part 1 8 Introduction | 26 Sources and inspirations 80 22 Continuous present | 48 Nature's forms 86 44 Form follows flow 62 Geometry oa 48 OF the people 70 Environment 100 18 Of the hill 104 20 Of the materials 0 22 Youthful and unexpected 114 26 Living musie as s22 320 236 Ferd uz 162 Det tonnes, Sonor, Tey contents cee Living organic architecture Fabrizio Carola 4166 Imre Makovecz Bart Prince 472 John Watson Jacques Gillet 376 Steven Johnson Erik Asmussen 178 Koval Dougtas Cardinal 180 Keith Struthers Grogory Burgess 82 Eugene Tsui sim Van der Ryn 4188. Nicholas Grimshaw Eric Furnémont 190 Javier Senosiain Daniel Liebermann 4198 Kendrick Bangs Kellogg Balkrishna Doshi 202. Thomas Rau Tadao Ando 206 Arthur Dyson Drew and James Hubbell 240 Philippe Semyn Vitor Ruivo Forte 244 Selected biographies pice aes of ftrd aches Rewer, 219 Useful addresses Eisaku Ushida and Kathryn Findlay 24 inography Mickey Muennig 22a index Peter Hibner 222 Acknowledgements ‘Shoei Yon 223 Photographie orditeIntroduction nme "Wain tat i taking on ew ecu. Aways coeroersl and dct 0p opaieness the rund wn al ne rel budge. Scmeties cas “he otter rae” thas along accelerated istry. tom Ancient Gr ural foe, anc i ul ofthe vay oferta! wo wth s logical forms exprestive oma se symoatetc to han boc ind, a lesa “crane” bang, we tel beter end fer ake of en indsialycrven age. The pot criti age Is auakaring to new weds, wich ao achoss en ot end wiser vison. Thee thous: an exes ot nope or the fut ris 6 tong most fce of ese tom pris end funfure,Sphing and exe cecign to rhc As this occurs, organi de ‘Recor ese ge se han a malteam design ten. ‘The new “oo sto appreach Pass expounded by such wor as Fiot Cara, se scenic ae a ar stencod by made pilescey sovarond ace coseroes he ‘areal ner wth to otec that Chaves Dana's rvchaorany Ear “Gat 2 9 aguiting aur engi). Ths Mocerninfomstiontacmology andre ape spread of campier-sided dain (CAD) 10 al tees of architecture ae desig, has helped signa creatve processes. Win tha litt tee Smensionl design sofware Ils much ase to dosion snd modal x shee and forms. No longer need he srabht ine, rent ang, and cube be the dominant rg chemo ater ‘jr enti Lanonctbratng Inert 00-10 ree ‘watches gue Satine a ao det Weta Tost en orpne assn tangs The Wada arte, {nen Over cae 08 0 cso ago i mar foetus, Using the “svengtn trough shape pine”, cana ems sven as ches, vais, domes, and spheres ae stonger, meets, and more eco romioal han he aque ecineersractues. Both modem and radon! Sd vault eiooover an ela varacuse re-balancg he ferininen Westen soca), The approach net The way of thnk Mather god be sen nto beat ae owing at and reacts ofthe rattan, Moan. Eruscin, ae Ariat Greek cuts, Thor is 2 contin {co between straight ine and rectangle, and ange, marc de Orgerc ecttecire isnot nosaige sve. wal aay fascnte ae naar, expres th ot Lae 8 breskng wave he new yeeng oer ho we and ranting archtectre dosent 62 Irsoked by tha non seat an crete fs tnatue ane bologcal fs, organic architect is visuly pete, rial, osyneratc and ender crataly re: f enboes harry of place, pareon aed mater. Open sohtctiro is muit-locted. ae ard suprisng, Yet Re myc images. ver changeable and velapeng, grow and fom rm te sae sont — the rep git hoy memes cue rom the words and wok ous present re pean sx vg mus. The main pa fen tom natura fra, escaton win gsomeny dts enironnertl cha longa it resort sa ungue even of ho InreopuctioN Pant Zoe bes rap rot ctw, Dec by ‘pentane a reve 24h coi an pasnsene emma, ‘ner ve seen, ee lnIding as nature im?