AYCAN TEZTEL

Fantasy no 1
for bass tuba, timpani & percussions

Duinenburg Music
 Fantasy no 1
for bass tuba & two percussions

Aycan Teztel
q = 48 (freely)
   
q = 52

  
           
  

p
    
mp mf

       


rit.

7
     
accel. ad lib.

         
 mf
f


rit.
         
11

       
      
    
mp p

A
   

q = 120 timpani
         Perc.
15

   
1.2. 3. 4x
  
4. 3 3

pp 
mf

    
20

 
3 3 3 3
         
       

22
  

3
 
3 3 3
        
   


24 3 3

     
  3
      
     

               

    
26 3

1. 2.
3
     
   
3 3     

 
3 ff ff
3

  B    
q = 178 1. 2.

             

perc.        sf   
sf
sf sf
2

   1 x tacet
          
    
   

 C
   
           
28
  
        
 
  
sf sf sf sf

         
31
         

   
  
  
     
       
sf sf

  
35
     
1.

                  

sf

sf

    


D
       
29
  
2.

     
      

    
33

            
          
2.

38
      
 

            
      gong  



 
42
  
slowly, ad lib.

    

          

p

E q = 116
46 Allegro Moderato
         

f
 3

      
50
         
3 3

     
          
 mf

   
              
54
  
3 3
    
3 3 3 3
  
      


            
58
 
         
      

f


     
62
  
3 3

3
   
3 3 3 3 3
                
      
 3 3

F
   
66 rit.
   
3
  
3 3 3 3 3 3
  
   
            
   3


68
    
ad. lib.

        
              
 



            
a tempo
        
71 rit.

       
    
  

 presto
          
74

   
       
3 3
        
 
3 
sf