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2019
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ISHA
AMBANI
PIRAMAL
On power,
purpose and her
personal life

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the
IMPACT
IAct.SGive.SInspire
UE
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186 1 96 204 21 2
MADE TO MEASURE TODAY’S SPECIAL TAKING COVER A BEAUTIFUL MIND
Isha Ambani Piramal talks to From chilli red stilettos to Beyond the eternal rise and fall Professor and bestselling
Priya Tanna about life and tin-toned Mary Janes, the of necklines and hemlines is author Yuval Noah Harari
why India is at the heart of season’s extras draw from the quiet confidence of clothes tells Shahnaz Siganporia
TARUN VISHWA

it all. Photographed by Tarun the daily. Photographed by that reveal much by concealing. his most difficult truths
Vishwa. Styled by Anaita Shroff Bobby Doherty. Styled by Photographed by Ashish Shah. and how Vipassana
Adajania & Priyanka Kapadia Maximilian Aufschnaiter Styled by Fabio Immediato shaped his success

www.vogue.in VOGUE INDIA FEBRUARY 2019 13


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F EB/2019

world with their vision,


finds Rosalyn D’Mello

140 All booked up


Olivia Marks selects the
best coffee-table books
for the fashion-lover in
you or your circle

VIEW
145 #therightchoice
From a love for lived-in
fashion to loyalty to
the loom—Vogue
chronicles the closets of
five women who wear
their values. By Akanksha
Kamath and
Neharika Manjani

154 #mychoice
We asked nine influential
names in the fashion

IMAGES ARE COURTESY OF THE FILM THE TIMES OF BILL CUNNINGHAM, TO BE RELEASED IN CINEMAS IN SPRING 2019 AND ON APPLE ITUNES MOVIES
www.t.me/njm_magz fraternity to share one
career-defining choice
they made and the
impact it had. The rest,
as they say, is fashion
history. By Malika
Dalamal

158 #choosingbags
In 2017, a diamond-
encrusted Hermès
Birkin sold for 1,55,000
pounds, prompting a

166
HISTORY
flurry of articles on the
investment value of bags
versus stocks and even
IN HIS LENS homes. As the ‘eyes of
Bergdorf Goodman’,
Linda Fargo knows
38 Contributors pieces, the season’s in the world to running retrospective is probably what women want.
46 Ed’s letter hottest accessories crowdfunding platforms one of the most So, we asked her the
52 Letters and spring-inspired and building safe spaces important exhibits of loaded question: Does
beauty. Plus, watches for high-risk children— the year, says Shahnaz a handbag leave a mark
VOGUE LOVES and jewellery pair up, meet the impact makers, Siganporia on your sartorial and
59 Everything we heart and we show you how crusaders and new financial portfolio?
this month to embrace modest initiatives that have 134 Two’s company
dressing found innovative ways of They abandoned their 160 #ichosefashion
VOGUE SHOPS creating change corporate ascent over For these three women,
85 Sizzle up your style IV VOGUE a midnight phone call. a career in fashion
as temperatures rise— 121 Pay it forward 132 True to form Today, gallerists Priyanka wasn’t always the
choose from cycling From launching the One of India’s leading and Prateek Raja are most obvious choice.
shorts, summer’s 17 key largest beach clean-up artists, Arpita Singh’s changing the Indian art While one, like most

18 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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F EB/2019
diligent chronicler of 228 Heart’s desire
real, evolving style with a With all-natural
unique eye ingredients and the
Ayurvedic principles of
RSVP a balanced mind, body
174 The scoop on and soul at its core, this
hottest soirées homegrown brand hopes
to give you what every
BEAUTY woman wants—glowing
216 Yas queen! skin, lustrous hair and
Priyanka Chopra wants the inevitable glow of all-
the world to rethink round wellbeing. Chandni
how it sees beauty. By Sehgal digs deeper
Samhita Mukhopadhyay
230 Back to the roots
222 The beauty This Ayurveda-inspired,
powerlist 2.0 nature-based beauty
We hit ‘follow’ on a brand is committed to
wave of first-generation making a difference,
make-up, hair, fitness not only to your hair but
and wellness influencers also the planet. By Nidhi
a while ago, but there’s Sharma Punjabi
a new crop of powerful
names adding their 232 Beauty Bulletin
voices to the digital The Vogue guide to your
www.t.me/njm_magz beauty landscape, one beautiful month
Instagram post at a time.
LIVING
204
TAKING
By Parizaad Khan Sethi

226 The influence of


236 Incredible
voyages
COVER Ayurveda Travel transforms you.
Ayurvedic From volunteering
therapist Farah Baria at a farm to scaling
millennials, is all about 164 #ichoseceline Phoebe Philo’s Céline. Parakh explains the a mountain, these

PHOTO: ASHISH SHAH. ON CHAWNTELL: SILK RUFFLED TOP, GOLD-PLATED EARRINGS; BOTH MARC JACOBS
being multi-hyphenate, As a retail and brand Giangola writes about impact of Ayurveda in nine extraordinary
another made the switch consultant, Ramya being a label loyalist our daily lives. We also experiences, for
by combining two Giangola’s day revolves explore two brands that adventurers and
disciplines that excited around new designers 166 History in are using Ayurveda’s anthropologists alike, will
her. What unites them all and new perspectives his lens ancient scriptures to make you go the mile
is the love of a more fluid on fashion. But no label Suzy Menkes give you glowing skin,
form of expression. By has connected with her pays tribute to Bill healthy hair and an 242 Making the cut
Priyanka Khanna life more intimately than Cunningham, the overall vigour. From Tamar Adler gathers an
delving into Kama arsenal of chefs’ knives—
Ayurveda’s 16-year-old Japanese, French,
COVER LOOK legacy that’s putting German, American—in
On Isha: Dress, shirt, ruffled skirt; all Indian beauty firmly her search for the
Toni Maticevski. Ring, Misho. on the map to a perfect blade
Hair: Rebecca Chang. Make-up: Subash brand started by an
Vagal. Make-up assistant: Harshal Jariwala. Austrian hairdresser 246 Diary
Photographer’s assistant: Mohammed who brought the 248 Shoplist
Jamshed Qureshi. Assistant stylist: Priyanka goodness of Ayurvedic
Parkash. Production: Divya Jagwani; ingredients to heads of VOGUE PS
Ankita Chandra; Bindiya Chhabria. hair around the world, 250 Love, actually
Editorial assistant: Jay Modi. we discover just how What better way to
Photographed by Tarun Vishwa much this age-old celebrate the month of
Styled by Anaita Shroff Adajania and discipline inspires our love than a portrait
Priyanka Kapadia beauty and being by a legend?

24 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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PRIYA TANNA ARJUN MEHRA
EDITOR-IN-CHIEF CHIEF BUSINESS OFFICER

FASHION DIRECTOR Anaita Shroff Adajania PUBLISHER Dilshad Arora


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Anamika Sarkar (New Delhi), Mallika Kulkarni
ADVERTISING MANAGERS Neha Singh (New Delhi), Aafreen Kazi
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JUNIOR FASHION FEATURES EDITOR Akanksha Kamath SENIOR PLANNING MANAGER Hetal Shah
ADVERTISING SALES COORDINATOR Althea D’Souza, Natasha Arora (New Delhi)
SENIOR FASHION FEATURES WRITER Neharika Manjani ITALY SALES REPRESENTATIVE Angelo Carredu
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SENIOR FASHION EDITOR Priyanka Kapadia
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FASHION COORDINATOR AND STYLIST Priyanka Parkash
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JUNIOR BEAUTY EDITOR Sneha Mankani AGM-ADMIN & SUBSCRIPTION OPS Boniface D’souza
PR DIRECTOR Swati Katakam Samant
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ASSOCIATE ART DIRECTOR Swaminathan Iyer CREATIVE DIRECTOR - PROMOTIONS AND CREATIVE SOLUTIONS Dipti Soonderji Mongia
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Avanti Dalal
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UX DESIGNER Anurag Jain
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ASSOCIATE PRODUCTION DIRECTOR Sunil Nayak MANAGERS - AD OPERATIONS Vinayak Mehra, Reshma Nilankar
COMMERCIAL PRODUCTION MANAGER Sudeep Pawar AD OPERATIONS EXECUTIVE Akanksha Malik
PRODUCTION CONTROLLER Mangesh Pawar AUDIENCE DEVELOPMENT DIRECTOR Saurabh Garg
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CONTRIBUTING EDITORS MARKETING MANAGER - SUBSCRIPTIONS V Satyavagheeswaran
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34 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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Traverse through the


handcrafted world of Zoya
with jewellery from its timeless
Banaras and Krsna Collections

Visit boutiques at
Mumbai | Delhi or Zoya.in
GOWN, LOLA BY SUMAN B
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ISHA Vogue, GQ, AD, Glamour, GQ Style, Wired
AMBANI
PIRAMAL
On power,
purpose and her Spain
personal life Vogue, GQ, Vogue Novias, Vogue Niños, Condé Nast Traveler, Vogue
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Created by the ateliers of Zoya,


these marvels wrought in gold,
polkis and champlevé enamel
from the Krsna Collection are
hallmarks of fine craftsmanship
BLOUSE, CAPE; BOTH ANAMIKA KHANNA

Visit boutiques at
Mumbai | Delhi or Zoya.in
LINDA FARGO
Can a handbag give you a better return
on investment than stocks? Linda
Fargo, fashion insider and the “eyes”
of storied department store Bergdorf
Goodman, shares her expert viewpoint
in ‘#ChoosingBags’, page 158.

Get to know...
Our contributors from the February issue

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BJÖRN WALLANDER; JAMSHED QURESHI; INDIGITAL MEDIA; SHRIRANG SWARGE

TARUN VISHWA S U B A S H VAG A L BINDIYA CHHABRIA R E B ECC A C H A N G


A celebrated photographer, From Sonam K Ahuja to now In her world, elephant in the Chang is a London-based
Vishwa has been a Vogue Isha Ambani Piramal (see room probably means bringing a hairstylist and styling director
favourite since the magazine ‘Made to measure’ on page thick-skinned pachyderm on set. at Senzi Education, an
set foot in India. In 2016, he 186), there are few famous Vogue’s go-to producer, she has international hair education
won Photographer of the Year faces that Vagal hasn’t worked produced over 50 fashion shoots, company. Chang has worked
at the Vogue Beauty Awards. his genius on. The Mumbai- besides this month’s cover story. on runway looks for brands
This month, the Delhi-based based make-up artist, lovingly Her production prowess extends like Versace, Balenciaga, D&G
creative flew down to work called “Subbu” by industry to Bollywood as well, with Gully and Dior, among others. This
his magic on cover girl Isha insiders, is the go-to guy to Boy seeing her take on the role of month, she styles Isha Ambani
Ambani Piramal for ‘Made to glam up brides-to-be and an assistant production designer. Piramal’s tresses in ‘Made to
measure’ on page 186. A-list stars alike. measure’ on page 186.

38 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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EMBELLISHED GOWN, SWAPNIL SHINDE, PLEATED BLOUSE, KIRAN UTTAM GHOSH (WORN ROUND)

Bespoke and rare works of art


from Zoya’s Banaras Collection
featuring uncut diamonds and
gulabi meena, immortalise
the legendary city in gold

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Mumbai | Delhi or Zoya.in
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contributors
SUZY MENKES
In ‘History in his lens’ on page 166, Menkes, a veteran fashion
journalist and international Vogue editor, chronicles the seminal
fashion moments and icons that defined Bill Cunningham’s work.
Among our favourites by this prolific milliner-turned-photographer
are Diana Vreeland and Jackie Kennedy captured through the years.

R A M YA G I A N G O L A
In ‘#IchoseCeline’, page 164,
Giangola, founder of fashion
and retail consultancy Gogoluxe,
pens a visceral tribute to Phoebe
Philo’s era at Celine. Read more
about the designer who made
her way into the closets of
thinking women in fashion
around the world.

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FA R A H B A R I A PA R A K H
A certified Ayurvedic therapist,
journalist and mother, Baria Parakh
developed an interest in Ayurveda
over two decades ago. In ‘The
influence of Ayurveda’ on page
226, she offers an insight into its
importance in daily life and unveils
the benefit of following a dosha diet.

JA SO N
H U DA N I S H
Chef Hudanish is the
name behind the best
Mexican food you will PHOTO: MARCIN TYSZKA; GETTY IMAGES. ILLUSTRATION: SAUMIN PATEL
find in Mumbai. The
Miami-raised chef
has worked at Coyo
Taco and B Bistro +
Bakery, two popular
restaurants in Florida,
before he became the
corporate chef at Xico,
Mumbai. This month,
he flexes his chopping
SA M H I TA M U K H O PA D H YAY skills on some of the
Mukhopadhyay is the executive editor at Teen Vogue and co- best knives in the
editor of Nasty Women: Feminism, Resistance And Revolution country for our feature
In Trump’s America and the author of Outdated: Why Dating Is ‘Sharp objects’ on
Ruining Your Love Life. In ‘Yaas queen!’ on page 216, she has a page 242.
#nofilter conversation with Priyanka Chopra on the ideologies
that are shaping the way we define beauty today.

42 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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editor’s letter
GREAT
EXPECTATIONS
Fresh off her wedding,
Isha Ambani Piramal talks
about her future plans

Our choice of cover girl might be unusual


but hardly far-fetched. Determined not to
take her business-royalty pedigree lightly,
Isha Ambani Piramal is poised to herald a
new era for the Ambanis. The director of
Reliance Retail and Jio Infocomm has also
recently launched the Reliance Arts
Foundation, and when we sit down for an
interview, she speaks of each of her projects
ZLWK SXUSRVH DQG FODULW\ ,W·V DOVR KHU ÀUVW
interview after her much-followed wed-
ding!) The Yale and Stanford alumnus with
a passion for education, gender equality
and women’s empowerment has her head
(and heart) in the right place, and we know
she is one to walk the talk.
In this issue, we also bring to you one of
the most brilliant minds of our times, the
Israeli academic, philosopher and author
www.t.me/njm_magz Yuval Noah Harari. “If I cannot explain
capitalism to a 17-year-old, then I
probably don’t understand the subject
myself,” he tells Vogue’s associate editor,
Shahnaz Siganporia, as he explains how
he tackles the most complex phenomena
of our past, present and future.
In our View section, we talk about the
impact of choice—whether it’s a milestone
career choice or a designer choosing to
pledge her loyalty to a storied label. In our
shoot ‘Taking cover’, we explore the impact
of modesty on our wardrobes, while in
Beauty we discuss how Ayurveda impacts
our lives. From a popular actor who set up
We set great store by power, wealth, success and a crowdfunding website that helps raise funds for
fame, the goals that await us at the end of our medical emergencies to a lawyer-activist who
endeavours. They are the four pillars of measure— mobilised the world’s biggest beach clean-up—
DQG WKH\ PD\ ZRUN DV FHUWLÀFDWHV RI PHULW EXW QRW InVogue explores the real-life changemakers who are
necessarily of character. The real test lies in what creating an impact by giving.
TARUN VISHWA

you do with them for a greater end. With this issue, we ask the big questions: What
The impact you create—whether for one person, do you owe the world? Can one person truly make a
an entire community, or the world at large—lies at GLIIHUHQFH" $QG ÀQDOO\ ZKDW·V \RXU LPSDFW"
the core of this issue. All around us, people are
shaping the world in constructive ways—either by
JLYLQJ E\ XVLQJ WKHLU LQÁXHQFH RU E\ PDNLQJ
choices that have far-reaching consequences, and
this forms the basis of our Impact Issue.
FOLLOW ME ON TWITTER
@PRIYATANNA AND INSTAGRAM
@PRIYA_TANNA OR EMAIL ME AT
LETTERS@VOGUE.IN
WE ARE ON

46 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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www.t.me/njm_magz
www.t.me/njm_magz
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www.t.me/njm_magz
letters@ .i THE
VOGUE
ART
REPORT
TELEPORTING LET’S A look at
the future of
Indian art
TAKE IT PERSONALLY
TRENDS GET THIS Vogue’s December cover was all
‘Jet, set, show’ took me to PARTY about Katrina Kaif’s jaw-drop-

+
Saint-Paul de Vence and into STARTED ping makeover. Her interview
• The dress of the season
the world created by Nicolas really intrigued me because of
111
• The hotspots to be seen in
Ghesquière for his cruise 2019 • The labels to own now her mindfulness and how she
collection for Louis Vuitton. PLACES
TO VISIT
spoke about her personal life
From washed-out denims and IN 2019 ZLWKQRÀOWHU$QRWKHUSLHFHWKDW
rainbow plumes to animated caught my attention was about
cat It bags—I’m crushing over Manish Malhotra’s make-up line
all the new trends for this with MyGlamm. It was interest-
party season. ing to hear of the designer’s
Neelam Chauhan, Pune
KATRINA KAIF LETS DOWN HER GUARD
vision for the brand and how it
resonates with his aesthetic.
Amaaya Khan, Mumbai

PARTY POPPER

GREG SWALES; BIKRAMJIT BOSE; MORI BUILDING DIGITAL ART MUSEUM; TEAMLAB BORDERLESS 2018, ODAIBA, TOKYO
It was amazing to see Katrina Kaif
styled in such a bold avatar for Vogue
India’s December cover, particularly
her hair and make-up. One of my
favourite reads was ‘Three’s a party’,
with the bathroom (every party girl’s
IDYRXULWH VHOÀH VSRW EHFRPLQJ WKH
shoot’s backdrop. This feature also
helped me navigate two of the
trickiest trends of this season—
www.t.me/njm_magz animal print and shimmer.
Kiara Singh, Delhi

BAGGAGE DROP
Being a frequent traveller, I have
mastered the art of over-packing. I’m
known to carry my world in a
ART OF THE MATTER suitcase. So, ‘Diary of an over-packer’
I was elated to read Vogue’s 2018 was indeed one of my favourite reads,
Art Report; of special interest to and better yet, a relatable one. I
me was the feature ‘40 under 40’ loved that the travel issue had handy
on the talented contemporary luggage hacks that I can’t wait to try!
artists from India. Their art is Sita Suri, Hyderabad
free-spirited, non-conforming
and necessary in our political
and social enviroment. I’m eager SEND YOUR LETTERS TO
to invest in Shilo Shiv Suleman’s Vogue Letters, 2nd Floor,
Darabshaw House,
fantastical work.
Shoorji Vallabhdas Marg,
Malini Subhramanyan, Chennai
Ballard Estate, Mumbai 400 001,
or reach us at
letters@vogue.in
Twitter: @VOGUEIndia

TWITTER FEED
Riya Dhankar Ayan Dalal Sakshi Rajeev Kore
(@Riya_dhankar) (@AyanDalal) (@Sakshayyy)
It was refreshing to see Katrina’s bold avatar I’m totally impressed with @VOGUEIndia’s December issue was
in @VogueIndia’s December issue. Kudos on the @VOGUEIndia cover just what I needed to get party-ready!
some great styling. #Fashion #CoverGirl featuring #KatrinaKaif #ShimmerAndShine #FashionLove

52 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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MUMBAI | AHMEDABAD | DELHI


+91-9833520520
www.t.me/njm_magz
www.t.me/njm_magz
www.t.me/njm_magz
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9
8 7
S
ART THIS MONTH

6
10
4

12 11
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13 2

HEART
MATTERS
1. ‘Loulou’ sunglasses, Saint Laurent by 1
Anthony Vaccarello, 27,800 2.18K gold
and pearl earrings, Delfina Delettrez,
23,800 3. ‘Paige’ platform leather sandals,
Saint Laurent by Anthony Vaccarello,
64,000 4. Heart clutch, Moschino Wear your
h
sleeve...and eart on your
Cheap & Chic, 15,700 5. ‘Anya Love’
silver flats, Giuseppe Zanotti, 48,000
6. Crystal-embellished dress, Alessandra
shoes and your glasses,
INDIGITAL MEDIA; SHUTTERSTOCK.COM

Rich, 1,71,900 7. ‘Amour’ 14K gold and


ea
enamel earrings, Alison Lou, 1,31,600
8. Rainbow heart cardigan, Marco of the coole rrings! Our pick
Rambaldi, price on request
beloved m st pieces in the
otif of the s
VERSACE

9. Crystal-detail velvet pumps, Fendi,


1,21,200 10. ‘Cora’ clip-on earrings,
Rebecca de Ravenel, 16,900 11. PVC
eason
skirt, Alexa Chung, 23,300
12. Acetate sunglasses, Gucci, 31,000
13. ‘Rockstud’ quilted leather flats,
Valentino Garavani, 1,01,700
www.vogue.in VOGUE INDIA FEBRUARY 2019 59
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SPRING/SUMMER ‘ 19
www.t.me/njm_magz
#ANTITRENDBRIDE
ES Candle, Damselfly
at Space NK, 4,500

CHEEKY CANDLES
Offering a good dose of
Katrina Kaif humour and warmth, Australian
brand Damselfly features a line
Deepika of tongue-in-cheek candles
Padukone that are must-haves for any
millennial home. Spacenk.com
Gigi Hadid
Priyanka Emily Blunt
Chopra

Martha Hunt ‘Stacking’ leather


bags, Khaore,
17,150 onwards

KHAORE

IT Y
Another name to add to your growing

EB
CEL ND R list of It bags comes courtesy New
York-based Khaore. “Our bags are artistic

TREshooting for satinic—ks


Michelle interpretations of everyday objects,” says
Obama Kolkata-born Raiheth Rawla, one half of the
label. Soon after graduating from Parsons
ir top p
School of Design, co-creative Wei Hung Chen
rs are
The sta y to night, the ky and Rawla started tinkering with the idea of
n
from da e subtle yet sli leather bags “that can be seen as both sculpture
ar and accessories.” The result? Bag versions of the
www.t.me/njm_magz paperbag-waist trouser that carry more than just
COCKTAIL a wallet and phone. Instagram.com/khaore.studio

LESS IS MORE LIQUID LABEL ALERT

GOLD
We’re going back to the old adage
for our jewellery inspiration—mini-
malist pieces for maximum impact THE LOVE HOOK
Sweet, bubbly and Delhi-based The Love Hook has all
reimagined for a the makings of a millennial-minded
new generation, label. Rooted in sustainable practices,
@jeryco_store here’s how you all products are made with plant-
can make Gazoz based materials like jute and sea
grass. Slogans like ‘To the
at home beach’ and pineapple and
A cool Israeli drink from the 1900s is ‘Cacti’ sea grass flamingo motifs on picnic
making a comeback internationally, basket bag, The baskets and espadrilles
with bartenders recreating the Love Hook, could have anyone
syrupy, fizzy favourite. Beat the local 4,000 dreaming of clear
bartender at his game by mastering skies and blue seas.
@sophiemonet the simple formula yourself. Instagram.com/
ALEX LAU; GETTY IMAGES; VIRAL BHAYANI;

thelovehook
THE SYRUP
Macerate overripe fruit (anything
goes, but peaches, cherries and
melon would be nice) with sugar
and lemon juice. Blend and strain
SHUTTERSTOCK.COM

to remove solids.
@biancamavrick +
THE SODA
VOGUE CRUSH
Add a couple spoonfuls of BACK TO THE FUTURE
fruit syrup to a glass, top off In the continuing reinvention of the ’80s Running
with sparkling water, and adjust System, Puma is releasing the RS-X, extending
proportions to taste. the brand’s Future Retro range that takes
+
THE GARNISH
inspiration from the past to inspire
future sport-style designs.
@juliethevenotdesign Finish off with a sprig of mint,
sage, or parsley.
–Carey Polis ‘RS-X’ sneakers, Puma,
price on request
66 VOGUE INDIA FEBRUARY 2019 www.vogue.in
Know Your Diamond
COLOR GRADE

CLARITY GRADE

CUT GRADE
www.t.me/njm_magz

CARAT WEIGHT

Look for diamonds graded by GIA, the creator of the 4Cs.


