Professional Documents
Culture Documents
compiled by
David Jacobs & Jürgen Meusel
by
David Jacobs
and
Jürgen Meusel
Pune, India
The authors of this book are not medical practitioners, physicians and the instructions;
sequences and suggestions in this guide are not intended as a substitute for medical advice from a
trained medical professional.
All matters regarding your health require medical supervision; please consult such a
medical professional before commencing any of the sequences, and postures in this guide.
The authors disclaim any liability arising directly or indirectly from the use of the
information contained in this publication.
OUDTSHOORN
6620
South Africa
info@iyengaryogawithdavid.com
Table of Contents
Foreword
5
Introduction
6
Chapter
1:
Standing Asana – Utthistha Sthiti 8
Chapter
2:
Standing Forward extensions – Utthistha Paschima Pratana Sthiti 35
Chapter 3:
Seated Asanas – Upavistha Sthiti 59
Chapter 4:
Forward Extensions – Paschima Pratana Sthiti 79
Chapter 5:
Twists – Parivrtta Sthiti 104
Chapter 6:
Hand balances – Bujatolasana Sthiti 115
Chapter 7:
Inversions – Viparita Sthiti 122
Chapter 8:
Backward Extensions – Purva Pratana Sthiti 138
Chapter 9:
Abdominal & Lumbar Asanas – Udara Akunchana Sthiti 172
Chapter 10:
Supine Asanas – Supta Sthiti 184
Chapter 11:
Restoratives – Visranta Karaka Sthiti 189
Foreword
An aspect that differentiates Iyengar yoga from other styles of yoga is among others is
the use of equipment. The block with its many modifications and uses has been so integrated in
our regular practice that we seldom notice its versatility. For the purpose of this guide to
practicing with the block, we will endeavor to highlight that adaptability and flexibility of this
unique piece of equipment.
Yogacharya B.K.S. Iyengar is instrumental in bringing equipment to our yoga practice.
His dedicated abhyasa, constant, uninterrupted practice has given rise to the use of a variety of
props, such as ropes, chairs, blankets and belts to mention just a few. The main purpose of the
prop is to give the practitioner stability in the pose and enable that practice to educate the body to
maintain the asana for a much longer period of time. Once the correct actions and alignment has
been learned with the use of the prop, it is discarded in order to perform the asana in its classical
form.
Our yoga practice evolves daily and as such the uses of the prop transforms
accordingly. We will try to cover all of the most basic yoga asanas from the introductory
level. Often the block will be the only piece of equipment, but sometimes it will be used in
conjunction with other suitable props. The aim is to show as many uses of this versatile piece of
equipment as possible; these are by no means the only way the block is used, or the only asanas
where this props is used. This guide will demonstrate the most often used variations.
We trust that you will find this guide a beneficial instrument in your yoga practice and
that you continue to advance in your sadhana.
This guide is inspired by and dedicated to our mentors B.K.S. Iyengar, Geeta S. Iyengar
and Prashant S. Iyengar at the Ramamani Iyengar Memorial Yoga Institute in Pune, India.
We express our sincere thanks for their continued dedication to the art and science of the
practice of Yoga.
Introduction
The block and its uses have grown over the years. We use the block in our practice often
without giving it much thought – it has become a part of our practice. The block, together with a
belt and blanket are probably the most vital props that you will be introduced to. Observe how
and when this prop is introduced in your practice when attending classes.
Looking around you may discover just how many different blocks are available, varying
in shapes, size, colours and dimensions. We have used the hollow variety, made of simple
plywood which is reasonably inexpensive, easy to source and equally easy to make. It is very
light (which helps when you are holding above your head) and is less likely to cause serious
injury when dropped on your foot.
The dimensions of the block are important and one should ensure that they are all the
same size. The use of numbers to create set of blocks is very cumbersome and should be
avoided. For comfort it is advisable to have the edges of the blocks rounded.
