Besa me Mucho Morris Albert

Bass Guitar (Polytonic Orchestra)

LEAD BASS solo guitar/bass Arr. Lympanovnos Panagiotis


A Am Am9 Am Am7 Am6# Am6 Am E7(#9) E9
          
                
CANTO
9 B Am Am Dm Dm A7 Dm6 E7 Am
   
                           

                            
16 Dm Am Dm7/B E
  
A7
    
 

24 E7(#9) E9 Am Am Dm Dm A7 Dm6 E7

C
     
  
                   

           
31 Am A7 Dm Am B7(b5) E7
    
               
Asus4
 
   
39 Am D Dm Am E7 Am A7 Dm Am
                        
             

  
47 B7 F7 E7 E Am Am Dm A7 Bm7(b5) E7

       
                       

                        
Am A7 Dm Am B7(b5) E7

55
       
Asus4

   

THEME PIANO/ORCHESTRA
63 F Am Am Dm Dm A7 Dm7 E7 Am
    
                
        
VOICE
70 G A7 Dm Am
    
               
Asus4
 
       
rit.

   
    
76 B7(b5) E7 Am H Dm6/B E7

 

   

   

       

I A tempo q =95

82 Am Am Am rit.
    
                
 Cantique de Noel arr. P . Lympanovnos
Acoustic Bass (Polytonic Orchestra)
A q. =55 B C rit.
   
   

CANTO
16 D q. =55 E D G D D/A A7 D
      
           
30 F D G D D D7 F©‹/C© C©7 F©‹
           

39 G A/C© D A/C© D
       
     
47 H B‹ F©‹ E‹ B‹
         
  
55 I D/A A7 D D/A A7 D
       
  
63 J A7 D G D/A A7 D
     
   
ff
71 K G E‹ D A/C© D G A7
 L
              
p
81 M D G D D/A A7 D
      
       
91 N D G D D D7 F©‹/C© C©7 F©‹
           

100 O A/C© D A/C© D
       
     
108 P B‹ F©‹ E‹ B‹
         
  
116 D/A Q A7 D D/A A7 D
       
  
124 R A7 D G D/A A7 D
     
   
ff
132 SG E‹ D A/C© D G A7 T D rit.
     
           
p
©Copyright P. Lympanovnos 2015
Contrabass
Carol Of The Bells
(Polytonic Orchestra)
arr. P. Lympanovnos

A q = 180 B

      
      

18

             

25 C D

          

36 E F

      
    

50

             

57 G H

     

63

      
Contrabass
"Christmas - That Special Time"
(Polytonic Orchestra) arr. by P. Lympanovnos

A G q = 96 D7 E‹ G7 C6 D E‹ D/G CŒ„Š7
           


q = 132
7 A‹9 A‹ D7 B F G A‹ F F G
   
           

Swing

12 C C G
                        


18 C C
   
                

23 D C7
   
                

28 F D F©º C7 G/A A D G7 C(“4) C D GŒ„Š7 G©º

                   
  

34 A‹7 D9(b5) D‹7 B¨7 E E¨ B¨7

    
                  

40
       
  
©Copyright P. Lympanovnos 2015
 "Christmas - That Special Time"
2 (Polytonic Orchestra)
Contrabass
molto rit.
43 E¨/F A¨/G A¨Œ„Š7 F‹7/B¨ F A‹7(b5) E‹(Œ„Š7)/D
            
    
Bossa nova
q = 142
G7/F G B¨/E G‹/E¨ CŒ„Š7/D
48   D7
                 
     
H G A‹7 D  G A‹7
52
     G E‹7 A‹  
D7
         
              

58  G
  
 D G D  G A‹7
E‹7
                     
     
63 A‹
D  G E‹7 A‹7 D G
                    
        

68 I D‹7 C©7/G CŒ„Š7 D D G7
                            
      
74 CŒ„Š7 C‹7 C‹7 F9 B¨Œ„Š7
                           


80 D¨9 D9 E¨9 E9 F9 F©9

                              
     

86 G9 G J C D‹7 G7 C A‹7 D G7
                   
         

92 C7 F7 B¨7 E¨7/D¨ D‹9 D‹9/G
         
          
   
molto rit. molto rit. q = 60
98 C K C7/B¨ C7/A¨ C/G C
            
   
 "Christmas - That Special Time"
(Polytonic Orchestra)
3
Contrabass
106 L C G
            
      

112 C F C G C
      
         

117 M C
                  

123 G F C
      
              

127 G C
 
             

132 N C G
            
     

138 C F C G C
                  
    

143 O A¨
     
                     
  

145 C C
    
            

