a celebrity. Whether you’re a famous
actress, model, athlete, or socialite, having expensive, one-of-a-kind
jewelry is often looked at as the hallmark of success. The rap com-
munity is no different, with artists often seeking to acquire the best
quality stones and metal morphed into the most unique designs. Often these
items become just as recognizable as the artists themselves - the G-Unit
spinning chain, Rick Ross’s likeness that he wears around his neck, or Yung
Joc’s Hustlenomics “H” customization of gold, platinum, silver, and diamonds.
And it’s a lucrative business. The top dog in the Hip Hop jewelry industry is
arguably Jacob The Jeweler, who rose to fame during the mid-90s by provid-
ing unique jewelry and timepieces for the top artists in Hip Hop and R&B. An
although Jacob still has his place in the industry his recent guilty plea to
falsifying records/providing false testimony and subsequent sentence of up
to thirty months can’t be the best for business. He is, however, not the only
jeweler providing services to the rap community. King Johnny, TV Johnny,
and Emmett the Jeweler have each managed to carve out their own slice of
the pie selling jewels to artists all over the world all while having bases of
operation in the same city — Houston, TX. These three provide their services
for most of the artist in the south and beyond. However, with the communi-
ties they service being so small and working out of the same city it’s almost
impossible that there would never be any conflict between them.
TV Johnny is perhaps the most well known out of the three jewelers. Learn-
ing the craft from his family TV Johnny’s claim to fame was providing grills
for—well everyone. He and his partner, Paul Wall, had everyone from rappers
to rich heiresses. Some people claim he may have sold his product a little
too well (probably around the time Brooke Hogan started flashing a diamond
smile) but he is definitely reaping the rewards of a successful business. What
Emmett The Jeweler
How did you get your start in jewelry?
Emmett: I’ve been doing this since I was fifteen. My brother had a store on
the north side. He moved into the wholesale division and I took over. I was
selling jewelry to Slim Thug, Chamillionaire, and J Prince. A lot of the jobs
they wanted were customized.
How did you get involved in creating custom jewelry for rap artists?
Emmett: Most every city has street dudes that come in and buy big jewelry
and the rappers see that and ask where they got it from. We got turned onto
rappers in Houston by word of mouth. Then we started going out to Los An-
geles, Miami, Atlanta and New York, basically hubs where there were a lot of
rappers. The rappers turned us onto the ballplayers and it just kept going.
What’s the most expensive piece you’ve done?
Emmett: We did a piece for Birdman that was $250,000. We did a piece for Lil
Wayne that was $125,000. We just got an order from Rick Ross for $300,000.
That’s just at one time. We’re not even talking about the people that spend
with me over time. J Prince from Rap-A-Lot has done a lot of business with
me, maybe about a million dollars’ worth. We have a lot of clients we deal
with on a daily basis. I deal with the clients themselves and not the managers
and agents because we just have that type of relationship. I’ve done work for
Juelz Santana, Jim Jones, Rich Boy, Yung Joc, Lil Jon, 8ball & MJG, Mike Jones,
Keak the Sneak, Plies (goon piece shown at right), and others. I did the Plies
goon face and the Rick Ross face with the gold and black diamonds.
What would you tell up-and-coming stars when it comes to purchasing
started out as a small store front in Sharpstown mall on Houston Southwest
side has grown to a two thriving centers, one in Sharpstown and the other in
the Galleria. Now his focus has moved to expanding his business even more
and moving beyond only making grills.
King Johnny or the self-proclaimed “Original Johnny” is another jeweler that
is a staple in the Houston Hip Hop community. He is the second most well
known Hip Hop jeweler in Houston but has been around the longest. Provid-
ing work for artists such as DJ Screw there is no doubt that he’s been working
with rap artists for a long time. His longevity in the game has helped him
gain a clientele which extends nationwide in the music industry and athletic
arenas. Some would say that he has suffered a loss at the hands of TV Johnny,
whom King Johnny will admit has confused many consumers since com-
ing into the industry. Operating out of King’s Flea Market for the last fifteen
years, King Johnny has made himself a fixture in the rap world.
Emmett the Jeweler may be the least well known out of the three but makes
up for his lack of celebrity with his client list and long time customers. He
is another person who learned the craft from his family and turned it into
a thriving business. Providing work for artists like Juelz Santana and record
industry moguls like J Prince, Emmett has slowly and deliberately built up
his customer base so that he is able to compete with other jewelers without
much advertising. His goals are to be able to compete with people like Jacob
the Jeweler who he believes has set the bar in creating custom jewelry.
All three of the jewelers have managed to build successful businesses start-
ing from nothing. All three have carved out a niche in the world of rap by
providing a luxury its artists. Now all three sit down with Ozone and tell us
about their start in the jewelry industry, where they plan on taking their busi-
nesses, and their dealings in and out of Hip Hop.
jewelry?
Emmett: A lot of people don’t understand how expensive it is. It’s really about
the person and how much money they want to spend. I can do a piece for
$7,500 but I can do that same piece for $20,000 with better quality stones
and workmanship. I can go from $500 to a million and beyond. What a lot
of people don’t understand is that many rappers don’t have money on deck.
You see them at home with a lot of jewelry on but they’re on a credit plan. TV
Johnny and King Johnny have people on payment plans and I don’t do that.
My clients come to me when they get the money because they want quality.
Rappers don’t have guaranteed contracts. If a ballplayer gets hurt they still
have a percentage of money coming
to them. So they look for deals. I tell
people to come to my store and then
go to the other stores and you can
see the difference. You can see the
difference between my work and other
people’s work.
So what can you expect when you
come in to have a piece made?
Emmett: I’m doing a Poe Boy piece. I
can do a handmade wax or a computer
programmed one. The computer cost
more but the finishing is a lot cleaner.
You can take it anywhere and it’s still
credible. I have a lot of clients in New
York and if they take a piece to Jacob
he can’t say it’s low quality. Jacob
the Jeweler came into the game and
raised the bar because he brought a
product that to a niche that people
OZONE MAG // 85
86 // OZONE MAG
weren’t paying attention to. He introduced those big face watches and no
one thought they would sell. Now he’s the one on top. We have 3 jewelers in
Houston that do work for most of the South. King Johnny does a lot of Atlanta
[artists]. TV Johnny is more of a celebrity right now. I don’t want to be in the
videos and the award shows. I want to just provide you with quality product.
In such a competitive industry how do you rise above other jewelers?
Emmett: A lot of people don’t understand that jewelry is a luxury item.
It’s not gas or food where you have to buy. We have three big jewelers in
Houston. I dealt with artists before the other jewelers got to them. They
tell the artists, “Do a song for my mixtape and I’ll give you some jewelry.”
That’s what it’s turned into. You go to TV Johnny and he make take a verse
instead of money. I never do that. I always keep it business. I give them the
best deals but I don’t give nothing away for free. If I go to Rick Ross and ask
him to do a show for me, it’s not for free. And just like I’m going to give him
his money he’s going to give me mine. It’s business. I try to compete with
the Jacob’s, a new York hub. I’m trying to build a relationship and not just
get your money one time. I want to give you a product that compares with
the product that jewelers produce outside of Houston. A lot of jewelers in
Houston don’t use the same quality I use. When you walk in my establishment
it feels like a jewelry store. When you go to someone like King Johnny you’re
walking in a flea market. TV Johnny just moved from Sharpstown to the Gal-
leria because he’s trying to figure out what I do. I sell high end and I’m not
all over TV. I sell high end. You can’t spend fifty grand at a flea market and
expect to get the same product I’m giving you. I try to appeal to all people.
You can walk in my store and spend $50 and beyond. I also like to keep
product on deck. You’re not looking at a book of jewelry. You’re trying it on.
I give you appraisal papers to make sure you know what you’re getting. You
have to understand that this is America. Nothing is free. If a jeweler gives you
something free then the piece has to be suspect. It might have diamonds in it,
but its only 50% diamonds. You pay for quality.
TV Johnny
What got you started in jewelry?
TV Johnny: That’s the family business. My dad, uncle, and brother were jewel-
ers.
What made you move towards Hip Hop?
TV Johnny: Originally I was in Sharpstown mall and it attracts a lot of Hip
Hop artists. After that I met my partner Paul Wall and we blew up together. I
became a nationally known jeweler and he became a platinum rapper. Speak-
ing of which, Paul has a new album coming out so make sure that you support
him. The first pieces I did were for Paul Wall, T.I. and Lil Jon. I was just happy
that I made something that they were proud to wear but I never expected for
it to get this big. That makes me proud.
Are you surprised at the level of celebrity you’ve attained and how are you
dealing with it?
TV Johnny: I really appreciate that people respect me as a celebrity but I like
to keep to myself. I more focused on learning new technology so that I can
make better jewelry. I don’t ever want the quality of my product to slip.
What made you want to move your store?
TV Johnny: Well to clear things up, we still have the store in Sharpstown. We
jus also opened the Galleria store. I deal with a lot of Hip Hop artists but I
also had other clientele that wanted me to open in the Galleria. I treat all my
clients the same and all my clients have value. I kept the Sharpstown store
because a lot of my clients still want to shop there. But a lot of the rappers
I’ve done work for were excited about me being in the Galleria because they
like to shop there. It’s more convenient for them to stop by the Galleria. Also,
I have more than just the store. We do a lot of business on the website so if
you can’t make it to Houston you can still get quality pieces from me.
What’s your price range for people that want to buy a piece from you?
TV Johnny: Well, let me get one thing straight. I do manufacturing as well as
selling. I can start a custom piece for cheaper than others because I have my
own labor force and I manufacture myself.
Which piece have you done that you like the most?
TV Johnny: That would be Paul’s cup. Fat Joe’s piece as well. I like making
each piece because they are custom.
Are you still doing a lot of grills?
TV Johnny: Yeah. The grills is what got my name out there. That is what Paul
and I were known for. I just did seven different sets for T Pain. It’s not as hot
as it was two years ago but people out there still want them.
Besides the grills are there any other pieces you specialize in?
TV Johnny: Right now we’re doing a lot of watches. We have the technology to
make a lot of specialized custom pieces in the watches. We do a lot of differ-
ent piece and chains. Right now we’re doing 150 pieces a week. We have a lot
of accounts.
What are some of the mistakes up and coming rappers make when buying
jewelry?
TV Johnny: Depends on who you buy from. I don’t look at buying jewelry as
a mistake because gold and diamond prices have been going up. If you buy
from me I’m the manufacturer so you get close to the wholesale price. If
they buy from me when they return there is still value to the piece. I make
my pieces and other jewelers take orders and send to a third party. That’s
why I can sell 30%-40% less than the competition. I guarantee that I will be
30%-40% cheaper. A lot of rappers buy a piece for $100,000 from a jeweler
but when they sell the piece back they only get $20,000. You deal with me
you get close to the value or more. Plus sometime they want to change the
piece and because
I manufacture
them, I can change
it easily.
How do you stay
above competi-
tors in the Hip Hop
jewelry niche in
Houston and the
south?
TV Johnny: To me
there is more than
enough busi-
ness out here for
everyone to eat.
Honestly, I don’t
look at other jew-
elers in Houston
as competition.
I manufacture
myself and I have
my own labor
plus I have the
best location. I
give the customer
a good deal. I
compete with
Tiffany or Cartier.
I compete with
the top American
companies so I’m
not concerned with
other jewelers.
Who are some of the artist’s you’ve done work for?
TV Johnny: Almost any rapper. Nelly, T.I., P. Diddy, Paul, Slim Thug, Jermaine
Dupri (So So Def piece shown above), DJ Khaled, Fat Joe, plus a lot of athletes
like Shaquille O’Neal and Mario Williams. We also did the rosary for Lil Wayne.
Any last words for potential customers out there?
TV Johnny: The main point is that I make my jewelry. The people that they
compare me to don’t. I manufacture my own product and sell it. In Hip Hop
I’m the only one that manufactures my product. That’s why I don’t understand
how other people can call themselves jewelers. They sell jewelry, but they
don’t make it. People can say I’m cheaper because of low quality but that
doesn’t make sense. The gold price is set. If you buy a Si or a VS stone then
the price is set. I get it cheaper because I buy wholesale. The price is different
when you buy one of something versus buying one hundred of something. I
get quality but because I manufacture I can sell at almost wholesale. If you
don’t make it and you send it to a third party then you can’t call yourself a
jeweler. They don’t make jewelry. They don’t even know the new software.
I never call out King Johnny or Emmett, but they like to call me out. I came
after them but I can compete because I’m an actual jeweler. If they want to
compete, I’m up for the challenge. I will put up $100,000 to their $10,000 to
see who can make a better piece. Not send it off to another jeweler to do it,
but actually make a piece. If I can’t rap I’m not going to call myself a rapper.
If you can’t make jewelry then don’t call yourself a jeweler.
OZONE MAG // 87
 King Johnny
Well since we’re kind of going into it, how do you deal with the competition in
the marketplace?
King Johnny: I do my thing and they do their thing. My work speaks for itself.
Most of the rappers buy jewelry from me because my work speaks for itself.