Dimensions
This guide is intended for students for students, who have already acquired some basic
knowledge and are familiar with the basic techniques of the final poses. For a complete guide of
the techniques of the asanas please refer to “Light on Yoga” by B.K.S. Iyengar, or “Yoga in
Action” by Geeta S. Iyengar
Chapter 1:
Standing Asana – Utthistha Sthiti
Tadasana or Samasthiti
Paschima Namaskarasana
Vrksasana
Supta Vrksasana
Vrksasana foot on block
Utkatasana
Heels on block Block between hands
Toes on blocks
Utthita Trikonasana
Hand on vertical block
Hand on narrow block
Utthita Parsvakonasana
Utthita Parsvakonasana
Virabhadrasana I
Block at wall against shin & knee to wall, foot on block
Actions in Virabhadrasana I:
This helps to lift the chest and brings it to correct alignment, i.e. above the pelvis and
facing forward.
This is a challenging pose, which requires flexibility and strength. The block can be
used to support the front leg, thus making the pose lighter.
Virabhadrasana I
Heel for back heel
Virabhadrasana I
Ardha Chandrasana
Using the block one can maintain the required balance to achieve the correct alignment
and stay longer.
Ardha Chandrasana
Ardha Chandrasana
Foot on block at wall
Virabhadrasana III
This is probably the most challenging asana with respect to strength, balance and
stability. The challenge is to hold the pose with correct alignment without supporting the hands.
Vertical blocks for hands
Virabhadrasana III
Vertical blocks for hands, foot at wall – freestanding
Create a straight, horizontal line between the torso and the straight leg.
Having the hands and feet supported helps in understanding the line of the posture.
Virabhadrasana III
Flat blocks – freestanding
Parivrtta Trikonasana
This pose requires flexibility, balance, stability and space for the trunk to revolve 180deg
backwards.
Narrow block for hand – rope for top hand
Parivrtta Trikonasana
Parivrtta Trikonasana
Foot on round block – rope for top hand
Parivrtta Parsvakonasana
This is an advanced twist pose, with the opposite arm locked against the bent leg. The
trunk turns 180deg away from the front.
Narrow block for bottom had – rope for top hand
Pressing the foot into the wall will teach you what to do
Parighasana
Parsvottanasana
Blocks can be used, both for support and for checking the alignment of the pelvis.
Actions in Parsvottanasana: -
Press the heel firmly into the block, drawing the femur head deep into the socket.
Parsvottanasana
Vertical blocks for hands
Parsvottanasana
Use the support of the blocks for stability, in order to study the work of the legs and the
turning of the pelvis.
Parsvottanasana
Actions in Parsvottanasana: -
Lifting the toe mounds elongates the calf muscles and the Achilles tendons
The slanted support of the front foot, activates the front leg and helps to shift the body
weight to the back leg
The knee is strengthened
The head of the thigh bone is better drawn into the socket
Prasarita Padottanasana I
Actions in Prasarita Padottanasana I
Align the legs, so the buttock bones and heels are aligned
Push front thighs backwards and firm the kneecaps
Prasarita Padottanasana I
Place chair against front groins and feet on 2 flat blocks – check that pelvis is level.
Padangusthasana
Padagulfasana
Uttanasana
Actions for Uttanasana variations: -
Top shinbones up and back
Draw bottom kneecaps into knee joint
Move bottom thighs in
Pull up thigh muscles
Press thigh muscles back to grip the bones
Ardha Uttanasana
Hands on vertical blocks (T-shape)
Actions in Uttanasana: -
Hips and buttock level
Buttock bones and heels aligned
Trunk centered between legs
Weight even on both feet
Separate buttock bones
Garudasana
A balancing pose, where the arms and legs are entwined.
Actions in Garudasana: -
Hook toes of foot around inside of shinbone
Standing foot stable, keeping the heel and big toe down
Cross the thighs at the top
Elbows lifting
Learn to balance
Extend trunk upward, although legs are bent
Block helps to keep pose stable for those who are not able to entwine around calf
The more the arms are stretched, the further you can move the head and block back.
Adho Mukha Svanasana – hands at wall – blocks under forearms, heels on slant plank
Adho Mukha Svanasana – hands to wall – block between thighs, heels on slant plank
Dandasana
Actions in Dandasana:-
Press firmly the palms into the blocks to lengthen the trunk upward, firming the elbow
joint and open the chest.