Acoustic Guitar
HAPPY NEW YEAR
(Polytonic Orchestra)
ABBA
q = 70
A        
A arr. P. Lympanovnos

         
A E/A D/A E/A B A D/B A/C© C©‹7

       
mp


7 D A/C© D/B E(“4) A D‹/B A/C© C©‹ D A/C© B‹7

       
  
REFREN 1

 
13 D/E E7 CA C©/E© F©‹ D F©/A© F©

          
     


18 B‹7 E A C©/E© F©‹ D F©/A© F© B‹7 E B‹7 E

       
  
  
CANTO 2

 
25 DA D/B A/C© C©‹7 D A/C© D/B E(“4) A D‹/B

      
REFREN 2

30

A/C© C©‹ D A/C©  E A C©/E© F©‹ D F©/A©

     
 

 
38 F© B‹7 E A C©/E© F©‹ D

      



42 F©/A© F© B‹7 E B‹7 E

     
  

   

A E/A D/A E/A A
  
46

  
(4)
    
mp

Copyright © P. Lympanovnos 2015

 Have yourself a merry little Christmas
Fr Bass (Polytonic Orchestra) arr. P. Lympanovnos

A q = 78 A‹9 B‹7 CŒ„Š7 C/D D E¨Œ„Š7 C/D D7

     
CANTO

6 BG E‹7 A‹7 CŒ„Š7/D D7 GŒ„Š7 E‹7 A‹7 D7 GŒ„Š7 E‹7

     

11 A‹7 D7 F7 E7 A7 D(“4) D7 C GŒ„Š7 E‹7 A‹7 CŒ„Š7/D Cdim/D

     
       
16 GŒ„Š7 E‹7 A‹7 GŒ„Š7 E‹7 A‹7 B7 E‹7
Cdim/D
       
     
REFREN

21 D‹7 G7 D CŒ„Š7 D/C B‹7 B¨‹7 A‹7 C/D D

       
  

GŒ„Š7
25
     E‹7 A7 F©‹7 B‹7 E‹7 A7

D(“4)/A D7
      
  
E CANTO
30 GŒ„Š7 E‹7 A‹7 CŒ„Š7/D D7 GŒ„Š7 E‹7 A‹7 D7
     
    
34 GŒ„Š7 E‹7 A‹7 B7 E‹7 D‹7 G7
          
  
F G
38 CŒ„Š7 B‹7 A‹7 CŒ„Š7/D D7 GŒ„Š7 E‹7 A‹7 CŒ„Š7/D D7 GŒ„Š7 E‹7 A‹7 D7
          
        

   


44 B‹7 E‹7 A‹7 B7 E‹7 D‹7 G7
           
    
H rit.
48 CŒ„Š7 B‹7 A‹7 D7 B‹7 E7 A‹7 B‹7 CŒ„Š7 C/D D
    
                 
q = 80 q = 120
54 I GŒ„Š7 E‹7 A‹7 CŒ„Š7/D Cdim/D GŒ„Š7
   
    
 
©Copyright P. Lympanovnos 2015
 Historia de un amor Carlos Eleta Almaran
Acoustic Bass (Polytonic orchestra) arr. P. Lympanovnos
A C‹ A¨ G/B C‹ A¨ D¨ G G7/B C‹
         
  
CANTO
9 B A¨Œ„Š7
A¨6 A¨7/G¨ G7/F G C‹ F‹7 G‹7 C‹ C D‹7(b5) G7 C‹ G C‹
             
           

17 B¨ A¨ G7(“4) G7 C‹ D D‹7(b5) G7 C‹ G C‹ B¨
       
                   

REFREN
26 A¨ G7 C‹ F‹7 G‹7 C‹ E D‹7(b5) G7 C‹ G7 C‹ F‹7
     

          
 
      


A¨Œ„Š7 Fº G‹7 C‹7

34
  F‹7 D‹7(b5) D7(b5) G(“4) G7 C‹

 

        
         

CANTO
41 F D‹7(b5) G7 C‹ G C‹ B¨ A¨ G7 C‹ F‹7 G‹7
       
             
INTRO GUITAR

48 G C‹ D‹7(b5) G7 C‹ G C‹ B¨ A¨ G7(“4) G7 C‹
     
                     

INTRO TRUMPET/ SAX

57 H D‹7(b5) G7 C‹ G C‹ B¨ A¨ G7 C‹ F‹7 G‹7 C‹

        
             
CANTO FINALE

65 I D‹7(b5) G7 C‹ G7 C‹ C‹6 F‹7 A¨Œ„Š7 Fº G‹7 C‹7 F‹7

  
      
        
    
    

