Professional Documents
Culture Documents
Studies
History and Culture of
China and Japan
Marcus Doyle
Mrs. Mercurio
First Semester B3
Content:
China
1. The Three Dynasties Period—the foundation of Chinese culture.
2. Confucianism and the division of war.
3. Romance of the Three Kingdoms--culture preserved in war.
4. The spread of Buddhism and its influence on Chinese society.
5. The Chinese-Mongol Empire-a cultural hybrid.
6. China and the Western World
Japan
7. Classical Japan as the extension of Chinese Culture but the creator of
Japanese distinction.
8. Japanese Feudalism v. European Feudalism.
9. Zen Buddhism and Shinto’s emergence in feudalism.
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10. Nobunaga Oda, Hideyoshi Toyotomi, and Ieyasu Tokugawa- the cultural
unifiers of medieval Japan.
11. The cultural expansion of the Edo period.
12. The western modernity of Japanese culture.
H O W D O E S C U LT U R E A D A P T A N D R E F L E C T T H E
C H AN G E S I N I N F LU E N C E O F G OV E R N M E N T ?
T H E C U LT U R E O F C H I N A
Dating 200 BCE to 600 CE, the Han Dynasty’s rule presented China
with its first empire that set the framework for the growth of the Chinese
Empire for years following. Under all this tension, the foundation of the
Chinese people remained intact because of threads of philosophy uniting the
people and their decorum. Throughout the entirety of the empire,
Confucianism, Legalism and Taoism, philosophies from the Zhou Dynasty in
Classic China, influenced politics, war and culture. These Philosophies acted
as a binding agent for the people of China during separation of kingdoms and
invasion and rule of northern civilizations.
The Han successfully ruled from 200 BCE to about 200 CE. In this
period, Han emperors advanced the borders of the empire, defended against
invading tribes from the west and north, and established communication
with western civilization. Education became more important during this
period, as a new class of gentry was introduced. A result of this was the
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The Early Han Dynasty preserved prosperity for hundreds of years and
furthered the societal greatness that was becoming of this ancient
civilization. However, the leaders of the Han were unable to adjust to what
this prosperity brought; a growing population and increased wealth. The
pressures of domestic maintenance and rivalries with surrounding
civilizations on China’s north and south border caused the Han Dynasty to
collapse in 220 CE. The resulting political make-up was a divided land of
kingdoms that entered into the greatest Chinese civil war. The dominating
kingdoms of this period were Wu, Shu, and Wei. However, the historical
content of thsi war was not significant until the 14th century because of the
novel The Romance of the Three Kingdoms written by Luo Guanzhong. His
recounting of the history romanticized the chivalry and heroism between the
famed warriors of those kingdoms. The culture of the 3rd century and the 14th
century is portrayed in the literature which makes it one of the greatest
pieces of literature in Chinese history.
The story follows the spectrum of the lives of the leaders of Wu, Shu,
and Wei; the Sun family, Cao Cao and his son, Cao Pi, and Liu Bei and his
brothers, respectively. Liu Bei, his brothers and other roles within the Shu
kingdom play as the protagonist of the novel, while Wu and Wei are depicted
as villainous antagonist. According to Moss Roberts, a professor of Chinese
culture at New York University, Liu Bei, Guan Yu and Zhuge Liang, key leaders
in the Shu Kingdom, represent the values of the Chinese. Liu Bei is a
hardworking, charismatic leader, loving and caring to his people and his
kingdom; he represents the physical strength value. Guan Yu, Liu Bei’s
brother, is loyal and family debted. He is also pious and has a strong
Buddhist influence; he represents the religious strength value. Zhuge Liang is
China’s most respected military tactician and general. He is wise and
composed; he represents the intellectual strength value. These character’s
stories compose the Chinese values that were present in the Han Dynasty
and the Ming Dynasty.
The affect of this novel on China was limitless. To the contemporary
society of the Ming Dynasty, this novel worked in the same way as Vergil’s
Aeneid because it glorified the country and brought about national pride. The
Shu Kingdom’s story was interpreted as the Ming Dynasty’s journey,
overcoming obstacles through the brilliance of its leaders. The characters
and heroes of the stories became idols in society. Emperor Wanli, later ruling
in the Ming Dynasty, glorified Guan Yu to god status based off the
romanticized journey of his life in Guanzhong’s novel. Although the Shu
kingdom is defeated in the end, they are treated with the respect of a Greek
hero dying at the end of his quest. The novel seamlessly ties the culture of
China in war stories, redefining the values and preserving them for the
future.