Actions in Dandasana:-
Use hands to lift the sides of trunk and chest
Dandasana
Actions in Dandasana:-
Upper hamstrings extended more
Utthita Dandasana – heels on blocks
Actions in Dandasana: -
Calf muscles lengthen more
Dandasana
Actions in Dandasana: -
Back of knees are extended and opened more
More actions for variations of Utthita Dandasana with blocks: -
Head level – chest lifted
Legs fully extended – kneecaps firm and into sockets
Sides of the body parallel
Press thighs, knees and shin down
Draw top thighs in towards trunk
Press hands into floor, ascend sacrum – ascend lumbar
Draw shoulder blades into body
Rotate upper arms out
Ascend pubis
Draw lower abdomen back
Shoulder blades down
Upavistha Konasana
Urdhva Hasta Upavistha Konasana – block between hands
Utthita Swastikasana
Swastikasana
Parsva Swastikasana
Virasana
Parsva Virasana
Gomukhasana
Gomukhasana
Actions in Gomukhasana: -
Learn to sit erect
Keep trunk balanced and centered
Open top armpit
Top elbow faces ceiling
Roll the down arm shoulder back
Press shoulder blades in
Keep knees, thighs and feet close together
Hands firmly gripped
Siddhasana
Hands on blocks
Siddhasana – seated on block – hands on blocks
Actions in Siddhasana: -
Learn to sit erect on the block – be on the front edge of the buttock bones
Ascend lower trunk - move sacrum in and up
Draw shoulders back
Balance shoulders over hips
Raise the hips - keep the knees down
Relax undersides of the legs
Lift and open the chest
Ardha Padmasana
Padmasana
Knee on block
Paschimottanasana
Paschimottanasana
Padahasta Dandasana
Seated on block
Paschimottanasana
Seated on block
Actions in Paschimottanasana: -
Maintain extensions of the legs
Maintain extension of the side trunk
Maintain length form pubis to top sternum bone
Roll thighs inwards
Pull up the outer thigh muscles
Press backs of legs down
Maha Mudra
Heel on block
Janu Sirsasana
Heel on block
Seated on block
Marichyasana I
Actions in Marichyasana I: -
A complex pose, where the arms are bound around the leg, then the body extends
forward.
Draw abdomen and pubis up
Extend the side body forward
Keep the chest parallel
Bent knee faces upright
Increase the hand grip
Roll shoulder back
Upavistha Konasana
Upavistha Konasana
Urdhva Hasta Upavistha Konasana – seated on block
Upavistha Konasana
Paschimottanasana
Head on block
Paschimottanasana
Heels on block
Paschimottanasana – heels on block – seated on block
Actions in Paschimottanasana: -
Extend both sides of the trunk forward
Bend elbows out to extend trunk down to the legs
Elbows up, out and forward
Draw pubis up
Spread buttock bones
Extend front, sides and back body
Draw side ribs forward
Press back of legs down – pull front of legs up
Ubhaya Padangusthasana
Malasana I
Heels on blocks
Heels on blocks – block between hands
Malasana II
Heels on blocks
Heels on blocks – head on block
Chapter 5:
Twists – Parivrtta Sthiti
Parsva Dandasana
Parsva Dandasana – hand on block
Parsva Dandasana
Parsva Swastikasana
Parsva Swastikasana
Bharadvajasana I
Actions in Bharadvajasana I: -
Keep legs close together
Keep legs firm
Turn hips
Draw dorsal and lumbar in
Lift upper chest
Roll shoulders back
Draw shoulder blades into the body
Chair Bharadvajasana
Chair Bharadvajasana
Bharadvajasana II
Bharadvajasana II
Ardha Matsyendrasana I
Ardha Matsyendrasana I
Seated on flat block – block for back hand
Ardha Matsyendrasana I
Pasasana
Seated on vertical blocks – hands to wall
Pasasana
Actions in Pasasana: -
Revolve hips
Revolve waist
Revolve Chest
Revolve shoulders
Chapter 6:
Hand Balances – Bujatolasana Sthiti
Lolasana - preparations
Actions in Lolasana:-
Draw legs up towards trunk
Draw shins towards thighs
Weight equal on both hands on blocks
Draw upper arms up
Draw the pubis and abdominals up
Vasisthasana I
Vasisthasana I (chair)
Hips rest on chair seat – flat block for down hand
Actions in Vasisthasana I : -
Keep body and legs in line