Learn more at 4Cs.GIA.edu

CARLSBAD ANTWERP BANGKOK DUBAI GABORONE HONG KONG JOHANNESBURG LONDON MUMBAI NEW YORK RAMAT GAN TAIPEI TOKYO
TIME TO
TREAT
YOURSELF
Instead of the usual romantic dinner date with
your plus one, let this Valentine’s Day be all
about pampering yourself. Enjoy a shopping spree,
binge-watch your favourite shows and create
unforgettable memories with your OnePlus

www.t.me/njm_magz

LOUNGE BY THE POOL


Valentine’s Day should also
be about gifting yourself. So
this time, give yourself the gift
of indulgence by spending a
relaxing day by the pool with
your favourite book and a couple
of drinks. As you soak up the sun,
how about pampering yourself a
bit more? With your OnePlus in
hand, go ahead and indulge in a
quick poolside shopping spree.
ENJOY A MOVIE
MARATHON
There’s nothing better than
stretching out at home in your
most comfortable clothes with
a big bowl of buttery popcorn
and the latest movies, right?
Make the most of your me-time
this Valentine’s Day by catching
up on all those movies you’ve
been meaning to watch, on
your OnePlus’ sleek display. You
deserve every bit of it.

www.t.me/njm_magz

GO FOR A WALK
If exercising has always been
at the top of your to-do list,
now’s the chance! Instead of a
moonlight walk with your beau,
let this Valentine’s Day be all
about you. Gear up for a power
walk or stroll along leisurely,
taking in the beautiful sights of
your city. To make things even
better, pull out a playlist on
AVAILABLE ON AMAZON.IN AND ONEPLUS.IN
your OnePlus and listen to your
favourite songs, on the move.
www.t.me/njm_magz

MICHAELKORS.COM
SMART OFF
THE RUNWAY www.t.me/njm_magz

It’s iconic, incredible and The second you wear it, you’ll know you need
to own it. The fresh, eye-catching addition
frankly, irresistible. Michael to Michael Kors Access collection is a true
Kors announces the return of its showstopper. After all, this is the brand that
Runway watch, this time as an is world-renowned for its award-winning
innovative luxury accessories—would you expect any
less? Keeping up with the times and trends, it
smartwatch, goes one step ahead, marrying the style and
designed for functional requirements of the 21st century
the stylish clique with the best in wearable technology.
millennial The Runway smartwatch offers a new
and highly personalised experience, with
of today features like heart-rate tracking, swim-proof
functionality, untethered GPS and more.
You can manage your daily tasks and talk
to your watch via Google Assistant, all
from the comfort of your wrist. Not to
mention, it’s got the style to stop others dial itself. You can even customise your social
in their tracks. In addition to the three photo dials with Michael Kors-themed stickers.
classic stainless steel platings, the brand is Talk about being millennial-friendly! Powered
also introducing its first ever silicone-strap with Wear OS by Google and the Qualcomm
styles—perfect to take you from a workout to Snapdragon Wear, the new Michael Kors Access
a night out with ease. Runway touchscreen smartwatch is compatible
It also features new digital dial designs that with both iPhone and Android phones. So what
connect to and visually show your heart rate, are you waiting for? Own it now!
or give you updates via My Social app, of
your Facebook and Instagram photos on the For more information, visit michaelkors.com
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www.t.me/njm_magz
DIOR REDU
X
Years after th
success of Ale e phenomenal
ES NAME T
O KNOW

PRIMROSE
xa
Savage Beauty nder McQueen:
monumental e comes another
the talk of the xhibit that will be
fash
month, Londo ion world. This ARCHER
Christian Dior: n’s V&A opens Porcelain- skinned Prim
D
featuring the b esigner of Dreams, Archer’s farm-to-fash ose
Dior designs. iggest collection of io
journey will leave you n
‘Fête Joyeuse’
A-line evening Span
dress from S/S from Princess ning everything feeling inspired.
Ma
’55 haute couture birthday dress rgaret’s 21st The 18-year-old, who
Christian by Christian Dior Lawrence’s red to Jennifer grew up in Worcester
Dior with (1905-57) the retrospecti -carpet look, has been spotted on ire,
sh
cky, ve
model Lu 5 designs from 19 captures Dior runways of New York
the
circa 195 47
February 2 o until now. (s
nwards recently took the ram he
p
for Anna Sui) and ev
en
bagged a British
Vogue cover.

THE ONE WITH THE APR

FASHION IDOL
Jennifer Aniston’s legendary role on the fan-favourite sitcom A look inside
Parampara Jaipur
Friends made her a household name in the ’90s. On her
milestone birthday (50!), nearly 20 years after the show first
aired, we look back at some of her most iconic sartorial moments
JUL SEPT

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COURTESY CHRISTIAN DIOR; LAZIZ HAMANI; @PRIMROSEARCHER/INSTAGRAM; GETTY IMAGES; SHUTTERSTOCK.COM


SHOP HERE
Your next visit to Jaipur
deserves a quick stop at
Parampara, the new multi-
MAR JAN FEB

97 17
designer store curated by
designer Virginia De Castro.
Here you’ll find “fresh
folklore for travellers, from
travellers,” says De Castro who
patches accessories, jewellery
‘Keepsake’ and clothes from her label as
stone ‘Olivia’
earrings,
well as other expats who call
TAKE SHAPE
leather bag,
Lele Regina Pyo,
India home. The installation-
Sadoughi WHEN IT COMES TO ACCESSORIES, 44,500 like space by architect Ashiesh
at
Mytheresa.
RECTANGULAR IS THE RULE Shah features a navratan
com, flooring, a pech wall (inspired
10,745 by the traditional fastening of
‘Tanya’ an earring), an art gallery and
velvet
sandals, an open atelier. Mani Mahal,
By Far, Panch Batti, MI Road, Jaipur
25,460 Tel: 0141-2363062
Sunglasses, Cutler
and Gross at
74 VOGUE INDIA FEBRUARY 2019 www.vogue.in Net-a-porter.com,
34,600
www.t.me/njm_magz
www.t.me/njm_magz
www.t.me/njm_magz
SPECIAL FEATURE
` 1599
` 2360

` 1869

` 1800

` 2345

` 2100

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` 2560

` 1980
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WHAT’S YOUR VALENTINE VIBE?
ES 2
3

Dressing for date night is more fun when you’re


channelling your favourite celebrity. Take the qui
z to find
out who you should emulate
1

chicken with your beau


Friday night?
spotted on a
likely to be
Where are

homecooked roast
your best friends
4
you most

b) At the newest
party postcode
a) In bed with

Ben & Jerry

c) Enjoying a
ET C RE D
STrReaEl Gully Boys (and girls) odz ,
e
Meet th
Blo
h Khasi global
a) It’s Britney, bitch

it
your playlist?

orato r w
na
A collab er recently wo Europe
What’s on

lia :
b) All Eyez On

c) Stand By Me
aO pp TV
1. Meb illong-based ra warded the M Act.
h a h-
this S en she was
w h fo r Be st Indian Ranveer Sing
nod ward -hop ( e his
Music A of Indian hip on his life) mad
Me
OG sed ein’.
. D iv ine: The oy is partly ba ‘Mere Gully M r won
2 ully B song rappe
starrer Gakout with the e Delhi-based , Class Sikh.
Your tipple of

bre Th um
r a b h Deep: his debut alb at Natyam
b) Whiskey sour

3. P ith ar
choice?

cclaim w : A trained Bh ishnan is


a) Candy floss
Cosmopolitan

ritica l a
c MC nikr
4. Dee er, Deepa Un the mic.
dan c n
gifted o
c) Wine
e qu a lly

COURTESY FLORIAN LEGER; @AUGUSTINENEWYORK/INSTRAGRAM;


ABHISHEK BALI; ALAMY; GETTY IMAGES; SHUTTERSTOCK.COM
you’re binge-

FASHION’S FEAST
watching?

a) Gilmore Girls
A show

www.t.me/njm_magz
b) Baywatch

February is a month for couples as


c) Crown

much as it’s for couture. With fashion


weeks opening in the capitals around
the world, we speak to globetrotters on
where to eat when you are there
Your style

b) Angelina Jolie
icon?

c) Princess Di
a) Beyoncé

LONDON
“The very glamorous Park Chinois
Priyanka Chopra
MOSTLY As

in Mayfair. The cuisine celebrates


Meghan Markle
MOSTLY Bs
Mindy Kaling

MOSTLY Cs

the opulence and decadence of


1930s Shanghai with exquisite
regional Chinese food,” says Peck on
London-based chef Vineet Bhatia dimsums and
of Ziya, The Oberoi, Mumbai. noodles at
PARIS Park Chinois
Artist Dia Bhupal says, NEW YORK
“Le Café Marly located Roohi Oomerbhoy MILAN
Le Café Marly Jaikishan, director of “Biko Milano is an iconic
overlooks the
beneath the Louvre is
my favourite. I visit RR Oomerbhoy Pvt Italian restaurant that is
sculpture rooms Ltd, recommends
of the Louvre them after a long known for its Tuscan
day at the museum Augustine on 5 cuisine. You’ll find
getting inspired. Beekman Street. delicious tiramisu
Augustine is the “Savour lemon Mexican restaurant here. My new
Pick from simple perfect spot to get a
tomato-basil penne oysters, tuna Niçoise, Canteen does the best favourite is Canteen,
snack and people watch their signature coal- guacamole in Milan
or truffle ravioli and by far the best drinks
lasagna. End with an roasted carrots and freshly in town!” says fashion
almond milk ice cream.” pressed juices.” designer Payal Singhal.

82 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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www.t.me/njm_magz
EDITED BY ANAITA SHROFF ADAJANIA
sh s THE BEST BUYS THIS MONTH

REPORT

GOING
FORWARD
As the temperatures rise a
few digits, it’s time to acquire
a whole new wardrobe.
This is summer summed
up in 17 key pieces

CHANEL
The OTT dress>>

<<
www.t.me/njm_magz
The building block of any
summer wardrobe is a trusty
Neck bag
It started with the shoulder, went
dress. Bright and bold, think Big down to the waist and now, the
Bird by the beach. humble handbag has a new
pride of place: around the neck.
Necklace or bag, you decide.
GUCCI

<< The big dress

4
INDIGITAL MEDIA; SHUTTERSTOCK.COM

The latest prom dress is less


belle of the ball and more girls
gone wild. Ditch the sequins
for spots and a corsage for a
plumped-up bow.

Pop suit >>


ACNE STUDIOS

These suits, slim and in


RICHARD QUINN

colours of the rainbow,


stay strictly out of office.
TOD’S

www.vogue.in VOGUE INDIA FEBRUARY 2019 85


<< Larger-
than-life sunnies
The season’s supersized
sunglasses promise a little
less conversation and a lot
more shade.

RICK OWENS
Acid-wash denim
pencil skirt,
Dsquared2,
39,500

Acid-wash
denim>>
The Canadian
Crafty
BALMAIN

www.t.me/njm_magz
tuxedo 2.0 is worn-in
and washed out. detailing >>
No longer beach-
bound, crochet and
macramé come into
after-hours territory.
CHLOÉ

MICHAEL KORS COLLECTION


DIOR

Highlighter
hue >>
From top to toe
INDIGITAL MEDIA; SHUTTERSTOCK.COM

or with a gilded
counterpart, neon will
Ruffled blouse,
get you noticed. matching silk
trousers, Christian
<< Micro bag
Phone, keys, card and a
HALPERN

JACQUEMUS

Siriano, bite-sized bag to hold it


1,25,800, 70,400 all is what you need to
conquer the night.

86 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
shops

1
>>
Cycling shorts
Bella Hadid called it. The
spinning staple is suiting up.
The mini >>
Hitched-up hemlines and
Hawaiian prints is how we’re
teleporting to the tropics.
STELLA MCCARTNEY

www.t.me/njm_magz
DHRUV KAPOOR

ROBERTO CAVALLI

2
>>

The beach bag


This one we know for shore. A sea
shell-shaped minaudière is all you need
to carry your wanderlust with you.
<< Plastic
trench coat
SAGAR AHUJA; INDIGITAL MEDIA; SHUTTERSTOCK.COM

Sketched on or
MULBERRY

speckled with shine, it’s


the perfect top coat.
MOSCHINO

88 VOGUE INDIA FEBRUARY 2019 www.vogue.in


A SELECT RANGE OF
FINE FABRICS
FROM D’DECOR.
A SPECIALLY
CURATED COLLECTION
BY SIMONE.

www.t.me/njm_magz

EXCLUSIVE CURATIONS OF FINE FURNISHING FABRICS FROM D’DECOR.


NOW IN COLABA. ONLY AT SIMONE.

F I N E FA B R I C S • F U R N I T U R E • A R T E FAC T S • D E C O R S O L U T I O N S

A01, Amerchand Mansion +91 22 7111 7700


16 Madame Cama Road sales@simone.com
@simonenaturallyinspired
Colaba, Mumbai 400 001 www.simone.com
Open 11am - 8pm Sunday Closed
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SIGNE VILSTRUP
SAVE THE DATE
7TH EDITION OF THE
VOGUE WEDDING SHOW

2-4 AUGUST, 2019


www.t.me/njm_magz

NEW DELHI

TO REGISTER
visit www.vogueweddingshow.in

BY INVITATION ONLY

Subject to change
Oversized
geometric
earring,
Missoni,
23,700
1 Silver >>
The mood is disco in the
desert. Pair the hue with
harem pants and halter necks.
Lamé high-
rise trousers,
Attico,
68,000

1 Single
earring >>
Who says all good things
come in pairs? The
season made a case for

ISABEL MARANT
standalone earrings.
LOEWE

www.t.me/njm_magz

<<Surf
suit
>>

The news on
neoprene is
Tie-dye
Our take on the festival-friendly
floral with a throwback spans swimsuits and
side of formal. structured separates.

16
R13
CALVIN KLEIN

INDIGITAL MEDIA; SHUTTERSTOCK.COM

Stretch-crêpe
PRADA

swimsuit, Proenza
Schouler,
27,000
92 VOGUE INDIA FEBRUARY 2019 www.vogue.in
www.t.me/njm_magz
www.t.me/njm_magz
shops

1 2
3 4

5
IMAXTREE.COM; INDIGITAL MEDIA; GETTY IMAGES

www.t.me/njm_magz

1. Jersey shorts, Burberry,


24,300 2. Biker shorts,
Mach & Mach, 24,300
3. Cycling shorts, Mugler,
35,800 4. Cycling shorts.
Maggie Marilyn, 20,000
5. Logo cycling shorts,
Versace, 10,250

T H E N A N D N OW

SINGLEMINDED

CYCLING
SHORTS
STELLA MCCARTNEY

Princess
Diana
BLUMARINE

Fluorescent, floral and Kim


Kardashian
monogrammed— West
here’s how we’re
PRADA

CHANEL

taking the season’s


FENDI

It’s made the transition from


second skin of choice real life to Insta royalty. The
update? Swap your sneakers
for a spin for stilettos.

www.vogue.in VOGUE INDIA FEBRUARY 2019 95


shops
Plexiglas bracelet,
Balmain,
31,230

Leather shoes,
Hermès, price on
request
Resin earrings,
Saint Laurent
by Anthony
Vaccarello, price
on request

rchitectural
ACCESSORIES

SPELL
CHECK Leather belt bag, Fendi,
BURBERRY

86,750
To help you score sartorial
straight As, we sorted the www.t.me/njm_magz

season’s accessories in
alphabetical order. It’s
elt bags
just the crash course your
closet called for ‘Sedona’ raffia messenger
bag, Michael Kors
Collection, price on request
Rafia bag,
Saint Laurent
Denim bag, by Anthony
Chanel, price on Vaccarello, price
request on request

ane
INDIGITAL MEDIA; SHUTTERSTOCK.COM
GIVENCHY

enim

Embellished bag, Dolce &


Gabbana, price on request

96 VOGUE INDIA FEBRUARY 2019 www.vogue.in mbellishments


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shops
Sequinned mini
pouch, Attico,
46,865

ROKSANDA
rounded
eathers

PRADA
Leather boots,
Balmain at Net-
a-porter.com,
79,290

eadbands

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ridescent
JACQUEMUS

‘Finamu’ satin
mules, Manolo
Blahnik, 56,430

itten heels
BRANDON MAXWELL
LOUIS VUITTON

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BALENCIAGA

ogo mania unior


98 VOGUE INDIA FEBRUARY 2019 www.vogue.in
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shops
‘Faubourg’ leather
bag, Ermanno

ALTUZARRA
Scervino, 1,59,935

DIOR
etallic

CHANEL
omad
Puka shell
necklace,
Tohum Design,
30,500

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cean Calfskin bag,


Escada, 87,930

uilted
Rope sandals,
Satin sandals Chanel, price
with crystal on request
detail, Giuseppe
Zanotti, 95,600

rovocateur
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ope
‘Falcon’ sneakers,
Adidas, 10,000

neakers
Leather sneakers,
‘The Giant’ leather sneakers, Roberto Cavalli, price
Dsquared2, price on request on request
100 VOGUE INDIA FEBRUARY 2019 www.vogue.in
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shops

STELLA MCCARTNEY
MAISON MARGIELA
ech-friendly ‘Bornt’ sunglasses,
Acne Studios,
24,005

isors
MATTY BOVAN X COACH 1941

Mini ‘C’ calfskin bag,


Chloé, 87,300

‘Berlin’ leather

TILITY boots, Celine by


Hedi Slimane,
71,275

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Backpack, Gucci,
price on request

Metal and
stone earrings,
Zimmermann,
price on request

estern
XL ‘Tao’ 18K
gold-plated
necklace, Aurélie
Bidermann,
75,195
LOUIS VUITTON

INDIGITAL MEDIA; SHUTTERSTOCK.COM

Crystal earcuff,
Roberto Cavalli,
51,050
Calf-hair boots,
Michael Kors
Collection, oo ellow
price on request
102 VOGUE INDIA FEBRUARY 2019 www.vogue.in
www.t.me/njm_magz
bbiah, Falguni Peacock,
Shane Peacock, Kanika Su
st’s Arjun Mehra and
Upasana Asrani, Condé Na Embassy Group’s Revathy Dayanand
Velliyan Subbiah Wajid, Bijay Sharma, Emanda Vaz,
Nikita Das and Gopinath AT

Sigi and Arun


Hanan Nasir Murugappam

WHERE: Taj Coromandel, Chennai


WHEN: 13th December, 2018
www.t.me/njm_magz

Shriya Saran and Farah Danani The third edition of Vogue Atelier, a salon
inspired soiree co-hosted by Embassy Group
and Vogue India travelled to Chennai. At the
famed Taj Coromandel in Chennai, designer duo
Falguni and Shane Peacock, fresh off dressing Sameer Chhabaria Pritha Kishore
Beyonce for the Piramal-Ambani wedding in
Udaipur, continued to make a statement with their
bridal couture. Titled Amour du Junagarh, the
collection is inspired by the architectural curves
Vaishnave Reddy and motifs of the royal havelis of Junagadh.
It featured the designers signature beadwork,
foil and feather detailing. Additionally, it was
accessorised with statement jewellery from
Mehta & Sons by Narendra Mehta, personal
jewellers to connoisseurs since 1931. Chennai’s
Sharad and Ratika Haskar
chicest enjoyed the evening that also featured
classic Hennessey cocktails, a sneak-peek of
Shabri Embassy Group’s luxury properties, and a goodie
Roberson Priyanka Acharya bag by Forest Essentials.

Model in
Falguni Shane Peacock
clothes and jewellery
by Mehta & Sons by
Model in Falguni Shane Narendra Mehta
Model in Peacock clothes and
Falguni Shane Peacock jewellery by Mehta & Sons
clothes and jewellery Dominique and Sid Lulla Jharna and Madhav Sattanathan by Narendra Mehta
by Mehta & Sons by
Narendra Mehta
Aishwarya Pavitra Sagar, Urmilla Agarwal
Dhanush and Vandana Srikanth Varun and Suraksha Acharya Vellayan and Kanika Subbiah

Guests at the Hennessy Bar

Shreya and Vivek Karunakaran

Brinda and Suneil Lulla

www.t.me/njm_magz

Model in Falguni
Pradeep and Shane Peacock cl
jewellery by Meh othes and
Shubda Dadha ta & Sons by Nar
endra Mehta
Shakthi Girish

Model wearing
Falguni Shane Peacock

Raksha and Vidya Singh Malavika


Guest at the Forest Essentials booth Naresh Mehta and Lily Mahhan Phadke

Model in Falguni Shane


Peacock clothes
and jewellery by
Mehta & Sons by
Model in Falguni Shane Narendra Mehta
Peacock clothes and
jewellery by Mehta & Sons
Natasha Conlon Narendra Mehta with a guest at the Mehta & Sons booth Farah Agarwal by Narendra Mehta
1

STYLE STEALS

THEGREAT 2

Queen Ran
ia
of Jordan COVER-UP
From sunshine suits to
twinkling turtlenecks,
get your modest mode
on from 8 till late

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1

GIRLS’ NIGHT OUT


3

Sonam K Ahuja

1. Shirt, Vero Moda, 1,799


2. Pencil skirt, Dorothy Perkins, 2,510
3. Sling bag, Calvin Klein, 8,000
GETTY IMAGES; SHUTTERSTOCK.COM

4. Heels, Dune, 1,620

4 1. Mini bag, Michael


Kors Collection at The
Collective, 29,000
2. Turtleneck, United
Colors of Benetton, 4,080
3. Trousers, jacket; both
Mango, 4,830, 6,440
4 4. Shoes, Clarks, 5,999

106 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
shops Duchess
of Sussex,
Meghan Markl
e

BLACK-TIE

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1 GALLERY HOPPING

1. Shirt dress,
Zara, 3,590
2. Clutch,

GETTY IMAGES; SHUTTERSTOCK.COM


Madame, 1,799
3. Pumps,
Oceedee, 4,299
Halima Ade
n

4
2

1. Printed scarf, Accessorize, 1,435


2. Jumper, River Island, 3,405
3. Skirt, faux fur coat; both H&M, 1,999, 5,999
4. Boots, Shoppers Stop, 5,599

108 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
shops 1

1. Diamonds and
sapphires set in gold
necklace, Mehta &
4 Sons by Narendra
Mehta
2. ‘L’Heure du
Diamant’ watch,
Chopard
3. Ring,
Rosentiques Fine
Jewellery
4. Chandelier
www.t.me/njm_magz earrings, Renu
Oberoi Luxury
Jewellery
5. ‘Marble
Marquetry High
Jewellery’ watch,
Harry Winston
6. Diamonds and
sapphires set in
18K gold earrings,
Anmol
7. Diamonds and
sapphires set in
18K gold necklace,
Karan Kothari
Jewellers
8. ‘Reine de Naples
WATCHES + JEWELLERY 8973’ watch,

MATCH
7 Breguet

POINT
Whether moody indigo
8

or motifs from the


PRABUDDHA DASGUPTA

animal kingdom— 6
jewellery and watches
come picked in pairs

110 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
shops
1

9
3

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4
8
5

7
1. Diamond and pearl earrings, Zoya 2. ‘Diva’s Dream Phoenix
Tourbillon’ watch, Bulgari 3. Gemfields Zambian emerald brooch,
Narayan Jewellers by Ketan and Jatin Chokshi
4. Forevermark diamonds set in rose gold detachable ring, Rose 5.
TARUN VISHWA

‘Monsieur de Chanel’ watch, Chanel 6. Gemfields X Muse brooch,


Begum Khan 7. Diamonds set in 18K gold earrings, Yvonne Léon 8.
Diamonds set in 18K gold earring, Ole Lynggaard Copenhagen at
Net-a-porter.com 9. ‘RM 51-01 Tourbillon Tiger and Dragon Michelle
Yeoh’ watch, Richard Mille

112 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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shops
1

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4

7
8

1. 22K gold elephant motif necklace, Tanya Rastogi for Lala


MAZEN ABUSROUR

Jugal Kishore Jewellers 2. Diamonds set in gold bangles,


Hazoorilal GK by Sandeep Narang 3. ‘Portofino Automatic’
watch, IWC Schaffhausen 4. Diamonds set in gold earrings,
TBZ-The Original 5. 18K gold necklace, Anissa Kermiche
6. ‘Oyster Perpetual Day-Date 40’ watch, Rolex 7. 22K gold
earrings, Shobha Shringhar Jewellers 8. ‘Royal Oak Frosted
Gold Quartz’ watch, Audemars Piguet
114 VOGUE INDIA FEBRUARY 2019 www.vogue.in
www.t.me/njm_magz
www.t.me/njm_magz

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PLUMTIN

Just like the old-world trinket SEASON’S FAVOURITE


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ISHAN SHRAVIKA

SEASON’S
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45

BLOOM BURST
BEAUTY

6
7
8
Take a walk down the enchanted garden and let
the spring flowers paint your face pretty
1. NARS Audacious Lipstick Palette, Forget Me Not, 3,550 2. Forest
Essentials Tejasvi Lightening and Brightening Sheet Mask (pack of 3), 995
3. Chanel Les Ombres Edition No 2, Quintessence, 5,000 4. Giorgio Armani
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Si Passione EDP (100ml), 8,500 5. The Body Shop Lip & Cheek Stain, Red
Pomegranate, 995 6. Huda Beauty Obsessions Palette, Amethyst, 1,950
7. Nykaa Moi Raison D’Etre Eau EDP (100ml), 1,800 8. Pat McGrath Labs
Matte Trance Lipstick, Elson, 2,700

118 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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ARCHITECTURAL DIGEST ` 200 JANUARY-FEBRUARY 2019
THE MOST BEAUTIFUL HOMES IN THE WORLD INDIA

MODERNIST MASTERPIECE
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THE MONTH IN ART, CULTURE, SOCIETY, GENDER AND TECH

15 8
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16/

SPOTLIGHT

Pay it forward
From launching the largest
beach clean-up in the world to
running crowdfunding platforms
and building safe spaces for
high-risk children—meet the
impact makers, crusaders and
new initiatives that have found
innovative ways of creating changewww.t.me/njm_magz

CROWD FAVOURITE
Actor KUNAL KAPOOR’s Ketto.org is
a crowdfunding platform that has raised over 300 crore
till date. He tells GOURI SHAH how he’s done it

What does Ketto. Why crowdfunding? challenges?


org do? There’s a certain Credibility and
It allows NGOs and amount of seriousness transparency are the
organisations to attached to fundraising main issues. We follow
showcase their work in India. If you look a thorough due
and reach out to a wider West, you have diligence on every
net of benefactors. Not auctions, garage sales, organisation before
only can you donate celebrity endorsements, they become part of the
in minutes, you can also etc. While the cause system, and a detailed
act fast. During the may be serious, the way report on how the funds
Kerala floods, we set they go about it is a lot were used is prepared
up a page in a day and of fun. I felt like if you for each campaign. You
raised over 2.5 crore. had to include young can track the money,
A 24-year-old student people in social giving see progress reports
GETTY IMAGES; SHUTTERSTOCK.COM