Buddhism in China came about through the Chinese Silk Road trade
with India. This religion was introduced in the second century BCE however,
it did not gain popularity or much recognition until the second century CE
Buddhism was originally repressed by the Han Dynasty, treated similarly to
the beginning Christianity in the Roman Empire. At the fall of the Han
Dynasty, during the Three Kingdom period, the civil war created a tumult in
society. Seeking repentance and salvation, the people turned to Buddhism.
This change of faith parallels the strong movement towards Christianity in
Medieval Europe.
Following the civil war, buddhism had strongly established its place in
society. Because buddhist values were seamless with those of philosophy of
Taoism, the convergence into society was met with ease. Many Chinese
philosophers saw Buddhism as a foreign branch of Taoism because the
concepts between them were very closely related and often shared terms.
However, in relation to Confucianism, Buddhism was met with opposition.
Confucianism followed a school of thought that related to the principle of
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how individuality can aid society and the state and the Buddhist thought of
self growth to Nirvana seemed useless and selfish in the eyes of Confucians.
Buddhism became a state religion during the northern and southern
dynasty. The shock of complete division following the collapse of the Jin
Dynasty in 420 CE created a void in Chinese society between the north and
the south. Chinese nobles and politicians who were Buddhist used the
societal discord to press Mahayana Buddhism as a state religion in both
dynasties. The north dynasty, strongly emigrated with the Xiabei kingdom of
eastern Mongolia, adapted Buddhism rapidly and instated it as the state
religion. Emperor Xiaowen of the North built over one thousand temples for
his people. Because of the neighboring relationship with southern asian
civilizations such as India and Thailand which had established Buddhism as
its state religion through trade and commerce, Buddhism took a hold on
southern chinese society. Buddhism evolves with chinese culture through the
significant changes of the later dynasties, taking on new forms, such as
Tibetan buddhism in the Yuan Dynasty. Its rooted position in culture shapes
China’s history and society.
Prior to the 13th century, China had become the leading nation in East
Asia. The golden rules of its emperors throughout the imperial age had
furthered chinese society to be the pinnacle civilization of the world. China
however was not abcest of war and strife. In the 13th century, the strong
nomadic clans had mounted a force so great that it wiped through the Jin
dynasty of northern China and the Song dynasty of southern China. Chinese
civilization had become suppressed entirely to Mongolian rule. However,
through the benevolence of the mongol emperor, Kublai Khan, and the
strength of chinese culture, chinese society continued to grow and prosper,
instead of be erased. Because of Kublai Khan’s political activism in chinese
culture, Chinese-Mongol Empire recreated the strength of the chinese
society that had been weakened by the political disunity from 907 to 1279
CE.
The chinese culture went through rapid growth because of the
connections it made with other nations under the Mongol Empire. The
mongols had territory stretching from modern day Tibet to Russia, and Iraq
to Korea. Many civilizations were integrated together.The chinese were
exposed to a stronger influence of middle eastern religions, such as islam,
which were not foreign to the Chinese from the trade of the Silk Road. Also,
Tibetan Buddhism overtook chinese religion because it was enforced by the
Mongols as the state religion. Chinese culture became fused and influence
with this additional cultures.
Under Kublai Khan’s rule, culture matured within itself because of
Kublai’s policies and reforms. His main principle of rule was to gain the
people’s favor, unlike his predecessors who ruled through tyranny and
suppression. Kublai took a special interest in China over the other states
within his vast empire. He situated the Mongol Empire in the capitol of Dadu,
China, modern day Beijing, and took control of the entire chinese imperial
system. He centralized the government and made himself an absolute
monarch taking charge of all policies. Kublai hires the Han chinese people
into government positions to gain their political support, however, the racial
suppression of the Han chinese, kept any of them from reaching any position
of power. Marco Polo came to China during the reign of Kublai Khan and
documented that he was benevolent, relieving the people’s taxes in times of
trouble, building hospitals and orphanages, and distributing food to the poor.
Marco Polo brought back with him to the Europe the existence of the China,
beginning the relations between the eastern world and the western world.
T H E C U LT U R E O F J A P A N
Japan was exposed to all forms of buddhism, but at the later periods of
medieval Japan, Zen Buddhism flourished. Unlike other sects of buddhism,
which let practitioners put all their faith of salvation from the suffering of the
world in other beings, Zen allowed one to act against suffering and achieve
salvation, nirvana, through personal enlightenment. It stressed simplicity in
daily life and rejected all material desires, promoting in its place meditation
and introspection. Zen rituals include famous japanese customs of tea
ceremony and sand gardening. The calm of Zen gave the japanese a lifestyle
that counteracted the strife of the Sengoku period; tumultuous and ceaseless
civil war.
