(Giazotto) Albinoni - Adagio in G Minor for Piano


Giazotto / Arr. Ako Fujiwaka

 
            
Adagio

         
   
  
      
     

   
           


      3           
  
             
      
7

       
 
       

         
 


 
                    
 
3

             
3

     
12

    
3 3

 
      
         
  
   


             
3


3

             
     
3

    
17



      
       

   
      


          
                 
        
23
1.

        
 
      
dim.

   


     
    
                                 
   
29
2.

    dolce 
   


     

    
   
                             
34
quasi cadenza

  tempo ad.lib. 
 
   



        
                                       
 
38

     
     

 
      


   
                      
   
43

 
 
  


    
                 
               

46

    
   


    


   
           
             
       
   
  
Tempo I

 
50

       

  
          
   


                       
           
cantabile

        
3

     
57

       
           
      
    
 

           3         
  3
                     
           
 
62

  3  3 
             
            
3


3


          

       
           
            
67

 
 
  

    


       



          
       
tempo ad.lli.

   
3

   
in tempo

    
73

      
  

   
espressivo



 
3

        




                 
         

                  
79 rit.

     
        
cresc.

          


      
                             
          
          
in tempo

 
85

tempo ad.lib.   
 
       
             
        


  Poco stringendo
                
            
  
 
     
91

 
               
   
        

    
      
                                   
a tempo

    
97 rit.

   
 
          


     
          
            



          
                             
  
Tempo I rit.

 
106 3




            

 
              


 
        
            
smarzando.


113

    
 
      
  