So what got you in to creating jewelry?
King Johnny: Man, I’ve been in this business for fifteen years. I did some stuff
locally first. I did some work for artists like DJ Screw and when people saw
the work they started asking us to do jewelry for them.
Now you were out here first, but the other Johnny appears to be very well
known. Do you shy away from being a celebrity?
King Johnny: I don’t like to go out like that. I’m not the guy that’s going to
show my face everywhere. I get a lot of calls from artists that want me in the
videos but I don’t like to be out there like that.
Who were some of the first artists that you worked with?
King Johnny: The first work was for Lil’ Flip. I did stuff for Mike Jones and
then Nelly. After that word started spreading around and now I’ve pretty
much worked with everyone in the rap game.
Who are some of the rappers for whom you’ve provided work?
King Johnny: I’ve done the four row diamond chain for Nelly. I introduced the
four row chain to Houston. I did the 500 karat Ice Age piece for Mike Jones.
We did the Screwed Up piece for Flip with the clover in the middle. I’ve done
a lot of work for athletes as well. People like Steve Francis and other big
name athletes. I got someone on every team. When I do work for a player it
stands up for itself. They let their teammates and other people know the type
of work I do and then that person comes to me. I get business by word of
mouth. I’ve got a lot of celebrity [clients].
What’s one of the pieces that you’re most proud of?
King Johnny: The latest one we did was the face piece for Rick Ross.
What advice do you have for up and coming rappers when they’re trying to
buy jewelry?
King Johnny: When someone comes in we keep it 100 with them. We let them
know what they are going to get for their money. Everybody doesn’t have
money like a Rick Ross. You’re not going to get the quality that he gets but
we’ll give you what you pay for.
Now TV Johnny says he makes his jewelry whereas others do not.
King Johnny: I have my own warehouse and I have people that work for me. I
don’t sit over there and make the stuff. I have my brothers over at the ware-
house working with hundreds of thousands of dollars worth of equipment.
I work with the rappers and take their orders. I figure out what they want. I
don’t know what the competition does but I don’t think they can do what we
do. I don’t think they have the equipment and graphic capabilities that we
have. I’ve got a machine that can cut any type of wax.
So what are your plans for the future?
King Johnny: I’ve been in this location for 15 years and I’ve been think-
ing about expanding…maybe in the next year or two. I don’t know though
because I have so much business here already.
You did move to Sharpstown-
King Johnny: Yeah we moved over there but we were seeing the same clien-
tele so it really wasn’t worth it. Something like our business…we do some-
thing that is impossible. We do all types of custom work. When it’s impossible
for others to do the people know they can come to us because they know
we can handle it. The word “no” does not exist to us. Right now we’re doing
watches for Soulja Boy and Rick Ross where we have their face inside the
watch. If the money is right it can be done.

Now you did that and not Emmett? What’s the most expensive piece you’ve done?
King Johnny: We did that. It’s already been published in your magazine. That King Johnny: I just did a piece for T Mac for $300,000. I did a piece for Mike
was us. (upon speaking with Rick Ross, he does clarify that it is King Johnny Jones that was about $350,000. I made a diamond chain for T Mac that was
and his brother Nick that did the face piece) $475,000.

How much is the average

rapper spending?
King Johnny: When they
come in they’re getting
everything done. On
average they’re spending
$150,000.

Anything you want to let

future customers know?
King Johnny: Just let
them know that I’m
the original. I was here
before the other guys.
I’m King Johnny and a
lot of people get things
confused because of the
name. People claim to do
what I’ve done but you
can ask the rappers and
see who is telling the
truth. Ask the rapper. I
don’t want to lie. You can
ask anyone and they’ll
tell you who did the
work for them. When you
come down to the OZONE
awards come see me
because I got the goods.
King Johnny, don’t get it
confused! //