Zen leaves its largest footprint on art because buddhist principles such
as simplicity shaped japanese painting. The japanese art style of sumi, a
monochromatic inkwash painting derives from Zen art. In sumi, the artist
displays natural scenes, such as landscapes, flowers, or animals, in a few
distinct brushstrokes. The style gives a simple, black silhouette of the figure,
leaving the mind to interpret the figure’s physical characteristics like texture
and color. Zen buddhism is identical to this art style because monks use
simplicity in daily life in order to expand upon interpretation with the mind to
find the enlightened self.
Zen buddhism finds its home with the japanese warrior class; the
samurai. Because of the fear of death, Samurais spent their time outside of
battle in zen practice establishing their enlightenment. Samurai would often
meditate prior to battle or in some cases, paint. It was believed that finding
this enlightened self could alleviate the emotional pains caused by fear of
death or killing. Meditation is the key practice of Zen buddhism because
through it, individuals can focus in on self enlightenment. The discipline and
practical approach of Zen made it a strong religion in medieval Japan. Zen
monks occupied positions of political influence and became active in literary
and artistic life. Zen monasteries, especially the main temples of Kyoto and
Kamakura, were educational as well as religious centers.
The Zen influence on Japanese culture has a broad range including
poetry, calligraphy, painting, tea ceremonies, flower arrangement, and
landscape gardening. The popularity of Japanese Zen declined during the
16th and 17th centuries, but its traditional forms were revived by Hakuin,
from whom all present-day Rinzai masters trace their descent.
Medieval Japan is most known for the civil strife of the feudal system in
which 400 years were spent in disunity and turmoil. The Sengoku period of
Japan, from 1457 to 1585, was the most brutal time of civil war, where battle
was constant and there was no political stability. Daimyo families fought
viciously for power and the emperor had no control of the warlords. Each fief
became its own state. It wasn’t until the Oda clan of the Owari province that
had the strength and intellect to take the first steps to unifying Japan.
Nobunaga Oda, leader of this daimyo, was assassinated by his retainer after
asserting himself as the most potential leader of all of Japan. Following in his
place was his another retainer of emmense potential, Hideyoshi Toyotomi,
Hideyoshi Habashi at that time, who revenged Nobunaga’s death by
defeating his assassin, Mitsuhide Akechi, at the battle of Yamazaki, and
bringing together the momentarily shattered forces of Nobunaga. His
cunning and strength in war allowed to unify Japan, including the lesser
islands of Shikoku and Chosabe. He died of illness before the Emperor had
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named him Shogun, and the land was once again thrown in disorder. Two
major forces, divided between members of Hideyoshi’s regime, warred for
succession to Hideyoshi’s Japan. The western force led by Mistunari Ishida
fought against Ieyasu Tokugawa, who controlled eastern Japan. Ieyasu won
the battle of Sekigahara in 1600 and took control of Japan. He was named
Shogun in 1603 and stated the Edo period of a unified Japan. These three
rulers brought about a successive growth to Japanese society and culture
and prepared it for the cultural modernity of the Edo period.
Nobunaga Oda redefined imperial power and societal class. His reign
brought about a calm unknown to the japanese for over a hundred years,
and during his brief rule through his militant suppression of other warlords,
Nobunaga reformed failing aspects of japanese society. To deal with the
immediate issues within the feudal structure, Nobunaga changed the amount
of power held within daimyos, usually given based on family relations, to a
people of merit. He also divided territories by the amount of rice production
so that fiefs held the same economic power. Nobunaga used his military
prowess to eliminate all rebellions or clans against his rule with brevity. The
Oda had control of Japan supported by the people, however, Nobunaga did
not reach all this ambitions and dreams to unify Japan completely because
he was unexpectedly assassinated by his retainer, Mistuhide Akechi. The
reforms planned by Nobunaga were carried into the policies of Japan’s
second unifier, Hideyoshi Toyotomi.
Hideyoshi Toyotomi, a general for Nobunaga Oda, was a promising
individual whose clever and wit in battle gained him favor from Nobunaga.