Ascend the bottom hips
Draw hips, waist and chest forward
Revolve right upper arm outwards
Chapter 7:
Inversions – Viparita Sthiti
Salamba Sirsasana I
Salamba Sirsasana II
Block between belted thighs
Chair Sarvangasana
Block between thighs
Niralamba Sarvangasana I
Chair Akunchasana
Niralamba Sarvangasana
Block between belted thighs
Niralamba Sarvangasana
Halasana
Toes on vertical blocks
Toes on narrow blocks
Chatushpadasana
Sacrum supported on vertical block – block between belted thighs – variations
Setubandha Sarvangasana
Setubandha Sarvangasana
Bench Setubandha Sarvangasana – heels on blocks
Setubandha Sarvangasana
Rope Salabhasana
Rope Purvottanasana
Rope Bhujangasana
The blocks offer many options for opening the chest, elongating the lower back and
working the muscles of the back in a supported way. In preparation for supported backbends or
independent backbends
Chaturanga Dandasana
Chaturanga Dandasana
Chaturanga Dandasana
Chaturanga Dandasana – vertical block for sternum
Dhanurasana
Actions in Dhanurasana: -
Press coccyx and sacrum down
Extend the arms back
Salabhasana
Salabhasana – vertical blocks for hands
Salabhasana
Salabhasana
Bhujangasana I
Bhujangasana I
Ustrasana
Ustrasana
Ustrasana
Chair Ustrasana – block against pelvis
Ustrasana
Ustrasana – thighs against blocks at wall
Actions in Ustrasana: -
Press shins and feet down
Extend feet back
Turn arms out
Press middles buttocks, coccyx and sacrum forward
Draw upper buttock flesh down towards buttock bones
Draw shoulder blades into back body
Draw sternum and collarbones back
Urdhva Dhanurasana I
Hands on blocks, chair backrest supports dorsal
Purvottanasana
Platform Purvottanasana – blocks support sacrum
Purvottanasana
Chair Purvottanasana – block on chair seat, block between thighs, hands on blocks
Rope Purvottanasana – feet on blocks at wall
Actions in Purvottanasana: -
Ascend the pelvis
Ascend the chest
Extend the front body
Roll outer thighs inwards
Ascend the hips
Middle buttocks lifting
Shoulder blades into back ribs
Paryankasana – supported
Paryankasana
Vertical block under dorsal, head on block
Paryankasana
2 x flat blocks under dorsal
Actions in Paryankasana: -
Shins and thighs compress
Abdominal organs extended
Keep lumbar extend
Stretch the front of the body from the pubis
Revolve thighs outwards
Draw shins and feet closer to thighs
Chapter 9:
Abdominal & Lumbar Asanas – Udara Akunchana Sthiti
Blocks on palms
Chair Urdhva Prasarita Padasana 90deg – sacrum on block
Paripurna Navasana
Block between thighs, legs against chair backrest
Paripurna Navasana
Supta Padangusthasana I
Supta Padangusthasana II
Supta Padangusthasana IV
Chapter 10:
Supine Asanas – Supta Sthiti
“After acting, reflect what has been done. If you do not reflect, there is confused
action.” BSK Iyengar
Supta Swastikasana
Supta Swastikasana – head and dorsal on block
Matsyasana
Actions in Matsyasana: -
Press feet down on thighs
Extend thighs away from pubis
Draw knees closer together
Draw upper buttock flesh away from lumbar
Keep lumbar down
Chapter 11:
Restoratives – Visranta Karaka Sthiti
Supported asana
Supported asanas are restful and tone the body with the minimum effort. They nourish
the nervous system and increase the efficiency of the glandular system, which is essential for
physical and mental health. The inner organs stay for some time in positions where they are
massaged. Hidden parts of the body and cells are therefore activated.
Salamba Purvottanasana
Seated on blocks
Setubandha Sarvangasana
Viparita Karani
Viparita Karani – block between belted thighs
Savasana
Feet against blocks at wall – shins belted
Actions in Savasana: -
Allow the body to lie still
Introduce the breath
Quiet the mind
Draw the mind inwards
Refine the relaxation
Place the body evenly on the blocks
Press shoulders down
Lengthen the neck
Turn upper arms out
Allow the body to open out from the center of the chest.
