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FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS

Blazena Musilova, FT TU Liberec, Department of Clothing Technology


E-mail: blazena.musilova@tul.cz

FABRIC, FORM AND FLAT PATTERN


CUTTING, DESIGNING PATTERNS
Close fitting garments made from stretch and jersey fabric, these
blocks are constructed to be smaller than the body measurements and
to the body shape. Some adjustments to the horizontal measurements
may have to be made, this should be related to the stretch and
relaxation of different fabrics. Most designs in stretch fabric are simple
modification of the basic blocks.

The examples in this chapter


demonstrate some particular
techniques.

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Mechanical properties of the fabric


Knitted fabric will stretch and mould around the body.
Consequently, the amount of ease allowance can be reduced.
How much reduction depends on the elasticity of the fabric.
The final pattern production may have to be modified for
a specific fabric.
¾ Weft knitting is more extendable across, in the weft direction
warp knitting is firmer.
¾ Woven fabric with a blend of elastan (Lycra) can have the ability
to stretch in either the warp or weft direction or both.
Clothing pressure is a combination of garment, human body and
the mechanical interactions between them. True fitting tight - fit
sportswear to the body shape can only by achieved by the use
of a stretch fabric, which can expand and contract without buckling
or wrinkling to accommodate body movement.

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

The Swimsuit final pattern modification

80% PA, 20% EA


F…tensile force[N/m]

18.6 %

h
t r etc tion
s xa
a
rel
31.6 %
Weft
E…tensile strain [%]

Back part Front part


80% PA, 20% EA
F…tensile force[N/m]

Warp

E…tensile strain [%]

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Therefore, the mechanical properties of knitted fabrics are defined taking


into account the allowed limit of compression influence on human body.
Compression law

F…tensile force[N]
Compression(*)
Compression law
hPa mmHg(**)
Ccl A Light 13-19 10-14
*)
The values indicating pressure, whereby reacts garment
on hypothetical cylindrical shape of the body part.
**
millimetre of mercury 1 mmHg = 1,333 hPa
E…tensile strain [%]

Weight Compression
Fabric - Fibre content (%) F [N] E [%]
[g m-2] [hPa]
PL 67%, PL Coolmax 27%,Lycra 6% 187 2,17 18,56 22,17
PL Coolmax fresh 63 %,PL 33 %,Lycra 4% 102 2,13 16,06 32,29
PL Coolmax 57%,PL micro 37%,Lycra 6% 251 2,16 18,8 24,31
PL Coolmax 60%, PL micro 40% 208 2,16 18,83 20,5
PA Supplex 92%, Lycra 8% 268 2,1 16,24 35,06
CO 90%, Lycra 10% 210 2,15 17,89 25,76
CO 90%, Lycra 10% 271 2,14 18,95 18,13

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz
3
The resultant value application
1
in the construction procedure 4-5

of tight - fit sportswear 1-2


3

By means of the percentage value

0.05 hg +3
of currently selected knitted fabric elongation
the block pattern construction shape of

cd
a designed tight -fit sportswear e.g. pair 0.25 hg 0.25 hg 0.1 hg

of trousers etc. can determined. Value of

0.5 lli - 0.1 lli=x


elongation within the range 18-35%

y
0.05 hg+1.5

y
llo
is applied to body dimension modification 2 2
as construction input parameters.
Body dimension Modified girth dimension

0.5x
E [%]
[cm] [cm]
Waist girth (wg) 97 24 73.4 0.5 cg 0.5 cg
Hip girth (hg) 105.6 24 80.3
Calf girth (cg) 40 24 30.4
Ankle girth (ag) 28 24 21.3
Fabric: PL Coolmax 57%, PL micro 37%, Lycra 6% 0.5 ag 0.5 ag
(llo) – outside leg length, (lli) – Inside leg length 1 1

6-8
(cd) – Body rise (Crutch depth)

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Input parameters for Sportweare design


Garment fit and pressure comfort play an important role in clothing comfort,
especially in the case of tight -fit sportswear.
There are three factors, which influence
the pressure exerted by garments:
¾Shape of the body parts
Foto:www.sport-invest.cz
Body shape is an important influential factor towards clothing pressure
as greater degree of curvature, the greater pressure exerted.

¾Type of the fabric used


The amount of pressure, which measured
in mmHg (millimeter of mercury) has
been found on vary in body locations when
garments were made
of different types of fabrics.

¾Design and fit of the garment


DesignConcept 3D
© Technical University of Liberec 2009
FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Body dimensions
Humans have to function and move unrestricted in clothing systems.

Seven extreme body postures causing changes of 18cm, 24cm, 21cm, 22cm,
27 cm, 16cm and 22cm respectively, relative to a neutral position (Lotens, 1989)

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Ergonomics of movement
Ergonomic research is performed by those who study human capabilities in relationship to their sport demands.