He started his military life as a peasant mercenary named Kinoshita
Tokichiro. Despite Hideyoshi’s peasant upbringing, he became a
distinguished general, naming himself Hideyoshi Habashi. Hideyoshi worked
swiftly after the assassination of Nobunaga to mount a force against
Mistuhide Akechi and gain support to his succession. Following his victory
over Akechi at the battle of Yamazaki, he then overcame Nobunaga’s other
retainers, Katsuie Shibata and Ieyasu Tokugawa, claiming succession to
Nobunaga’s power. With this, he took no time to suppress the remaining
daimyos of Japan, the Chosokabe, the Shimazu, and the Hojo. His unification
of Japan was absolute and he officially ended the warring in Japan. Hideyoshi
sought social reform to maintain his control. He effectively froze the class
system, by implementing living quarters in cities dividing social classes, and
furthermore, he denied all classes except for samurai to carry weapons. He
maintained unification by assigning territories to Daimyos distinctively. For
example, Hideyoshi assigned Ieyasu Tokugawa, whose support was
questionable, to the Kanto region far from the capitol, with trustworthy
daimyos in-between. Because of a twice failed campaign to conquer Korea,
Hideyoshi severely harmed the japanese economy and military, and before
he could repair both, he died of illness in 1598. The land was then thrown
into a brief war, the Sekigahara period.
Ieyasu Tokugawa brought back peace and unification indefinately to
medieval Japan, after winning the battle of Sekigahara in 1600. In his reign
and the entirety of the Tokugawa rule, japanese cultural was entirely
expanded and adapted. After Ieyasu was named Shogun, he abdicated his
position to his son, Hidetada, in order to divid the power of the Tokugawa
protecting it from assassination, and also to make a smoother transition of
power to Hidetada when Ieyasu did die. Although Hidetada carried out the
role of Shogun, Ieyasu held most of the power. Ieyasu’s most significant
reform was with foreign affair. He oversaw the diplomacy with Dutch and
Spain for the first years of the Tokugawa rule, but chose to limit Japan from
western countries, except for exclusive trading rights for the Dutch. His rule
gave Japan a foundation of cultural growth that would continue through the
Edo period to the Meiji restoration.
These rulers arose from the chaos, redefining social standards and
bringing Japan together after many years of war and disunity. Each left a
special footprint on Japanese culture that followed into the later and last
years of Imperial Japan. What becomes of Japan in the Edo period is a result
of the Sengoku period. Japan could not have been so greatly reformed and
reconstructed without the corrosive warring period. The Edo period could not
have done so much for Japan without the foundation of reform created by
these three men in the midst of chaos.
With the Japanese state unified under the Tokugawa, the Edo period
brought a complete cultural reformation. Japanese art, intellect, economy,
and literature prospered. Mass education occured in Japan which led to
developments in math and science. The Japanese society was reconstructed
into four classes and ensured the safety of the government. The feudal
system was rearranged and strengthened serving the needs of the Tokugawa
to have control over Japan. Through the implemention of sound policy,
Japanese culture, structure, and society flourished.
The greatest cultural achievements in the Edo period were that of
education and literature. Education was provided for most men, giving way
to advancements in sciences. Education also began to disengage chinese,
buddhist, and confucist studies for early japanese studies, this was called the
kokugaku, ‘japanese revival.’ Japanese art was influenced by the use of
polychrome print makers. Artist moved away from the monochrome,
simplistic style of sumi to a more detailed and colorful painting. With an
abundance of cultural expressions in Japan, the brute Samurai class became
integrated into it. Most samurai were poets or artist when they wait for battle
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or war, and following the unification of Japan, beyond maintaining the peace
for some soldiers, most samurai did not see battle again. Buddhism had
rooted itself into Japanese culture, and at the root of Japanese religion,
Shinto was apparent, however, uncommonly practiced. In the later Edo
period, in response to the modernization of Japan, the Emperor called for a
revival of Shinto to reestablish the spirt of Japan. Japanese culture furthered
into a natural modernity of findings and advancements building the
Japanese’s knowledge of the world around them through their cultural ties
and beliefs.
The Tokugawa reformed the structure of government and economy as
much as the japanese culture or society. Ieyasu and his son Hidetada, the
first two shoguns of Japan in the Edo period, sought to centralize the feudal
system to maintain its stability. They took absolute charge, commanding all
daimyo’s underneath them by dividing them into levels of relation. By
establishing this hierarchy, the Tokugawa could suppress daimyo’s of a low
level with daimyo’s on a higher level as means to check support to the
Tokugawa rule. A second key policy that strengthened the feudal system was
forcing daimyos to spend every other year in court. Because of the travel
necessary for some daimyos, road systems were greatly improved as well as
means of transportation. By bringing daimyos to court, the Tokugawa
maintain more direct relationships with them, gaining their support. The
economy was developed to match the growth in culture, government, and
society. Developments included urbanization, the selling of domestic and
foreign commerce, and the shipping of commodites. Through this,
agricultural production increased and agriculture itself advanced in
technology. The structure of Japan was rebuilt and fortified to match the
demands of the Japanese people undergoing prosperity and change.