On a personal note:
“Enjoy in all you do, then you feel you are free from the Self.”
“While practising yoga, your body must tell you what to do, not the brain.”
“What does not challenge us cannot change us.”
Wooden blocks are just one of the props devised by B.K.S.Iyengar in the course of his
many years of Sadhana and Abhyasa. Any props should only be seen as an aid for learning, the
physical and mental effects bring about.
Wooden blocks: -
The support of wooden blocks is often used in all types of asanas. In sitting and standing
asanas, they support the legs, knees, palms and give heights to seated twists and forward
bends. In Pranayama, blocks support the back and help to open the chest. In standing forward
bends, blocks provide support for the head and the hands.
In using blocks for support, beginners can experience the benefit of the pose, while
advanced students can explore deeper aspects of the asana, and teachers instructions for teaching
can be explored and enriched.
David Jacobs is a certified Senior Intermediate level III Iyengar yoga teacher. David has
been studying and practising since 1987 and teaching yoga since 1990.
Jürgen Meusel is a certified Introductory level II Iyengar yoga teacher. He has been
studying and practicing since 1995 and teaching yoga since 1999.
David and Jürgen are the directors of the BKS Iyengar Yoga Centre, Schoemanshoek,
Oudtshoorn, Klein Karoo in South Africa and they conduct workshops in South Africa,
neighbouring countries and around the world.
Visit www.iyengaryogawithdavid.comfor more information about David and Jürgen and
the Centre in Oudtshoorn.
Tadasana
Vrksasana
Utkatasana
Utthita Trikonasana
Virabhadrasana II
Utthita Parsvakonasana
Virabhadrasana I
Ardha Chandrasana
Virabhadrasana III
Parivrtta Trikonasana
Parivrtta Parsvakonasana
Parivrtta Ardha Chandrasana
Utthita Hasta Padangusthasana I
Parighasana
Parsvottanasana
Prasarita Padottanasana I
Uttanasana
Urdhva Prasarita Padasana 90deg
Garudasana
Adho Mukha Svanasana
Dandasana
Baddha Konasana
Upavistha Konasana
Swastikasana
Virasana
Gomukhasana
Siddhasana
Padmasana
Ardha Padmasana
Paschimottanasana
Maha Mudra
Janu Sirsasana
Ardha Padma Paschimottanasana
Marichyasana I
Upavistha Konasana
Paschimottanasana
Ubhaya Padangusthasana
Malasana I & II
Parsva Dandasana
Parsva Swastikasana
Bharadvajasana I
Chair Bharadvajasana
Bharadvajasana II
Chair Marichyasana III
Ardha Matsyendrasana I
Pasasana
Lolasana
Vasisthasana I
Salamba Sirsasana I
Salamba Sirsasana II
Chair Niralamba Sarvangasana
Chair Akunchasana
Niralamba Sarvangasana I
Salamba Sarvangasana I
Halasana
Chatushpadasana
Setubandha Sarvangasana
Rope actions for backbends
Supported backbends
Chaturanga Dandasana
Urdhva Mukha Svanasana
Dhanurasana
Salabhasana
Bhujangasana I
Ustrasana
Chair Dwi Pada Viparita Dandasana
Urdhva Dhanurasana I & II
Purvottanasana
Paryankasana
Rope Anjaneyasana
Urdhva Prasarita Padasana 90deg
Jathara Parivartanasana
Paripurna Navasana
Ardha Navasana
Supta Padangusthasana I – IV
Supta Swastikasana
Supta Baddha Konasana
Supta Virasana
Ardha Matsyasana
Matsyasana
Bolster Dwi Pada Viparita Dandasana
Salamba Purvottanasana
Adho Mukha Virasana
Setubandha Sarvangasana
Viparita Karani
Savasana
Acknowledgements:
Thank you to David for bringing this project to life by practising relentlessly and with
dedication.
Thank you to Jürgen Meusel who worked on this project with his usual vigour and
tenacity. Taking the pictures, setting out the guide and typing the material was a challenge, but a
labour of learning.
We trust that this book will be of use to you.
We hope that this guide, based on our inherently limited experience and ideas, will be of
some value, and that some of its flaws will serve to stimulate others to do better.