Kapoor
from IIT was diagnosed we had to make it fun and the impact your co-funded
with cancer, and his and inclusive—and contribution has made. Ketto with
friend reached out to crowdfunding really is Also, it was important Varun Sheth
raise 23 lakh for him— the democratisation that more people were and Zaheer
we expected it would of capital. brought into the fold of Adenwala
take a month, but social giving. You can in 2012
we hit the target in How have you gone start with as little
two days. about addressing the as 100. Ketto.org >

www.vogue.in VOGUE INDIA FEBRUARY 2019 121


in
Nundy is a recipien
t
of the Canadian
Governor Gener
al’s
GOOD
Medallion for her
philanthropic wor
k
COMPANY
PRIYA NAIK’s Samhita has played
catalyst to social change by mobilising
over 500 crore across 75 companies and
al organisations, and influencing
ore than 6,50,000 lives
Nine years ago, when 39-year-old Priya Naik
founded Samhita Social Ventures, a corporate social
responsibility (CSR) consultancy firm, CSR in India
was largely a cheque-writing exercise. Corporates
would pick a high-profile, credible NGO, hand over
a cheque, and that was pretty much the extent of
their involvement. Cut to 2019, where their clients
are aspiring to be part of the larger story, not just
by supporting causes through funding but by being
BEYOND GIVING strategic and collaborative. “The question we kept
posing to our corporates is, ‘Can you use your
Dasra’s NEERA NUNDY tells us how she bridges the gap between money in the smartest way possible?’” says Naik.
funders and non-profits through strategic giving “We don’t just work with non-profits, we also work
with incubators, start-ups, social establishments...
It was her first tryst with understand a problem says Nundy, adding that anyone who can deliver social impact effectively,”
rural India—a day school and solve it strategically. each report looks at she adds. But beyond vanilla funding deals, they are
for Adivasi children “To impact a greater over 300 NGOs. The enthusiastic about co-creating multi-stakeholder
that her mother set up number of lives—how organisation is also best platforms. For instance, their ‘13 to 30’ project,
near Kharagpur, West you give is more critical known for their Giving which focuses on helping and hand-holding young
Bengal. The experience than how much you Circle—a platform that girls through every critical life choice—whether it’s
left an indelible give,” adds Nundy. allows benefactors to her education, job, marriage or motherhood. And
impression on Neera Over two decades, collectively donate their
www.t.me/njm_magz they do so in continuum so they don’t lose the girl
Nundy, who eventually Dasra has focused on money to an NGO during transition from one phase to another. Naik is
transitioned from an initiatives in the areas of or cause in a strategic currently working with the Tata Trusts and the Gates
investment banking job strategic philanthropy, manner. Through Foundation to support the corporate sector to be
to co-found Dasra in urban sanitation, their collaborations more empathetic and strategic in terms of how they
1999 with her husband and democracy and with governments, intervene. “The corporate sector is bringing in
Deval Sanghavi. Dasra governance. Their academic institutions, 13,465 crore into the social sector each year in India.
began as a venture key programmes are non-profits, donors This is being done by 19,933-odd companies, who,
philanthropy fund to Dasra Giving Circle, and other stakeholders, in addition to the money they put on the table, also
invest in early-stage 10 to 19: Adolescent Dasra has positively influence their employees, their clients and people
non-profit organisations Collaborative and Dasra impacted the Indian who are part of their supply chain… How do you
in India. Dasra’s work Philanthropy Week. social sector, directing respond to complex issues such as sex trafficking,
has been focused on “India has 3-4 million over 500 crore towards gender-based violence, and mental health? The idea
two areas—the first is to NGOs. To navigate and the development of is to break it down in ways that a set of corporates
support NGOs and help figure who is doing what communities in India can respond more effectively. For instance, how a
them achieve scale and is a big challenge for by partnering with media company responds to gender violence is very
sustainability so they, in many who want to give. over 3,500 corporates, different from how an IT company responds,” she
turn, can have a greater So our research tries foundations and explains.—Gouri Shah >
social impact. Second is to demystify and bring philanthropists.
to help philanthropists transparency to that,” —Gouri Shah Naik started off as
a researcher at th
e
Poverty Action
NO CHILD’S PLAY Lab at MIT
In the aftermath of the Kerala floods,
ANKITA CHANDRA; SHUTTERSTOCK.COM

Chekutty has become a verb. The


upcycled doll came as a ray of hope for
Chendamangalam weavers when social
entrepreneurs Lakshmi Menon and
Gopinath Parayil came up with the idea
of repurposing damaged saris into dolls
for sale that directly support and rebuild
the weavers’ society. Chekutty.in—MM

122 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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in
SAFETY FIRST
Three initiatives helping women take power back

AANGAN
Who: A not-for-profit organisation that has
created a community-level dialogue around
child protection—against trafficking, child
marriage, labour, violence and exploitation.
What: Suparna Gupta led the founding team
to transform shelter and rescue homes into
rehabilitation spaces. They collaborated with
state governments to access more children
through state-run institutional facilities. She
says, “We were still meeting children quite
late in the process. Now we go straight to the
hot-spots of high incidents of violence and
are working in UP, Bihar, Jharkhand, Bengal,
Odisha, Karnataka and Maharashtra.”
Aangan creates sa Why: Aangan (Aanganindia.org) is embarking
fe
spaces for childre
n by
on exciting new projects, such as ‘Sign up for
empowering wom
en Safety’, spearheaded by women volunteers.

LEAF WEARABLES
Who: A smart wearable (Leafwearables.com) that
seeks to make women safer.
What: The company’s product, Safer Pro, has been
designed to send emergency alerts with location
www.t.me/njm_magz
details to the user’s family. “We chose jewellery
to make it relatable,” says Manik Mehta, one of
the founders. “The problem was that it relied on
a Bluetooth connection. We needed something
smartphone-free. So, the next device was modular—
GPS-enabled with its own SIM card.”
Why: Leaf Wearables was recently awarded the Anu
and Naveen Jain Women Safety XPrize, worth US$1
million, at the United Nations in 2018. “We believe
activation of the alert is half the job done. The main
essence lies in who will come to help,” says Mehta. To activate the SOS
le
The company is now working on safety infrastructure alert you have to doub
click the button on e
th
with a quick response team that can handle all the back of the pendant
SoS cases within 10 to 15 minutes of the raised alert.

WOVOYAGE
Who: A travel company that specialises in
conducting risk-free and safe tours for women.
What: It all started from a personal journey for
founder Rashmi Chadha. She lost her mother and in
a bid to come to terms with it she started travelling
regularly to perform sewa at gurudwaras. On such
trips, she would often hear from international
travellers about how unsafe India was for women
tourists. “I wanted to change that and also empower
women at the grassroot level,” says Chadha, who
started Wovoyage (Wovoyage.com) in 2016.
SHUTTERSTOCK.COM

Why: Today, she conducts regular internship


programmes for women guides and interpreters.
GPS bands are assigned to tourists during their
Chadha started travel, and a designated manager is available 24/7
Wovoyage.com to assist in every way possible.—Avantika Bhuyan >
in 2016

124 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
in
Afroz Shah ARE YOU
AN
ORGAN
DONOR?
Here’s what’s going
on and why you need
to sign up

* Estimates by the
National Organ and
Tissue Transplant
Organisation
(NOTTO) show that
the demand for organ
and tissue donations
in India far outstrips
supply. It is estimated
that each year Indians
need 2,50,000 kidney,
80,000 liver, 50,000
heart and 1,00,000
In three years, Shah’s effort
s mobilised cornea transplants.
Shah has dren to
er 20 il
have excavated ov school ch each
million kilos of plastic waste clean th e b *According to an Ipsos
MORI study of 23,000
people across 28
THE GREEN CHAMPION countries, Indians (74
per cent) were most
Can one person make a difference? Meet the Mumbai lawyer-activist who willing to donate their
single-handedly sparked the world’s largest beach clean-up project organs. Turkey (72 per
In his trusted backpack, to a beach clean-up. www.t.me/njm_magz
who is fixing this with a rights, but not our cent), Spain (72 per
lawyer-environmental His dedication was so combination of public fundamental duties—to cent per cent) and
activist Afroz Shah contagious that over awareness and good old- protect and preserve Brazil (70 per cent)
carries his arsenal for a 2,60,000 volunteers fashioned citizen action. our environment. We were next on the list.
green planet—coffee followed his one-man With a fanbase including can’t just leave it to the
mug, spoon, water campaign to be a part Amitabh Bachchan and government.” Next up, * NOTTO has
bottle and a tote of what the United Mark Ruffalo, Shah’s Shah wants to clean up registered 1,63,937
bag. He believes that Nations calls the “world’s messianic power showed Mumbai’s rubbish- organ pledges in
“single-use plastic has largest beach clean-up results when the Olive choked mangrove India. This number
no place in the world.” project.” Twenty million Ridley turtles returned to forests and the banks has risen sharply in
In 2015, appalled at the kilos of plastic waste Mumbai’s shoreline after of Mithi River and the last few years on
plastic-choked beach of was excavated in 164 two decades. “It was the inspire others to launch the back of celebrity
his neighbourhood, the weeks. “The problem best day of my life,” he their own clean-up endorsements and
Mumbai lawyer decided is not plastic, it’s plastic adds. “We all understand movements.—Megha awareness drives.
to devote his weekends ion,” says Shah, our fundamental Mahindru However, the numbers
are muted on ground
owing to limitations
From his documentary Kitchens Of Gratitude on the langar culture like consent from
of Amritsar that was screened at the 69th Annual Cannes Film relatives and lack of
f giving
ow the

Festival to his cookbook, Amritsar: Flavours Of The Golden City awareness.


TO SERVE

(Roli Books), chef Vikas Khanna frequently touches upon the


subject of giving through food. “My love for food partly stems from * Celebrities like
COOK

my love for Harmandir Sahib’s langar and kada prasad. Even hours Aishwarya Rai
when it comes to f
Chef VIKAS KHANNA
langar service is the epito

after eating the prasad, my hands would still smell of it,” he says Bachchan, Aamir
in the cookbook. He tells Vogue, “As Indians, we don’t talk Khan, Salman Khan,
about sharing food. It is our cultural identity. Our plurality
GETTY IMAGES; SHUTTERSTOCK.COM

Priyanka Chopra,
is our biggest asset. Growing up in Amritsar, I didn’t know Rajinikanth and
exactly how many kids we had at home. Whoever was Amitabh Bachchan
around just stayed back for khana.” This is also the essence have endorsed organ
of langars, where the gurudwara serves a free meal to donation. Join them
all its visitors, irrespective of their religion, gender, and make your
economics, and the concept is all volunteer-based. Chef Khanna pledge by logging
During natural disasters, gurudwaras are also known for knows how to
marry food and
on to Notto.gov.in
reaching out and feeding many.—Sonal Ved > —Gouri Shah
philanthropy

126 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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in

FREEZE
FRAME
Meet the winners of
the 2018 Sanctuary
Wildlife Photography
Awards

THE 2018 WINNER:


‘Death Steppe’ by Baiju
Patil shows a blackbuck
fawn sprinting across the
grasslands of Rajasthan’s
Tal Chappar Sanctuary,
with a steppe eagle
in pursuit.

www.t.me/njm_magz

INTO THE WILD


LATIKA NATH is one of India’s first wildlife biologists, working to resolve
RUNNER-UP: ‘Swan human-wildlife conflict. Here’s her trajectory
Lake’ by Lakshitha
Karunarathna features a Latika Nath’s wildlife and wildlife corridors waste disposal,
drift of whooper swans photo documentation in eastern Madhya alternative energy and
seen floating in an has become a valuable Pradesh. Her continued on documentation of
arrowhead formation source of information research on tiger their culture,” she says.
against a backdrop of for scholars and behaviour becomes Part of this initiative
snow-clad mountains. conservationists alike. especially significant has been the ‘Trees
Having spent her in context to recent in their Lives’ annual
childhood in Kashmir, cases, such as those of festival, where over
Assam and Himachal Avani, officially known 250 members of the
Pradesh, Nath has as T1, who was killed in communities present a
grown up around Yavatmal after being glimpse of their art and Nath is bett
nature. She had set believed to have turned culture. Nath is in the known as “I
er
out to study hanguls a man-eater. Upliftment midst of completing a ndia’s
Tiger Princ
in the Dachigam and education of the five-volume series on ess”
National Park and then local tribal communities the tribes of the Omo
moved on to study located in and around valley in Ethiopia, which
under the tutelage of Kanha Tiger Reserve will be followed by a is a new home in Kanha,
renowned biologist have formed the book on the large cats which will serve as a
RUNNER-UP:
SHUTTERSTOCK.COM

‘Paradise City’ by Sarang


David Macdonald. core of her work. “I of the world. She is base for her friends and
Naik captures hot-pink Since then, she has have worked with the already planning trips colleagues to visit and
waders flying past been documenting local communities for the same, especially pool in their experiences
cookie-cutter apartment sources of man-animal on health, education, to photograph the and insights.—Avantika
blocks in Navi Mumbai. conflict, tiger biology plastic management, puma. Also on the anvil Bhuyan >

128 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
in
GAME POINT
Meet Pradyut Voleti, basketball coach turned
l entrepreneur who is changing lives
through sport and play
Four years ago, basketball coach Pradyut Voleti
started with five kids, two bamboo sticks and a
hoop that he set up in his neighbourhood in Noida.
Having just returned from the US after training with
acclaimed coach Ganon Baker, Voleti established
the Dribble Academy Foundation (Dribbleacademy.
org), which grew from the backyard of a low-income
A still from one school to a project that now works with over 1,000
of Gillo Gilehri’s children across four locations. The aim was to help
engaging theatre high-risk children who may be exposed to poverty,
performances domestic violence, drug abuse, child labour and
exploitation, find confidence and hope through
basketball. “A lot of them may play for months with
a torn shoe, they probably don’t have a pair of shorts
A R T O F G I V I N G
Three art and culture programmes that are changing the game
or a T-shirt. But nothing stops them from working
hard…I’m trying to teach them that no matter what
circumstances you’re in, nothing can stop you from
getting better,” says Voleti. “Basketball gives them
GILLO GILEHRI THE GRAM ART AAIDEO TALKIES a platform to feel equal, elevated and confident.”
This Mumbai-based PROJECT Aaideo Talkies, a mobile The foundation also takes care of their nutritional
needs and counsels them for school admissions and
organisation is all about Led by artist Shweta cinema theatre company, scholarship opportunities. While their immediate
enriching childhood Bhattad, this unique named after Assam’s focus is to raise funds to provide nutrition to the
experiences through community-led first woman actor, Aideu children, the Academy wants to eventually start
theatre. Set and costume initiative based in Nilambar Handique, is
www.t.me/njm_magz a residential school for children interested in
designer Shaili Sathyu, Paradsinga village bringing the best of the basketball. Q—Gouri Shah
who is also the founder, near Madhya Pradesh state’s regional cinema to
of Gillo Gilehri, says, tackles ecology, health, its rural audiences. It was
“We realised that women’s education, started in 2013 by two
our work would be and farmers’ suicides film graduates, Pappu
incomplete if we limited through art projects. Kabeer and Ratna Das,
it only to schools in the Two years ago, one saw to bring cinema to an
metros.” So, three years the Gram Dhara Chitra audience that never gets
ago, the not-for-profit Utsav, where writers from to enjoy the big-screen

SHUTTERSTOCK.COM
Gillo Gilehri Foundation Pune, a Netherlands- experience. It assumes
and repertory began. based psychologist, a special significance at The academy
“We have now started choreographer from a time when young teaches children
Gillo on the Go, Nagpur and local filmmakers from the lifeskills through
reaching out to kids in farmers created land state, like Rima Das, basketball
rural Maharashtra and art using organic seeds. are making award-
Karnataka as well,” she “These issues form the winning films like Village
says. This mobile theatre heart of the project; they Rockstars but people at
initiative reaches 7,000 are not related to one the grassroot level are
children. “The idea is also person or community. unable to view them.
to keep going back to So myriad voices are “Today, we are in nearly
the same set of kids so as needed to answer them,” 18 districts of Assam and
to inculcate a consistent says Bhattad, whose have over 300 active
habit of watching and project chooses different members. We have
appreciating the arts,” initiatives each time— decided to show only
she says. The initiative from women creating those films that have a
teaches kids to share naturally-dyed rakhis social angle,” says Das.
space, appreciate to creating postcards They also conduct film
diversity and changes using desi kapaas for an appreciation workshops Voleti works with ov
er
how they view the world. organisation in Delhi. in colleges around the 1,000 at-risk childre
n
Gillogilehri.blogspot.com Gramartproject.org state. —Avantika Bhuyan

130 VOGUE INDIA FEBRUARY 2019 www.vogue.in


PASSION TRIBE: S P E C I A L F E AT U R E
CULTURE
SHAPER

THE game
changing
Contemporary artist Jahan Loh propels street
art into the galleries of Singapore
ARTIST
Jahan Loh at his studio

Jahan Loh’s artworks MacRitchie TreeTop Walk - Suspension Bridge

J
www.t.me/njm_magz
ahan Loh ventured into the world
of street art as a rebellious ’90s
teenager. Today, he is renowned for
his strong imagery, and is the first
artist to take street art into the galleries of
Singapore and China. Jahan believes that
his passion fuels his ambition. His imagery
is inspired by an intersection of the East
and West. He combines the tools of fine
art and street art to create explosive,
breathtaking masterpieces. “I use art to
convey certain messages. I like my art to
be universal,” he says.
Jahan gave up a career in law to pursue
his passion, and credits much of his
inspiration to the contrasting cultural
landscapes of Singapore. One can often National Gallery, Singapore
spot him finding a bit of peace and quiet at
Jahan’s collaborative work of art
MacRitchie TreeTop Walk. “The city keeps
me inspired. Growing up in Singapore, a part of, has basically evolved graffiti into
we develop an East-meets-West culture mainstream pop culture.”
very naturally.” Jahan’s exhibition at the One of the causes close to the artist’s
National Gallery, Singapore, titled Cherry heart is global warming. His newest series,
Poke: Reconstituted Philosophy, explores which will be displayed at the National
PHOTOS: THE HOUSE OF PIXELS

this contrast. In fact, most of his work is Gallery in August, focuses on spreading
based on balancing juxtapositions like awareness about this cause through
childhood innocence and adult practicality; paintings, sculptures and light projections.
ignorance and knowledge; domination and With the rise of social media, the artist
The Zouk Nightclub featuring Jahan’s artworks
submission. talks about how there are new avenues
Speaking about the evolution of street for artists to showcase their work. “People
art in Singapore, Jahan says, “Graffiti is
Favourites in Singapore
now have the option of experiencing art
Place: National Gallery for its varied
not organic anymore, it’s organised. The without having to actually see it in real life,”
collection of art
whole commodification of street art, I’m he says.
in

www.t.me/njm_magz
Whatever Is
Here (2006)
by Arpita Singh

PICK

True to form
One of India’s leading artists, ARPITA SINGH’s retrospective is probably one of
the hibits of the year, says SHAHNAZ SIGANPORIA

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132 VOGUE INDIA FEBRUARY 2019 www.vogue.in


ON-THE-GO
STYLE
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life. And to cater this need is TENCEL™, an
innovative fiber brand by Lenzing that provides
optimal comfort for the energetic, no-excuses
lifestyle we all lead today

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through the day. What’s more, to ensure long-lasting vibrancy,


colour pigments are deeply embedded into TENCEL™ garments,
providing lasting colour, wash after wash.
The brand noticed that more and more people are opting for
casual attires in the workplace to provide a fair work-life balance.
Office-goers like sneaking in personal moments into their day, like a
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in

Priyanka and Prateek Raja


started Experimenter
Gallery in Kolkata in 2009

www.t.me/njm_magz

ART

Two’s company
Mohaiemen,” says Priyanka. On view at the
Tate Modern until January were two acclaimed
ÀOPVE\WKH8.ERUQ%DQJODGHVKLDUWLVWTripoli
Cancelled and Two Meetings And A Funeral
ERWK   7KH ÀOPV ZHUH SDUW RI WKH 2018
They abandoned their corporate ascent over a Turner Prize exhibition for which Mohaiemen
midnight phone call. Today, gallerists PRIYANKA was shortlisted. It was a watershed moment in
art history considering few South Asian artists
and PRATEEK RAJA are changing the Indian art had had such a close brush with winning the
world with their vision, finds ROSALYN D’MELLO prestigious prize. Mohaiemen’s shortlist prede-
cessors include Anish Kapoor (he won the prize
It is December 2018. Priyanka Raja is at Experimenter Gallery. She adds LQ   5XQD ,VODP DOVR RI %DQJODGHVKL GH
me in on a conference call, and the bustle of Kolkata’s streets takes over. scent, and Tino Sehgal, of Indo-German origin.
Her husband and co-gallerist Prateek apologises. He is on his way to catch Though the 2018 Prize was given to Charlotte
DÁLJKWWR/RQGRQ, where his presence is requested at the Turner Prize Prodger, Prateek’s presence at the event as Mo-
ADIL HASAN

ceremony. It’s a moment of unexpected synchronicity. Ten years ago, the haiemen’s co-gallerist of 10 years signalled how
GXRRSHQHG([SHULPHQWHU*DOOHU\´2XUÀUVWVLJQHGXSDUWLVWZDV1DHHP their careers had been so intricately linked. >

134 VOGUE INDIA FEBRUARY 2019 www.vogue.in


LET’S GO
RETRO CHIC!
As the seasons change, let your wardrobe come alive
with the playful hues and flattering silhouettes of the
past from Westside’s NUON collection
That slight chill in the air is beginning to
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sleeved blouses and oversized sweaters
1
for something that’s a little more fun.
With the sun up in the sky, it’s time for
a sartorial switch. Think breezy dresses
and mid-rise shorts in charming vintage
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NUON’s new collection, available
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something for everyone.