73 D‹7(b5) D7(b5) G(“4) G7 C‹ J D‹7(b5) G7


 

 
              

molto rit.
79 C‹ G C‹ B¨ A¨ G7 C‹ F‹7 G‹7 C‹
             
         
 Can't Take My Eyes Off Of You
Electric Guitar (I Love You Baby)
INTRO PIANO (Polytonic Orchestra) arr . Lympanovnos Panagiotis


INTRO


A q=125 B B/A B‹/A A B/A B‹/A A

                  
  B¨
       
CANTO WOMAN

 
12 C
Amaj7
                
A A7
               

D  
19 A B/A B‹/A

                 
Dm6

  
              

    
27 DA EA
Amaj7
              
A7
 
  
              

D  
35 B/A B‹/A

                 
Dm6 A
  
              
ORCHESTRA TEHME


43 A F B‹ E A B‹

  

   
   
 
              
 
     

REFREN


50 E A F©‹ gliss. B‹9 G B‹9/E E7 C©‹7 C©‹7/F© F©‹

                         
 
   

1. 2.

  
58 B‹7 B‹7 B‹6 AŒ„Š7 AŒ„Š7/F© B‹ G9 G7 G7

                        
   
   

TRANSPOSE
66 HC CANTO MAN CŒ„Š7 C7 F

  

   
       
        
        
   

74 D/C D‹/C

                     
Fm6 C C

               
ORCHESTRA THEME
82 I D‹ G C D‹ G

   
   
    
  
          

        
    
  
REFREN 1.2.
88 C A‹ A‹ J FŒ„Š7 FŒ„Š7 G7 E‹7 E‹7 FŒ„Š7 D‹7

   
                        

rit.
 
96 D‹7 D‹6 CŒ„Š7 CŒ„Š7/A D‹ B¨9 B¨7 G7 C

                   
   
     

 I will survive
Bass
INTRO PIANO CANTO / Freddie Perren
q = 120 NO TEMPO arr. Lympanovnos P.
A B A‹7 D‹7 G7 CŒ„Š7 FŒ„Š7 B‹7(b5) E7(“4) E7

 
     

TEMPO DISCO
C 13 A‹7 D‹7 G7 CŒ„Š7
 
             
                      
17 FŒ„Š7 B‹7(b5) E7(“4) E7
                
                       
D 21 A‹7 D‹7 G7 CŒ„Š7
 
                                
     
25 FŒ„Š7 B‹7(b5) E7(“4) E7
                  
                   
E 29 A‹7 D‹7 G7 CŒ„Š7
    
                                     

    
33 FŒ„Š7 B‹7(b5) E7(“4) E7
                       
                
THEME ORCHESTRA
F 37 A‹7 D‹7 G7 CŒ„Š7
 
                            
 
       
41 FŒ„Š7 B‹7(b5) E7(“4) E7
                  
                      
G 45 A‹7 D‹7 G7 CŒ„Š7
 
                                
     
49 FŒ„Š7 B‹7(b5) E7(“4) E7
        
                   
      
   
 I will survive
2 Bass

H 53 A‹7 D‹7 G7 CŒ„Š7

 
             
                      

57 FŒ„Š7 B‹7(b5) E7(“4) E7

        
                   
      
   

I 61 A‹7 D‹7 G7 CŒ„Š7

 
                                
     

65 FŒ„Š7 B‹7(b5) E7(“4) E7

        
                   
      
   

J 69 A‹7 D‹7 G7 CŒ„Š7 FŒ„Š7

 
                                          
       

74 B‹7(b5) E7(“4) K E7 L A‹7 D‹7 G7

             
                     
         
  

80 CŒ„Š7 FŒ„Š7 B‹7(b5) E7(“4) E7

                              
        
        
     

M
85 A‹7 D‹7 G7 CŒ„Š7
 
                                
     

89 FŒ„Š7 B‹7(b5) E7(“4) E7 A‹7

 
     
                    
    
 JINGLE BELLS
A (Polytonic orchestra)
F F C7 F B¨ F G7
1.
                     
       
f

8 C7 2.C7 F F C
BF

                  


14 B¨ C 1.F 2.F C
              


20
CC D7/C C©dim D7
          


24
DG G D7 G C G 1.A7
                             
f

31 D7 2.D7 G D G
EG
                  

37 1. 2.
               