88 // OZONE MAG
OZONE MAG // 89
 RICK ROSS:DEEPER THAN RAP
What are you doing right now?
I’m getting a tattoo of a crown. I get tattoos sporadically to signify different
things. [The crown] signifies me being on top of my game.
On top of your game as far as record sales, or what?
I’m not even sure. I know we sold more records last week than the week
before, so you know, when you have those spurts of sales that’s always good.
I know we were certified gold in five weeks so I’m just letting it cruise.
It has to be a little bit unnerving for an artist to be dropping albums with the
current climate of the industry and the economy making it so tough to sell
units. Did Trilla exceed your expectations of what you hoped to achieve?
I really don’t look at sales. I look at the product. I believe that if I keep the
product at the best, competing with the best in the game and possibly chal-
lenging to be the best in the game, the music is going to speak for itself and
it’s going to be successful.
How do you gage success, if not off the numbers?
It’s really off a lot of different things. The business aspect is most definitely
the numbers in black and white, but the other side of it is the love. When
you’re touching people from different countries and touching dudes in your
hood, it’s different.
Where do you see the industry heading in terms of record sales? Do you think
artists are ever going to abandon the whole CD/album format and just put out
singles digitally?
I don’t know about the format of the music because that’s going to be up to
the labels and the distributors, but the music will never stop being made. Hip
Hop will never stop being created and loved and consumed; that’s for sure.
A lot of artists, even major artists, have decided to go the independent route
lately. It seems like the majors have lost a lot of their power. For you, do you
think being on a major label like Def Jam is significantly better than going
the indie route?
Everybody’s situation is different. There are certain markets where the inde-
pendent money is excellent, so of course you’d recommend dudes should be
independent. There’s other markets where the independent money may not
be that strong so you need the support of other areas. Everybody’s situation
is different but if everybody’s getting that paper and getting what they want
out of the game, that’s what’s important.
I heard you’re going to be putting out an album with Baby. What’s the name
of your project?
It’s called H. That represents the hustle. “H” represents homies, heroin,
homicide, a lot of different elements that you see being a hustler. You have to
know how to deal with those elements, avoid the problems, and get money. H
is the name of our LP, our collaboration album. We’re going to release the first
single in the next week or two and the album is coming the end of the year.
What was the common ground that brought you and Baby together to do a
joint album?
Just being hustlers from down South. Me and Birdman been on top of the
game, Cash Money Records for over a decade. I think that’s something for us
young black entrepreneurs to respect. We’ve been spending a lot of time in
the studio so it only made sense for us to sit down like two bosses and break
bread and feed the streets.
Your outgoing voicemail message said that you’ve made a $5 million dollar
bet with yourself. Explain to me how that works?
I can’t even front, that’s something I can’t even explain. You’ve just got to
vibe with me.
What exactly is the bet?
You heard the answering machine.
Yeah, but this interview is for the people. You’ve got to tell the people, be-
cause they haven’t heard your answering machine.
That’s what it is. Everybody can’t hear the Boss’s answering machine.
Do you think you’ll ever get to the point where you’re like, “Fuck it. I’ve got
enough money,” and just sit around and relax. What would be enough money
that’d make you want to just chill?
90 // OZONE MAG
I don’t know, because I remember back when I told myself I wanted to be a
millionaire. Then once I became [a millionaire] it wasn’t enough. Then you
want $5 million and so on and so forth. So, I don’t know. I don’t believe in
salary caps.
Do you think there’s real money to be made in the rap game? There’s so much
stuntin’ and smoke and mirrors it’s hard to tell sometimes.
I think Hip Hop is for the love, but it’s a game. I was in the game for a long
time before I made any money, so it’s for the love for me more than anything.
But I’ve got my business intact. I think that music can most definitely feed
your family, if that’s what you’re asking, but it also opens the doors to a
lot of other things you can do to get a lot more money. I believe this is the
beginning of a lot of money.
I saw you with Foxy Brown in Brooklyn recently and took a couple pictures
of you, which Hip Hop Weekly ended up running with a cover story claiming
that y’all are engaged and moving in together. Do you want to clarify your
situation with Foxy?
Yeah, you saw it, we were hanging out at the video shoot holding down my
brother DJ Khaled. His album is in stores September 16th so go pick up that DJ
Khaled album. Ace Hood’s album is in stores September 23rd. We were just in
New York enjoying life, being bosses. She’s a boss. I’m a boss.
Allhiphop said that y’all were suing Hip Hop Weekly for putting out false
rumors about your engagement.
I never heard anything about that either. I don’t have time for frivolous law-
suits. She’s cool, but you know, the engagement thing was just media rumors.
We did an interview a while back when you mentioned that you had a little
celebrity female friend but weren’t ready to put her out there yet. Is that who
you were referring to?
Naw, now you’re mixing apples and oranges. That was a whole other issue. I
like to keep things in the present.
A couple years ago you had some strong words for T.I. but as I understand
it, that situation was cleared up. Recently some bloggers got ahold of those
comments and the rumor has been spreading that you have a problem with
T.I. Do you want to clarify?
This is the OZONE Magazine and I think you’re pretty current, so we’ve already
pretty much addressed that. I think Tip is a real strong soldier for the way
he’s handling his business and still getting money. Grand Hustle is something
to admire; that’s something you can look up to. Maybach Music; that’s what
I’m building my imprint to be. Let’s do some new shit. People want to read
about some new money; gettin’ shit, not just the same beef that’s five years
old that you try to rekindle, rekindle, rekindle. Let’s get money. That’s what I
like to talk about, money, shit that I can buy. I like to look at new things. New
cribs, planes, swimming pools with my face in the bottom, diamonds with
colors.
Flo Rida said that y’all get tired of your chains after about two weeks. What’s
your timeframe? How long does it take you to get tired of a new piece or a
new house or a new car?
It ain’t really about that. It’s about enjoying life. Enjoy your success, young
nigga. You only live once, so do what you do. Make some good investments
and put a lot of money up. Set yourself up to where you can’t fail and you can
tell anybody to suck a dick.
We interviewed all three jewelers in Houston for the OZONE Awards issue and
two of them claimed they made your face piece.
I mean, I’m the biggest nigga in the game, JB. I got the most jewels in the
game. Who wouldn’t want to be my jeweler?
So who is your real jeweler?
Just to keep it real, I keep two or three jewelers. Whenever they can’t make
that shit fast enough for me I reach out to someone else. It’s a competitive
sport. It’s a lot of money to go around. As long as they’re keeping me happy,
they’re my jeweler, but that can change weekly.
There’s been little rumors here and there about you having problems with
Plies and Trick and Trick having problems with Plies and so on and so forth,
but I think one of the real unique things about Miami is that whatever is go-
ing on internally, the city seems to hold it together and have a unified front
for the whole Miami movement.
You’ve got to understand that real beef, where I come from,
is when you go to a nigga’s house and blow their brains out.
Or you get your lil’ man from the hood who don’t give a fuck
and give him ten stacks and he does it for you. I look at it like,
these niggas are bosses over here, I’m a boss over here, and it’s
entertainment. I’m fans of their music, I’m fans of their hustle,
and we’re all getting money. It’s a competitive sport. Do I really
want to see T.I. go to prison for weapons charges? Of course
not. It’s not about beef, it’s about paper, man. It’s business. If
Jay-Z goes and meets with LA Reid and Jay-Z is fighting for
more percentage, that’s not beef. That’s business. That’s what
everybody has to do to eat. A lot of times you have to play
chess with a nigga to make a quick move to make that movie.
That’s what it’s about. That’s what makes it competitive.

Why do you think other cities aren’t able to put on the same
unified front that Miami seems to, even when there’s internal
problems? Do you think having neutral parties like a DJ Khaled
that kinda keep everyone focused on the bigger goal helps?
To be honest, I can’t speak on another region. I don’t know
what might be going on, but as far as me, I feel like we should
all just be getting money. But if it’s real beef and niggas feel
like they got to do what they got to do, then handle your busi-
ness and do that. But if you’re getting money in this music shit
and you’re a real street nigga then you should know how to
separate it. A lot of times you hear shit and it’s taken certain
ways. Niggas got to boss up and let that shit walk by them
and focus on getting paper. Let’s keep this game exciting. Now,
if niggas want to really kill each other, that’s a whole other
game. But if we’re gonna do this music thing, let’s go get rich
and get new Bentleys and drop top Phantoms and drop top
Rolls Royces like I just did. Yeah, I got a drop top Rolls Royce,
black with the silver hood and the black interior and the red
double R’s. That’s how I’m feeling.

What do you think is the key to making your money multiply to

the point where you can buy Bentleys and drop top Phantoms?
A lot of young rappers see people like you with jewelry and
blow their whole advance and end up broke. What’s the key to
making it last?
I learned that from coming up in the streets. It’s called trial
and error. You’re going to spend some money and blow some
money. I done fucked up a lot of money and woke up and said,
“Damn.” I’ve gotten high and blown a lot of money before. You
come down off a pill and wake up two days later and done
blown a lot of shit. But by the same token, it depends on what
level of the game you’re trying to go to. Right now I’m on 20
records that are in rotation. I’m on the Jennifer Hudson remix,
the Mariah Carey remix, the Ace Hood single, the “Here I Am”
still in rotation, the Bun B single, the Tay Dizm single, the list
just goes on and on. I’m on 20 records right now but I make my-
self accessible to the people. I’m not one of those funny actin’ niggas. I’m in Why does Noriega owe you 100 favors?
this game to monopolize, and that’s what I preach to my friends and family: Noriega is a real hustler. Shout out to Noriega. He should be home soon.
E-Class, DJ Khaled, Triple C’s, Brisco, Flo Rida, Plies, Trick Daddy, the whole
team, it’s whatever. Do you look at your music as just entertainment or an accurate representation
of your life?
In the rap game, which do you think is more important: the music or the im- I mean, you have published pictures of me before [I was famous] wearing
age/packaging? $100,000 watches, so niggas will figure it out.
To me, music is everything. It’s a lot of swag in the game but I think skill
supersedes everything and that’s where I come in at. I made “Here I Am” Okay, let’s look at it as a hypothetical situation –
just to show them that I can make a pop record, but “Hustlin’,” I can make a Listen, everybody is different. Let’s look at two number one albums. Let’s look
record like that sitting on the toilet. That’s easy. I wanted to do something back at the BET Awards. Let’s look at the best in the game. This is my inau-
different and threw it at them. I threw “Boss” at them. I threw “Speedin’” at guration to success. R.I.P. to Biggie Smalls, R.I.P. to Tupac. Tupac gave you the
them. I’m just showing niggas skill, skill. I think that’s important. That’s what rules to the game, get money, M.O.B., “that’s money over bitches cause they
really sells records. breed envy.” Game recognize game. Get money. My new album Deeper Than
Rap is coming soon, and this shit is going to be incredible. You better get
Trilla was nominated for Album of the Year at the OZONE Awards. Why do you ready for it because I’m thinking about buying six ads in your magazine. I’m
think it deserves that title? thinking about propelling this magazine to the next level because that’s what
It’s one of the hottest albums of the year, but the people are going to decide we do; we sell a lot of magazines. We make people read. I’m a big deal. I’m
[the winner]. Either way it goes, I’m happy to be nominated. It’s a classic LP. close to being the biggest in the game, and in another year or two, I’m sure
I’ll be there. I appreciate the attention but the fact remains that I’m the boss.
Recently the internet has been buzzing about some picture thesmokinggun. I’m eating good, my flows are getting better, and on my laptop I’ve got some
com found of you back in the day working as a correctional officer. of the best beats from some of the best beatmakers in the world. My flows are
You know I don’t entertain hoe shit. I’m on a money train. Ride or die. I just getting so good I might have to patent my flows. Shit is getting crazy for real.
make great music and get money, and all that other shit is irrelevant to me. It’s deeper than rap. //

I guess that’s a “no comment”? Words and Photo by Julia Beverly

Get money. Paper, deniro, pounds, boss.