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1. FOR EVENINGS BY THE BEACH


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Brunch with the ladies? There’s no better outfit than this gorgeous candy-
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3 Get these looks at a Westside store near you or shop online on TataCLiQ
in
Over the last decade,
their Kolkata gallery,
Experimenter, has es-
tablished its presence
within India through
various editions of the
India Art Fair, while in-
ternationally the gallery
debuted at London’s
Frieze Art Fair in 2010.
Last year, Experimenter
showed at prestigious
The Wide Divergence Of art fairs in the world,
The Cotton Gin (2017) by from Art Dubai to Art
Prabhakar Pachpute Basel Hong Kong, Art
Basel and FIAC, Paris.
A CALL TO ART
It began with a long phone call GET THE PICTURE
one night in 2007. The Rajas, In February 2018, the Rajas unveiled their sec-
who’d been dating for almost a RQGJDOOHU\VSDFHKRXVHGZLWKLQWZRÁRRUVRID
decade, were newly married. 100-year-old mansion spread across 5,000sqft,
Priyanka says, “In 2002-03, with an expansive inaugural exhibition, I Wish
Prateek had moved from his To Let You Fall Out Of My Hands. This show
corporate career with Hindu- brought together works by a cross-generational,
stan Lever to involve himself FURVVERUGHUUDQJHRIDUWLVWVRQWKHLURIÀFLDOURV
in the family textile business. ter, many of whom they had discovered or intro-
We had 150 looms in the coun- duced to South Asian audiences through their
try and were in contact with a robust programming. In July, they launched
lot of master craftsmen.
www.t.me/njm_magz Experimenter Learning Program (ELP) to ÀOO
Around the time he conceived the pedagogical gap they’d perceived within the
a small space called Gallery Indian art world, just as they began Experiment-
Kanishka Raja’s KR20 (2010) Kanishka, where he showed their work. The art er Books to explore the overlaps between book-
from Drawn From Practice, market was blossoming. Over two-three years, making, publishing and editioned art objects.
at Experimenter Gallery he started consulting for corporate collections.” The praise they’ve garnered for being two
Meanwhile, Priyanka was doing her MBA evenly matched partners is not an exaggeration.
while working at Procter & Gamble. “It was the Natasha Ginwala, curatorial advisor at Docu-
heydays of commercial investment. Shows were menta 14, who conducted a session at ELP and
sold out. There were artists like CAMP and Raqs returned in July as a moderator to the ECH for
Media Collective who had earned great respect the sixth time says: “It’s amazing how there’s
outside India but were under-represented here. been this sustained engagement with using the
I felt there was something I could do.” gallery for those three days where it’s all about
So one night in 2007, when Prateek was in exchange; no presentation is about a formalised
Kolkata and Priyanka in Mumbai, he shared promotional approach, but starts with questions
with her an elaborate vision he had for a poten- and doubts and includes failures.”
tial gallery that could address some of this lacu- Intriguingly, they describe even their process
nae in the South Asian art world. “Quite whim- of handpicking the artists they want to work
sically, I decided to say, how about we do this with as a form of courtship. “We’re old-fashioned
together?” They decided to enrol themselves at people,” Priyanka says. “Our approach is loca-
the Sotheby’s Institute of Art, London, and give tion-free. There’s a congruity with the politics,
each other three years. If it failed, they’d return the world view. When you see the programme
to their corporate careers. “From ourÀUVWH[KL and the artists, you know there’s a sense of one-
bition, our shows were funded by themselves.” ness. Never do we mention a word to the artist
Their approach has been to foster both a gen- we’re wooing until we’re sure we want to make
eral viewing audience as well as a collecting one. the proposal. Then, we’re committed for life.”
“We always knew we had to move about and 6SHQGLQJWLPHLQDUWLVWV·VWXGLRVLVDVLJQLÀFDQW
make valid institutional relationships. Even to a part of their dating ethos. “We understand how
young artist, we say that ‘we don’t sell work, we they eat, how they work. It’s a bit of an intuitive
place work’. We choose where it needs to go and gut feeling, a journey,” Prateek continues. “It’s
work like crazy to make this happen.” like living 20 different marriages at once.” Q

136 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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Guests

Joseph Radhik at the wedding


photography masterclass Dr Vishakha
Shivdasani at

M a s te r c l ass the nutrition


masterclass Supraja Rao High-tea set up at Taj Krishna Hyderabad

Anu Kaushik at the hair and


make-up masterclass

A TRUNK OF TREASURES
WHERE: The Emerald Room
www.t.me/njm_magz
at Taj Krishna Hyderabad
WHEN: 17th and 18th November, 2018
Pinky Reddy Sudha Reddy
Two days of all things wonderful in the world of
weddings—the first series of the Vogue Wedding Trunk
Show in Hyderabad was one to remember. Inaugurated
by Mrs Pinky Reddy, the show which was partnered by
Johnnie Walker, Forevermark and Taj Krishna, saw some
of the finest brands in the industry put on a spectacular
Geeta Fazalbhoy at the skincare masterclass showcase. From a luxe high tea spread on day one
which was attended by the city’s most glamorous ladies
to the fashion showcase on day two, and the beauty,
photography, skincare and nutrition masterclasses—it
truly was the answer to a bride and groom’s dream
wedding shopping.
Shriya Bhupal, Asmita Marwa
and Shalini Bhupal

Zachary Abbott and Sebastian Krishnan


at the Diageo masterclass Models during the fashion showcase Nitya Jalan and Swapna Mehta
Exhibitors

Jade by Monica and Karishma Khanna Jewellers

Tarun Tahiliani

Ahujasons Kapoor Watch Co.

www.t.me/njm_magz

Birdhichand Ghanshyamdas Jaipur Models at the Diageo installation

Rose

Palam Silks Rare Heritage TGL Co. Shriya Som

Shantanu & Nikhil Forevermark Ekaya Dolly J


in
ALAÏA
A year on from Azzedine
Alaïa’s death, retrace the
icon’s journey from Tunisian
sculptor to Parisian couturier
through almost 250 rarely
seen photographs. Out of
print for almost a decade, this
lavish monograph contains
images by Annie Leibovitz,
Arthur Elgort, Ellen von
Unwerth and Helmut
Newton, alongside touching
family snapshots. Also
appearing within its pages?
Madonna, Grace Jones
and virtually every 1990s
supermodel. Rizzoli, 10,377 BOOKS

YVES SAINT
LAURENT: DREAMS All
booked up
OF THE ORIENT
Bringing together more than
200 illustrations, catwalk
images and photographs of
Yves Saint Laurent’s designs, OLIVIA MARKS selects the best
this book—an accompaniment
to the exhibition currently on coffee-table books for the fashion-
show till January 27, 2019, at
the Musée Yves Saint Laurent
lover in you or your circle
www.t.me/njm_magz
in Paris—explores the startling
influence the art and textiles of
India, China and Japan had on
the French fashion designer’s
DEUCE AND work. Thames & Hudson, 2,528
A QUARTER
Model turned photographer
Vinca Petersen started
taking pictures in the 1990s,
documenting her life and
Europe’s rave scene. This
gorgeous limited-edition book
revisits a road trip she took
through Texas and Mexico in
1999, with photographer
Corinne Day, model
PATTI HANSEN: A
Rosemary Ferguson and agent PORTRAIT
Susie Babchick. Idea, 4,000 In the foreword, Karlie Kloss
describes American model
Patti Hansen as “a girl from
FASHION IMAGE REVOLUTION: Staten Island who turned
THE ART AND TECHNIQUE OF into the ultimate fashion
BRIAN DOWLING fairytale.” This tome takes
From the late 1970s, master analogue printer a definitive look at her life
Brian Dowling’s east London darkroom was and career through the most
at the centre of fashion photography, where striking images of her, taken
the likes of Anton Corbijn, Juergen Teller by the fashion world’s elite
and Nick Knight used Dowling’s equipment —from her early US Vogue
and knowledge to realise their visions. In a covers in the 1970s to her
tribute to his work, this book brings together wedding to Keith Richards
a remarkable collection of images from the and the portraits Steven
PIXELATE.BIZ

leading photographers of the past four decades. Meisel took of her in the
Prestel, 4,000 1990s. Abrams, 4,000 Q

140 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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A woman in love
Programme available at: CNILuxury.com
Speakers include:

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Alessandro Bogliolo Micaela le Divelec Lemmi


Chief Executive Officer Chief Executive Officer
Tiffany & Co. Salvatore Ferragamo

Laduma Ngxokolo Rosario Dawson


Founder & Designer Co-Founder
www.t.me/njm_magz MAXHOSA BY LADUMA Studio 189

10-11 April 2019


Cape Town, South Africa
Hanneli Rupert Jean Paul Gaultier
Founder
Okapi & Merchants
THE PREMIER CONFERENCE FOR LUXURY On Long

BUSINESS AND CREATIVE LEADERS

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Wendy Yu Jochen Zeitz


Founder & CEO Co-Founder, The B Team
@CNILuxury @SuzyMenkesVogue YU Holdings Founder
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IN PARTNERSHIP WITH:

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PA
IM o f
CH
O
CT
E IC
STYLE, TRENDS, PEOPLE, NEWS AND OPINIONS
iew
EDITED BY PRIYANKA KHANNA

WHAT IS INDIA WEARING?

THE RIGHT
CHOICE
From a love for lived-in fashion to loyalty to
the loom—Vogue chronicles the closets of
five women who wear their values.
By AKANKSHA KAMATH and
NEHARIKA MANJANI
S U M M I Y YA S H A H ,
BLOGGE R, HOUSE OF MIS U

“A common misconception about


modest dressing is just because www.t.me/njm_magz
you’re covered up your thinking is
orthodox and backward,” says blogger
Summiyya Shah of a correlation she’d
like to see challenged. For the 29-year-
old, who cites Halima Aden (the
first hijab-wearing model to appear
on the cover of British Vogue) and
Blake Lively in her suited avatar as her
pin-ups, modesty is more than just a
buzzword. “I come from a conservative
background and I’ve dressed this way
HAIR AND MAKE-UP: KRITIKA GILL; PRODUCTION: JAY MODI. BACKGROUND: SHUTTERSTOCK.COM

for as long as I can remember but that


has never curbed my enthusiasm for
fashion,” she adds. When it comes to
her career choice (Shah is co-founder
of millennial-minded blog House of
Misu), the decision to not show skin
has come with roadblocks but none
that couldn’t be overcome with a few
modest modifications—clever layering,
she says, is key. “I’ve lost count of the
number of times I’ve paired a crop top
or a camisole dress with a shirt.”
With modest-friendly labels
making their way into the industry, the
country’s couturiers, too, are willing to
cater to the demand. When Shah tied
the knot, she was dressed by designers
spanning Abu Jani Sandeep Khosla
and Gaurav Gupta. “They knew I had
to be covered but that didn’t take
away from anything. They took it as a
challenge.”—Neharika Manjani >

Photographed by INDRA JOSHI Styled by RIA KAMAT www.vogue.in VOGUE INDIA FEBRUARY 2019 145
D I V YA S A I N I ,
ST Y LIS T AN D
F OU N D ER O F
B OD EMEN TS

“I recently acquired an
Emmanuelle Khanh jacket from
Berlin. Very ’70s, something you
would imagine Freddie Mercury
wearing!” says Divya Saini,
stylist and owner of lived-in
fashion label Bodements. Two
years ago, Saini chose to stop
shopping cheap and cheerful
fast fashion; a prerogative that
resulted in Bodements, where
she curates well-loved vintage
from monolithic labels like
Burberry, Jean Paul Gaultier
www.t.me/njm_magz and Saint Laurent. “I have an
affinity for fashion steeped
in history, like YSL’s legacy of
introducing menswear codes in
womenswear,” says the vintage

PHOTO: MKT (TETSEO SISTERS); HAIR AND MAKE-UP: KRITIKA GILL; PRODUCTION: JAY MODI. BACKGROUND: SHUTTERSTOCK.COM
collector who realised bringing
back little treasures from her
travels through Europe could
grow into a business endeavour.
So far, it’s been a series of
successful pop-ups in Mumbai,
Delhi and Paris. But has India
really warmed up to the idea
of pre-owned fashion? “Buying
pre-loved and worn-in clothes
can make some uncomfortable.
For me, though, promoting a
more ethical fashion industry
and dressing accordingly is not
just exciting, it’s rewarding.”
As someone who references
the past through her closet,
for the shoot she handpicks a
snake-print polo layered under
a psychedelic patterned suit
and scuffed cowboy boots that
tell a story of their previous
wearers. I inquire about their
origins and promptly comes her
reply, “I can never tell you! An
important lesson I’ve learnt as a
vintage professional is to never
reveal my sources!”
—Akanksha Kamath

146 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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VA S U P R I M L A N I ,
STAND -U P COME DI AN , T R IAT HLET E
AN D SOC IA L EN T R EPR EN EU R

Dubbed India’s Ellen DeGeneres for her man


style and pithy comic timing, Vasu Primlani has
always worn the pants—on the job or at home.
“My father served in World War II, and he raised
me like a soldier. I was to sit up straight, follow
discipline, and perform the traditional role of a
man around the house.” Four decades later, it’s
an upbringing that has filtered into her wardrobe.
Her steely disposition matches her perfectly
ironed pantsuits, while her wit complements a
growing collection of quirky bow-ties. Not one
to borrow from the boys but rather reach out for
the racks in the men’s section, Primlani admits
to a style that comes with no frills attached. “I’m
training for the Ironman at least 1.5 hours every
day, 2-4 hours on Saturday and 4-8 hours on
Sunday. So, I’m almost always in sportswear,”
she says, citing functional shoe label Keen as her
favourite in footwear. On occasions when she has
been presented with awards like the Nari Shakti
by the President of India, she turns to traditional
saris. “I love gamcha saris in earthy tones and
vegetable dyes.” Following an impactful 17-year
stint as an environmentalist in America, Primlani
found her voice in stand-up comedy, where she
calls out social issues. Her loudest and most
clear message yet—her choice of a gender
www.t.me/njm_magz bending closet. “In India, society conforms a tad
excessively to what men and women can and
cannot do.”—Akanksha Kamath

A Z I , M E R C Y, K U V E L Ü
A N D A L Ü N E T E T S E O,
FOLK M USIC IAN S

Other than a fondness for folk music, what binds the Nagaland-born
Tetseo sisters—a cross-generational quartet made of mother-of-two
Azi, content curator Mercy, fashion blogger Kuvelü and medical student
Alüne—together is their loyalty to designer Aneeth Arora’s label, Péro.
Arora’s allure lies in her ahead-of-time aesthetic, they explain. “She is
always thinking up the most colourful ways of reinterpreting weaves,
colours and prints. Her clothes are so much fun, not to mention always a
conversation starter. There is a story to every piece,” says Azi.
Today, the label not only dominates their personal but also their
professional wardrobes; Arora has on more occasions than one
customised pieces for their performances. “The designs are sustainable,
ethical and true to traditions. They are earthy yet contemporary,”
says Mercy of Péro’s philosophy, one that is mirrored in their mantra
as musicians. “We as folk artists are truly proud of our culture. We
celebrate simplicity in every way possible while staying true to traditions.
We try to make our music more relatable and contemporary, appealing
to both young and old, local and foreign,” adds Alüne.
Like the proverbial travelling pants, the sisters’ favourite Péro
purchases routinely swap hands. “We share regularly. Some of our
favourites are the shirt dresses, wool sweaters, reversible coats and
dresses, pyjamas, the embroidered bolero jackets and of course the
customised wool tops embroidered with our names and a Péro heart,”
says Kuvelü.—Neharika Manjani >

www.vogue.in VOGUE INDIA FEBRUARY 2019 147


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PRABHLEEN
KAUR,
D ESI GN ER, CREATI VE
D IRECTOR AND
TE X T ILE ENTHU S IAST

You might recognise Kaur


from the Vogue.com video,
meandering through the
lanes of Delhi’s Shahpur Jat,
sourcing fabrics, hand-dyeing
them with local artisans
and conjuring up designs
that she then wears herself.
Welcome to a day in the life
of Prabhleen Kaur, design
head at NorBlack NorWhite.
“I don’t wear labels. It’s usually
me rummaging through
my collection of indigenous
textiles—handloom cottons
and silks from the regional
markets of Chennai, Kolkata
and Karnataka—to construct www.t.me/njm_magz
new silhouettes,” says Kaur,
who grew up in Punjab, where,
with limited access to designer
labels, she started creating
pieces of her own with locally
available textiles and make-
do resources. “Handwoven
fabrics stuck around for me
during this time, like a steady
relationship,” she adds. As
a 28-year-old, Kaur makes

HAIR AND MAKE-UP: KRITIKA GILL; PRODUCTION: JAY MODI. BACKGROUND: SHUTTERSTOCK.COM
a strong case for a return
to craft. “The notion that
handloom is dull and boring
isn’t true. On the contrary,
Indian textiles have never
been shy of bright, stirring
prints. And there are no
rules—you can use them in
an athletic bomber jacket,
or an elegant wrap kimono.
You make the call.” For
Kaur, the texture of a natural
loom-made fabric (with
slubs and everything) trumps
any mill- or machine-made
fabric. “Climate and cultural
symbolism all affect the nature
of handmade textiles. It’s what
renders them unique. What
fun is it wearing something
whose life cycle you can’t
trace?”—Akanksha Kamath Q

148 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz

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YOUR DREAMS
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Guests enjoy a fabulous evening

Mithila Palkar

www.t.me/njm_magz

Manika Batra

Aditya Munjal Sahil Aneja & Suket Dhir

The Glenlivet bar


Ananya & Kumar Mangalam Birla
Pulkith Modi Rajiv Satyal

Amit Aggarwal, Samyukta Nair & Ashiesh Shah

Prabhat Sharad Agarwal &


Choudhary GQ’s Almona Bhatia

RAISING A TOAST
WHAT: The GQ 50 Most Influential
Young Indians in association with www.t.me/njm_magz
The Glenlivet GQ’s Che Kurrien & Ayushmann Khurrana

WHERE: Oval Room, Hyatt Regency,


Delhi
Changemakers, newsmakers, artists,
disruptors, innovators and mavericks
across various fields – from green tech
to music to sport to hospitality – were
felicitated at GQ India’s fourth edition of the
50 Most Influential Young Indians under
40, held at the Oval Room of the Hyatt
Regency, Delhi. Following a conversation
between GQ Editor-in-Chief Che Kurrien
and actor Ayushmann Khurrana, host Rajiv
Satyal wrapped up proceedings early into
the night, leaving plenty of time for some
convivial networking and serious partying,
including a surprise set by rappers Prabh
Deep and Lit Happu of Azadi records.
Parth Jindal & Rahul Mishra Manvendra & Jatan Singh Shekhawat

Prabh Deep, Mo Joshi & Uday Kapur Karan & Naamah Singh Karan Virwani Jaspreet Chandok
Sandhya Menon
GQ’s Vijendra Bhardwaj, GQ’s Shivangi Lolayekar & Pareina Thapar Devina & Akshay Narvekar

Shivali Chopra, Joseph Radhik,


GQ’s Akshay Chowdhary & GQ’s Shikha Sethi

www.t.me/njm_magz
Zorawar &
Dildeep Kalra Sushant Divgikar/ Rani Ko-HE-Nur

Ruchika Sachdeva

Anuradha Kapoor &


Vicram Sharma Mallika Bajaj Meenakshi Sachdev Varma
Ramakant Sharma

Arman Sood & Rebekah Blank

The Lamborghini Huracan Spyder


Tanya Puneet Harleen & Prabhtej Singh Bhatia
Gautam Vazirani Ajai Thandi & Ashwajeet Singh

The Royal Enfield Continental GT 650 and Interceptor 650

Aseem Kapoor

Luke Coutinho

Gautam & Aaina Raheja

Punam &
Aadesh www.t.me/njm_magz
Gupta
Shagun & Rakshay Dhariwal

Vidheesh Tyagi

Shalini Bath &


Thomas Preising Rajat & Kanika Suri

Nikhil Arora

Sonal & Nikhil Arora


Aabha Pusalkar

Vikramaditya Sharma, Anushka Prasad & Priyanka Deo

Anuj Gautam

Vikram Bajaj

The dessert bar at the Hyatt Regency, Delhi Sakshi Sehgal & Rahul Mehra Anuj Choudhry
MILESTONES

#MYCHOICE
We asked nine influential names in
the fashion fraternity to share one career- I T A D O N G R E E R AT
AN FIC
defining choice they made and the impact it R E A T IVE OF ONGRE
C D
CHIEF O F A N I T A has impacted
U S E ade
had. The rest, as they say, is fashion history. HO
e ry dec ision I’ve md. But perhaps the
“E v a
By MALIKA DALAMAL good or b tarting my
my career, estone choice was s nly added
il o
biggest m . That decision not ve me a
n e ga
couture li s dimension, it also ativity—to
a busines to translate my cre ge with
as ga
fresh canv nous textiles and en It gave me
e .
use indig ns and their crafts rafts and
isa c
various art to help revive these dience.”
e l
a chann them to a global a u
showcase

www.t.me/njm_magz

R U C H IK
C R E A T IV E D A S A C H D E VA
“The most signifi IR E C T O R , B O D IC E
ca
made was when I nt, career-defining choice I
chose to travel ab
first time to pursu road for the
e
at London Colleg a BA in womenswear design
e of
as a 19-year-old, Fashion. That experience
beyond the one I keen to discover a world
shaped my focus had known all my life, really
an
young design stud d sense of possibilities as a
en
not only opened t. My college experience
form, it also gave my eyes to design as an art
m
processes of cutt e excellent grounding in the
ing and making a
garment.”

154 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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ARNAS
A R IE L L E C H O U N D E R O F
AND F
IN F L U E N C E R N D A N D C O N T E N T
A
F A S H IO N B R A T F O R M
PL
N AV Y
S O E T H IN G ed at Theory as
M
ge I work
“Right out of colle d I almost immediately
a sales associate an was in showcasing my
n
realised my passio with my followers, which
in g
outfits and engag shion community—these
nline fa
I did via an o o
d.
re Instagram existe g
wer e the day s b ef
sition into bloggin
This led to the tran ely paved the way for
timat
full-time, which ul avy womenswear line in
the Something N ith Nordstrom.”
partnership w

www.t.me/njm_magz

SA LO
NI L
“I had a DESIG ODHA
lov NE
age (alth e affair with tex R
potter liv ough I originall tiles from a you
in y n
I cherish g by the seasid wanted to be a g
spent un the memories e in Pu
folding a of long a ducherry).
extensiv nd foldin fternoo
it, these e sari collection g my grandmo ns
t
my initia saris were the re and, if I think ab her’s
l a
Hong K interest in text l inspirations b ut o
o il e
exclusiveng in 2001, whic es. When I mov hind
market f by luxury bra hen was dom ed to
ly h t
or nd in
to set up something mor s, I saw a gap in ated
designs pop-u e perso the
made in p boutiques an nal. I decided
home. T collabor d sell on
h at e-
brand, w is provided the f ion with artisans off
hich I sta o b
rted som undation for my ack
moved t ey ow
o Londo ears later when n
n.” > I

www.vogue.in VOGUE INDIA FEBRUARY 2019 155


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OT TO
KARLA F PR AND
ER O CY
F O U N D AT I O N S A G E N
NIC
C O M M U K A R L A O T T O ying the
s liv ing in Japan stud l. I thought
a
“When I w approached to mode being my
was up
language, I e it a go and it ended er in fashion.
I would giv the start of my care lf in Milan,
d
first job an s model I found myse staurant.
While I wa t Elio Fiorucci in a re to do the
where I me g and he invited me d there. I
in an
We got talk ons for Fiorucci then —and have
a ti o
communic uld also give that a g
t I w o ped!”
though never stop

GETTY IMAGES
www.t.me/njm_magz

A N YA H IN D M
ARCH
D E S IG N E R
“It was really the mom
gave me a Gucci ha ent that my mother
nd
still remember the fe bag when I was 16—I
el
my lightbulb momen ing it gave me. It was
t when I understood
power of a great hand the
totally mood-alterin bag and how it can be
g.
doesn’t really get into They say that an actor
the right shoes—a ba the part until they wear
women, I think, givingg has the same effect on
role they need to playthem confidence for the
a careers talk at my . That gift coupled with
sc
who designed Prince hool by the Emmanuels,
gave me a clear visio ss Diana’s wedding dress,
n
literally drew a shop of what I wanted to do—I
with a win
and my name above dow full of bags
the door!”

156 VOGUE INDIA FEBRUARY 2019 www.vogue.in


BIBHU
MOHAP
“Taking the D E S I G N E AT R A
encourage leap, with a R
m lot of sup
to resign fr ent from my loved on port and
om es,
J. Mendel my design director p I decided
to start my o
S A N T O DOMIN NDI
GO namesake sition at
LAUR E N PERA label.”
O U N D E R , M O D A O biggest
CO - F
hin g M o d a O perandi is the areer till
“Launc in my c
ston e d e cis io n I have made as a very real
mile w
alised that there e
date. Having re for other women to have th t
ere a
appetite out th edited access to designers th ,
n e
same level of u s a fashion editor at US Vogu
I had while I wa ating a business that did just
I set about cre ld ask me where they could
ou s
that. Women w as wearing, and the truth wa s
re ss I w n runway ite m
buy the d they were ofte or. At Moda
e re, b e ca u se
nowh e it to the shop
flo
to
that never mad e customers the opportunity
g iv b e st
Operandi we ollections from the world’s
pre-order full c right off the runway.”
designers

www.t.me/njm_magz

I S H SHAH T
N I M E R , S H I F ifully
N ut
D E S I G sending a bea pplying for
mber en a
“I reme ysical letter wh é in Paris that t
d ph Chlo poin
designe renticeship at ortant turning the
an app t to be an imp razy insight in re
ou c he
turned career. It was a I spent a year t .” Q
for my d of fashion. e my aesthet ic
deep en lped me defin
e
and it h

www.vogue.in VOGUE INDIA FEBRUARY 2019 157


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EXPERT

#CHOOSINGBAGS
In 2017, a diamond-encrusted Hermès Birkin sold for 1,55,000 pounds, prompting a
flurry of articles on the investment value of bags versus stocks and even homes. As the ‘eyes
of Bergdorf Goodman’, LINDA FARGO knows what women want. So, we asked her the
loaded question: Does a handbag leave a mark on your sartorial and financial portfolio?

Something happens when you’re shopping for a


handbag. You become more considered. More dis-
criminating. More analytical even. It’s almost sim-
ilar to some of the questions we ask ourselves when
we’re thinking about dating. Is this someone I
could see being with for the foreseeable six months?
Someone just fun for now or someone I want to
keep in my life forever? Is this person multi-dimen-
sional and lasting? More than clothing, I think we
create more of a “relationship” with our handbags.
They become our companions. Our allies. Our sup-
port system. You either knowingly choose a hand-
bag that is clearly “on trend” and will make you
feel incredibly relevant today but maybe not so
much in a year, or you choose one that will be a
www.t.me/njm_magz JRRGLQYHVWPHQWDQGZLWKVWDQGWKHÀFNOHZLQGVRI
fashion. To my mind, an “investment” in fashion
speak is measured in both the length of time some-
thing maintains its appeal, as well as how often it
sees the light of day outside its dust bag.
One can start looking at a bag as an investment
when one thinks about “amortizing” the cost over
time, usefulness and staying power. Of course
brands like Chanel, Goyard, Hermès, Celine, The
Row and VBH come immediately to mind, but
WKHUHDUHDOVRVSHFLÀFFDWHJRULHVWKDWKDYHLPSUHV
sive shelf lives, and therefore qualify as invest-
ments. I have owned and proudly worn my evening
bags countless times over. Buying one feels more
frivolous than a working day bag, but when I
ÀQDOO\ WDNH WKH OHDS , GRQ·W ORRN EDFN EHFDXVH ,
know these will pass the investment test.
A great tote, as a rule, can also become an invest-
ment classic, given that it is innately practical and
timeless. I’m carrying my four-year-old Céline tote
today, and it’s just better with age.
And then there’s the question of colour. To go
for that seductive red top handle or that happy yel-
low satin clutch...or the ever so useful black ‘East
West?’ Again, one choice is probably the more
timeless and prudent investment, if you care about
prudence...or maybe not so much!
COURTESY JAI ODELL

I’m not saying you’re going to have year-on-year


growth with a good handbag, like you might with a
Linda Fargo carrying the stock. But you will have year-on-year pleasure, and
Schiaparelli ‘Secret’ bag
that’s worth a million! Q

158 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
AROUND THE
WORLD
WITH NAIR’S
TOP SHOPPING
SPOTS HOSPITALITY > FASHION

SAMYUKTA NAIR,
Head, design & operations,
The Leela Palaces; co-founder,
Jamavar and Bombay Bustle;
Merci, Paris entrepreneur, Dandelion and Clove

In the last few years, Nair, a third-generation


hotelier, has expanded into restaurants Jama-
var and Bombay Bustle in London; a line of
sleepwear with Dandelion, and her highly cu-
rated boutique, Clove, which brings together
an easy blend of fashion and living.
Dover Street Market,
London On a sartorial legacy: “My grandfather
ÀUVW VWDUWHG KLV FDUHHU LQ WH[WLOHV ZLWK /HHOD
Lace before making his foray into hospitality
in 1985. My father continued to actively grow
that part of our business and turned it into
one of the largest export companies of its day.
0\ LQÁXHQFHV GXULQJ P\ IRUPDWLYH \HDUV
The Apartment, New were an amalgamation of both disciplines, so
York and Los Angeles fashion seems to be a homecoming of sorts.”