43
FG G D7 G C
                     
f

48 G 1.A7 D7 molto rit.

2.D7 G
            

     
Bass
INTRO La Foule M. Rivgauche and A. Cabral
arr. .P. Lympanovnos
A q = 192 Am Em B7 Em Am Em
                       

CANTO 1
14 B7 Em Em B Em C Am Am D
            
   

24 G G B Em C B7 B
           
    
C q = 192 rit.
35 Em C Am D G B Em C B Em
             
    
q = 150 q = 192 rit.
REFREN
Em DD G D G 
50
   
accel.
         B  Em
 
C7
    
accel.
q = 150
64 C/F# B B E D Gq = 192
D G B Em
         
       
rit.
C B Em B7 Em Am Em
INTRO 2
q = 190
78
F Am
          
     
   
ØTo intro finale

92 B7 Em Em G Em C Am D
            
   

102 G B Em C B Em Em
            
  
H INTRO FINALE

113 Am Ø Em B7 Em Am Em B
                    

127 Em Am Em B Em
              


136 Am Em B Em Em
             
 
 La vie en rose
Acoustic Bass (Polytonic Orchestra)
q = 85 rit. < q =65 M. Monnot & L. Guglielmi
A B arr. P. Lympanovnos
GŒ„Š7 A‹7 A‹7(b5) GŒ„Š7 A‹7
 A‹7(b5)
 GŒ„Š7 A‹7/G B‹7/G

E¨Œ„Š7 D7
 
             
      
< q =87
10 CG GŒ„Š7 G6 B‹7 B¨7 A‹ D7 A‹ D7 A‹ B‹7 B¨‹7 A‹ D7
          

          

18 G GŒ„Š7 E‹/G G7 C C‹7 B‹7 G B‹7/A B¨‹6/A A‹7 D9 F©dim/D

     
           
rit.
27 DG GŒ„Š7 A‹7 D7 A‹7 D7 G D‹/F C‹6/D
  
         
    
< q =65
33 E GŒ„Š7 A‹7/G B‹7/G E¨Œ„Š7 D7
      
    
       

38 F G < q =87 GŒ„Š7 G6 B‹7 B¨7 A‹ D7 A‹ D7 A‹ B‹7 B¨‹7 A‹ D7

          

          
rit.
46 G GŒ„Š7 E‹/G G7 C C‹7 B‹7 G A7/B¨ A A‹7 C/D
    
        
  
q = 100
54 D9 G A AŒ„Š7 F©‹/A A D
  
  
   
        


59 D B‹7(b5)/D E‹6 A Cdim B‹7 D7 E7 A AŒ„Š7

               
         

molto rall.
65 H B‹7 E7 B‹7 E7 A G F F G A
3 3 
          
                
 Beautiful that Way
BASS
(La vita e bella) N. PIOVANI
(Polytonic Orchestra) F arr. P. Lympanovnos
A
                        

p mp
canto
7
FB C F F A
                                
p mp p mp

15 Dm Gm Dm Gm B¨7 Dm G#dim A Dm C 
   

                          
mp mf p cresc. p mf

22 CF C Caug F F A
                                
mp mf mp mf
D
30 Dm Gm C Dm Gm B¨7 Dm G#dim A Dm
   

                          
f
vocals
37 EF C Caug C B¨ B¨m F C F F A
                                         
mp mf mp mp p
F refren
47 Dm
 Gm   Dm   Gm   G#dim   A Dm
                           
    
mp

54 Dm C   F   Gm   G#dim   E C
 C

                    
          
mp
canto + vocals επαναληψη
62 GF C Caug F F A
                                  
mp mf mp mf
H canto
70 Dm Gm CDm Gm B¨7 Dm G#dim A Dm
   

                          
f
vocals
77 IF C Caug C
                        
mf mp

83 B¨ B¨m F C F F q=56
calando
                     
p
 Last Christmas Wham.
INTRO piano arr. P. Lympanovnos
q =75

Jazz Guitar

  
q =113

INTRO
7 FŒ„Š9 F6 FŒ„Š9 F6 A‹7/D D‹7 A‹7/D D‹7 D‹7/G G‹7

     

REFREN 1
12 D‹7/G G‹7 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9 FŒ„Š9 F6

        


16 FŒ„Š9 F6 A‹7/D D‹7 A‹7/D D‹7 D‹7/G G‹7 D‹7/G G‹7

 
                             

REFREN 2
21 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9 FŒ„Š9 F6 FŒ„Š9 F6 A‹7/D D‹7

                            
  
TO CODA
τις 2 επαναληψεις

26 A‹7/D D‹7 D‹7/G G‹7 D‹7/G G‹7 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9


                          
 
THEME
31 FŒ„Š9 F6 FŒ„Š9 F6 A‹7/D D‹7 A‹7/D D‹7

    