OZONE MAG // 91
 TJ’S DJ’S / OZONE AWARDS XCLUSIVE
CD REVIEWS
DISC 1
1. B.o.B ft Amy Winehouse / Grip Your Body – Rebel Rock/Atlantic
Contact: TJ – TJ@TJsDJs.com
B.o.B, the strongest force on the underground circuit is soon about to explode
with an Amy Winehouse assist on “Grip Your Body.” Take notes, this is a classic
pitch to a sexy lady so she can let you get a hit.
2. Casino / Shy - Gangsta City Mafia
Contact: Jah – 404.539.5264
Casino turns in a surprisingly creative use of Shai’s “If Ever I Fall In Love” to
create a song that is a gamble sure to pay off in any set.
3. BG & Chopper City Boyz / Bubble Gum – Asylum Records
Contact: Asylum Promo – 212.707.3030
BG creates another use of his moniker with this “Bubble Gum” record. Lyrically,
it’s a great description of every man’s favorite juicy fruit.
4. Hot Stylez ft Yung Joc / Lookin Boy - Swagg Team/Bloc/Jive
Contact: Ron Stewart – ron.stewart@jiverecords.com
Hot Stylez and Yung Joc take rankin’ or roasting to another level with “Lookin
Boy.” In fact, these snaps are even more clever since they arrive in rhyme and
on time.
5. Big Boi ft Mary J. Blige / Sumthin’s Gotta Give – Laface/ZLG
Contact: Ron Stewart – ron.stewart@jiverecords.com
This track is for everyone who thinks that Outkast is a solo artist. Big Boi and
the hip-hop queen of soul, Mary J. Blige turns in his version of 21st century
hip-hop blues. Please LISTEN to this record as he gives you lyrical “food for
thought.”
6. Slim ft Shawty Lo & Yung Joc / So Fly (Remix) – Asylum Records
Contact: Asylum Promo – 212.707.3030
Slim recruited Shawty Lo & Yung Joc for a “fly” remix to this spectacular summer
song. For those looking for room 112 where the players dwell, follow this sexy
record to find it.
7. Boss Hogg Outlawz ft Ray J / Keep It Playa – Boss Hogg Outlawz/Koch
Contact: Marleny - Marleny.Dominguez@kochent.com
The Boss Hogg Outlawz led by Slim Thug drop all types of game on this bangin’
beat to make the case for why they keep all of the playa points. Ray J adds a
nice touch to keep the ladies juicy.
8. Huey ft Trey Songz / No Make Up – Hitz Committee/Jive
Contact: Ron Stewart – ron.stewart@jiverecords.com
Huey and the Hitz Committee once again live up to the legacy by linking with
Trey Songz to create this wonderful record dedicated to the ladies with natural
beauty.
9. Trai’d / Gutta Bitch – Hitz Committee
Contact: Ron Stewart – ron.stewart@jiverecords.com
Hood chicks need love too, so Trai’d makes sure they get all the attention they
deserve over a true gutta track. Biggie would be so proud that he and his bitch
now have someone they can tag team with.
10. Young AC / The Flyest – Deepside Inc.
Contact: Teddy T – 954.793.3300
Young AC puts his bid in as a Miami mack over a smooth J.U.S.T.I.C.E. League
track. The combination gives him a great chance to be known as “the flyest.”
11. Paul Wall ft Chamillionaire / Diamonds Exposed – Swishahouse
Contact: T. Farris – 281.924.5371
In true Texas form, Paul Wall and Chamillionaire expose their diamonds to shine
on this screwed up track with a slow booming bassline. If you want to know
what Texas sounds like, you can always visit Swishahouse.
12. G Mack / Get Naked – Lost Land Entertainment
Contact: G Mack – 859.621.3309
On “Get Naked,” G Mack represents his home state of Kentucky well by giving the
ladies a new reason to feel the KY.
13. C-Zen ft Tame / Do Da Willy – Street Pharmacy
Contact: BP – 214.212.9714
C-Zen checks in with the latest dance tune called “Do Da Willy.” The song is
best understood in live action so make sure you give it some action to see for
yourself.
92 // OZONE MAG
14. Corporate Thugs ft Keak, Quinn, Raydogg, & Suga Free / What Chu Know About
Me (Remix) – High Money
Contact: Raydogg – 916.396.3260
What Chu Know About those west coast Corporate Thugs? If you don’t know, this
song will let you in on everything you need to know why they get so much Cali
love!
15. Strong Arm Steady / Can’t Let Go – Blacksmith Music
Contact: Corey Smyth – 212.586.2112
While bouncing to the beat, make sure you check out the wicked flow by Strong
Arm Steady in the verses that make this such a fun song to c-walk to.
16. Jewman / Pull ‘Em Out – WG Records
Contact: Marcus Wallace – 601.573.1892
Jewman pulls out all of the stops, his bank roll, and his toys on this club banger.
17. Damm D / Love Me – Rap-A-Lot
Contact: Al Stafford – 713.680.8588
Damm D turns in a lovely tune called, “Love Me” with a heartbeat of its own.
The rhythm of this song will make you fall in love with it too.
18. Diggie Die ft Mr. Sandman / Doin My Thang – Liquor House
Contact: Mister Sandman – 404.402.7740
Diggie Die and Mr. Sandman are definitely doing their thang with a strong hook
mixed well with a hard core beat. .
19. New Money Twinz (R&B) / Listen Up Joe – New Money Records
Contact: New Money Records – 310.461.1994
The New Money Twinz deliver a mean left right combination to make you want to
listen to this tune.
DISC 2
1. Alfamega ft T.I. / Uh-huh – Capitol
Contact: Tikke Chaney – 212.786.8436
If you don’t respect nothin’ else, you will respect this record right here, “Uh-
huh.” Aflamega and T.I. link up to make another link in the Grand Hustle chain
that is straight choking the game.
2. B.o.B / Mellow Fellow – Rebel Rock/Atlantic
Contact: TJ - TJ@TJsDJs.com
Although B.o.B is a “Mellow Fellow” he still has enough energy to deliver a
record that makes your feet move. Expect big things from this dude, after all,
there’s never Been One Before or Be One Beyond.
3. Glasses Malone ft Lil Wayne & Birdman / Haterz – Hoo Bangin/Cash Money/Uni-
versal
Contact: Big D The Weatherman – 212.373.0782
If you ain’t got haterz, you ain’t doin’ it right. Let Glasses Malone tell it on this
record, he’s doing it big. Plus it doesn’t hurt to have Lil Wayne and Birdman on
your song to co-sign.
4. Tay Dizm ft T-Pain & Rick Ross / Beam Me Up – Nappy Boy Digital
Contact: Marco Mall – 404.759.6100
This is one of those records that is so different, it may take a couple of times
to catch on. But once you do, there’s plenty of room in the spaceship to get
beamed up by Tay Dizm along with T-Pain and Rick Ross who will make sure
there will be good music around no matter the galaxy.
5. Stevie Stone / Wait A Minute – Ruthless
Contact: Ruthless Promo Dept. – ruthless@comptown.com
For those who thought Ruthless was done, “Wait A Minute” Stevie Stone is on
deck. This record has a smooth bounce vibe that will remind y’all, goddamn
they Ruthless.
6. Lee Lee ft T Cutty / Low 2 Da Floor – Bout That Paper
Contact: Ka$h Ka$tro – 803.455.6324
This slow vibe is exactly what you need to support the naked hustle and watch
the pole dancers drop it “Low 2 Da Floor.”
7. Certified ft Pleasure P / Turn Off The Lights – Two Dog Records
Contact: JV – 352.434.4315
“Turn Off The Lights” is a great record that you can play in the same set as a
slow jam but still has a party vibe. In fact, with the inclusion of Pleasure P, this
record is certified fiya!
8. Jim Jones / The Good Stuff – Sony
Contact: Bolo – bkbolo1@gmail.com
Jim Jones proves he’s got the good stuff to show he’s much more than a ballin’
one hit wonder. Plus, the production drops hard enough to make the party hot