On her many hats: “Dinner-table conversa-


www.t.me/njm_magz tions ranged from the new trends in hospital-
ity to garments—it was the best kind of edu-

HORMIS ANTONY THARAKAN; COURTESY @THELINENYC/INSTAGRAM; @ TOTOKAELO/INSTAGRAM; THESTORESDOTCOM/INSTAGRAM; ALAMY


cation one could hope for. I suppose you are
the sum of your experiences, and with Dande-
Totokaelo, New York lion and now Clove life seems to have come
full circle.”

On striving for a balance: “It’s also been


incredible to see how supportive the fashion
fraternity has been in accepting and welcom-
ing my work. I spend three-fourths of my time
The Store, Berlin in Mumbai and one-forth in London at my two
Indian restaurants, Jamavar and Bombay
STYLE
Bustle. For me, all things feed into each other.”

#ICHOSE On lessons learned: “Constantly improvis-


ing and editing is key. Understanding what
the consumer wants whilst keeping in mind
the vision for any brand is very important. On

FASHION
For these three women, a career in fashion wasn’t
a personal front, I believe staying in your
comfort zone won’t get you anywhere. The
will to learn should be far greater than the
fear of failure. And above all, great teams cre-
ate magic—after all, you are only as strong as
always the most obvious choice. While one, like most your weakest link.”

millennials, is all about being multi-hyphenate, another On curating Clove: “I strive to put all
made the switch by combining two disciplines that excited things Indian at the forefront. Clove enables
me to create distinct experiences by showcas-
her the most. What unites them all is the love of a more ing fashion, design and craft from India.”
fluid form of expression. By PRIYANKA KHANNA Clovethestore.com, Dandeliondreams.co

160 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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back. What started out as a journey ex-
ploring fabrics led me to work with
mills to develop exclusive fabrics and
upcycle denim waste from my hus-
band’s denim business. I worked from
home, with two small babies and no of-
ÀFHVSDFH7ZR\HDUVODWHU,FUHSWLQWR
a shared space in my husband·VRIÀFH
,KLUHGP\ÀUVWHPSOR\HH'LSDNDWDL
lor who is still with me today, when I
got into Lakmé Fashion Week.

“I started telling stories


through print.”
I wanted to design for the urban wom-
an who is fashion-conscious, discern-
ing and chooses comfort. My prints are
driven by art, travel and architecture.
Our business is socially responsible
DQG D SRUWLRQ RI RXU SURÀWV WR FKDU-
BANKING > FASHION ity. We reduce our washing by using
local dhobis, work with weavers and
responsible mill owners and design al-
ANJALI PATEL MEHTA, most every element of our pieces, from
Designer, Verandah the buttons to the yarn. After six years
“A marriage of finance with a heart is the LQ WKH EXVLQHVV ZH KDYH ÀYH EDJV RI
basis of Verandah,” says Anjali Patel Mehta, garment waste and I hope to reuse that
who made the brave move from LQWRZHDYLQJUXJVZLWKDQRQSURÀW
Wall Street to fashion week www.t.me/njm_magz
“I’m super high-energy, which is
why I love fast-paced industries.”
I was always a creative person, but I
get bored easily. In fashion you have
seasons, and that allows you to play a
different role each time. Getting picked
by Moda Operandi and Neiman Mar-
FXV RQ WKH ÀUVW GD\ RI 0LDPL 6ZLP
“My entry into fashion was quite Motherhood came by and six months :HHN ZDV GHÀQLWely the highlight of
unconventional.” DIWHU P\ ÀUVW child, I started Veran- P\ \HDU DSDUW IURP ODXQFKLQJ 6XV
After completing school in Mumbai, I dah. I spent the entire summer design- WDLQDEOH6ZLP:H·YHMXVWEHHQDGGHG
attended Wellesley College in Massa- ing soft cotton and silk separates, on Olivela.com, a fashion philanthropy
chusetts, graduating in Economics, Western in thought but Indian at partner. We have two collaborations
DQG MRLQHG *ROGPDQ 6DFKV LQ 1HZ heart. 0\ÀUVWRUGHURYHUDFXSRIFRI on the anvil, with Good Earth, and An-
<RUNLQ,QWHUQDWLRQDO(TXLW\7UDGLQJ IHHZDVIURPWKH7DM*URXSRI+RWHOV thropologie. My advice to anyone mak-
After a stint at the Fortress Invest- who ordered my entire collection to ing this transition is simple—follow
ment Group with some ex-Goldman stock at their boutiques. Next came your heart, be different and ask for
traders I came back to India, where I 'HVLJQ2QHDQGWKHUHZDVQRWXUQLQJ help. Studioverandah.com >
attended WKH,QGLDQ6FKRRORI%XVLQHVV
IROORZHGE\DVWLQWDW'HXWVFKH%DQN
My biggest dream had been to be an PATEL MEHTA’S BEACH ESSENTIALS
architect and, while my mother was a
trained artist, I didn’t feel I could man-
1 2 3 4 5
Swimwear Ruben I mostly read Ikaria lace Beach
age design school. It was in 2010, when from sunglasses books on sandals hats from
I suffered a severe back injury, that Verandah. from public policy from Yosuzi—
banking really lost its charm for me.” Don’t’ Sunday and history—a Ancient that are
forget the Somewhere, good read is Greek handmade
“I yearned to shop for soft, kimono a label Palace of Sandals— in La
to match! designed by Illusions by they are Guajira
eclectic, somewhat bohemian a group of Chitra super Desert,
clothing.” Aussie Banerjee comfort- Venezuela
surfers. Divakaruni. able.

www.vogue.in VOGUE INDIA FEBRUARY 2019 161


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SCULPTURE > JEWELLERY

3 SUHANI PAREKH,
Jewellery designer, Misho
The sculptor turned jewellery
PAREKH’S designer sees art and fashion as two
www.t.me/njm_magz sides of the same coin
SPRING
SHOPPING BAG

1. ‘La Grand Chapeau


Bomba’ hat, Jacquemus
2. Seersucker metallic
swimsuit, Hunza G
3. ‘Reve’ slingback
mules, Yuul Yie

In just a few years, Suhani Parekh’s working in his studio, there’s so much 2Q QHZ SURMHFWV “I’ve recently
architectural, streamlined designs creative energy and I was always look- started working with Prerna Goel on a
have found space at Selfridges and ing at interesting design and art. I was style page for Instagram. Prerna has
Matches Fashion, in the wardrobes of making sculpture through my time fantastic style, and I love art directing, COURTESY @JACQUEMUS/INSTAGRAM; NISHANTH RADHAKRISHNAN

Anushka Sharma and Jourdan Dunn, with him as well.” creating content and playing around
and in the pages of Vogue—but her with photography. So, it seemed like
journey started as a sculptor. 2Q H[SORULQJ QHZ GLPHQVLRQV “I an interesting project to dabble with.”
think creative practices are interdisci-
2QÀQGLQJKHUIRUP “I trained as a SOLQDU\ DQG ÁXLG , DOZD\V NQHZ , 2Q OHVVRQV OHDUQHG “The word
sculptor at Goldsmiths, University of wanted to be in the creative industry. I Misho is an ancient Japanese bonsai
London. Gradually I started making love the process of making things, the technique in which a seed turns
pieces that looked better on the body research and the techniques. So study- into an evergreen bonsai tree. I loved
than they did on a plinth. I started ing art history and sculpture seemed how poetic it was—the idea
wearing the pieces I made and that like the best way to start. Besides, art that a seed or an idea turns into
was very much the point of departure and fashion are two sides of the same something tangible; and there’s just
for Misho. I also worked with architect coin. I love the physical process of actu- so much you learn through the
Ashiesh Shah right after graduating; ally making things and seeing a proto- process of creating something.”
he’s an incredible mentor. I loved type coming to life.” Mishodesigns.com Q

162 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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VIEWPOINT

#ICHOSECÉLINE
It was like a punch to the gut, a bucket brand change my style, it also changed
of ice water thrown over you, but in the As a retail and brand the way I experienced “buying.” It was
best way possible. That was the feeling personal and emotional. As the years
I had when I was in the temporary
consultant, RAMYA progressed, I noticed that most of my
VKRZURRP RI WKH ÀUVW-ever Phoebe GIANGOLA’s day revolves
www.t.me/njm_magz shopping budget went towards Céline
Philo-designed Céline collection in New and I would then sprinkle in my other
York City. I will never forget the model
around new designers favourites like Comme des Garçons
walking towards us in her khaki utili- and new perspectives and Rosie Assoulin.
tarian look, hair scraped back in a on fashion. But no label During Phoebe’s tenure at Céline, I
slightly messy but done knot, metal developed a way of making the brand
heeled sandals grounding her feet and has connected with her my own. That’s one of the many things
the most gorgeous oxblood tote on her life more intimately than I loved about her Céline aesthetic. Live
arm. I wanted to be the woman who in them, work in them, do the school
dressed like that and I wanted to know Phoebe Philo’s Céline. run in them, go on date night in them.
the woman who would design clothes Giangola writes about It became my armour. Fashion may
for women like that. seem frivolous but there was some-
I had just had my daughter in the being a label loyalist thing about Phoebe’s Céline that made
late summer of 2007 and my world was it feel worth more that just clothes. It
changing. Family was a priority, as my wardrobe would be changed forev- was an attitude, an emotion.
was my career. Along with the emo- er. Working in fashion as a retail and It was announced almost a year ago
tional and physical changes, my style brand consultant, I was inundated that Phoebe was stepping down from
was changing, too. What I didn’t real- with clothes, shoes, bags, images and her role as the creative director. I was
ise was that in London Phoebe Philo aesthetics. Somehow I hadn’t realised saddened but not surprised. Life is
was going through something similar it but what I was looking for was right about chapters, and a woman like
with a young family and new priorities in front of me 7KH EUDQG·V ÀUVW resort Phoebe would understand that more
in mind. As she took over Céline she collection was chic but tough, it was than most. I feel grateful for the unex-
ZDQWHGWRPDNHFORWKHVWKDWUHÁHFWHG luxurious yet super wearable. pected way Céline has helped shape my
what she was looking for in her ward- At the time the only freestanding personal style and the allegiances I
robe. “I felt it was time for a more Céline store in the US was in Miami, have developed with women all over
back-to-reality approach to fashion, and I was fortunate to develop a rela- the world through our shared love of
clothes that are beautiful, strong and tionship with the boutique straight this aesthetic. I will continue wearing
SHUTTERSTOCK.COM

have ideas, but with real life driving away. Boxes would ship to my home on my collection through the years to
them,” she told British Vogue. consignment and I was able to try on come. Phoebe designed clothes that
)URP WKH PRPHQW , VDZ WKDW ÀUVW and play with the looks at my leisure. are meant to be worn forever, and I
collection in June 2009, I knew that Not only did my relationship with the plan on doing just that. Q

164 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
outside Henri
Bendel (1980)
of a New Yorker
An iconic image

166 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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COURTESY OF THE FILM ‘THE TIMES OF BILL CUNNINGHAM’, TO BE RELEASED IN CINEMAS IN SPRING 2019 AND ON APPLE ITUNES MOVIES
view

www.t.me/njm_magz

Bill Cunningham
in his element

TRIBUTE

HISTORY IN
HIS LENS
SUZY MENKES pays tribute to BILL CUNNINGHAM, the diligent
chronicler of real, evolving style with a unique eye

“Thank you, child,” Bill Cunningham WRJUDSKHU +H ZDV WKH ÀJXUH RQ D but he also stitched together the ever-
would say, as he politely refused my of- wonky bike, who snapped society ma- changing patchwork of society, catch-
fer to share a taxi back from the New YHQV TXLUN\ GRZQWRZQ ÀJXUHV DQG ing a private glimpse of Jacqueline
York shows. Instead, he set off on his best of all, sniffed out fashion trends Kennedy Onassis or the old guard of
bicycle, rain, shine or drizzling snow, on his favourite corner of 57th and upper-class America.
wearing his signature blue worker’s Fifth Avenue. Who was this slight man with a per-
jacket and cap. “I’ve never been a paparazzi,” Cun- petual smile and ever-present camera?
The man with a camera who cap- ningham would say. Yet he managed Cunningham, whose father worked
tured history in his lens always called to capture not only the famous—like a IRU WKH SRVW RIÀFH DQG ZKRVH LQLWLDO
me “child”—even though I had younger, thicker Karl Lagerfeld with step towards fashion was as a milliner,
known him half his 60 years as a pho- Italian fashion legend Anna Piaggi— remained humble. His studio in >

www.vogue.in VOGUE INDIA FEBRUARY 2019 167


“Bill’s life was focused entirely
on photography and on
recording fashion and the
swathe of people it involved”
—SUZY MENKES
Grace Coddington at
a 1970s fashion show

www.t.me/njm_magz

COURTESY OF THE FILM ‘THE TIMES OF BILL CUNNINGHAM’, TO BE RELEASED IN CINEMAS IN SPRING 2019 AND ON APPLE ITUNES MOVIES
Calvin Klein with
supermodel Iman at
the Met Gala (1981)

“His visual notebook marked the


changes from the wild energy of
nightclub Studio 54 in the 1970s
to then introducing the concept of
uptown and downtown dressing.”

Hubert de
Givenchy and
John Fairchild
shot in New York
in the 1980s

168 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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www.t.me/njm_magz

Diana Vreeland (1974)

A shot summarising
’70s fashion

www.vogue.in VOGUE INDIA FEBRUARY 2019 169


view

www.t.me/njm_magz

Jacqueline Kennedy
Onassis striding down a
street in New York City

New York’s Carnegie Hall had a sim- photographer’s character after sitting him and me. He told his own story so
ple, single bed among racks of photo- down with him for a brief recording passionately.”
graphs. No television. A communal back in 1994. That was a reference to the photog-
bathroom. Yet his work transcended “We were supposed to be there for rapher’s move from sunshine to shad-
fashion. The path he followed—or cre- about 10 minutes, and three-and-a- ow as he talked openly about the
ated—produced a lifetime body of half hours later we ran out of tape,” scourge of AIDS. But Bill’s life was fo-
work that marks history. said Bozek. cused entirely on photography and on
Mark Bozek’s The Times Of Bill “When I pulled it from my basement recording fashion and the swathe of
Cunningham was selected for the 2018 the day he died in 2016, I hadn’t people it involved.
New York Film Festival. The movie watched it for 25 years,” he continued. I cannot remember a time when his
maker had exceptional insight of the “But I decided it was going to be just free spirit was not following fashion >

170 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
COURTESY OF THE FILM ‘THE TIMES OF BILL CUNNINGHAM’, TO BE RELEASED IN CINEMAS IN SPRING 2019 AND ON APPLE ITUNES MOVIES

A woman in a At the Warhol


suit circa 1970s Memorial (1987)

“No show was too small—or Bill Cunningham


too grand—for his attention. with Karl Lagerfeld
He was aroused by the
unexpected: the return of
men’s sartorial splendour;
tailoring worn in vivid
colours by millennials; the
ever-changing street style
from baggy rocker outfits to
streamlined sportswear.”
and making a reportage for the New
York Times. No show was too small or
too grand for his attention. He was
aroused by the unexpected: the re-
turn of men’s sartorial splendour; tai-
loring worn in vivid colours by millen-
nials; the ever-changing street-style
IURP EDJJ\ URFNHU RXWÀWV WR VWUHDP
lined sportswear.
I remember the photographer talk-
ing with glee about New York design-
ers’ casual modern clothes that
trumped the haute couture grandeur
of Paris at a 1973 event in Versailles.
He called it “the most exciting show I
have ever seen,” recalling the contrast
between French maestros—Dior,
Givenchy, Yves Saint Laurent—pitted
against the understated, casual, stream-
lined clothes sent out by America’s Bill
Blass, Halston and Oscar de la Renta.
7KHÀQDOHKDG/L]D0LQHOOLEODULQJRXW www.t.me/njm_magz
‘Bonjour Paris’, while African-Ameri-
can Stephen Burrows stunned the for-

COURTESY OF THE FILM ‘THE TIMES OF BILL CUNNINGHAM’, TO BE RELEASED IN CINEMAS IN SPRING 2019 AND ON APPLE ITUNES MOVIES
PDO)UHQFKDXGLHQFH,WZDVWKHÀUVW³
but by no means the last—time that the
photographer showed his open mind to
class and colour.
Cunningham was 87 when he died,
having received the French Légion
d’Honneur in 2008 and, in the same
SHULRGEHFRPLQJDQRIÀFLDOVWDIIPHP
ber of the New York Times after a Anna Wintour captured by Bill
truck crashed into his bike. Cunningham in the ’80s
Before that move, so late in his ca-
reer, the photographer was stubbornly
independent, using his visual notebook
to mark the changes from the wild en- Cunningham in the
ergy of nightclub Studio 54 in the 1970s French capital
and then introducing the concept of up-
town and downtown dressing.
Cunningham’s exceptional photo-
graphs are supposedly worth today over
a million dollars. But he would not have
been impressed by the numbers.
´0RQH\ LV WKH FKHDSHVW WKLQJµ KH
said. “Liberty and freedom are the
most expensive.” Q
Mark Bozek’s documentary, The Times
Of Bill Cunningham, will be released
in cinemas in spring 2019 and on Ap-
ple iTunes Movies

172 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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Tina Brown and Patrick
Kelly at a Vanity Fair
party (1988)

“I remember the photographer talking with glee about New York designers’ casual modern clothes that trumped the haute couture grandeur of Paris...”
www.t.me/njm_magz

Diane von Fürstenberg


and Barry Diller

www.vogue.in VOGUE INDIA FEBRUARY 2019 173


THE SCOOP ON THE MOST HAPPENING SOIRÉES

rsvp Shweta
Bachchan Nanda

Saif Ali Khan


Gauri Khan
Shilpa Shetty
Kundra

Xavier
Lasserre

HAPPY HOURS
Malaika
www.t.me/njm_magz
Arora

WHAT: Cocktails to celebrate the 25th anniversary of


Chopard’s Happy Sport watches hosted by TimeKeepers India Jacqueline
WHERE: Luna Nudo, St Regis, Mumbai Fernandez

To mark a quarter of a century for Chopard’s Happy Sport


watches, TimeKeepers India hosted an evening of cocktails at
Mumbai’s St Regis hotel. Spotted dialing up the style quotient
Kangana Ranaut
and Ali Kochra
were noteworthy names from the film and fashion fraternity. As
hors d’oeuvres made the rounds, guests were given a preview of
the Swiss watchmakers’ L’heure du Diamant collection as well as
its LUC line of high jewellery.

Riyhad
Kundanmal

Madhoo Shah

Tanishaa
Mukerji

Raman
SHUTTERSTOCK.COM

Lamba
Ramona Pria Kataaria and Shona
Narang Puri Urvashi
Shamita
Singha
Tanya Swetta

174 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz
-

www.t.me/njm_magz
NOZER WADIA, SÖNKE HOOF, AD EDITOR GREG FOSTER, BV DOSHI,
VILAS DOSHI, ALEX KURUVILLA, KUMAR MANGALAM BIRLA, ARJUN MEHRA

www.t.me/njm_magz

OLIVIER BIALOBOS, MARIA GRAZIA CHIURI MANEKA THADANI SHAINA NC NAMITA KURUVILLA, VINITA CHAITANYA

SUSSANNE
TARINI JINDAL HANDA SANGITA JINDAL, RAJEEV SETHI, AMIT SYNGLE KHAN

SHALINI PASSI
NATASHA
POONAWALLA

ANAITA SHROFF ADAJANIA, SABYASACHI MUKHERJEE RAMONA NARANG, ANJU CHULANI


DESIGN SHOW 2018

BOSE KRISHNAMACHARI
SANDEEP
KHOSLA

SEETU KOHLI, GAURI KHAN, ANU DEWAN,


TARUN TAHILIANI SURILY GOEL, KAHKASHAN PATEL

SUNITA KOHLI

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NIELS
BV DOSHI, URMILA KANORIA SCHOENFELDER NAINIKA VADEHRA
SHOBHAA DE

ADITI DUGGAR, ASHIESH SHAH IRAM SULTAN PAUL MATHIEU ZAYED KHAN

REENA
SAINI
KALLAT

PHIROSA NETERWALA,
SUNU AIBARA

AD REIMAGINED LAURA HAMILTON’S APARTMENT


AT THE AD DESIGN SHOW
CHANNA DASWATTE BINA RAMANI DINESH VAZIRANI CECILIA MORELLI PARIKH

GAUTAM
SINGHANIA
LEKHA
WASHINGTON

SAMANTHA NAYAR, PRIYA NATHANI SAMEEP PADORA


ARJUN MALIK KAMAL MALIK

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VINCENT VAN DUYSEN AND


GREG FOSTER AT THE ASIAN
PAINTS POWER TALKS
POOJA SINGHAL RENU MODI AMRITA ARORA

FARAH KHAN

MIRA RAJPUT
KAPOOR

AD’S MADHURA PHADNIS DILIP DE AISHWARYA NAIR, NISHANT KANODIA GAURI TANDON
DESIGN SHOW 2018

BIJOY JAIN
ARZAN KHAMBATTA, JITEN THUKRAL

FEROZE GUJRAL,
V SUNIL,
ALEX KURUVILLA

MONIKA CHOUDHARY, VINEETA BIMBHET,


SALONI MEHTA ROBERTO GANDINI KARAN GROVER

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ARJUN MEHRA, SHEEBA AND GAVIN DE SOUZA AKSHAY CHUDASAMA, PRIYA PAUL ROSHAN AND POOJA TALERA

EDGARD D KAGAN, CONSUL GENERAL OF THE


REENA WADHWA, PRITI MAHAJAN ANURAG TYAGI UNITED STATES, ELIZA HIGGINS, CYRUS PATELL ELSIE NANJI
SONIA HAYS AND RALPH HAYS,
CONSUL GENERAL OF NEW ZEALAND

PARUL RAJIV SAINI, GAYATRI


SUMIR TAGRA VADEHRA RANGACHARI SHAH

SEEMA PURI, AD PUBLISHER ARMAITY AMARIA

MORTIMER CHATTERJEE AND TARA LAL RICKY AND LAILA LAMBA

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HENA KAPADIA SUNITHA KUMAR EMMART

ARADHANA AND GAUTAM CHAND DEEPSHIKHA KHANNA APARAJITA JAIN

MICHELLE
RAHUL KHANNA POONAWALLA

ALI TOLGA KAYA, CONSUL GENERAL


PULKITH MODI OF TURKEY, AND PINAR KAYA
EXHIBITOR STANDS AT THE AD DESIGN SHOW
DESIGN SHOW 2018

SANJAY PURI, YATIN PATEL, SUMESSH MENON

ROSHINI VADEHRA ASHISH RAHEJA AMIT SHAH

SAGAR CHORDIA AMIT THETE

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ANUPAM PODDAR, SUNITA CHORARIA


THE ART STANDS AT THE AD DESIGN SHOW

SEEMA AND SUDARSHAN SHETTY

PETER NAGY SAMVIT TARA KIRAN SHETTY, CHIRAG DIWAN, ALINAWAZ MERCHANT
ALL PHOTOS: KEDAR NENE PHOTOGRAPHY

KURUSH JUNGALWALA, SHIREEN GANDHY


AJAY AND SIMONE ARORA PRATEEK JAIN, GAUTAM SETH AND ATYAAN JUNGALWALA
AISHWARYA RANA AMIT VADEHRA
POWER TO THE KARIGAR, SUPPORTED BY JSW, AT THE AD DESIGN SHOW