35 D‹7/G G‹7 D‹7/G G‹7 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9

    
2
Last Christmas
CANTO
FŒ„Š9 F6 FŒ„Š9 F6 A‹7/D D‹7 A‹7/D D‹7

39

                 
    
43 D‹7/G G‹7 D‹7/G G‹7 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9

                       

47 FŒ„Š9 F6 FŒ„Š9 F6 A‹7/D D‹7 A‹7/D D‹7 D‹7/G G‹7


                          
THEME
CODA FINALE
52 D‹7/G G‹7 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9 X2 FŒ„Š9 F6 FŒ„Š9 F6

                    
 
 

57 A‹7/D D‹7 A‹7/D D‹7 D‹7/G G‹7 D‹7/G G‹7

    
rit.
1. 2.
61 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9 B¨Œ„Š7/C C9

     
Electric Guitar
Light My Fire Doors
q = 85 intro orchestra arr. Lympanovnos Panagiotis
A D‹7 intro /jazz guitar
     
B‹7 D‹7

B‹7 B D‹7
  B‹7

                      

              

7
   
   


CANTO

    

13 C D‹7 B‹7

        
  
  
   

REFREN

 G
  
DC B‹7 G G6 C B‹7 G6 C A(“4) A(“4) q = 120

17

              
  




       

  
CANTO 2

          

24 E D‹7 B‹7

    
       


REFREN

     
FC D G E‹ C D A
        
32
      
                    

    


THEME ORCHESTRA


G D‹7
  
B‹7
    
       
39
      
      

REFREN

 
         
HC D G E‹ C D A A7
   
47

                   

                   
CANTO

       
      
54 I D‹7 B‹7

          

REFREN

            
 
62 JC D G E‹ A‹7
FŒ„Š7 GŒ„Š7

          

     


  

    

70
     B¨Œ„Š7 GŒ„Š7 DŒ„Š7

   
    
 
 


 Maria of My Soul
bass
(Polytonic Orchestra)
INTRO
Robert Kraft
arr. Lympanovnos P.
Gm C7 Gm C7 Gm/Eb
            
      
   

CANTO
4 A D7 Cm7 F7 Gm7 Gm/Eb Cm7 Cm7 Dm7 Eb7 D7
                  
              

12 B D7 Cm7 F7 Bb Gm7/Eb Cm7 Gm7 Gm7/Eb

               
 

        
 

20 Eb C Cm7 F7 Gm7 Gm7/Eb Cm7 Cm7

Dm7 Eb7 D7 Eb7
                
              

28 D D7 Cm7 F7 Bb Gm7/Eb Cm7 Gm7

             
          
 

35 Cm7 Cm7/A E D7(#9) tutti Dm7 Gm7/Eb D7(#9) tutti Dm7

Gm7/Eb
       
          

     
  

40 D7(#9) Gm7 Gm7/Eb Cm7 D7 Gm Eb D7 Gm F Eb

    
                

solo trumpet
46 F D7 Cm7 F6 Gm7 Gm/Eb Cm7 Cm7 Dm7
       
                 
 Maria of My Soul

2 bass

52 Eb7 Cm7 D7(b5) Ab6 Gm C7 Cm/Eb D7 Gm/Eb

  
                
        

58 G D7 Cm7 F7 Gm7 Gm/Eb Cm7 Cm7 Dm7 Eb7 D7 Eb7

                
              

66 H D7 Cm7 F7 Bb Gm/Eb Cm7 Gm7

             
         
  

73 Cm7 Cm7/A D7(#9) tutti Dm7Gm7/Eb D7(#9)

        
       
         
  

77 tutti Dm7 Gm7/Eb D7(#9) Gm7 Gm7/Eb Cm7 D7

 
      



      

81 I tutti Dm7 Gm7/Eb D7(#9) tutti Dm7

Gm7/Eb D7(#9) tutti Dm7 Gm7/Eb
 
                            

86 D7(#9) Gm7 Gm7/Eb Cm7 D7

 
        

molto rit.
89 J Gm Eb D7 Gm Eb D7 Gm6
   

    
 O CHRISMTAS TREE
Contrabass (Polytonic Orchestra)
arr. P. Lympanovnos

A G q =68 A‹/G G/D C‹/E¨ rit. G(“2)

           


Fine
6 G q =68 E‹7 A‹/D A‹/D C/D D/C G/B A‹7 G Gaug G6
     
    

12 A‹7 D7 A‹/G G B¨7(b5) E7 A‹ C‹/E¨ D7 C‹/G G

      
         

1. 2.
18 G/D B‹7(b5) E7 A‹ D7 A‹/G G A‹ A‹7(b5) A‹7(b5) D7
  D.C. al Fine
       
  