¾Static Dimensions - measurements of the body at rest.


¾Dynamic Dimensions - measurements of body parts in motion.
Information derived from
these studies contributes - Dynamic factor
to the design and
evaluation of tasks,
products, environments x(s) - Measurement of body at rest
and systems in order to x(d) - Measurement of body parts
make them compatible
with the needs, abilities in motion
and limitations of people. Dynamic factor in percentage

INPUT Human Tools OUTPUT

α
Sport performance

Environment

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Easy Fitting Blocks for Jersey Wear


Block for Tee Shirts
Measurements required A´B´=AB +2,5
1.5
to draft The Block y/4 0.75 2.0
ng A´

0.2ng-2
A

x/2=y
0.2ng+1 0.75
bg

x/2
ta+1=x
sl
wtg B´ 0.33 A´B´

nw+1
wg
B
hg bw+1
0.25 bg+2.5

Centre line fold


fl=(nw+ta)

sl
ta
bw

nw
0.5 wtg

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Cycling Jerseys pattern design


B1
34,38 %

-12 % of bw Back
B3
1,08 [rad] +8 %
sleeve
sleeve H3´
13,38 %
centre front
back

π [rad] 0,84 [rad] Armhole


r

blocks 1,22 [rad] B5


-12 %
front Front H5´

back 38,84 %

B7

dynamic effect
=10% of measurement :
50°
Nape to waist
10% of nw

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

System of ease allowance


The system of the ease allowance

FRONT BODICE
can be defined as a complex
of influences effective in the shape

BODICE
BACK
and dimensions constructed clothing. A B
The type of fabric has a great
influence on the amount
of ease allowances pi for:
Constructional abscissa
¾body movement, ABi(w) = ki * Bi + ai + pi
¾expansion ABi(w) constructional abscissa
ki regression coefficient
¾comfort.
Bi body dimension
The dimensional stability of the fabric ai absolute term
is an important factor. pi allowance
The more stable the fabric,
the greater the ease allowance. e.g. for woven fabric:
Basic formula for front width:
This depends on whether it is: fw (front width)= 0.24*wg+(-1,5)+2,5
¾woven,
e.g. for knitted fabric:
¾knitted Basic formula for front width:
¾or non-woven. fw (front width)= = 0.24*wg+(-1,5) -2,5

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Chart: Suggested minimum ease allowance to be added to the body


measurements for women´s block patterns in woven fabric
(measurements in centimetres). Size range 8 to 16 and 16 to 24
Blouse

MEASUREMENT BODY SIZE DRESS SIZE DRESS SIZE SKIRT AND TROUSERS SIZE BLOUSE
12 ´8 - 16 16 - 24 ´8 - 24 ´8 -24
bust girth 88.0 4.0 to 8.0 5.0 to 10.0 - 4.0 to 10.0
waist girth 70.0 4.0 to 5.0 5.0 to 6.0 2.0 to 4.0 4.0 to 10.0
hip girth 96.0 4.0 to 5.0 5.0 to 6.0 4.0 to 6.0 4.0 to 6.0
neck girth 38.0 2.0 to 3.0 3.0 to 4.0 - 2.0 to 4.0
across back width 35.0 2.0 to 4.0 3.0 to 5.0 - 2.0 to 4.0
across front width 32.0 2.0 to 3.0 3.0 to 4.0 - 2.0 to 4.0
upper arm girth 28.0 5.0 to 6.0 6.0 to 8.0 - 4.0 to 8.0
elbow girth 26.0 4.0 to 6.0 6.0 to 8.0 - 3.0 to 8.0
wrist semi-fit 16.0 6.0 to 7.0 6.0 to 8.0 - 6.0 to 8.0
wrist fitted 16.0 3.0 to 4.0 3.0 to 4.0 - 3.0 to 4.0
depth of armhole 21.0 2.0 to 3.0 3.0 to 4.0 - 2.0 to 5.0
thigh girth 57.0 - - 8.0 to 12.0 -
knee girth 37.0 - - 9.0 to 15.0 -
ankle girth 25.0 - - 8.0 to 12.0 -

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Information tree to guide the design research process


for performance sportswear designers Mood, Safety, Commercial
considerations, Environmental
Colour impact

Aesthetics Materials Fibre types, Yarns, Fabric


selection

Cut/Fit/Proportion Garment construction,


Cutting for movement, Sizing

Form/Style Team/club/Co-identity
Corporate culture Commercial/legal concerns
Communicatio Hero/Fan culture
Life style subcultures
Culture Fashion
Code of tradition/etiquette
Historical context
of the sport History, Past heroes
Human factors, Product
Military research and development function, New technology