NIKITA DESAI PRATEEK AND PRIYANKA RAJA ZARIR MULLAN SRIKANTH SK EKTA PURI AND RAJIV PAREKH
www.t.me/njm_magz

FURNITURE • SARITA HANDA ART


• ALSORG • SPAZIO • CHATTERJEE & LAL
• ANDREU WORLD BY ERGON LUXE • TACCHINI@BEYONDNMORE • CHEMOULD PRESCOTT ROAD
• BENTLEY HOME WITH SEETU KOHLI • THE CHARCOAL PROJECT • EXPERIMENTER
HOME AND GAURI KHAN DESIGNS • THIS AND THAT • GALLERY ESPACE
• BOCONCEPT • TIMOTHY OULTON • GALLERYSKE
• BOLZAN@BEYONDNMORE • TRUSSARDI CASA WITH SEETU • NATURE MORTE
• BORZALINO@BEYONDNMORE KOHLI HOME • PICHVAI TRADITION & BEYOND
• ETRO HOME INTERIORS WITH SEETU • WILLOW VIIEW • TARQ
KOHLI HOME • VADEHRA ART GALLERY
• FENDI CASA WITH SEETU KOHLI HOME ACCESSORIES, ANTIQUES, LIGHTING
• GIANFRANCO FERRÉ HOME WITH • COCOON FINE RUGS OTHER PARTNERS
SEETU KOHLI HOME • JAIPUR RUGS • ALEX DAVIS
• IQRUP + RITZ • KLOVE • ANGIE KRIPALANI DESIGN
• LIGNE ROSET AT AND MORE STORIES • LALIQUE, BERNARDAUD, CHRISTOFLE • C. BHOGILAL WEST-END
• PRIVATE LABEL BY SEETU KOHLI HOME AT EMERY STUDIO • DAG
• RAVISH VOHRA HOME • LIGHTANDYOU.COM • INTERSEKT
• ROBERTO CAVALLI HOME INTERIORS • PHILLIPS ANTIQUES • JSW GROUP
WITH SEETU KOHLI HOME AND • SOGANI BY VIBHOR SOGANI • MCM UNFIRED CLAY CLADDING
GAURI KHAN DESIGNS • THE CARPET CELLAR • PRECIOSA
• ROCHE BOBOIS • THE SILVER ROOM • SCRIPT

MAIN PARTNERS LUXURY PARTNER HOSPITALITY PARTNER BOLD ART PARTNER


PHOTOGRAPHED BY ERR KOS ANDREOU
AYUSHMANN KHURRANA

INDI

INDIA

JA N UA R Y 2 019 ` 15 0

2O19
NEW RULES
TO A BETTER

Ayushmann
T H E DA R K H O R S E www.t.me/njm_magz
EYEVIEW

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C T
A
I MP o f
Y
G AC
LE
PHOTO: TARUN VISHWA. DRESS, FENDI
Embellished belted
jacket, lace skirt; both
Ermanno Scervino

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www.t.me/njm_magz

She’s born to privilege with a silver-spooned childhood


and a fabled last name. But this modern-day heiress
is determined to create her own legacy. Girl-to-watch
ISHA AMBANI PIRAMAL talks to PRIYA TANNA
about work, life and the future, and why,
for her, India is at the heart of it all

Photographed by T A R U N V I S H W A
Styled by A N A I T A S H R O F F A D A J A N I A
& P R I YA N K A K A PA D I A

187
www.t.me/njm_magz

Strapless dress, Ralph


Lauren. Layered
blazer, Sacai
A modern-day heiress, it is easy to judge her, assume you
know her and label her without ever meeting her. As the
daughter of business mogul Mukesh Ambani, she must be
wellborn, entitled, maybe even a bit of a brat who is far
removed from reality. But the truth couldn’t be further, as
, ÀQG RXW ZKHQ , PHHW ,VKD $PEDQL 3LUDPDO GLUHFWRU
Reliance Retail and Reliance JIO Infocomm Limited, in the
most natural of her habitats—her workplace.
It’s the week after her much-hyped wedding took over our
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1DULPDQ 3RLQW RIÀFH ZKHQ VKH GUHVVHG LQ DQ XQIXVV\ NXUWD
(her work staple, she tells me) walks in. On most days, her
14-hour workday is scheduled to the minute—and today is
no different. She’s squeezed this interview between commit-
tee meetings, a brain-storming session and a meeting at the
Dhirubhai Ambani International School (DAIS). “It’s the
longest I’ve ever been away from work,” she tells me of her
three-week wedding prep. Basking in her post-wedding glow,
you can still see shadows of henna on her hand, but this new
bride means business. After all, she is one of the scions of the
Reliance conglomerate, a hundred-billion-dollar behemoth
that employs over 2,00,000 people—covering everything
from textiles to telecom services.
As expected of a modern-day heiress, Isha is razor-sharp,
www.t.me/njm_magz
ambitious and adept at talking business, but it’s when you
talk of anything else that she throws you off completely. You
then meet a 27-year-old—part giggly, part naïve, she’s
disarmingly honest at all times. She’s an extremely private
person who is responsibly trying to navigate her life through
the public lens. A delicious dichotomy of contrasts, she makes
PH ZDQW WR NQRZ ZKR WKH UHDO ,VKD $PEDQL 3LUDPDO LV 2YHU
the next two hours we catch up on all the things that make
her world go around. Excerpts from our conversation.

Priya Tanna: Isha, you’re here fresh off the


wedding. Tell us a little bit about it?
Isha Ambani Piramal: The wedding went off beautifully.
Like any other bride, I had my share of bridal jitters but
getting married at home made it very special and I had the
time of my life celebrating my most memorable moments
with all the people I love.

PT: How involved were you in the planning? Were


you a bridezilla?
IAP: During the wedding my mom was CEO and I was chair-
person. She and dad did all the hard work. Thankfully, we
ended up liking the same things, so that made it a breeze. I
didn’t go to a single wedding meeting. I was never someone
who dreamt of how my wedding would be, yet it was wonder-
ful in more ways than I can imagine. It was a very emotional
affair for everyone in my family. I was emotional too but
everyone around me would cry all the time. I only cried at my
bidaai because I felt some peer pressure as everyone else was
crying, especially my parents. >

189
Blazer, pleated
maxi skirt; both
Prabal Gurung

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PT: Talking about your family, you must have been PT: What did your time away from home, at Yale
DZDUH\RXZHUHERUQWRDIDPLO\RIVLJQLÀFDQFH DQG6WDQIRUGWHDFK\RX"
What was it like growing up? IAP: I left home when I was 17. Right after school I went
IAP: The surprising truth is that though my parents were to Yale. Being away was an education in itself. I went
exceptionally busy, they were really hands-on. I was born from my protected childhood to living by myself on a bunk
LQULJKWDIWHU/LEHUDOLVDWLRQZKLFKZDVDUHDOLQÁHF bed, sharing communal toilets, and surviving on Maggi
WLRQ SRLQW IRU WKH ,QGLDQ HFRQRP\³LW ZDV WKH ÀUVW WLPH noodles! So in many ways it was about stepping out of my
that Indian companies could dream of global scale. I saw comfort zone, experiencing a different culture and a
my father work very hard to chase that dream and build whole new way of life.
Reliance into the organisation that it is today. And though I also feel American education teaches you critical
he worked long hours, he was always there when we need- thinking and creativity in a way that is unique. I enjoyed
ed him. At home, we were raised to have the same value EHLQJDW<DOHDQG6WDQIRUGDQGWKHQZRUNLQJDW0F.LQ
system that our parents grew up with. They made sure we sey. I was surrounded by exceptionally bright people. In
understood the value of money, hard work and humility. VFKRROLWZDVHDVLHUWRJHWDQ$EXWZKHQ\RX·UHLQDQHQ
My parents had us after seven years of marriage—my vironment where there are thousands of kids who are
WZLQ$NDVKDQG,ZHUH,9)EDELHV:KHQP\PRWKHUÀ used to getting As all their life, you have to work harder.
nally had us she wanted to be a full-time mum initially. So those years really expanded my horizons and sharp-
/DWHUVKHZHQWEDFNWRZRUNZKHQZHZHUHÀYHEXWVKH ened my perspective.
was still a tiger mom.
,UHPHPEHUZKHQHYHUPRPDQG,KDGÀJKWVZH·GFDOO 37'LGFROOHJHPDNH\RXWKHSHUVRQ\RXDUH
dad to resolve the issue. My mom today?
was way stricter. If we wanted to IAP: Though all my experiences
bunk school, dad would be like (with family, work, school, col-
´,W·VQRELJGHDOµEXWPRPZRXOG OHJH FRQWLQXHWRVKDSHPH,GRQ·W
ensure we ate on time, studied “I don’t think that think that my personality is set in
hard and got our playtime as well. stone yet. I think I am still becom-
My grandparents (paternal and my personality is LQJDQGÀQGLQJP\VHOI
maternal) and my maasi played a
huge role in bringing us up.
set in stone yet. I
www.t.me/njm_magz PT: Coming from a storied
think I am still IDPLO\KDVLWVRZQFKDOOHQJHV
PT: You were quite young <RXFDQ·WGHQ\WKHSULYLOHJH
when your grandfather becoming and but there are also a lot of
SDVVHGDZD\'R\RXKDYH
any memories of him?
finding myself” H[SHFWDWLRQVDWWDFKHG
IAP: As Shakespeare said, “All
IAP: I was 10 when my grandfa- WKH ZRUOG·V D VWDJH DQG HYHU\
ther passed away, but I have viv- PDQKDVWRSOD\KLVSDUWµ0\IR
id memories of the stories he told cus is on working hard and giving
us—like when he was 16 and my best with the part that I have
helped with the freedom struggle in India. Then there been given to play. So I try to do my best and leave the
were stories about building Reliance and of the time when rest… I try not to overthink or worry about the results.
my dad was young. He liked having in-depth and intelli-
gent conversations and treated us as peers, as do my par- 37:KDWDUH\RXUYLHZVRQZHDOWKFUHDWLRQDQG
ents. Even as kids, we were never spoken down to. how do you intend to use it?
%XW LW·V P\ JUDQGPRWKHU .RNLODEHQ ZKR LV WKH JOXH IAP: My father believes that at Reliance we are all entre-
holding our whole family together. When I was doing my SUHQHXUV LQ RXU RZQ ULJKW 7KHUH·V QR VXFK WKLQJ DV
MBA at Stanford, she came and lived with me for two employees. What that really means is that it is our joint
months in Palo Alto, and insisted on making all the meals. UHVSRQVLELOLW\WRÀJXUHRXWZKDWWKHELJSUREOHPVDUHIRU
She is a very involved grandmother, and also unbelieva- India and how to solve them and create greater value for
EO\ ÀW $W P\ ZHGGLQJ VKH ZDV OLWHUDOO\ WKH ODVW ZRPDQ all its stakeholders. Jio is one such example. We saw that
standing—giving heartfelt speeches, singing and doing connectivity was a big problem in India, and taking an
garba all night. entrepreneurship approach we created Jio. The idea
was to solve it by making it affordable and available
37$VDFKLOGZKDWZHUH\RXUHDUO\DPELWLRQV" for everyone.
IAP: My grandfather used to tell us many stories about My father also taught us that just like life, your com-
,QGLD·VIUHHGRPPRYHPHQWVRLQDZD\WKHXOWLPDWHDVSL pany too needs to have a purpose—something that moti-
ration while growing up was to serve the country. At one vates you from morning to evening, which is bigger than
point, I even wanted to be a soldier! Then doctor, teacher, MXVWFUHDWLQJSURÀWDELOLW\RUFDVKÁRZ2XUSXUSRVHLVWR
artist… I would change my mind every few months about create a difference in India in whatever streams or ave-
who I wanted to be. nues we can—telecom, energy or retail. >

191
Shirt dress,
Fendi

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PT: You recently set up Reliance Arts Foundation. PT: What’s a regular day at work like?
What’s your vision for it? IAP: Every day is different, so I prioritise each day differ-
IAP: Reliance Arts Foundation’s aim and mission is to ently. Two years ago, when we were launching Jio, it was
showcase the best of Indian art to the world and bring all I worked on. But six months ago, all I did was study for
global art to India. Our collaborations with the Met and my MBA at Stanford. Now that I’m back, I am spending
the Art Institute of Chicago have allowed us to take Indi- my time between the Reliance Foundation, Jio and learn-
an art to an international audience. Eventually, we want ing the ropes of our other businesses within Reliance In-
to evolve into a full programme that strengthens the dustries. So each day depends on the cycle I’m on—if I’m
art platform in India. Spanning artists, young or old, working until 4am, then my day starts by 11am. I need my
modern or traditional, our aim is to ensure they thrive seven hours of sleep to function. And once I’m up, I’m off
DQG ÁRXULVK to work.
My dream is to create a museum in Mumbai and bring Work is all we know as a family. Even during my honey-
shows from all over the world to India. I’m inspired by moon, I got restless after two-three days of relaxing in
Dasha Zhukova’s work with the Garage Museum in Mos- the Maldives. I was like, this is great and I love it, but now
cow as well as the Mori Museum in Tokyo. Their curato- I can’t wait to go back to work. Before marriage, even dur-
rial skills creatively open up spaces for citizens to access, ing dinner, discussing work was natural. Honestly, work is
participate and engage in art. Art is a way of recording a common passion shared by my entire family. So in a
the history, culture and times. It’s as important to pre- sense, work never stops for us, and that is the only pace of
serve art of our times as it is to preserve art of the genera- life that I’ve always known.
tions before us.
PT: At work, is your mother’s leadership style
PT: You also work at DAIS. What’s your role there? different from that of your dad?
IAP: I am very passionate about education. DAIS for me is IAP: They’re alike in more ways than one—they’ve been
more than a place of work, it’s a place I love. I absolutely love married for so many years that sometimes I think they are
kids. Even at Stanford, I taught two-year-olds. Being able to the same person (laughs). Jokes aside, they are also differ-
PRXOG WKHLU WKLQNLQJ DW DQ HDUO\ DJH LV ZKDW , IRXQG IXOÀOOLQJ ent in some ways. My dad is extremely mathematical and
Schools have such a profound and lasting impact on young data-driven. None of us (Akash, Anant or me) can present
minds. I don’t think any student ever forgets a good teacher, an argument to him without backing it up with numbers.
and that is why I see education as a huge opportunity to For him, every business idea has to be positioned as a
www.t.me/njm_magz
shape the next generation. It is one of the strongest agents of math problem that must be solved keeping in mind what
positive change. the results will be and how it will positively impact lives.
DAIS started in 2003 and after an amazing journey of over My mom is unbelievably creative and compassionate.
15 years today we are at a point to build a new and modern She has an amazing ability to bring people together. And I
campus for our school—at par with the world’s best. Apart should tell her this more often but my mother is an incred-
from DAIS, we also have the Reliance Foundation Schools, ibly astute and sharp businessperson—everyone always
another set of schools that we run all over the country. And says this about my father but she is as good, if not better.
then we have the Jio University project coming up. We hope
for it to be like any top university in the world—that is the PT: You’ve seen your mother at the forefront of so
goal. In India, children aspire to go abroad but it’s not feasi- many businesses—from sports to education to
ble for all. It’s only a small fraction that is able to go, so the healthcare. How has this shaped your attitude
vision of the university is to give Indian students the same towards women at the workplace?
world-class experience and rigour as the world’s best educa- IAP: As much as I want to believe that women can have it
tional institutions. With Jio, we will also work on digital edu- all, I know that my mom gave it all up to raise us. But once
cation and that is something in which we see great poten- we grew up, I also saw her balance work and home per-
tial—how technology, connectivity and quality content can fectly. Watching her play all these different roles—from
bring alive a classroom anywhere and everywhere. full-time mom to businesswoman—I learnt how impor-
tant each facet is in a woman’s life and how one needs to
PT: Between all this, how do you make time GHÀQH ZKDW ´KDYLQJ LW DOOµ PHDQV GXULQJ WKHVH GLIIHUHQW
for Jio? stages. I feel very passionately about gender equality and
IAP: I have worked on Jio right from its inception. I joined equal participation in the work force because growing up I
in 2014, after a year and a half of working at McKinsey. I was made to believe that I could do whatever my brothers
was there when it was very much like a start-up. We were could do, as well if not better. So as a working woman, I
putting the teams together and were involved in every- believe that companies must create an environment that
thing—from network layout to marketing. I’d spend every fosters equal participation.
waking hour on Jio. Then in 2016, I took two years off to At Jio, we have programmes for women that allow them
attend business school, but I was a member on the board to form communities and support each other. But what
and continue to play that role today. Now, Jio runs like a would really give me satisfaction is when I know that no
well-oiled machine but it’ll always remain a dream project matter which meeting I enter, engineering or design, there
close to my heart. will be an equal number of women in the room. >

193
Tulle dress, Marchesa.
Sequinned blazer,
Dhruv Kapoor

Hair: Rebecca Chang


Make-up: Subash Vagal
Make-up assistant: Harshal Jariwala
Photographer’s assistant:
Mohammed Jamshed Qureshi
Assistant stylist: Priyanka Parkash
Production: Divya Jagwani;
Ankita Chandra; Bindiya Chhabria
Editorial assistant: Jay Modi

www.t.me/njm_magz
PT: How is your relationship with your twin, Akash? she is among the few non-American women to have served
IAP: Akash can read my mind like nobody else; it’s RQ +DUYDUG 8QLYHUVLW\·V %RDUG RI 2YHUVHHUV , IHHO VR
uncanny. He has the largest heart ever—he even changed encouraged and motivated by my in-laws. They show me a
his wedding dates for me! Akash was supposed to get mar- limitless world.
ried in December last year but then I got engaged and he
postponed his wedding because he wanted mine to be the PT: Do you have other strong role models
ÀUVWLQWKHIDPLO\ outside your family?
/LNHPRVWVLEOLQJV$NDVKDQG,KDYHJURZQXSÀJKWLQJ IAP: 2QHRIP\WHDFKHUVDW6WDQIRUG³/DXUD$UULOODJD$Q
OLNHUHDOSK\VLFDOÀJKWV%XW,UHPHPEHUVXGGHQO\RQHGD\ GUHHVVHQ³KDVDOVREHHQDUROHPRGHO6KH·VRQHRIWKHSLR
he realised that he had become much stronger (he was a QHHUVLQWKHDFDGHPLFÀHOGRISKLODQWKURS\,UHDOO\ORRNXS
foot taller than me) and that it was unfair (laughs). My to her and she has been a personal mentor to me. I’m also
younger brother, Anant, will always be the baby of our inspired by Hillary Clinton; I love her resilience as much as
family, so my relationship with him was more maternal. her magnetic personality.
I am very protective of him.
PT: What is your fashion orientation—at work and
PT: Now let’s talk about Anand. What’s the singu- off work?
lar reason that makes him a great life partner? IAP: At work, I love wearing Indian clothes... cotton kurtas
IAP: I can’t stop at one! (laughs). I love his amazing sense with block prints. I think it’s one of the greatest things
of humour and his spirituality. about being Indian—our clothes! I used to hate dressing up
in business formals during my time in America. It was a
PT: How different are you nightmare to get into a blazer. It
two as a couple? works well for slim bodies, but how
IAP: He hates attending events, I do you wear a pencil skirt if you
enjoy them. I really enjoyed our KDYHDFXUY\ERG\"2IIZRUN,OLNH
wedding, but it was not exactly his “At this stage, work wearing international and Indian
idea of fun (laughs). He’s more
spiritual than I am.
is a priority for both designers—Valentino, Abu Jani
6DQGHHS.KRVOD'ROFH *DEEDQD
%XWZHDUHDOVRYHU\VLPLODU:H of us (Anand and I). 0DQLVK0DOKRWUD&HOLQHDQG6DE
are both very family-oriented, and yasachi are some of my favourites. I
we both love food. I remember in And luckily,
www.t.me/njm_magz
ORYHZKHQDJDUPHQWÀWVMXVWULJKW
one of the speeches that my father
gave at my wedding, he listed ten
our parents and that’s not easy. For my com-
fort picks, I switch between my sal-
reasons why he liked Anand. It understand that” war kameez, Lululemon sweats
was hilarious, and dad concluded and cosy sweaters.
by saying that these are probably
the same ten things that he would PT: And how do you unwind?
also use to describe himself. And it’s true; in many ways IAP: I enjoy my time with my friends and I feel blessed to
Anand reminds me of my father. have a circle of close friends I adore. I enjoy binge-watching
reality television with them, especially shows like Keeping
PT: Has your work routine changed since you got Up With The Kardashians. In general, though, I strongly
married last year? Are you now striving for a identify as an introvert as per the0%7,SURÀOH, and what
better work-life balance? that means is that you gain energy by being with yourself.
IAP: Last night, we had dinner, and then from 11pm to 6R PHWLPH LV D JUHDW ZD\ IRU PH WR XQZLQG $SDUW IURP
DP$QDQGKDGDPHHWLQJLQKLVRIÀFH6R,GRQ·WWKLQNKLV that, I really enjoy dancing and travelling.
life has changed, and neither has mine. At this stage, work
is a priority for both of us. And luckily, our parents under- 37<RX·YHEHHQZRUNLQJIRURYHUÀYH\HDUVQRZ
stand that. Fortunately, the family I was born into and the What is the one thing that you are most proud of?
family I married into have the same work ethic—every IAP: The branding and marketing of Jio—I had the most
member of both families knows the importance of work. fun doing it:KHQZHODXQFKHGLQ,QGLDUDQNHG
on the mobile broadband consumption index, but today,
PT: You have amazing in-laws who are truly post-Jio, India ranks number 1.
inspirational. What have you learnt from Ajay and
Swati Piramal? PT: You come from a family of overachievers, each
IAP: I think I have been really lucky. People look at their of whom has left a legacy. What would you like to be
in-laws as a point of authority in their lives, but I’ve felt remembered for?
like they are a second set of parents. They are very open, IAP: I will feel proud if someone says: “6KHIXUWKHUHGKHU
friendly, warm and loving. I admire their humility. parents’ legacy.” And of course, if Reliance can be one of
0\ PRWKHULQODZ LV D VFLHQWLVW 6KH ZHQW WR +DUYDUG WR WKHWRSFRPSDQLHVRIWKHZRUOGWKDWZRXOGEHDGUHDP
complete her Master’s when Anand was seven, and today come true. Q

195
TODAY’S
SPECIAL
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From chilli red stilettos to tin-toned Mary Janes, the season’s extras draw from the daily

196 Photographed by BOBBY DOHERTY Styled by MAXIMILIAN AUFSCHNAITER


SPILL THE
BEANS
Flashy foil takes
Mary Janes
from mundane
to mercurial.
Metallic Mary
Janes, Chanel

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197
STEPPING IT UP
Siren-red and sky high is
how we like our stilettos.
Leather pumps, Saint
Laurent by Anthony
Vaccarello

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198
www.t.me/njm_magz

POINT OF VIEW
Because, let’s face it,
everything looks better
through rosé-tinted glasses.
Sunglasses, Louis Vuitton
www.t.me/njm_magz

NEXT LEVEL
No longer bazaar-bound,
our carryalls are now
crimson and quilted.
Shopper, Balenciaga
THE REBOOT
Wellies, in the
splashiest orange, are
the perfect antidote
to gloomy skies.
Boots, Miu Mu

www.t.me/njm_magz

201
SIDE SERVE
Our favourite way to
meet fashion’s five-
a-day requirement?
Leafy green mules.
Block heels, Gucci

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202
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HAT TRICK
The accessory stays
rooted in its cowboy
connotations.
Hat, Calvin Klein
TA K I N G
C OVE R
Beyond faith and fad,
constriction and comfort and
the eternal rise and fall of
www.t.me/njm_magz

necklines and hemlines, is a slow


revelling in the quiet confidence
of clothes that reveal much by
concealing. In capes as fierce
as a superhero’s, in a sleeve as
fragile as shattered marble, in
ruffles as exaggerated as mutant
orchids, in a tuxedo shirt taking
the flowing white skirt out of the
prairie, or in layers as thought-
out as clever armour, modesty is
our mode of conduct

PHOTOGRAPHED BY ASHISH SHAH


STYLED BY FABIO IMMEDIATO

204
EPIC PROPORTIONS
Seek shelter under supersized
silhouettes and XL extras. A blown-up
bow is how we’re earning bonus points.
Silk dress, silk scarf, embellished leather
loafers; all Erdem. Nude tights (worn
throughout) , Hēdoïne

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205
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G R EAT LENGTHS
With long sleeves and
turtlenecks, leopard strays into
sophisticated territory.
Animal print coat, Richard Quinn.
Leather shoes, Manolo Blahnik

206
IN GOOD SHAPE
Add dimension to demure with
second-skin scales and knife pleats.
Embellished dress, Balmain

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207
FRILL SEEKER
Ruffles, our favourite ’80s
flashback, come with a modest
modification. Think larger than
life and all-encompassing.
Ruffled top, silk trousers, silk belt,
tights, leather shoes, metal
earrings; all Marc Jacobs

www.t.me/njm_magz

208
H E A D S TA RT
When it comes to layering, remember
to reverse roles. The dress with a
scooped neckline is saved for last.
Cotton shirt, silk satin dress, wool
jumper, satin headband; all Prada

www.t.me/njm_magz

CHAWNTELL KULKARNI
On the spot with the model
of the moment

1 PART GOAN, part Maharashtrian,


Mumbai-born Kulkarni moved to London at the
age of three.

2 THE 21-YEAR-OLD walked for


Simone Rocha’s S/S 2018 show and starred
in a Tim Walker shoot for British Vogue in an
all-Indian model cast.

3
IF NOT A MODEL, she would be a
physicist (she’s on her way to bagging a degree
in physics) or an illustrator.

4 HER PERSONAL STYLE currently veers


towards 2000’s fashion. Think red bell-bottoms
with thigh cut-outs.