24 BG A‹/G G/D G‹/B¨

       


28 D(“2) q =68 D B‹7 E‹/A E‹/A G/A A/G

         
  

33 D/F© E‹7 D Daug D6 E‹7 A7 E‹/D D F7(b5) B7

             

1.
38 E‹ G‹/B¨ A7 G‹/D D D/A F©‹7(b5) B7 E‹ A7 E‹/D D
           
    

2. E‹ E‹7(b5) A7 D E‹/D D/A G‹/B¨ D(“2) D

45  
           

©Copyright P. Lympanovnos 2015
Acoustic Bass ONE WINTER NIGHT
(Polytonic Orchestra)
arr. P. Lympanovnos
q = 138/h. =46
A D/A A7 B‹ G©‹7(b5) A
    
              
mp mf

9 B DŒ„Š7 E‹/D A7 D B‹7 G A

             
mp

17 C DŒ„Š7 E‹/D A7 B‹7 G A D

      
        

25 D DŒ„Š7 E‹/D A7 B‹7 B‹7/A G A

       
    

33 E DŒ„Š7 E‹/D A7 B‹7 G A D

      
       


41 FG A7/G F©‹7 B‹7 E‹ A A‹7 D7

      
    

rit. molto rit.

49 GG A7/G F©‹7 B‹7 E7 A
           
 
q = 138
A tempo
56 A7 H DŒ„Š7 E‹/D A7 B‹7 B‹7/A G
       
   

mp

65 I GŒ„Š7 E‹7 F©‹7 B7 E‹7 A7 D

    
      
f

J GŒ„Š7 E‹7 F©‹7 B7 E‹7 A7 D G/D D

73 
  rit.
           
 
fp p
©Copyright P. Lympanovnos 2015
Electric Bass Perhaps, Perhaps, Perhaps
(Polytonic Orchestra)

q=120 A A‹ G F E A‹ G F E

 
      
   
CANTO

5 B A‹ D‹ E A‹ D‹ E A‹ G G¨ F E

                            

11 A‹ E A‹ D‹ E A‹
     
                   

16 D‹ E A‹ G G¨ F E A‹ A‹ E¨dim
           
               

21 CE A E¨dim E
         
    
                          

27 A D A‹ D‹ E A‹
  
                     

32 D‹ E A‹ G G¨ F E A‹ E
  


 

        
      

37 A‹ E D‹ E A‹ D‹ E A‹ G G¨ F E

                            

43 A‹ E¨dim F A‹ D‹ E A‹ D‹ E

                   
                   

49 A‹ G G¨ F E A‹ G E F E A‹6 
   
                
    
Copyright © Θ. Π. Λυµπανοβνός
Acoustic Bass SANTA CLAUS IS COMIN' TO TOWN arr. P. Lympanovnos
Moderato
E¨ E¨7 A¨ F7 B¨7
(Polytonic Orchestra)
 A E¨ E¨7 A¨ A¨‹
              
    
f mf
7 E¨ E¨7 A¨ A¨‹ E¨ A¨7 B7 E¨ B7
               
          
13 E¨ E¨7 A¨ A¨‹ E¨ E¨7 A¨ A¨‹ E¨ A¨7 B7 E¨
                   
          
20 B¨7B E¨7 A¨ E¨7 A¨ F7 B¨ Bdim
                     
        
f
27 C‹ F7 B¨7 B¨aug E¨ E¨7 A¨ A¨‹ E¨ E¨7 A¨ A¨‹ E¨ A¨7
                  
          
f
34 B7 1. B¨7 2. C‹ F‹7 G C7
E¨ E¨
  
             
         
41 C F F C7 F B¨ F G7
1.
   
                      
   
f
C7 2. F F7
48
C7 D B¨ B¨7 E¨ E¨‹ B¨ B¨7 E¨ E¨‹
                            
 p f
55 B¨ G‹ C‹ F7 B¨ F7 B¨ B¨7 E¨ E¨‹
                         
p
61 B¨ B¨7 E¨ E¨‹ B¨ G‹ C‹ F7 B¨ B¨
                         
f
67E B¨7 E¨
E¨ C7 F F©dim G‹ B¨7
C7 F7 Faug
                    
            
mf f
75 B¨ B¨7 E¨ E¨‹ B¨ B¨7 E¨ E¨‹/C
                 
rit.
79 B¨ G‹ C F B¨ E¨6 B¨
      
         
 
Acoustic Bass Silent Night
(Polytonic Orchestra)
arr. P. Lympanovnos
< q.=58 rit.
A F7(“4)/A¨ G¨11 B¨/F E¨ B¨/F D¨ B¨/F D¨ G¨Œ„Š7 B¨
                          