Contact/Non-contact sport

Protection Environmental conditions


Senses, Health/Safety

Demands Anthropometry Measurement of body

of the body Ergonomics of movement


Predominant patterns
and posture, Agility
Heat dissipation, Heat retention,
Thermo physiological regulation Workload, Ambient conditions

Function Psychological considerations


Appearance/StyleReliabillity/
perceptions of reliabillity

Short, Medium, Long


Duration of activity
Demands Rules of governing bodies,

of the sport Safty/Survival Protection, Identification


Location, Season, Climate,
Range of likely sporting conditions Transportation

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Major international sports trade fairs where leading fibre and fabric producers
and garment manufacturers promote new developments for the sportswear

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Production patterns
Seams, hems and facings are required to complete
a garment pattern for production.
The pattern technologist has to be aware of all the factors
that influence the completion of the patterns, such as:
¾the end use of the garment,
¾the design,
¾fabric,
¾production methods and cost.

The pattern construction techniques, creating pattern


shapes of the:
¾Shell pattern
¾Lining pattern
¾Interlining pattern
© Technical University of Liberec 2009
FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Seam allowances
The seam allowance is the distance from the stitching line
to the perimeter of a cut garment part. The amount of seam
allowance can vary greatly according to:

¾(1) The position of the seam and how much stress (1)
it has from body movement, e.g. an armhole and
sleeve head (minimum allowance 1 cm).
¾(2) The curvature of the seam influences the seam
width, e.g. the curved seam of a panelled bodice (2)
(3)
requires a narrower seam where convex and concave
(2)
curves have to be joined together (maximum of 1cm).
¾(3) Enclosed seams require a narrow seam allowance,
e.g. the faced neck and armhole (maximum of 0.7 cm).
¾ (4) The type of machinery required for stitching
the seam influences the seam allowance width
e.g. a flat felled seam Flat Felled Seam

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

¾ (5) The type of fabric often


determines the width of the seam
allowance and how it is neatened e.g.:
Seam for loosely Seams for sheer fabric
- loosely woven fabric woven fabric
- sheer fabric
- thick fabric
- stretch fabric
¾ (6) A wide seam allowance Seam for thick fabric Seam for stretch fabric
is required for inserting a zip fastener,
e.g. skirt placket (1.5 to 3.5cm).
Wide seam allowances, known
as inlays, are also required where
a garment is specifically constructed
for altering and letting out (1.5 to 3.5
cm). Wide seam allowances

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

The type of corners at the intersection of two perimeter lines can be varied
according to the method of production, the type of fabric and whether
notches are required. The selection and method of changing these types
of corners will vary according to the different computer systems.
The following examples are a selection of the most often used corner types:
¾Mirrored corners are used where
a seam is pressed open and the contour
of the intersecting perimeter line
is continued.
¾Square corners can be used where
the seam is pressed in one direction. Mirrored corners Square corners
¾A mitred corner is clipped off straight
and perpendicular to the corner to remove
excess fabric.
¾A shaped corner removes more excess
fabric by clipping off a double mitred corner.
A mitred corner A shaped corner

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Hem allowance
The shape of the hemline influences the width of the hem allowance.
A straight hem lies flat when folded back so the hem can be quite wide.
Curved hems do not lie flat when folded back and therefore the hem
width has to be reduced.
The corners at each end of the hem also have to be considered
so that the turned up hem mirrors the intersecting seam.

Straight hem Circular hem


Straight hem with
mirrored corners

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Facing
A facing neatens the edge of a garment. It can be an extension of a garment
part or cut separately.
It is generally concealed by turning underneath to the inside of the garment.
It can also turn back to be revealed on the face side.
B
¾ Facing a buttoned opening
B- button diameter
¾ Extended facing

B
facing

Button

CF
stand

WS

Facing a buttoned opening Extended facing

© Technical University of Liberec 2009


FABRIC, FORM and FLAT PATTERN CUTTING, DESIGNING PATTERNS
Blazena Musilova, FT TU Liberec, Department of Clothing Technology
E-mail: blazena.musilova@tul.cz

Lining the Suit Jacket


Easy allowance is required on linings for two reasons.

¾ Cloth garment pieces „spread“ a little when they


are cut out. Extra ease allowance is required on linings
because lining fabrics do not relax in the same manner.
The amount of ease required will vary depending
on the cloth used for the garment.

¾ The lining should also be loose enough to prevent


the garment being pulled out of shape when the lining
is inserted. Particular stress points are the armholes
and the centre back.

Note: Some bespoke tailors cut linings from the cloth pieces
of the garment, specific ease is then added
at the stress points.

© Technical University of Liberec 2009

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