5 ONE THING she never leaves home without


is glossy lip balm. The glossier the better!
S U I T YO U R S E L F
Power separates will always
be the cornerstones of a
covered-up closet. Call it
square with strong shoulders.
Wool-blend jacket, jeans;
both Mugler

www.t.me/njm_magz

210
DEFINING
MOMENT
Don’t cast away the corset just
yet. A counterpart to the button-
down, the waist-cinching separate
is now on the modest mandate.
Cotton shirt, cotton skirt, tulle
underskirt, silk tie, leather corset,
pearl drop earring; all Dior.
Leather sandals, Francesco Russo

Make-up: Carolyn Gallyer/Clm


Hair: Declan Sheils/Premier
Model: Chawntell Kulkarni/Storm
Production: Paolo De Battista
Assistant stylist: Tiziano Viticchie
Photographer’s assistants: Soha
Salem; Saugat Gurung

www.t.me/njm_magz
A BEAUTIFUL
MIND One of the most important voices of our generation,
professor and bestselling author YUVAL NOAH HARARI
tells SHAHNAZ SIGANPORIA his most difficult truths and
how Vipassana shaped his success story

www.t.me/njm_magz

Yuval Noah Harari, 43,


first tried Vipassana
during his Oxford days
in 2000

212
is book Sapiens: A Brief History Of to grasp the dynamics of climate change and the potential
Humankind has sold over 10 mil- SRZHURI$,3HRSOHZKRVD\WKLQJVOLNH´VRZKDWLIJOREDO
lion copies, been translated into 50 temperatures rise by 2° &HOVLXVLWZLOOMXVWEHDELWKRWWHUµRU
languages, and has been recom- ´DUWLÀFLDOLQWHOOLJHQFHZLOOQHYHUEHDEOHWRUHSODFHKXPDQ
mended by Barack Obama, Bill LQWXLWLRQµGRQ·WXQGHUVWDQGWKHPDJQLWXGHRIWKHFKDOOHQJHV
Gates and Mark Zuckerberg. Re- we face.
cently, he delivered the Penguin ,WKLQN,DPDEOHWREULGJHWKHJDSEHWZHHQWKHVFLHQWLÀF
Annual Lecture in Mumbai, which community and the general public because, as a historian,
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spilling over by the hoards into the statistics. When scientists try to get involved in public
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larity, where an academic is elevated to cult fanfare usually IUHTXHQWO\ IDLO WR HQJDJH WKH SXEOLF VXFFHVVIXOO\ EHFDXVH
reserved for reality stars and red-carpet royalty, comes with they assume it is enough to bombard people with facts. This
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FRQWH[WXDOLVLQJWKHKXPDQUDFHLQVRPHVHOIKHOS\ZD\"%XW FKDQJHLQDSUHVWLJLRXVMRXUQDOOLNHNature or Science, then
3URIHVVRU<XYDO1RDK+DUDUL³WKH,VUDHOLPHGLWDWLRQORYLQJ telling a good story is less important, whereas the facts are
YHJDQ KLVWRULDQ DQG EHVWVHOOLQJ DXWKRU³LV QRQH RI WKH H[WUHPHO\LPSRUWDQW6RLQP\ZRUN,RIFRXUVHWU\WRJHW
above. Through his books and talks, he boldly takes on the WKHIDFWVULJKW%XW,NQRZWKDWZLWKRXWWHOOLQJDJRRGVWRU\
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losophy, science and a clarity of thought that is profound in to be not a university professor but rather a curious teen-
our over-cluttered post-truth, fake news, big-data age. Plus, DJHU7KXVZKHQ,WU\WRH[SODLQFDSLWDOLVP,DVNP\VHOI
for an academic, his work rarely gets caught up in seman- ´:RXOGD\HDUROGXQGHUVWDQGWKLV"µ,I,FDQQRWH[SODLQ
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ing with his most recent publication, 21 Lessons For The SS:<RXDVNWKHELJTXHVWLRQV<RXHYHQDWWHPSWWR
21st Century+DUDULWDNHVWLPHRXWIURPKLVVFKHGXOHDQG DQVZHUWKHVHELJTXHVWLRQV$VDSKLORVRSKHU
continues his philosophical mavericking over email. ZKDW·VEHHQ\RXUPRVWGLIÀFXOWWUXWKWRIDFH"
([Ferpts from the interview: YNH:7KHJUHDWHVWGLIÀFXOW\LVWRUHDOLVHWKHLQKHUHQWJDS
between truth and power. Philosophers often imagine that
SHAHNAZ SIGANPORIA: You’ve managed to by telling the truth they can change the world, and that
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¶SRSXODULQWHOOHFWXDO·—two words that don’t often ZLVK LW ZDV VR 6RPHWLPHV WUXWK LV LQGHHG SRZHUIXO EXW
go together+RZGR\RXXQGHUVWDQGWKLVVSDFH" ultimately truth and power can travel together only so far.
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EHWZHHQ WKH VFLHQWLÀF FRPPXQLW\ DQG WKH JHQHUDO SXEOLF The reason is that in human society power relies on mass
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everyone. This is urgent, because nowadays science and HIIHFWLYHO\ ZLWKRXW UHO\LQJ RQ VRPH P\WKRORJ\« ,QGHHG
technology change our societies, economies and personal false stories have an intrinsic advantage over the truth when
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Of course, you don’t need a PhD in biology or computer ´WKHVXQULVHVLQWKHHDVWDQGVHWVLQWKHZHVWµOR\DOW\WRWKH
science in order to engage in politics. But you should be able FKLHILVQRWUHTXLUHGLQRUGHUWRDSSODXGKLP%XWLIWKH>

213
Noah Harari delivers a lecture
on AI in Beijing, China

www.t.me/njm_magz
chief says, “the sun rises in the west and sets in the east,” you are just aware—now the breath is coming in. When the
only true loyalists will clap their hands. breath goes out, you are just aware—now the breath is going
Consequently, scholars throughout history have faced this out. And when you lose your focus and your mind starts
dilemma: Do they serve power or truth? Should they aim to wandering in memories and fantasies, you just know—now
unite people by making sure everyone believes in the same my mind has wandered away from the breath.” It was the
story, or should they let people know the truth even at the most important thing anybody ever told me.
price of disunity? The most powerful scholarly establish- The meditation retreat lasted for 10 days. It was the most
ments—whether of Christian priests, Confucian mandarins GLIÀFXOWWKLQJ,GLGLQP\OLIH7U\LQJWRVWD\IRFXVHGRQUHDO
or Communist ideologues—placed unity above truth. That’s LW\ ZDV LQFUHGLEO\ GLIÀFXOW EHFDXVH WKH PLQG FRQVWDQWO\
why they were so powerful. tries to avoid confronting unpleasant realities. I think I
learned more about myself and about humans in general
SS: You share quite the connection with India and during these 10 days than I learned in my whole life before.
you’ve spoken extensively on how Vipassana has And to do so I didn’t have to accept any myth. I just had to
shaped you and your success… observe reality as it is. The most important thing I realised
YNH: While I was doing my doctorate at Oxford, a good was that the deep source of my suffering is in the patterns of
friend nagged me for a year to go try a Vipassana meditation my own mind. When I want something and it doesn’t hap-
course. I thought it was some kind of superstition or cult, pen, my mind reacts by generating suffering. Suffering is
and since I had no interest in hearing yet another mytholo- not an objective condition in the outside world. It is a mental
gy, I declined. But after a year of patient nudging he got me reaction generated by my own mind.
to give it a chance.
Previously I knew very little about meditation and pre- SS: Any advice for those who want to explore
sumed it must involve all kinds of complicated mystical meditation?
theories. I was therefore amazed by how practical the teach- YNH: I would give people three warnings about starting to
ing turned out to be. The teacher at the course, SN Goenka, meditate. First, it is serious and hard work. You often encoun-
instructed the students to sit with crossed legs and closed ter things in yourself that you spend your whole life escap-
eyes, and to focus all their attention on the breath coming in ing—maybe it is your fears, maybe your guilt, maybe your
and out of their nostrils. “Don’t do anything,” he kept say- ERUHGRP,WFDQEHDYHU\GLIÀFXOWH[SHULHQFH6HFRQGO\EH
GETTY IMAGES

ing, “don’t try to control the breath or to breathe in any FDXVHLWFDQEHVRGLIÀFXOWGRQ·WWU\WRGRLWDOOE\\RXUVHOI


particular way. Just be aware of the reality of the present Look for a good teacher. Thirdly, don’t look for special experi-
moment, whatever it may be. When the breath comes in, ences. It is a method to get to know yourself better and accept

214
reality as it is. Sometimes people think that if they experience with Neanderthals and chimpanzees most of our bodily
something special, or if they have some very pleasant feeling, structures, physical abilities and mental faculties. Not only
this is a good meditation, while if they just feel pain or fear or are our hands, eyes and brains distinctly hominid, but so are
boredom, this is a bad meditation. That’s not the case. If you our lust, our love, anger and social bonds. Within a century
mediate for an hour and feel nothing but pain and boredom or two, the combination of biotechnology and AI might result
but you get to know your pain and boredom better and you in bodily, physical and mental traits that completely break
learn how to accept them, that’s a wonderful meditation. free of the hominid mould. Some believe that consciousness
might even be severed from any organic structure, and could
66$QGÀQDOO\ZKDWDFFRUGLQJWR\RXLVWKH surf cyberspace free of all biological and physical constraints.
JUHDWHVWFKDOOHQJHDQGWKHJUHDWHVWOX[XU\RI On the other hand, we might witness the complete decou-
RXUDJHDQGWLPH" pling of intelligence from consciousness, and the develop-
YNH: Our greatest luxury is that we are more free from ment of AI might result in a world dominated by super-intel-
famine, plague and war than ever before in human history. ligent but completely non-conscious entities.
)RUWKHÀUVWWLPHHYHUWRGD\IDPLQHNLOOVIHZHUSHRSOHWKDQ What has Israeli, Russian or Indian nationalism got to say
obesity, plagues kill fewer people than old age, and violence about this? Not much. Nationalism does not think on such a
kills fewer people than accidents. Sugar is now a greater level. Thus, Indian nationalism is very concerned about the
threat to your life than gunpowder. That’s a luxury. question, “Will Kashmir be ruled by Indians or Pakistanis a
As for the challenge, the most complicated challenge of all century from now?” but it hardly cares about the question
is posed by disruptive new technologies. Whereas nuclear “Will Earth be ruled by Sapiens or cyborgs a century from
war and climate change threaten only the physical survival now?” In order to make wise choices about the future of life
of humankind, disruptive technologies might change the we need to go way beyond the nationalist viewpoint and look
very nature of humanity, and are therefore entangled with at things from a global or even a cosmic perspective. Q
humans’ deepest ethical and religious beliefs. While every-
one agrees that we should avoid nuclear war and ecologicalwww.t.me/njm_magz
meltdown, people have widely different opinions about
using bioengineering and AI to upgrade humans and to A CHEAT SHEET TO
FUHDWHQHZOLIHIRUPV,WZLOOEHYHU\GLIÀFXOWWRGHYLVHDQG
SURVIVING THE 21ST
administer ethical guidelines for the new technologies, espe-
cially if we fail to reach a global agreement on this. CENTURY BY YUVAL
When it comes to formulating such ethical guidelines, NOAH HARARI
nationalism suffers above all from a failure of the imagina-
WLRQ1DWLRQDOLVWVWKLQNLQWHUPVRIWHUULWRULDOFRQÁLFWVODVW THE DOS
ing centuries, while the technological revolutions of the 21st 1. We need to integrate science and politics more
closely because our greatest political problems
century should really be understood in cosmic terms. After
demand a good scientific understanding.
four billion years of organic life evolving by natural selec- 2. We need better global cooperation because all our
tion, science is ushering in the era of inorganic life shaped by existential problems are global problems that cannot
intelligent design. be solved on a national basis.
In the process, Homo sapiens itself will likely disappear. 3. And we need to explore the human mind because
Today we are still apes of the hominid family. We still share it is the greatest mystery in science and the deepest
source of our political problems.

THE DON’TS
1. We should beware of nostalgic fantasies. The past
wasn’t fun, and in any case, we cannot go back there.
2. We should beware of technological utopias.
Technology can be very helpful, but it can also
be extremely destructive. Merely developing new
technologies won’t solve any of our problems—the big
question is how to use the new technologies wisely.
3. And we should beware of fatalism and pessimism.
History is never deterministic. Humankind has already
managed to overcome immense challenges, such as
famine and plague. If we make wise choices, we can
After the success of Sapiens, which looked at the past of humankind, came his overcome the new challenges of the 21st century, too.
follow-up, Homo Deus, about the future, and 21 Lessons, focused on the present

215
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216 VOGUE INDIA FEBRUARY 2019 www.vogue.in


MAKE-UP, HAIR, FRAGRANCES, HEALTH, FITNESS AND WELLN
b a ty
EDITED BY NIDHI SHARMA PUNJABI

www.t.me/njm_magz

MY BEAUTIFUL LIFE

yas queen!
PRIYANKA CHOPRA wants the
world to rethink how it sees beauty.
By SAMHITA MUKHOPADHYAY
Photographed by DANIEL JACKSON
www.vogue.in VOGUE INDIA FEBRUARY 2019 217
218 VOGUE INDIA FEBRUARY 2019 www.vogue.in
www.t.me/njm_magz

STYLIST: JAIME KAY WAXMAN. HAIR: BOB RECINE. MAKE-UP: SUSIE SOBOL. MANICURE: DAWN STERLING. TAILOR: LEAH HUNTSINGER
beauty
“Beauty lies in the eyes of
the beholder. And everyone
doesn’t look the same
way, so the world needs
to be trained to see beauty
differently”
—PRIYANKA CHOPRA

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www.t.me/njm_magz
www.t.me/njm_magz
beauty
SPOTLIGHT

the beauty
powerlist

2.0
If you love… @deepica,
follow: The Brown Beauty
Queen—Arshia Moorjani
(@arshiamoorjani)
Like Deepica Mutyala, Moor-
jani is an Indian American
who creates YouTube and In-
stagram content skewed to-
wards brown women. Expect
lots of dramatic eye looks,
some bold lips, and the swish
DQG ÁLFN RI D EHDXWLIXOO\
maintained mane of desi hair.
Like Mutyala, some of Moor-
jani’s looks subscribe to the
more-is-more school of make-
We hit ‘follow’ on a wave of first-generation make-up, hair, up, but don’t be alienated if
fitness and wellness influencers a while ago, but there’s that’s not your aesthetic.
www.t.me/njm_magz Take tips on colours that
a new crop of powerful names adding their voices to the work for Indian skin, shade
digital beauty landscape, one Instagram post at a time. pairing and beauty inspo for
gorgeous Indian skintones.
By PARIZAAD KHAN SETHI

If you love… @emilywweiss,


follow: Your Beauty BFF—
Alessandra Steinherr
(@alexsteinherr)

They’re both Condé Nast alumni with covetable complexions


who went on to launch beauty brands. Weiss’s Glossier reached
critical mass and exploded all over the beauty world a few years
ago, while Steinherr, the former beauty director of Glamour
UK, just launched a serious
20-piece skincare collection in
partnership with Primark.
We’ve been fangirls of Alex for
years because of how she de-
SHUTTERSTOCK.COM; GETTY IMAGES

lights in beauty geekdom, as


well as her recurring Instagram
hashtags #AskAlex, in which
she troubleshoots her followers’
beauty questions, and #Sunday-
Facial, which gives a weekly
peek into her day of turbo-
charged skincare.

222 VOGUE INDIA FEBRUARY 2019 www.vogue.in


This comparison sounds completely wacka- strategically placed pops of colour in combina-
If you love… doodle but bear with us. Think of make-up tions that should be outrageous but are ex-
@patrickstarrr, follow: artist Katie Jane Hughes as the creator of tremely wearable. So, like Starrr, you might
The Cool Girl’s wearable versions of Starrr’s over-the-top get purple, green and terracotta in the same
Artist— looks. Hughes creates Instagram Lives and eye look but in the most elevated, modern
Katie Jane Hughes tutorials of her daily make-up, which feature way that will make you break out your ne-
(@katiejanehughes) gorgeously glowing, dewy skin enhanced with glected 48-shade eyeshadow palette.

www.t.me/njm_magz

If you love… Millennials looking at Yannick d’Is’s Insta- sculptures out of hair. Like the legendary
@hairbysammcknight, gram following will mistakenly classify the hairstylist Sam McKnight, d’Is treats hair
follow: The Hair hairstylist as a newbie. Rookie mistake. D’Is like fabric; sometimes it falls smoothly and
Whisperer— has had 30 years of experience working with ripples like silk, at others it’s shellacked to re-
Yannick d’Is the biggest photographers, stylists, designers semble patent leather, or the nubby texture of
(@yannickdis) and models who exist and is one of the hair- pure cotton. His feed is hair inspiration and
styling greats who creates breathtaking high art at the same time.

If you love… @drjoshaxe, follow: The Good Doctor—


Dr Mark Hyman (@drmarkhyman)
+HDOWK\HDWLQJ LV DPLQHÀHOGDQG\RXFDQ·W XVHVKLVRQOLQHLQÁXHQFHWRHGXFDWHIROORZHUV
help but feel you’re navigating this fraught to eat better and be more equipped to under-
landscape with no combat gear. One day carbs stand how food affects every function of our
are deemed the devil, while the next potatoes body. His painstakingly detailed and informa-
are labelled nutritional powerhouses—the tive posts go a long way towards proving that
mixed messages are everywhere. Dr Hyman food indeed is medicine. >

www.vogue.in VOGUE INDIA FEBRUARY 2019 223


beauty
If you love… @patmcgrathreal, follow:
The Pasha of the Power Lip—
Vlada Haggerty (@vladamua)
There are artists whose make-up transcends the
KXPGUXP HYHU\GD\ realm and convert it into
KLJKIDQWDV\3DW0F*UDWKZLOOEHUHPHPEHUHG
as the greatest make-up artist of our genera-
tion, and if she had a millennial counterpart it
ZRXOGEH+DJJHUW\'RQ·WJRWRKHU,QVWDJUDP
IRUWXWRULDOVSOHDVHLW·VQRWWKDWNLQGRIHVWDE
OLVKPHQW+DJJHUW\VSHFLDOLVHVLQOLSVDQGXVHV
FU\VWDOV VHTXLQV DQG SDLOOHWWHV WR FRQYHUW D
scant amount of facial real estate into modern
DUW$GGKHUIDQWDVWLFDOORRNVWRWKHPRRGERDUG
WLWOHG¶:KHQ,UXOHDQHQFKDQWHGNLQJGRP·

If you love… @jenatkinhair follow:


The Mane Force—Kristin Ess
(@kristin_ess)
:H VWDUWHG E\ REVHVVLQJ DIWHU KHU EORJ 7KH
If you love… @kayla_itsines, follow:
%HDXW\'HSDUWPHQWDQGLWVWUDQVIRUPDWLYH\HW
The Master of Muscle FUD]\VLPSOH WXWRULDOV 7KHQ ZH PRYHG RQ WR
Memory—Kira Stokes REVHVVLQJRYHUKHUOLQHRIKDLUFDUHDQGVW\OLQJ
(@kirastokesfit)
SURGXFWV KHOOR%HDFK:DYH6SUD\[R[R &XU
Stokes uses her Instagram to show www.t.me/njm_magz UHQWO\RXUREVHVVLRQOHYHOLVSHDNEHFDXVH(VV
KRZVKHJRWWKDWGHÀQHGERG\+HU has launched a new line of hot hair tools, includ-
instructive clips make the moves LQJDVSHFLDORQHWRWDPHEDE\KDLUV  7KHEHVW
VLPSOH WR XQGHUVWDQG LI QRW HDV\ SDUWLVWKDWKHU,QVWDLVDOZD\VRYHUÁRZLQJZLWK
WRIROORZ:HORYHWKDW6WRNHVXVHV IDQWDVWLFKRZWRVKDLUWLSVDQGLQVSLUDWLRQ36
her platform to empower women 6KH SRVWV DERXW KHU DGRUDEOH GRJV DV ZHOO
WR EH SK\VLFDOO\ VWURQJHU <RX·UH <RX·UHZHOFRPH
SUREDEO\QRWJRLQJWRFUDIWDERG\
OLNHKHUVEXWKHUWLSVFDQKHOS\RX
EXLOGVRPHVHULRXVFRUHVWUHQJWK If you love… @goop, follow:
The Earth Mother—
Lee Tilghman
If you love… @makeupbymario, follow: (@leefromamerica)
The Godmother of the Halogen High-
light—Nam Vo (@namvo) :LWKWKHLUXQLFRUQODWWHVDQG
%XGGKD ERZOV ZHOOQHVV LQ
<RX NQRZ 0DULR 'HGLYDQRYLF ÁXHQFHUVKDYHODWHO\EHFRPH
.LP .DUGDVKLDQ·V 08$ DND SULPHPHPHIRGGHU%XWZLWK
WKH FRQWRXU JX\" :H·YH IRXQG PRVWRIXVXQKDSS\ZLWKRXU
his antithesis, the highlight to OLIHVW\OH FKRLFHV WKH\ RIIHU D
KLV VKDGRZ 0DNHXS DUWLVW JOLPSVHLQWRZKDWFRXOGEHLI
1DP9RLV,QVWDJUDP·VFXUUHQW we had unlimited time to eat
JORZTXHHQKHUIHHGDSDHDQWR WKH UDLQERZ 7LOJKPDQ GRHV
WKH DOOXUH RI KLJKOLJKWHU 6KH SRVW UHFLSHV IRU FOD\ PDVNV
VZHHSV ÁXII\ EUXVKHV DFURVV DQGDYRFDGRWRDVWEXWWKHUH·V
poreless model faces, leaving a disarming realness when
EHKLQG D FRPHW WDLO RI OLJKW VKH VKDUHV PRGHUQ OLIHVW\OH
SHUTTERSTOCK.COM

1HYHU EHIRUH KDYH FUHDP LVVXHV DV YDULHG DV ERG\


pressed and powder highlight- checking, loneliness and even
HUVEHHQXVHGWRVXFKGHYDVWDW SDVW DGGLFWLYH EHKDYLRXUV
LQJHIIHFW $OVRWKHUHFLSHVDUHOHJLWQ

224 VOGUE INDIA FEBRUARY 2019 www.vogue.in


A
STAY AT
ROSEATE
HOUSE, NEW
DELHI

THE LAST WORD IN TRAVEL INDIAN EDITION


DEC-JAN 2018-19 | 150

Aishwarya
in Washington, DC

TRAVEL LIKE THE STARS


Revealed: the secrets, the perks, the pressures, the glamour

GOA SAIF & KAREENA KANISHK THAROOR

www.t.me/njm_magz
www.t.me/njm_magz

WELLNESS

the influence of
ayurveda
India’s 5,000-year-old ‘science of life’ is the most profound and powerful
GETTY IMAGES; STOCKFOOD/DINODIA; SHUTTERSTOCK.COM

tool for health and wholeness. Here, as Ayurvedic therapist FARAH BARIA
PARAKH explains its impact in our daily lives, we also explore two brands
that are using Ayurveda’s ancient scriptures to give you glowing skin, healthy
hair and an overall vigour. From delving into Kama Ayurveda’s 16-year-old
legacy that’s putting Indian beauty firmly on the map to a brand started by
an Austrian hairdresser who brought the goodness of Ayurvedic ingredients
to heads of hair around the world, we discover just how much this age-old
discipline inspires our beauty and being