or your subwoofer hump.
9. Killer Mike / 2 Sides – SMC Recordings
Contact: Will - will@smcrecordings.com
On this record Killer Mike shows just because you have commercial success with
a Grammy, goddamn, there must be two sides. He reps his hood with a ferocity
only found in the lyrical spatter of Killer Mike.
10. Rob G ft Rick Ross / For The Hood (Remix) – Latium Entertainment
Contact: Latium Entertainment – 713.414.3070
Rob G and Rick Ross demonstrate their love for the hood on this tune. More
importantly, the hood loves them back on this gangsta tale.
11. Jus Bleezy ft Gorilla Zoe & Yo Gotti / Bosses – Jus Bleezy Entertainment
Contact: Craig Blac – 314.498.1822
Jus Bleezy, Gorilla Zoe, and Yo Gotti put their bid in on why they run the com-
mission. With records like this, it further cements their position.
12. Myko (prod by Static Major) / Late Nite Creep – Outta Pocket
Contact: Lil D – ballball812@gmail.com
Although Static Major may have passed, his music lives on with Myko. “Late Nite
Creep” is a great example of a talent gone too soon, but will live on in mp3 and
CD players forever.
13. KOB ft JC / Invisible Man – Good Lyfe Musik
Contact: Varmah Morris – 612.990.7974
The organ sounds at the beginning of this unique song draw you in and show
why this KOB is on another level.
14. L.E.P. Bogus Boys / Shawty Is A Rider – Infared Records
Contact: Eric Jones - 773.370.3742
Putting a different twist on J. Holiday’s “Bed,” the L.E.P. Bogus Boys give shawty
a reason to show why she’s a good rider.
15. Chop Chop ft Lil Boosie / Strut – Presidential Traphouse
Contact: Smiley – 405.200.4357
Chop Chop hails from Oklahoma and with Lil Boosie they are out to show that a
bad chick’s strut is more than OK, it’s fantastic.
16. Archie Eversole / What Money Sounds Like – Slummed Out/Dry Rain
Contact: Delaney – 347.558.0430
Archie Eversole is on deck to demonstrate what money sounds like. And if it
sounds anything like this track, then it sounds great!
17. Blitz ft Junior Pymp / Big Dawg – Teflon Entertainment
Contact: Andrew “Steel” Lewis – 917.217.8581
Blitz pulls an all out attack on your party senses with the big dawgs on deck.
18. Jewman / Found My Swagg – WG Records
Contact: Marcus Wallace – 601.573.1892
Jewman and his swag are in full swing with this swaggalicious spectacle of a
song.
19. Black Al Capone ft Jim Jones / Dollars Falling – 1-800-StarvinArtists
Contact: King Islam – 713.384.2655
Black Al Capone recruited the #1 baller, Jim Jones to watch the dollars fall like
autumn. This tune comes off strong enough to knock any king from his throne.
20. Money Jr. & Freak / Break It Off – Money Rules Entertainment
Contact: Latasha Malone – 281.561.8787
If money rules everything around, then Money Jr. and Freak have no problems
breaking you off with this song to stake a claim to their kingdom.
- Keith “1st Prophet” Kennedy
OZONE MAG // 93
94 // OZONE MAG
OZONE MAG // 95
 HOODZ
Jay williams
When the DVD Magazine format became popular
in the early 2000s, its quick ascension seemingly
came from out of nowhere. Unfortunately, similar
to its audio cousin, the mixtape, the rapid growth
eventually lead to an oversaturated market. So
saturated that the genre’s creator, Hoodz DVD
Magazine, took a two year hiatus to let their com-
petitors eventually fizzle out and open the door for
them to return with quality product.
OZONE caught up with Hoodz founder Jay Williams
to share his story on how Hoodz was created and
managed to live through the oversaturation of Hip
Hop DVD Magazines.
How did the Hoodz concept start?
The whole concept came for me being in prison in
the early 90s. Being in jail most niggas want to be
rappers or rob rappers when they get out. I always
wanted get out and make movies. My father has
been involved in TV since the 1950s. He used to
show it to me, but I didn’t like it at the time. It
wasn’t until jail that I liked it. I got out in 1996
and started going to seminars and doing research.
I shot my first short film in 1998. Right around that
time, I got shot and shortly thereafter, my partner
96 // OZONE MAG
and his girlfriend were murdered.
That’s quite a setback. What did you do next?
I was still in the streets and a friend of mine
who just got out was asking me about the movie
business and telling me to leave the BS alone.
So I started some businesses and got some real
estate investments. Then I started working on my
project Urban Stalemate and a feature film called
Group Therapy where we put a bunch of people
from different walks of life in the same room. We
shot it in 2001-02. The idea for Hoodz came up in
the production of that movie. I was trying to think
of an idea that I could show what all was going
on in different ‘hoods across America. I wanted to
break the “just us” stereotype Black people have
thinking that they the only one with problems.
So I started going to different ‘hoods, getting my
pass and going in with cameras. Within a couple
days of Group Therapy 9/11 hit and that obviously
brought a lot of things to a halt.
But one night, my partner was doing a show with
Cash Money and we did interview with Mannie
Fresh, Baby and them. I didn’t know what I was
gonna do with the footage yet. But there weren’t
any other companies around at the time. No
SMACK, no nothing. Not too long after that, Jam
Master Jay was in town, I wasn’t too excited to do
the interview, but I didn’t know he was gonna die
a week later. So we had the last living interview
of JMJ. As soon as we did that, we started hearing
about all these other DVDs popping up. All that
stuff was looking like it came off the cutting room
floor of BET, it had no substance. It was rappers
smoking weed and flashing guns. SMACK was com-
ing out with DVDs every month and that shit was
selling. It felt like we had the purp, but everybody
on the block was buying regular. So it took two
years for us to do it again.
Why two years?
Niggas on the team wasn’t really about it and I
saw the importance of making a brand and mak-
ing relationships. Early on I could see the industry
was gonna be saturated with bullshit. I wanted to
survive it for the long haul. So while niggas was
putting out garbage back-to-back, we were creat-
ing better business situations.
How did that decision pay off?
From our first DVD people ran with what we did.
We had Hip Hop, street shit and dope fiends. After
that SMACK ran with the Hip Hop aspect, then Hood
to Hood came out with the hood element of what
we was doing. Everybody took a piece of what we
wanted to do. I’m not mad, but they did it fucked up.
So us not coming out for a minute was really agood
thing. We got a good sense of where the market was
going.
What impact would you say Hoodz has had on the
‘hood and the industry?
It gave the hood a voice. We go to places that no one
else goes. We’ve been to the roughest parts of LA and
to Charleston, SC. Those are the craziest places I’ve
been. We’ve gone to Camden, NJ, that’s like 3-by-5
miles of death. But I figured, I did the same bullshit a
lot these guys are doing, back in the day. Why not go
back and do something positive.
Words by Maurice G. Garland // Photo by Tyson Horne.
OZONE MAG // 97
98 // OZONE MAG
 RAW, UNCENSORED WEST COAST RAP SHIT