Social changes were important to restructure the japanese people so
used to disunity and chaos. Also, japanese people for the entire Sengoku
period knew only their local lord as their monarch and the Tokugawa rule was
difficult to accept. Ieyasu knew this to be the case and broke the japanese
society into rigid classes to disrupt any social structure set by daimyos. The
top of Ieyasu’s social hierarchy was
“... the true master of the way of the warrior is one who maintains his martial
discipline even in time of peace. ... the farmer’s toil is proverbial ... He selects the
seed from last fall’s crop, and undergoes various hardships and anxieties through the
heat of the summer until the seed grows finally to a rice plant. ... The rice then
becomes the sustenance for the multitudes. ... the artisan’s occupation is to make
and prepare wares and utensils for the use of others. ... the merchant facilitates the
exchange of goods so that the people can cover their nakedness and keep their
bodies warm....” (Asia)
These four classes were enforced to live in certain, seperate areas of a castle
town. This furthered the Tokugawa’s protection against civil rebellions and
uprisings.
Ieyasu brought a cultural reformation by secluding Japan from the rest
of the world, giving it the opportunity to mature and grow. Ieyasu feared
exposing Japan to the western world and he closed ports to traders. By doing
this, the seclusion of Japan left only domestic policy to be focused on. Within
the 200 years of the Edo period, Japan reached an equal modernization of
culture and society in China who took 600 years starting in the Yuan Dynasty.
Because of its modernity from the Edo period, Japan had been set for the
cultural revolution to take place when its seclusion was forced open by the
western world.
The Japanese culture had been developed and established in the Edo
period. Its growth matched the natural progress of society, however, when
western forces infiltrated Japan through the seclusion set by Ieyasu
Tokugawa, first shogun of the Edo, the japanese culture was put against a
standard of the western world. This forced the culture to be modernized
rapidly and distorted the natural process of modernity. In essense, what
modern japanese culture is today is an influence of euro-american culture on
traditional japanese culture. The period of time that came from the opening
of Japanese ports by Commador Matthew Perry of the US was known as the
Meiji period, where the Tokugawa rule was seen as weak for losing its
security to US battle ships, and was stripped of its rule in a cultural and
social movement of power from the shogun to the emperor. The Meiji
restoration is a time of technological implementation, cultural modernization,
and government reform. To compete globally, Japan needed to modernize,
however, by doing so, traditional japanese culture was lost to technological
and societal advancements established by western principles.
The growth of culture in Japan became influenced by western powers
rather than the culture itself. This twisted and changed traditional japanese
culture into new age japanese culture, one adapted to deal with the western
powers. What became the Meiji Restoration was a rebellion of thought from a
group of young japanese scholars below the samurai class who wished to
institute a new government that centralized on the Emperor, as divine ruler
of Japan, instead of the shogun who gained power through war. In the
preamble of the Meiji constitution, these japanese scholars claim that “the
righs of sovereignty of the State, We have inherited from Our Ancestors, and
We shall bequeath them to Our descendants.” (Asia) The Meiji restoration is
known as a cultural reformation because of this principle, that by instituting
the emperor as monarch of Japan, the roots of Japanese culture will be
reestablished and revive traditional culture that had been affected by
western influence.
While in its attempt to return traditional Japan, the Meiji period
experienced a surge of technological knowledge given by the western world.
The japanese became away of trains and telephones, and japanese
beauracrats used these technologies to give Japan the chance to have an
equal power on the global stage. However, the train tracks and telephone
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wires being erected in rural Japan, virtually unknown to technology, were not
welcomed by the majority of the people. They saw the changes in Japanese
lifestyle as evil and many train tracks and wires were destroyed in uprisings.
These technologies went against the natural world principles of Shinto.
Through western influence, Japanese culture rapidly grew through
technological advances and government reform, but the rapditiy overlooked
the people’s response to the change. Most urban located japanese people
accepted these changes, but it was the rural, agricultural people who denied
them and fought against them. These people were seen as traditional culture
and the urban people were seen as the new age culture of Japan. The
struggles between them became the end of Imperial Japan. Due to the
establishment of Japan in a global perspective, the new age culture had
conquered traditional japenese culture, bringing into effect modern Japanese
history.
Works Cited
Asia for Educators. Columbia University, 26 Jan. 2010. Web. 15 Jan. 2010.
<http://afe.easia.columbia.edu/index.html>.
Grasso, June, Jay Corrin, and Michael Kort. Modernization and Revolution in
China. Armonk, NY: Sharpe,, 1997. Print.