 

9 B B¨ q.=38 F B¨ 
    
   

17 C F7 F©º G‹7 G‹6 B¨/F F7 B¨ F7(“4) B¨ F7 D¨ E¨‹7 E¨7 B¨

       
          
    

24 D E¨ B¨ E¨ A¨ E¨ A¨
           
 

31 E¨ B¨ E¨ E¨/B¨ B¨7 E¨ F‹7/E¨ E¨Œ„Š7 F‹7/E¨

         
     

37 E E¨ F‹7/E¨ E¨Œ„Š7 F‹7/E¨ E¨ B7 G¨ A¨ E¨Œ„Š7

  
               
Guitar solo
Something Stupid
(Polytonic Orchestra)
arr. P. Lympanovnos

  3                
A q = 103
    
 
3 3

     
B
      
5
 
 
      
 
10
      
        
       

        

  
15

  


C
 D
     
        
22


3

                
    
36

     

        


E

43

    

                 
  
49

       

        
    
F
 
54

    

60

G
 3  rit.
 
        
Guitar solo Something Stupid
(Polytonic Orchestra)
arr. P. Lympanovnos

  3          A   
A q = 103
  
E‹7 A E‹7 D D6 D

        
3 3 

  A    E‹7   
  
BD E‹ A E‹ A E‹7 A D D6
      
6 DŒ„Š7 D6
 
        

DŒ„Š7 D6 D7 G B¨ E‹7
 A 
 
E‹7
 
A
                
13

    

C

20 D D6 DŒ„Š7 D6 D7 G E7 A

          

  A    E‹7  
DD
 
D6 DŒ„Š7 D6 E‹ A E‹ A E‹7 A D D6
       
30

     

 
3

DŒ„Š7 D6 D7 G B¨
 A
E‹7
   A
E‹7 D D6
                  
37

    

E
    
              
DŒ„Š7 D6 D D6 DŒ„Š7 D6 E‹ A E‹7 A E‹ A E‹7 A D D6
  
45

     

DŒ„Š7 D6 D7 F G B¨ E‹7
 A 
 
E‹7
 
A
                  
53

      

rit.

 
60 GD B¨ D 3 B¨ D B¨ D B¨ D

              
Muted Guitar
Stand By Me
(Polytonic Orchestra) J. Leiber / M. Stoller.
arr . P. Lympanovnos


A
   
G E‹ C D G

                                               

CANTO
B
    
9 G E‹ C D G

                                           
   

    
17 G E‹ C D G

                                           
   
CELLO
CG
    
25 E‹ C D G

                                              

VOCALS
D
    
33 G E‹ C D G

                                           
   

    
41 G E‹ C D G

                                              

STRINGS
EG
    
49 E‹ C D G

                                           
   
STRINGS THEME


F
   
57 G E‹ C D G

                                              

    
65 G E‹ C D G

                                           
   


GG
   
73 E‹ C D G

                                            
   

    
81 G E‹ C D G

                                               

molto rit.
H
   
89 G E‹ C D G

                                         
Guitar Strangers In The Night
Bert Kaempfert
INTRO (Polytonic Orchestra) arr. Lympanovnos P.
A q = 90
F    G‹  C
                            

CANTO
B
     
5

            
F FŒ„Š7 A‹
                             
E/G©
C
    
11
G‹ G‹
                                       

    
16
C FŒ„Š7
                                     

REFREN
D
A‹7(b5) Adim
     
21
B¨‹/G
            
G‹
                             
q = 90
rit. CANTO 2
E
   
27
F/C D‹ G‹7 C F FŒ„Š7
           
 
                

  
32
G‹
                     

THEME ORCHESTRA
F G
    
35
F A‹7(b5)
                                   

  
40
G‹ G‹7(b5)
                     

molto rit.
VOICE rit TRANSPOSE CANTO
F/C H D‹ G‹7 C I G
  
43

      
    q = 90 GŒ„Š7
              

     D
48
A‹
                                   

A‹  
CANTO FINALE
GŒ„Š7

J
    
53

           
G  

  
                        

molto rit.
KG
  A‹
 D G
 A‹
 G

59

                             
 Sway
5-string Electric Bass (Polytonic Orchestra) Pablo Beltrán Ruiz
arr. Lympanovnos Panagiotis

q = 125
A D‹ A‹ B‹7(b5) E6 A‹ A‹ A‹

             
             

3

B 9 B‹7(b5) E7 B‹7(b5) E7 A‹ A‹6 B‹7(b5) E7 B‹7(b5) E7 A‹

                   
             