featuring

KEAK
ozone award
nominees
DPG
ROCCETT
THE PACK DA
G MALONE
THE JACKA
MISTAH FAB
SNEAK
WILLY NORTHPOLE
& MORE
OZONE MAG // 1
2 // OZONE MAG
OZONE MAG // 3
4 // OZONE MAG
OZONE MAG // 5
6 // OZONE MAG

Publisher
Julia Beverly
Editor-in-chief
Jessica “Mz Jae” Hagmaier
Editor-AT-LARGE
D-Ray
GRAPHIC DESIGNER
David KA
Music EditorS
Randy Roper
Maurice G. Garland
ADVERTISING SALES
Che Johnson
Isiah Campbell
Contributors
Big Fase 100, DJ BackSide,
DJ E-Z Cutt, Gary Archer,
Jelani, Jessica Essien,
Joey Colombo, Kay Newell,
Keita Jones, Luvva J, Nippy
Swagga, Portia Jackson,
Shemp, Todd Davis, Ty
Watkins
Street Reps
Anthony Deavers, Bigg
P-Wee, Bigthangs, Big Will,
Dee1, Demolition Men, DJ
Jam-X, DJ Juice, DJ KTone,
DJ Nik Bean, DJ Quote, DJ
Skee, DJ Strong & Warrior, J
Hype, Jasmine Crowe, John
Costen, Juice, Kewan Lewis,
Luvva J, Maroy, Rob J Of-
ficial, Rob Reyes, Shauntae
Hill, Sherita Saulsberry,
Sly Boogy, Syd Robertson,
Tonio, Twin, William Major,
Zack Cimini
COVER CREDITS
Keak da Sneak photo by
Trevor Traynor.
CONTENTS
9 THE JACKA
10 ROCCETT
11 DPG
13 MISTAH FAB
14
16
JAY ROCK
TOO $HORT
20-21 was premature to the digital game and didn’t back
KEAK DA SNEAK
17 WILLY NORTHPOLE
18 GLASSES MALONE
I’M JUST SAYIN’THO
BY D-RAY
10
LL Cool J - Everyone knows the OG in the game
can’t deny his fame. I’m a female at a LL Cool J show
in San Jose, and I must say that he is an all-around
five-star entertainer. I’ve never been able to photo-
graph his show because I’m too busy watching it!
9
Run-DMC - I saw them on my birthday at a club in
San Francisco called DV8 and I recall just putting my
camera down to enjoy “My Adidas.” That’s OG.
8 3
Mary J Blige - Mary is so in touch with her feelings.
She sings about real-life moments to put her fans
in that hypnotic mood. I recall shooting her show
on Mother’s Day in Concord, CA. There were mothers,
boyfriends, and husbands in the building, and the
whole place had a memory to go home with on a
very special day. Her message is always deep and
passionate. Mary is the only female on this list for
a reason!
7
Snoop Dogg - This was just a plain dope experience,
not to mention that it was history: Snoop perform-
ing in his hometown of LBC for the first time! He
2
killed it. He did “Murder Was The Case” alongside
a dope interview with Power 106’s morning show,
Backstage Breakfast with Big Boy! What it do Fuzzy?
6 Eminem & D12 - This was one of my first press
junkets with a magazine. I got to go kick it with Em,
and I had just seen him not too long before he blew
at a Bomb concert in San Jose in his grimy-looking
1
long-sleeved Budweiser Beer t-shirt. I was told,
“Take his photo. He’s going to blow!” I looked again
and said, “Ummm, no.” So I learned to never, never
underestimate someone based on their fashion
sense (or lack of). I was blessed with a great chance
to be at their meet and greet and also shoot the
show, where I saw Em in person kill it. Not to men-
tion, I got a great shot of him and Proof on stage
together that I love. My bad for judging you, Em.
Thanks to one of my favorite publicists, Tresa!
5 Mac Dre - I’ve been a Mac Dre fan since the late
80s, no lie. When I started shooting Dre’s shows,
I would just try to get in with my digital camera.
All my memories are gone except a few because I
up the computer, and it crashed. Now that a hater
murdered him, all I have is memories and a frozen
moment of his last birthday performance that he
left us to remember him by! He was so fly that night,
just gigglin’ and bustin’ all his hits. T.I.P. Dre!
4 Lil Wayne - Wayne, the youngest Hot Boy! The swag
he brings to the stage is straight RockStar. He’s got
a great show. I was one of the select people that
got to catch a shot of him at a show, and boy, I
waited! I would’ve been gone if it wasn’t Wayne in
the Bay. He shut the shit down. He’s made history
not only for his first day record sales but for selling
out the latest Wild Jam just two days after The Carter
III hit stores. He rocked the house and ended his
show by thanking his fans and telling them he is
thankful for them, and it’s because of them that he
can make his living. So beautiful! Wayne’s Carter III
has not left my deck. He’s deep! If you’re hating on
Weezy, get a better hobby, or a better day job cause
you’ve got too much time on your hands. West Coast
End Zone issue #68, peep my shot!
Tech N9ne - I knew his music, I knew his face from
magazine ads, I knew his wrapped truck - well,
that’s a lot to know about this guy considering
that DJs don’t play his music like they should. He’s
serious and promotes his projects, with or without
radio. I happened to be in Vegas one year when he
had a show at the New Orleans Casino with Busta
Rhymes, DMX, and Mistah FAB. That was my first Tech
N9ne show and it was so dope I talked about it a
lot. See, I’m still talkin’ about it! You have to see his
show. He’s on point at all times during his set. Do
you, Tech!
Mistah FAB - I have so many stories about his
growth, I could do a whole Top 10 list of him
through my camera. Fab does the dopest freestyles
at his shows! The real freestyles, not pre-styles.
Fans get a real heart-felt show. I captured a picture
of him at the Wild 94.9 Bomb concert with him facing
the crowd of 20,000 with their T’s up for Mac Dre.
David Banner - I recall my first David Banner show
at the Tech.Nitions Conference in Vegas. He jumped
off the stage and swung off the ceiling pipes into
the crowd and just stayed there rockin’, giving love
to his fans. That was early in his career, so to see
him rock at a show today, nothing has changed. He’s
a wild man in the crowd, letting the fans that paid
to see him remember him with no blurred vision!
Banner keeps that humble side to him that has
taken him to where he is today!
OZONE
OZONEWEST
MAG // 7
8 // OZONE MAG
10 I Am The Streets – Street credibility is always important. Even
though I’m out here on the radio and doing my thing I don’t forget
where I came from. I know the dudes I looked up to might have
rapped, but they were getting their paper in other ways. I just want
the lil dudes lookin up to me to see a dude that’s actually getting
paid for this rap shit.

9 I’ve Been To Jail – Anyone who’s been there before can tell you it’s
a good place to master your craft. It can be a good place for a rap-
per because you’re around different kind of attitudes and different
kind of people. You’ve got a lot on your mind in there, so it’s a good
place to really learn what to say.

8 I’m Independent – There’s really nothing more that needs to be

said.

7 I’m The Hardest Working Rapper In The Game – I’ve never had a
record deal. I sell a lot more records then probably anyone with a
deal, doing the same thing I’m doing and I’m killin’ ‘em.

6 I’m A Cool Ass Dude – When you meet me I’m the same person with
everybody. I’m the same dude whether I’m wit’ my grandma or wit’
the A&Rs. You know what I mean?

5 I’m A Handsome Ass Dude! – I’m definitely handsome enough to be

one of the top artists in the world!

4 I Have My Own Label – I don’t have to be signed as an artist. They

gotta come at me with a distribution deal!

3 I’m The Underground Artist Of The Year – I’m the Bay Area’s Under-
ground Artist of the Year. I won an award for that.

2 OZONE Magazine – I’ve been in there a million times. That’s one

thing the industry knows me for, and that’s always a big deal.

1 I’m Actually Dope – I’m not a gimmick. The only thing I use to sell
records is the pure gift. A nigga’s fly when it comes to this music
shit. A nigga’s raw, you know what I’m saying? That’s why they “All
Over Me.” I’d bring swag to the whole staff, man!

Nominated for Patiently Waiting: California

As told to Mz Jae

OZONE
OZONEWEST
MAG // 9
 10 Stop Wearing Shirts that Don’t Fit You – Where can you hide
the burner at? Where you gonna put your burner if you got
on a s/medium? If you’re 200 pounds you shouldn’t have
no tight shirt on. Keep it G.

9 Speak from Your Heart – If you’re gonna make music you

need to speak what you know. Don’t fabricate nothing you
do. If you G about it, your music should speak for itself.

8 Don’t Kiss Ass – You don’t gotta kiss nobody’s ass in the
music industry. You can make friends but you don’t gotta
be an ass kisser.

7 Be All About Your Money – Hoes come later.

6 Focus on Your Goals – If you got a goal, make sure you

meet that. Don’t let no haters get in your way. Keep your
focus and don’t let nobody knock you off your block. Go
out there and get it.

5
Handle Your Business No Matter What – If you got a prob-
lem with somebody you need to handle that. Don’t keep
ongoing beef. It leads to deaths.

4 Never Associate with Snitches – I don’t care if it’s your

brother, your cousin, your auntie, your mama – it’s not
allowed.

3 Rep Your Hood to the Fullest – It don’t matter if you’re

from a small city or a big city. You can be the nigga to put
your city on the map.

2 Stay Away from Messy Bitches – Messy bitches will have

you caught up in some shit.

1 Don’t Discuss Your Business Over the Phone – Doing too

much talking to people about street business over the
phone can get you a lot of time in jail, so use pay phones
and do a lot of meetings but don’t discuss your business
over the phone.

Nominated for Patiently Waiting California

As told to Ms. Rivercity

10
10////OZONE
OZONEWEST
MAG
 KURUPT
5
The Formula – We changed the whole formula for selling
records and making music. We brought uniqueness to the
table. Dr. Dre, Warren G, and DPG, we changed the whole
face of Hip Hop.

4 Variety – With us, we had everything in one. All our col-

laborations were done from the inside the camp. We had
more variety as one.

DAZ 3 Evolution – Everything evolved after us. We brought life

back into Hip Hop. Record sales stepped up after us; we
brought the million dollar record deals to the table. We

5 Style – Style in the form of our music, with the concepts

we were delivering and the overall quality of the music.
brought Hip Hop to a whole new level.

2
Now everybody uses bits and pieces of what we started in Organization and Inspiration – We taught people how to do
their raps. it. We were a part of the greatest organization in Hip Hop
period. We taught people how to sell their records by their

4
Creativity – We’re still here. There’s not much more to say. damn selves. After us The Firm, No Limit, and Bad Boy were
After all this time we’re still here. all runnin’ their shit how we ran ours.

3 Originality – In the 90s when N.W.A started, and when we

started, we started that gangsta shit. We’re veterans of all
the stuff that was going down in that era and we’re still
1
Liberation – We weren’t afraid to say anything. We fought
for the people who weren’t afraid to speak their mind. Say
what you say, express yourself. People from the establish-
here. ment tried to shut that shit down. From the C. Delores
Tuckers to the Rev. Al Sharptons, to everybody trying to put

2 Swag – Having a unique style, hanging with unique people,

always being there, love moving, can adapt to anything
that’s going down.
a hold on gangsta rap, we brought liberation to the table.
We fought for the right to be able to say whatever you
want. Now if you want to say “nigga” you say “nigga,” and
if you want to say “bitch” you say “bitch.” We put the G in

1 Production – We’ve produced classics like “Ambitionz of a

Ridah,” “I Ain’t Mad At Cha,” and “Got Your Mind Made Up.”
gangsta and brought the streets in the game.
Nominated for Best Group West Coast
As told to Mz Jae

OZONE
OZONEWEST
MAG // 11
12 // OZONE MAG
10 Girls – I got to have some girls on the bus. I need Zaria
from The Parent Hood. She was bad to me, she gotta be on
the bus. Raven Simone, I’d have to get with her and try and
talk her out of a few dollars. I’d need Oprah on the bus. We
would sit up in the back and have a long talk. I would just
have some important women on the bus.

