Professional Documents
Culture Documents
Summer 2019
COURSE DESCRIPTION:
This course continues the survey of English literature begun in ENGL 205, covering the period
from Romanticism to modernism, through the examination of selected texts belonging to
different genres (poetry, fictional and non-fictional prose, and drama) against their socio-
historical, cultural, and philosophical background.
1. To identify the authors, titles, plots, characters, and themes of the works.
2. To recognize and apply the metrical elements, the major stanza forms, the main rhetorical
devices, major literary terms, and the principal literary genres in the works.
3. To place the authors studied in their appropriate literary, historical, and philosophical
contexts and to explain the distinguishing characteristics of each writer and period/trend.
4. To read closely and deliver interesting and informed interpretations of other works by the
same authors on the syllabus (which you may be tested on).
5. To relate the development of certain poetic features or conventions to larger intellectual
trends and historical movements such as Romanticism, Victorian scientism, industrialism,
and modernism.
GRADE DISTRIBUTION:
Attendance and oral participation (25%), reading presentations (15%), Midterm (25%), Final
Exam (35%)
1
Daily Preparation: Students are required to bring to class each session a sheet of paper on
which they have informally listed responses, questions, issues to discuss, and general statements
regarding the reading assigned for the day.
Midterm: Students will have an exam in the middle of the semester on a specific literary period.
Final Exam: Students will have a cumulative exam at the end of the semester to test their
knowledge on all the learned material.
COURSE POLICY:
Attendance is obviously mandatory. More than five unexcused absences will result in
automatic withdrawal from the course. Students are responsible for any materials
covered during their absence. Cheating and plagiarism will result in automatic failure on
the assigned task. Further, students caught cheating will be referred to the Student Affairs
Committee for further disciplinary action.
Mobile phones should be turned off and out of sight. Phones may not be answered.
Once in class, students are expected to remain in class for the entire period.
Special needs: Any student that feels they may need an accommodation due to a
disability should contact the instructor privately to discuss those specific needs in the
early weeks of the semester.
Students must attend class with the required material (textbook, notebook, pens, etc.)
TEXTBOOK:
The Norton Anthology of English Literature, vol. 2 (9th ed.), available for purchase at the AUB
bookstore.
UNIVERSITY POLICIES
Academic Integrity:
2
Non-Discrimination
1 June Introduction Course Introduction and Introduction to the Romantic Era AND “My
3 to the Heart Leaps Up” (1802)
course
June Romantic Robert Burns, “A Red, Red Rose” (1794) AND “To a Mouse”(1785)
4 Period
2 June Romantic Preface to Lyrical Ballads: “The Subject and Language of Poetry”,
10 Period “What is a Poet”, “Emotion Recollected in Tranquility” (1802) AND “I
Wandered Lonely as a Cloud” (1804)
June Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (1797):
11 Parts 1 & 2 & 3
3
3 June Romantic Lord Byron, “Darkness” AND Wrap up of Romantic Period
17 Period
June Robert Browning, “My Last Duchess” (1842) and Christina Rossetti,
26 “An Artist’s Studio”(1856)
June Mary Elizabeth Coleridge, “The Witch”(1892) AND “The Other Side of
27 the Mirror” (1882)
July Rupert Brooke, “The Soldier” (1915) AND Wilfred Owen “Anthem For
3 Damned Youth” (1917)
July Eavan Boland, “The Lost Land”(1998) and “The Dolls Museum in
15 Dublin”(1994)
4
July Carol Ann Duffy “Medusa”, “Pygmalion’s Bride”(1999)
16
Reading Period for the summer semester: Sunday, July 21, 2019- Tuesday, July 23, 2019
Summer semester ends Tuesday, July 30, 2019