16 A‹ B‹7(b5) E7 E7 A‹ A‹6 B‹7(b5) E7 D‹7/F E7 A‹

     
       

 

         
          

24 A‹ C G7 CŒ„Š7 E©6 E6 F7
   3
        
                     
 
  

32 E7 D B‹7(b5) E7 E7 A‹ B‹7(b5) E7 F E7 A‹
    
                    
             

40 A‹ E E7 F7 E7
3
            
                    
THEME ORCHESTRA
F 49 B‹7(b5) E7 B‹7(b5) E7 A‹ B‹7(b5) E7 B‹7(b5) E7 A‹ A‹
                     
                  

57 B‹7(b5) E7 B‹7(b5) E7 A‹ B‹7(b5) E7 B‹7(b5) E7

 
            

                    
       

64 G G7 CŒ„Š7 E7 F7
           
                
  

      

  
72 F©7 F© H C©‹7(b5) F©7 C©‹7(b5) F©7 B‹
           
 
                             

79 C©‹7(b5) F©7 C©‹7(b5) F©7 B‹ C©‹7(b5) F©7 C©‹7(b5) F©7 B‹

              
                          

87 C©‹7(b5) F©7 C©‹7(b5) F©7 I B‹9

                              
     

93
          
                       
    
©Copyright P. Lympanovnos2016
 TIME TO SAY GOODBYE
(Con te partirò)
Acoustic Guitar (Polytonic Orchestra) F.Sartori
INTRO arr. P. Lympanovnos
A q =105 D

G E‹ C C D E‹ C G

                  
CANTO 1
rit. rit.
q =105

10 C D B D D7 G(“4) G C D E‹ D G(“4) G D E‹ C D

  
             
mp


C G9 q =105

20 D E‹ C D G9 D E‹ C D

                 
REFREN 1
DG

29 D E‹ C G D E‹ C G C D
(4) (8)
             
3

rit.


EG

39 D E‹ C G D E‹ C G C D
(4) (8)
             
3
CANTO 2
q =105 rit.


50 F D D7 G(“4) G C D C D C D E‹/B C D C D E‹

                  
REFREN 2
q =105


60 D/F G G D E‹ C G D E‹ C G C D
(4) (8)
              
3

 
71 G D E‹ C G D E‹ C G C D
(4) (8)
             
3


81 H A E F©‹ D A E F©‹ D A D E
(4) (8)
             
3


91 I A E F©‹ D A E F©‹ D A D E
(4) (8)
             
3
accel.

 
101 J D‹/F E‹/G C D A

      
   
 WHITE CHRISTMAS
Acoustic Bass (Polytonic Orchestra)
arr. P. Lympanovnos

A q =89 F‹ C Gdim F/G E‹ G7 C C

        
      

B6 D‹7/G G7/F E‹ D‹ G7 C
   D‹7
 G9 E‹7 A‹7

D‹7 G7 C6
             

rit.
14 C D‹7(b5) G7 CŒ„Š7 A‹7/C B(“4)/E Baug/D© E‹ D‹7 G7
                     

22 C C q =89 D‹7 F© G F F G C
  
         





30 C7 F F‹6 C6/G D7 G7
              

38 C D D‹7 F© G F F G C

               

46 C7 F F‹6 C6/G G C 
          
      

54 E D E‹7  G© A G G A D
                 

62 D7 G G‹6 D6/A E7 A7
               

70 FD E‹7  G© A G G A D
                 

rit.
78 D7 G G‹6 D6/A A D 
         
       
©Copyright P. Lympanovnos 2015
 What A Wonderful World
Bass
(Polytonic Orchestra)
q =69 arr. P. Lympanovnos
AF G‹7/F F G‹7/F BF A‹ B¨ A‹ G‹ F A7
3
D‹

              

7 D¨ C11 C7 F 3 Faug3 B¨Œ„Š7 C7

3
   3
               3  
3 3
    
         
3

11 CF A‹ B¨ A‹ G‹ F A7
3
D‹
     
      

15 D¨ C11 C7 F G‹7 G‹7 F

3 3 3 3  3  3  3
                   

      

19 D C7 3 F 3 C7 3 F
3
     
            
  

23 ED‹ C/E D‹ C 3
D‹ F©dim G‹7   C7 
                            
    
3 3 3 3 3
3 3 3

27 FF A‹ B¨ A‹ G‹ F A7
3
D‹
     
      

31 D¨ C11 C7 F A‹7(b5)/E¨ D rit.

3 3 3 3
           
      
   
      
3 3

q = 50
35 G‹7 C7(b9) C9 F B¨6 F
    
  
©Copyright P. Lympanovnos 2015