9 A.F.N.F – My homies gotta be on the bus, and I’ve gotta

have my family on there. A.F.N.F. All family, no friends. Ev-
erybody that’s in that circle knows who they are, no need
to say any names.

8
My DJ – Can’t go nowhere without my DJ, Tito Bell a.k.a.
Kanye West – I need Kanye on the bus, man. We gotta talk
Chello, right? He’s the real life of the party.
about how he’s just choked the game, and how’s he’s one

3
of the only artists that doesn’t care what nobody says. I
OZONE Magazine – I gotta have OZONE Mag on there!
need to learn a few things from him. Kanye is the truth

2
right now. He’s layin’ the foundation for artists like me. I’m
My Mama – My mama gotta be on the bus because she’s
like the Bay Kanye: spoiled brat, cocky, arrogant, still hella
goin’ to keep it lit. She’s going to get us even more girls.
cool, but don’t give a fuck what anybody gotta say.
She’s a girl magnet and she’s goin’ to bring the purple.
And when we need some food she’s going to hook it up!
7
The whole One West Movement – All my rap homies that
Mom’s got to be on the bus!
really get down with me. Glasses Malone, Ice Cube, Roccett,

1
Husalah, when he get outta jail, Jay Rock, Turf Talk, Bishop
God – I want God on the bus. Without God there is no
Lamont, Beeda Weeda, The Jacka, Spider Loc, Snoop Dogg,
direction. With a power and belief in him you can go
Too $hort, Mack 10, they know who they are. All my cats
anywhere. So I always want him riding with me. That’s a
trying to unite the west coast, not just Cali, but Oregon,
very important passenger on the bus.
Arizona, Nevada, Seattle, Alaska, they WHOLE west coast.
Nominated for Best Rap Artist West Coast
6
Some Comedy – We definitely gotta have some comedy on
the bus. Someone like Mike Epps, or Katt Williams. I need
As told to Mz Jae // Photo by D-Ray
another life of the party on the bus, so definitely one of
them.

5 My stylist – His name is Garfield, but everybody calls him G.

Field. He does it all, he styles, cuts hair, he does every-
thing. He’s that go-to guy.

OZONE
OZONEWEST
MAG // 13
 10 I’m a Real Blood Nigga – If you don’t buy
my record I’ma have to kill yo’ ass.

9 Night Job – I need you to buy my record

so I can quit my night job jacking folks.

8 Bitches – Everybody needs to buy my re-

cord and make me famous, that way I can
give it to all these bitches that wouldn’t
give me no pussy when I didn’t have
nothing.

7
Hoe Ass Niggas – Buy my record cause some
of these other niggas records you be buyin’
is police, snitches, and just down right pussy
ass niggas.

6 I’m In Debt – I owe Top Dawg Entertainment

and Warner Bros. about a half million dollars
and if I don’t re-coup I’m in trouble.

5 Nevermind – Y’all ain’t gotta go buy my record,

fuck all y’all! Nah, I’m just bullshittin’. Go out there
and get my shit, cause my shit is the bomb!

4 Fake Ass Jewelry – Buy my record so I can stop robbin’

these fools that come in my town with this fake ass jewelry
on. It’s not turning a profit!

3 I Keep It Real – I spit that real, uncut, straight hood shit. All
that other shit niggas is spittin’ is straight fairytales.

2
I’ma Real Hood Nigga – I’ma real hood nigga and feel all
the same things that other real niggas from real hoods feel.
Everything about me is real, ain’t no fake, ain’t no playin’.

1 I Fucks With Everybody – I’m spittin’ some shit that everybody

can relate to. I’m the first nigga to spit some real hood shit
since Pac. Everybody’s been trying to do it but they’ve been
putting out straight bullshit. My shit is real life situations that
everybody feel and everybody can relate to. At least anyone
who’s been in the ghetto all their life.

Nominated for Patiently Waiting: California

As told to Mz Jae

14
14////OZONE
OZONEWEST
MAG
OZONE MAG // 15
 10 They’re Repetitive – The hottest artists
of the year win at every award show, so
they all look like reruns.

9 Too Many Egos - Unimportant people

all try to act like VIPs and keep saying
things like, “Don’t you know who I
am???”

8 They’re Too Long - The pre-shows and

the post-shows are as long as the
actual award shows.

7
It’s Just A Fashion Show - Everybody
talks about what everybody else is
wearing.

6
The Afterparties Are More Fun - There’s
nothing else to say.

5 Overkill - There are just too many dif-

ferent award shows in one year.

4 They’re Expensive - The clothes, hotel

rooms, and flights are not worth it just
for somebody to say “congratulations”
and give you a trophy.

3
Lame Performances - I could just go to
a “real” Beyonce concert if I wanted to
see her perform.

2 Kanye West Syndrome - Some people are

too sensitive and get mad when their
favorite artist doesn’t win.

1 They’re Biased - I have five platinum al-

bums, one double platinum album, four
gold albums, and have never won shit!

Nominated for Best Rap Album West

Coast

Photo by Julia Beverly

16
16////OZONE
OZONEWEST
MAG
10 Me Against the World – 2Pac – I swear to God, that album was so
close to me I thought Pac was from my hood. Everything he said
on that album was me. How he came with “Outlaw” and “Fuck the
World” and “Me Against the World,” and even with “Can You Get
Away,” Pac made it cool to be romantic with a female. You have
to respect that. He was saying real shit. My favorite song was “So
Many Tears.” I lost so many homies and that song was just me all

5
around. Out of all the albums on my list, that’s the one that emo- Life After Death – Notorious B.I.G. – I liked Ready to Die but Life After
tionally touched me the most. Death was my favorite. At the time when Ready to Die came out, I was
really into the West coast music. I loved Biggie, his swag was crazy,

9
Lethal Injection – Ice Cube – That’s Cube’s best album. I don’t know
if Cube was a Muslim at the time or what, but he had a chip on his
shoulder with America and he wasn’t afraid to say it. Every song on
Lethal Injection was a story. Cube always had a talent for writing
stories. He was the mastermind behind N.W.A. I respect Cube for
but at the time I was just getting into New York music. That’s when I
really started listening to Biggie. I went to jail when Life After Death
came out. That was in ’95. The whole reason I got into East Coast
music was because the East Coast/West Coast beef was going on.

4
what he stood for. The Blueprint – Jay-Z – That album speaks for itself. As far as Jay-Z’s
albums go, this was probably the only album where I liked every

8 Illmatic & Stillmatic – Nas – You could mix both of these together.
These albums had the same effect on me – it’s just different gen-
erations of music. Nas was New York. He was so ahead of his time
single song. People were sleeping on his last few albums before that,
except for Hard Knock Life. I think The Blueprint was a classic. That’s
when I was introduced to Kanye West and Just Blaze as producers. I
with Illmatic. That was Nas’ #1 album of all time. If you listened think their style made producers step they game up.
to it you knew Nas was gonna be a problem. I was a big fan of the

3
whole Nas vs. Jay-Z thing, seeing who was gonna say what. American Gangster – Jay-Z – That album just did something to me.
I’m a rapper and lyricist so I listen to lyrics. I think Jay-Z reached

7 Doggy Style – Snoop Dogg – This was hands down Snoop’s best
album. It was a funny, well put together album, even with the car-
toon album cover. It was something different. And who didn’t want
his peak with this album. He took his whole swag and put it on the
album. Plus, American Gangster was an anticipated movie. I used to
work out to this album when it first came out. It was something I
to be signed to Death Row at that time? Snoop could turn from a used to listen to all the time.
gangster to a pimp and people respected him. Snoop was ahead

2
of his time. Even now with the “Sexual Seduction” and the wigs he
puts on, Snoop is more than a rapper, he’s an entertainer. Even with
the pimp character he plays with the buck teeth and everything,
Snoop is probably the only emcee that could pull that off and keep
his street credit. He’s the best West Coast artist in my opinion.
Dogg Food – Tha Dogg Pound – That was like the prime of my life,
as far as being a knucklehead. Snoop is still the man, but back then,
even if you were a Blood you were damn near cool with Crips just
because of Snoop. He brought that whole new vibe. I really respected
that whole movement.

6
Straight Outta Compton – N.W.A – I think Eazy E was what DJ Quik
was when he came into the game. His voice just stood out and the
delivery was crazy. I know they used to shit on him and try to say
1 The Chronic – Dr. Dre – Dre came like a beast. He came with a whole
new slang. I liked the whole swag and the new team. He had Daz,
Rage, Kurupt, Snoop. Everything from top to bottom, from the beats
that Cube wrote his lyrics. Regardless of how it came across, Easy to the flow, was the best. He had the best female emcee, the best
was a star – from his image to the way he lived. I remember they duo – Daz & Kurupt, the best solo artist – Snoop Dogg, plus him. Of
used to wear the leather gloves and I used to try to mimic them course, that was when the West coast was at its peak and had the
when I was 9 years old, with the workout gloves and flannels. game on lock, with the whole Death Row movement.
Besides the songs, Eazy is what made me like the album. The whole
N.W.A movement started the West Coast getting respect in my eyes. I Honorable Mention: ATLiens – Outkast
think a lot of people from the South and East Coast were influenced Nominated for Patiently Waiting: Arizona
by that, which was a good thing.
As told to Ms Rivercity // Photo by Hannibal Matthews

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 10
7 Arrests Deep and I Never Snitched – Nobody wants to go to
prison and deal with the consequences of their actions. For me,
5 Once I Left Sony, I Had a Deal Within 20 Minutes – At first I didn’t
a lot of times I had money for attorneys. I was able to get my
charges dropped. I’m still going through a lot right now. The
police harass me in my neighborhood and are like, “We hear that
you’re the man around here. We hear you sell drugs.” I’m like,
“Y’all crazy as fuck.” I coulda been out here puttin’ niggas on
with work. I coulda stayed out here if I was gonna do that. They
swear that I’m the man on some big dawg shit.
4
9
I’m From the West and I Made It Past 25 Years Old – If you’re from
the Los Angeles area – Watts, Compton, South Central, Englewood
– whether you’re Blood or Crip, you’re born into the conflict.
Every day you’re a target, no matter if you gangbang or not. It’s
all about affiliation, where you’re from. It’s a forever-going beef.
Every day you’re ducking and dodging bullets, trying to stay out
3
of the morgue.
8 I Actually Used to Lowride on Crenshaw Blvd. – It’s only been
3 successful rappers on major labels that lowride on Crenshaw.
Mack 10 was the biggest rapper ever that used to lowride on
2
Crenshaw. No other rappers, I don’t care what they lie about in
they raps, can say they ride. Mac 10 is the only rapper I remem-
ber seeing out there in ‘95-‘97 lowriding. With his career, he was
still out there posted up lowriding. 9 times out of 10 they’d be
out there shooting because it’s so many enemies out there. I do
remember seeing Dub C. He wasn’t into lowriding at that time,
but he was out there. No other rappers were out there during
‘95-‘99. You gotta remember I’m kinda young compared to other
rappers. People remember me out there lowriding and still hit me
1
up about it to this day.
7 Million Dollar Deal Later and I Still Street Race – That’s in my
blood. That’s what I do. I’ll never stop street racing. I don’t care
if I make 20 million dollars. I don’t give a fuck what the police
say. It’s illegal as hell but that’s what I do. That’s why I under-
stand a lot of rappers. Everybody was on T.I. talking about he’s
got millions of dollars, why’s he buying guns? He can buy guns;
he’s a real street nigga. That’s what he do. A real nigga gon’ be a
real nigga. It’s the same thing with me and street racing. I’ma be
me no matter what.
6
I’ve Performed in All 3 Projects in Watts – Nickerson Gardens,
Jordan Downs, and Imperial Courts. I done got down in all of ‘em.
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think I was gonna get released from Sony ‘cause of everything going
on. But I talked to a dude named K.P. – shout out to him ‘cause he re-
ally did something special for my career – and he was able to get me
released. I was in Mack 10’s office trying to get someone else a deal
with Mack 10 when I got a call from K.P. telling me I was released.
Mack 10 overheard me talking to K.P. and asked me how much money
did I need. He called Bryan Turner in from Priority Records and we
worked it out right there on the spot. I walked out with a deal.
I’m Signed to the #1 Baller Out West and Down South [Blu Division/
Hoo Bangin’/Cash Money] – Mack 10 is the biggest baller out West,
hands down. He shines harder than anybody. He got the coldest car
game. His crib is colder than most of these niggas out here rappin’.
And of course, Stunna Man in New Orleans. People know what his
money looks like.
I Push a Bentley Without Ever Releasing an Album – I’m a real street
dude. I deal with ballers. They put me on how to get my whip. They
threw me the keys to the Bentley, no questions. From then on, I can
whip out a couple of old-schools, a new Silverado. It’s ignorant.
I Had the #1 Record in L.A. Talkin’ Ignorant as Hell on the Song – If
you heard “Certified,” I talked super shit on that song. I pulled my
shit out in front of everybody like, “Look – I’m the man out here. Fuck
what everybody else is on.” Enough niggas understood my record
and was like, “He a real nigga. This is the coldest record on Power 106
even with this nigga talkin’ all this crazy, outlandish shit.” For the
streets and radio to embrace it the way they did, I think that spoke a
lot about my character.
The Only Crip Who Can Do All Blood Shows – I believe it has some-
thing to do with my faith in God. God wanted me to be able to put
that on. It’s not about street credibility. I don’t care what I did in my
past; people don’t care about that. This is about God, and people pos-
sibly seeing past my rag and wanting to hear what I have to say. By
the time I’m done, most of the time people are like, “This nigga is on
some real life shit.” It also has to do with me not believing in what
I was born into. I’m hood and I’m a Crip, but I don’t believe in that
natural hate for Bloods. In Watts, it’s more about neighborhoods than
Crips and Bloods. I don’t believe in the system of Crips and Bloods.
Being able to see past that has helped me be able to make the type
of records I make, maybe some life-changing shit.
Nominated for Patiently Waiting California
As told to Ms Rivercity // Photo by D-Ray
OZONE MAG // 19
 KEAK DA SNEAK
surviving the times
Keak da Sneak has lived through both the Bay’s mid-90’s hey day and
the hyphy movement of two years ago, giving the title of his newest
album Deified an even stronger meaning. OZONE caught up with the king
of the super duper hyphy hyphy to get his thoughts on everything from
Bay unity to bootleggers.
Introduce yourself, for people who don’t know who you are.
I’m from East Oakland, California, originally one-third of the group
3XKrazy. We had a major deal on Virgin Records back in 1997. I’m an en-
tertainer and I have my own way of explaining stories which I spit out in
the form of a rhyme. I’m not a battle rapper. We got goons from the bay
like Mistah FAB who hold that down for the rest of The Bay. I have many,
many stories to tell if you’re a slow listener. If you can’t understand what
I’m saying you need to keep up.
You are one of the few Bay Area artists to have a major deal. How did
that come about?
Man I know, it’s been a long time coming. In 1997 I started with the
group 3XKrazy and we signed a bad deal with Virgin records I was 17
years old and still going to school. We were featured on all of the Bay
Area’s major compilations and well as E-40’s Hall of Game. We fucked
with the major Bay Area hitters and we stayed at it.
What have you been doing since then?
3XKrazy decided to go separate ways because we did bad business with
Nootrybe/Virgin. We were not happy with the things that were going on
around us. So I decided to go solo in 1998. I breathe music so I couldn’t
just give up. I’m not a quitter so I tried it on my own and it worked out.
Every year since then I have been working on reinventing myself. I have
had bad business partners make the wrong moves but I’m still not a
quitter. I got people in my ear that constantly feed me negativity and
the people that I thought was with me was really against me. They were
all in it for their own personal reasons, but I’m still standing. I may
have fumbled a few times, but I’ma get right back up. It’s all a learning
experience. If you have the right people in your corner and around you
it’s cool. When you have the wrong people it’s all bad. When you decide
to do you, niggas be mad instead of being there for you. I’m a good guy
so I would never turn my back on my niggas. I’m working on the
Allndadoe album. I’m trying to build something solid and then I want to
work with the South on something real big. I’m working on Bay Area’s
Best Kept Secrets ranging from R&B to Rap. It’s hard to get a good
fanbase and to get people to listen. I want to bring the best talent from
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the Bay to the table.
It’s been a few years since your last album Copium. That was a classic.
Yeah, it was it was one of my best albums by far. I just released Deified
in June, it was a distribution deal with Allndadoe/Koch and I also put
a lot into that album too. There were various albums released by prior
management in between but this is my real 4th album.
How’s everything going with Koch?
Man, all I can say is, make sure you have your marketing team on hand.
My publicist Hassana Chanelle walked with me on this and we did as
much as we could. My album got pushed back for a year and it was frus-
trating. I couldn’t just bust another move, I had to wait. If you’re from
New York it’s good, but if you’re from The Bay, do all the footwork you
can before hopping into a deal.
How do you feel about the growth of your career?
I feel good about it because I have a fan base. I’ve been building some-
thing. I’m not out here just having fun. I’m really working.
When people out of the area think “hyphy,” they really aren’t all informed
correctly. Explain hyphy and the role you play in it.
The word “hyphy” means showing off, having fun, giggin’. Instead of our
youth being focusing on killing and shooting we have fun. We dance and
create our own atmosphere. Hyphy is a way of life for us.
What do you think is the problem with the Bay? There doesn’t seem to be
much love in the game and you’ve got so many people burning albums.
I feel like the Bay doesn’t come together and help each other out. Other
niggas are sticking together these days and aren’t worried about who’s
gonna be in the spotlight longer. Look at Khaled and what he’s got go-
ing on; it’s all about unity. I just wish we could all come together, and
the time to do it is now. The rap game need all of us, not just me. What
people don’t realize is that it’s getting hard for artists to sell if people
keep burning stuff. It’s ridiculous. I’m still in the stores buying albums.
I bought a few of Lil Wayne’s albums. When I catch muthafuckas burning
shit on the street, I snatch all they shit up and throw the shit away. Our
people as a whole should really know now is the best time for you to do
something with your life. Burning CDs and DVDs ain’t no fucking career. //
Words by D-Ray // Photo by Trevor Traynor
OZONE
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22 // OZONE MAG
OZONE MAG // 23
 YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE

3rd annual
OZAORNE
A W DS ion
s ecial edit
p

featuring
TRAE
& Z-RO
RICK
ROSS
PLIES
THREE 6 MAFIA
B.O.B.
GUCCI MANE
WEBBIE
GORILLA ZOE
SHAWTY
LO
FLO RIDA
RAY
& more
J
24 // OZONE MAG