226 VOGUE INDIA FEBRUARY 2019 www.vogue.in


ANCIENT
SUPERFOODS beauty
Most days, we place our feine and alcohol is likely skin and hair, gassy, constipated,
lives on the chopping WR XS KHU ÀUH TXRWLHQW sensitive to cold.
block, gutting our bodies, The result: angry acne and Mind: Quick, creative, anxious,
dismembering our minds GHEE ugly aggression. hyperactive.
and fragmenting our frag- Unctuous, cooling, Late nights, work stress, Aggravations: Dry food (popcorn,
ile sense of self with the tranquilising; promotes under or over exercising, peas, beans), excessive activity, over-
ruthlessness of a carving ojas, our vital essence. air-conditioning, loud mu- exercising, fear.
knife. (Do I look fat in this sic, violent TV serials, and Balanced by: Heavy, dense food
dress?/ My presentation yes, even Instagram inse- (wheat, dairy, nuts, root vegetables),
won’t cut it./ Why can’t I curity can throw the do- regular massage, leisurely lifestyle.
breathe?/ I’m always ex- shas out of whack, leading
KHICHDI
hausted./ My tummy to chronic disorders. PITTA (FIRE TYPE)
The unmatched Ayurvedic
hurts./ Should I unfriend staple for both detoxification But far more destructive Body: Medium build, oily hair, acidity,
that creep?) Worse, we re- and rejuvenation; heals are toxic emotions and re- acne, hives, sensitive to heat.
sign ourselves to this schiz- and renews. lationships, that can Mind: Bright, driven, controlling, irri-
ophrenic existence, little cause deep damage at the table, angry.
suspecting that at our in- cellular level. Aggravations: Spicy, sour and fer-
nermost core, we are all mented food (chillies, coffee, alcohol,
perfect, complete, and— WHO I CAN BE cheese), stress and sun.
yes—utterly blissful. HONEY The key to balance, then, Balanced by: Cooling foods (fruit,
Scrapes away fat, phlegm is a customised diet and salad, rice), cool weather and chilling!
WHO I AM and toxins from tissues. lifestyle that suits our in-
Ayurveda is the journey to dividual constitution. This KAPHA (EARTH TYPE)
this wholeness. It begins requires an awareness of Body: Big build, balanced skin and
with one simple question: who we are, an honest as- hair, weight gain, congestion.
Who am I? Each of us has sessment of how we imbal- Mind: Stable, loving, nurturing,
a unique body-mind blue- TURMERIC ance ourselves, and com- needy, materialistic, depressed.
print that determines how Cleanses blood, liver, mitting to our own Aggravations: Heavy, sticky, sweet
skin; ups immunity;
we look, think, feel and physical, mental
www.t.me/njm_magz and spir- food (wheat, dairy, fruit), laziness, dull
repairs joints.
evolve to our full potential. itual healing. With this weather.
This is our prakruti or in- self-knowledge we can Balanced by: Light, hot, spiced food
nate nature, the way we choose to live consciously, (soup, cooked vegetables, beans), vig-
ZHUHGHVLJQHGWRIXOÀORXU and rediscover the whole- orous exercise, hard work.
cosmic purpose. As cosmic ness, health and harmony
beings, we are composed of ALMOND that is our essential being. Are you a dual or tri doshic type?
WKHÀYHXQLYHUVDOHOHPHQWV Boosts brain power; Pick diet and lifestyle recommenda-
VSDFHDLUÀUHZDWHUDQG strengthens the heart; LIVING IN BALANCE tions for each dosha and see what works
earth) which fuse to form fortifies bones and nerves. VATA (AIR TYPE) for you. Experiment and personalise!
the three basic doshas or Body: Slight build, dry Your body will provide the clues. Q
body-mind constitutions: vata (air),
SLWWD ÀUH DQGNDSKD HDUWK 7KHVHLQ
turn, combine in different proportions THE AYURVEDIC TAKE ON:
to determine each individual’s prakru-
KETO However, toxic overload largest meal at noon,
WL ZKLFK LV DV LQLPLWDEOH DV D ÀQJHU
With a fat component of from processed food has when the sun is at its
SULQW :KLOH ZH DOO KDYH DLU ÀUH DQG 85 per cent, keto works by weakened our ability to digest zenith, and a smaller meal at
earth components, most of us have a starving the body of vital it. We need to strengthen our sunset. Breakfast can
dominant dosha; many are dual types, nutrients. An Ayurvedic gut, not give up wheat. be optional.
and some are tri-doshic. khichdi fast will yield the same
results—far more healthfully. LACTOSE-FREE AYURVEDA AND
WHO I AM NOT Raw milk nourishes body ALCOHOL
Living in harmony with our preor- HIGH PROTEIN tissues. Our intolerance is to Many Ayurvedic
dained constitution brings balance; Surprise, surprise. Ayurveda pasteurised milk, which is no medicines called asavas
moving away from it brings “dis-ease” classifi es protein as better than an indigestible are processed in grape
santarpana or tissue building chemical cocktail. wine or draksha. Wine in
or imbalance. So starving to shrink a
food that will eventually moderation is good for
size 16 kapha body to a size six vata increase body weight! INTERMITTENT kapha and calming for vata
one could create the classic vata or air FASTING but will inflame pitta.
imbalance: frizzy hair, dry skin, consti- GLUTEN-FREE Probably the mother of But generally, alcohol is
pation and anxiety. Likewise, an incen- Gluten in grains is intermittent fasting, Ayurveda tamasic, dulling body,
diary pitta type who overdoses on caf- nourishing and grounding. recommends eating your mind and spirit.

www.vogue.in VOGUE INDIA FEBRUARY 2019 227


Kama Ayurveda
co-founder SPOTLIGHT
Vivek Sahni

heart’s desire
With all-natural ingredients and the Ayurvedic principles of
a balanced mind, body and soul at its core, this homegrown
brand hopes to give you what every woman wants—glowing
skin, lustrous hair and the inevitable glow of all-round
wellbeing. CHANDNI SEHGAL digs deeper
3HRSOH ÀQG P\ URV\ FKHHNV DGRUDEOH processes and authenticity, led him and
Some ask me the exact shade of my Dave Chang (his partner at the VSD) to
blush. But halfway into my interview collaborate with two others and create
with Vivek Sahni, co-founder of Kama Kama Ayurveda (named after the god
Ayurveda, he correctly recognises the of love, it literally translates to ‘desire’)
reason for my tinted cheeks: “mild in 2002. Coimbatore-based Rajshree
rosacea.” He recommends a couple of Pathy along with Vikram Goyal and his
products that could help—and as the desire to do something with local prod-
interview progresses, his Ayurvedic ucts, rounded off the team, with AVP
remedies (Ashwagandha capsules for (Arya Vaidya Pharmacy) as their phar-
immunity, Vitamin E-infused almond macy partner. Says Sahni, “The idea
RLO IRU VNLQ  ÁRZ MXVW DV HDVLO\ DV WKH was to take something traditionally In-
answers to his brand’s storied evolu- GLDQ WKDW KDG SURYHQ HIÀFDF\ RXW WR
tion. What’s evident is as the Parsons the world. The USP was that being
School of Design graduate went from Ayurveda,www.t.me/njm_magz
it had to be medicine. It’s
founding a graphic design company to not a cosmetic product, not a feel-
discovering the ancient science, launch- good product; it is a problem-
ing Kama Ayurveda in 2002, he has solution enhancer, it’s not an
immersed himself and his 17-year-old experiential product, mean-
brand, irrevocably, in the 5,000-year- ing it’s not nice-smelling
old system of natural healing. Insisting and you don’t feel luxuri-
this is pure Ayurveda, and not ‘Ayurve- ous—you feel taken care of.”
da-inspired’, as he tells me more about Today, the four are still to-
his nature-based “problem-solution” gether, with Sahni and Chang
oriented products and I’m introduced responsible for day-to-day function-
to solutions that appear authentic, ing—personalising everything from
healing and sustainable, I can’t help “packaging to the store door knobs”—
but be intrigued by his philosophy: “We and their brand values today
aren’t saying this is hope in a bottle; it’s resonate stronger than ever.
a promise in a bottle.” And if a natural Real, pure, true and kind—
SRWLRQ LV SURPLVLQJ WR ÀQDOO\ JLYH PH the tenets around which the
the supple skin that’s been evading me FRPSDQ\ LV EXLOW UHÁHFW LQ
for years—not to mention a head of their products. Says Sahni,
hair to rival Rapunzel’s—I’m on board. “Our goal was to create the
ÀQHVW PRVW EDODQFHG DX
THE SERENDIPITOUS START thentic Ayurvedic brand in
The tale of headlining Vivek Sahni De- the world. Ayurveda is har-
VLJQWRWXUQLQJLQWRDQ$\XUYHGDDÀFLR mony and balance of the
nado offering medicinal solutions for mind, body and soul, and we began by
beauty and wellness is a fortuitous one. addressing basic problems, and the ini-
Sahni explains that Kama has its roots WLDO SURGXFWV ZHUH GHVLJQHG WR VSHFLÀ
in a project for his studio—repackaging cally address skin and hair issues. In
Khadi products for the government. A IDFW WKH ÀUVW SURGXFWV ZHUH DOO RLO RU
deep-dive into how Khadi products powder; there was no cream. It was 100
were made, their ingredients, testing per cent natural all-clean Ayurveda.”

228 VOGUE INDIA FEBRUARY 2019 www.vogue.in


beauty
Kama Ayurveda
Kumkumadi Miraculous A CULTURE OF KINDNESS
Beauty Fluid Ayurvedic
Night Serum, 2,395 While sustainability is a buzzword in
today’s eco-conscious era, Sahni sees it

TOP PERFORMER
as an approach to life that he cannot
separate from his brand—meaning, his
More than eating what we like without getting fat, ingredients are natural or organic and
we’d all love a magic elixir that turns tired, ageing
KDYH WKH FHUWLÀFDWLRQ WR SURYH LW KH
skin into a dewy, radiant base, just by sleeping on it.
And Kama’s star kid is just that—an Ayurvedic night says. “Most of our ingredients come
serum made with formidable Kumkumadi oil that is from south India—the pharmacy
prescribed for dull, pigmented, damaged and (AVP) sources them. We also have a
ageing skin, which Sahni refers to as “the one holy range of pure organic products which
grail product that seemed to work.” we source directly ourselves—so there
is organic coconut oil, organic sesame
RLORUJDQLFDOPRQGRLO«VR.DPDÀQGV
the best.” Using these pure ingredi-
ents, they began creating skin and hair
products, addressing everything from
ageing to hair fall. Today, their star
kids include the Kumkumadi Brighten-
ing Ayurvedic Face Scrub and the Brin-
gadi Intensive Hair Treatment. Since
the idea was to create medicinal prod-
ucts, they packaged them “pharmacy-
style.” Sahni explains, “There are two
ranges—the Ayurvedic range—brown
bottles with the white boxes, so phar-
ma-like; and the Ayurveda-based ones,
which we decided to make prettier with
www.t.me/njm_magz India-inspired motifs and colours.”
These changes in approach had to be
adopted to keep up with the times, and
6DKQLZKRÀQGVKLVFRQVWDQWLQVSLUD
tion “everywhere,” adds, “It’s the pos-
sibility of expanding your mind, of be-
ing able to transform the way you are
conditioned to think, that keeps me
going. So, while my goal is the same—
WRFUHDWHWKHÀQHVW$\XUYHGDEUDQG³
our standards keep getting higher.
There has to be constant product devel-
opment.” While the rest of the world
may be swept up in the chemical beau-
ty world of peels, sheet masks and
more, Sahni remains loyal to his core
strengths. “Sheet masks are the Kore-
ans’ key strengths. Why would I want
to do it when they’re doing it so well
already? Because if I do I will be a little
bit of this and a little bit of that.”
$QGZLWK(XURSHDQFHUWLÀFDWLRQVLQRU
der, expansion plans that include sell-
ing online internationally, moving to
pop-ups, and a relentless dedication to
their core values, Kama Ayurveda is
ready to start making good on its prom-
ise of bringing “Ayurveda to the world”
soon enough. Q

www.vogue.in VOGUE INDIA FEBRUARY 2019 229


One of my fondest memories of child-
hood is something I like to call the
Sunday Scrub-down. Every Sunday,
around noon, my mother would walk
into the kitchen and reach out for in-
www.t.me/njm_magz gredients that would go into the mak-
ing of our ubtan for the week. She’d
begin with a teaspoon of turmeric,
throw in some aloe vera, a few pinches
of sandalwood powder and any ground
lentil that caught her fancy that day. If
I had one too many play dates in the
VXQ EHVDQ FKLFNSHD ÁRZHU  ZDV
brought in to brighten skin. To combat
a winter-ravaged complexion, she mas-
saged coarsely ground red lentils to
buff my dry skin. To this aromatic
blend she’d add a few heaps of yoghurt,
sometimes milk, and whisk it into a
smooth paste that went on my face and
body for 20 minutes until mum gin-
gerly scrubbed it off. My cascading,
waist-length hair got the same atten-
tion—a half-hour massage with vari-
RXVKHUEDQGÁRZHULQIXVHGRLOVIURP
sesame to sweet almond. My entire
EXCLUSIVE family referred to this as my dry clean-
ing day and joked that I emerged from

back to the roots


This Ayurveda-inspired, nature-based beauty brand is
this shower looking like a brighter,
more polished version of myself. The
ÀUVW$YHGDSURGXFW,HYHUVPHOOHGWRRN
me back to this childhood memory.
The product was Invati and it smelled
of pungent turmeric and tangy amla
committed to making a difference, not only to your that were always the star ingredients
hair but also the planet. By NIDHI SHARMA PUNJABI in my mum’s homegrown concoctions.

230 VOGUE INDIA FEBRUARY 2019 www.vogue.in


beauty

In the late ’70s, Horst Re- Angerhofer, execu- ents that are grown and harvested sus-
chelbacher, an Austrian tive director, botani- tainably. Nature is at the core of every-
hairdresser, travelled to In- cal research for Ave- thing that the brand does and they use
dia to study the traditions of da research and it to deal with everything from hairfall
Ayurveda and to explore the development. to crazy curls. Their bestseller, Sham-
power of wellness in achiev- “By 2020 all of our pure, an aromatic blend of more than
ing mind-body-spirit bal- formulations will be  ÁRZHU DQG SODQW HVVHQFHV FOHDQV
ance. An inspired Rechel- vegan (we are cur- with a gentle, divine-smelling lather
bacher met Shiv Nath rently removing any and remains perpetually out of stock.
Tandon, an Ayurveda expert beeswax or honey It recently got revamped with the addi-
at the Sadhana Mandir ash- from our products) tion of Abyssinian oil for its mega con-
ram in Rishikesh, and to- and our haircare will GLWLRQLQJEHQHÀWV,QYDWL 6DQVNULWIRU
gether the duo developed the be completely sili- ‘invigorate’), one of the brand’s signa-
EUDQG·V ÀUVW RIIHULQJ WKH cone-free by 2021. WXUHOLQHVÀJKWVKDLUORVVXVLQJingre-
Clove Shampoo, in a kitchen Also, by 2021, we dients like turmeric and amla sourced
sink in Minneapolis, Minne- Aveda Invati Advanced have committed to from Umbari in Gujarat. To give back
sota. And so, Aveda, the Exfoliating Shampoo, being net carbon pos- to the local village, Aveda installed
2,350, and Thickening
Ayurveda-inspired brand, itive, meaning we pipelines and storage tanks so the peo-
Conditioner, 2,500
was born. Today, the brand will produce more ple have access to safe, clean and con-
maintains this relationship clean energy than we venient drinking water.
with the ancient Indian wellness disci- utilise through renewable energy cred- Today, we are moving towards a
pline through its ingredients, formula- its. Thoughwww.t.me/njm_magz
the brand was started 40 kinder, more conscious world—from
tions and its holistic approach to beau- years ago, we have never been more giving up micro beads in our favourite
ty. And it serves it to the world with relevant than today,” says Amanda Le scrubs to removing all traces of plastic
nature-powered blends that are as Roux, vice president, Aveda Interna- from our existence to demanding cru-
good for you as they are for the people tional. elty-free, ethically sourced formulas
and the planet. for our skin and scalps. Women world
NURTURING NATURE over are looking for ways to green their
TEAM EARTH Sandalwood from western Australia, beauty routines. But does going green
There are brands that dabble in phi- buriti oil from Brazil, amla from India, mean having to choose between nature
lanthropy. And then there are brands lavender from Bulgaria... Aveda scours DQG HIÀFDF\" $YHGD ZDQWV WR PDNH
that are wholly and solely built on the the globe for the best botanical ingredi- sure you don’t have to. Q
principle of giving back. Aveda is
proudly the latter. Today, when brands
are trying hard to get on the eco-ethi-
cal bandwagon, Aveda has always put LAUNCHING
their money where their morals are.
THIS MONTH
© FERNANDO GOMEZ / TRUNK ARCHIVE / WWW.SNAPPERIMAGES.COM

From packaging their blends in post-


consumer recyclable PET bottles to CHERRY ALMOND
helping farmers move towards organic
sustainable agriculture to being the The collection comes back after a decade
ÀUVW EHDXW\ FRPSDQ\ WKDW PDQXIDF on popular demand and in a new avatar.
tures using 100 per cent renewable Made with 98 per cent naturally-derived
wind energy, the brand is committed
ingredients, the line is infused with cherry
to reducing their carbon footprint to
make a difference. “We became the
extracts, sweet almond oil, babassu and
ÀUVWFRPSDQ\WRVLJQWKH&(5(6SULQ coconut and heaps of nourishing shea
ciples of environmental sustainability butter; the indulgent, luxurious lather
over 20 years ago. We strive to source doesn’t strip, softening as it cleans, leaving
FHUWLÀHGRUJDQLFSODQWPDWHULDOVZKHU behind a swishy bounce and a sweet,
ever possible to support environmental intoxicating trail. For a formula that’s so
and social responsibility,” says Cindy natural, this is pleasantly surprising.

www.vogue.in VOGUE INDIA FEBRUARY 2019 231


beauty

THE
step
1 If you want that radiant
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This 4-step
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Caolion Blackhead 02 take in what comes next. all day, everyday
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face? Spritz the
Sparkler from The
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Neemli
step shimmering, sweet
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4
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A hydrating, Hyaluronic body and toned
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step Etude House
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3
HAIR DRESSING ETUDE HOUSE
We love a generous drizzle of vinegar
ST IN

From the K-beauty world of glossy skin and poreless


over our salad, but we love it more perfection, Etude House specialises in extra playful
when we drench our dull strands in make-up. Look out for everything from cloud and
it. Yves Rocher’s Rinsing Vinegar air masks and a chocolate lip scrub to an eyelash
with its acidic pH helps protect from serum and eyeshadow palettes with over 20 quads
pollution, adds shine and tightens of fun colours to play with. Available on Nykaa.com. JU
hair scales—think of it as the third
and last step to your shampoo-
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it off after two minutes. Etude House
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232 VOGUE INDIA FEBRUARY 2019 www.vogue.in 1,600
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A JOURNEY IN SCENT
Magnet Liquid Lipstick, As Mumbai’s niche scent space
Maharajah, 2,600
2. Maybelline Total
Scentido welcomes to its family a
Temptation Waterproof new addition, Widian, we speak
PRASAD NAIK; GETTY IMAGES; @DREWBARRYMORE/INSTAGRAM; SHUTTERSTOCK.COM

Mascara, 525 to founder Ali Aljaberi about its


authentic Middle Eastern roots
THE SPIRIT
1 “‘Widian’ means ‘valley’ in Arabic. From
the beginning we wanted to create a
perfume brand that represents the authentic
oriental taste but in a modern way; a bridge
between civilisations, East and West, with
a message of love and peace. It is the
portrayal of the contemporary and modern
TREND TO TRY Arabian spirit, with a strong link to tradition.”
ROSY LIDS THE NOTES
The season of love calls for a touch of rose— “We have reintroduced ingredients from the
on your eyes as a glossy, feminine switch for Middle East and the rest of Asia in all our
a smoky smear. We fell hard for the juicy pink perfumes, such as oud, amber, musk and
hues on the creases at Armani Privé. Use your oriental flowers like Taif roses, in unexpected
favourite lipgloss to attain the look, topped ways, because our mission is to change the
with oodles of mascara for definition. 2 perception that these ingredients are heavy
and not suitable for everyone.”

beauty
THE FLACON
“The bottle design was inspired by Abu
Dhabi’s most famous monument, the
Sheikh Zayed Grand Mosque, which

BULLETIN
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was also inspired by the Taj Mahal! The
architecture represents ultimate luxury
in a very simple way, and showcases the
magic in the small details.”
THE VOGUE GUIDE TO YOUR BEAUTIFUL MONTH

Flower
Beauty Flower Widian Delma
Pots Powder and Liwa EDP
Blush, Peach (50ml),
Primrose, 700 18,400 each

JU Flower Beauty
Hydrasilk
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ST IN

Butter, 650 each


The Velvet collection,
which combines smoky
oud with fresh florals—
D R EW BA R RY M O R E’ S blends that give the
F LOW E R B E AU T Y signature three-letter
The rom-com queen is bringing her passion project, started in 2012—Flower ingredient a
Beauty—to India on Nykaa.com. Dressed in black, white and rose gold, refreshing
Barrymore’s cruelty-free cosmetics line has everything from poppy lippies and twist.
glittery eyeshadows to holographic highlighters, to match the bright and happy
mood her movies put us in. Followed by a happily-ever-after? You never know!

COMPILED BY SNEHA MANKANI www.vogue.in VOGUE INDIA FEBRUARY 2019 233


DLF Emporio
GQ's Che Kurrien & Kartik Aaryan
Peter Nagy

ROOM FOR THE GROOM


WHAT: GQ Wedding Collective
WHERE: DLF Emporio, Delhi
GQ hosted the first ever, much-anticipated Wedding
Collective in association with Chivas Studios in the
capital. In addition to the blowout shopping op, a
lavish brunch and the launch of the GQ Wedding Guide
by cover star Kartik Aaryan, the two-day extravaganza Abhishek Paatni
was packed with masterclasses by the country's
leading designers, as well as in-store experiences
with nine fashion labels, including Berluti, Canali, www.t.me/njm_magz
Corneliani, Ermenegildo Zegna, Gaurav Gupta, Giorgio
Armani, Louis Vuitton, Molton Brown and Tom Ford.

Siddartha
Tytler
Salesh Grover

Navkirat Sodhi
& Gaurav Gupta

Prashant Gaurav Gupta, Dinaz Madhukar, Sriram Khattar Mario Felisari

Pulkith Modi & GQ's Almona Bhatia

The Chivas bar GQ's Akshay Chowdhary,


Varun Bahl & Kalyani Chawla Harpriya Singh & Manak Singh
Kanika Sud

GQ's Kapil Kapoor

A fashion masterclass with Shantanu & Nikhil and Rohit Bal

Mohit Hemdev

Elixir Nahar
Declan McCrossan & Srimoyi Bhattacharya
Chetan Seth Prachi Singh, Dhruv Kapoor & Kanika Goyal Rajan Virdee
Karishma Manga Bedi &
rdwaj www.t.me/njm_magz
, GQ 's V ijendra Bha Condé Nast's Arjun Mehra
ra
Tanya Voh ngi Lolayekar
GQ 's Shiva
&

Gautam Bhimani

Gaganmeet Singh Rajat & Kanika Suri

Prem Dewan

Gaurav Khanijo, Amrita Thakur &


GQ's Sneha Mahant Mehta Ashish Kumar Rai

A fashion masterclass with Gaurav Gupta and Ashish N Soni

THE

WEDDING
COLLECTIVE
IN A S S O C I AT I O N W I T H

Uday Pratap Singh


Mdina, Malta’s old
capital, has a history
that goes back over
4,000 years

One of McLar
en Vale’s oldes
d’Arenberg’s R t fa
ubik’s Cube-lik mily-run vineyards, the five-s
e structure mak to
es for a photo-w reyed
orthy backdrop

1
www.t.me/njm_magz

A SENSORY WINE EXPERIENCE


NEAR ADELAIDE BY PRACHI JOSHI
I’m in a dimly-lit room surrounded by artificial fruits and flowers,
with a row of glass decanters and attached hand pumps lining its
walls. I go around the room methodically pressing the pumps—
hints of truffles, cherries, green apples, lemon, honey and rose
form a heady aromatic cocktail, bringing to mind the notes you
might find in wine.
The Inhalation Room is but one of the many surprises at the
d’Arenberg Cube, a multi-sensory wine museum of sorts that also
features a cellar door and restaurant. Located just 45 minutes
outside Adelaide in South Australia, the family-owned boutique
d’Arenberg Winery has been in McLaren Vale since 1912. In
late 2017, a half-solved Rubik’s Cube rose amidst its vineyards,
seemingly levitating above the vines as the light caught its white
and wine-bottle-green glass facade.
Even before you step through its folding origami doors, the
sound of the wind rustling the vines welcomes you (thanks to the
ingenious use of an outdoor speaker system).
Inside, wine-themed murals cover the walls of a passage lined where you can sample wines at a bar dressed up with actual vines.
with oddities like a peep show installation of a group of people I head to the third-floor restaurant, appropriately whimsical
at a 1920s-themed party. Amongst them is Chester Osborn, with bold-patterned upholstery, wine-related artworks, a wall of
d’Arenberg’s flamboyant chief winemaker, often hailed as the Willy masks, and other objets d’art strewn about. The kitchen is helmed
Wonka of Wine. The Cube was his fantasy project that took shape by Michelin-trained South African expat chef couple Brendan
SHUTTERSTOCK.COM

over three years (and several million dollars later). Each floor of Wessels and Lindsay Durr. On offer is a 10- or 16-course seasonal
the five-storey building has something different on offer—a trippy degustation menu (paired with wine, of course). The food matches
sound and light show encapsulates the history of winemaking, a the overall feel of the Cube—high-quality, artistically plated, and
quirky museum displays possessions of the four generations of springing several surprises as you progress through the meal,
d’Arenberg’s winemakers, and the cellar door on the top floor is including a 3D printed dessert. Darenberg.com.au

236 VOGUE INDIA FEBRUARY 2019 www.vogue.in


EDITED BY MEGHA MAHINDRU
livi g CASA, TASTE, TR FESTYLE

TRAVEL

INCREDIBLE www.t.me/njm_magz

VOYAGES
Travel transforms you. From
volunteering at a farm to
scaling a mountain, these nine
extraordinary experiences, for
adventurers and anthropologists
alike, will make you go the mile

CHASING THE DOORS OF MDINA BY NATASHA HEMRAJANI


One of the world’s smallest countries, Malta is a tiny archipelago nestled in the south of Europe. It’s a land of ancient
cobblestoned streets full of sunshine and golden stone architecture set against the saturated blues of the Mediterranean. The
facades and doorways on the Maltese island—featuring quirky door knockers and vibrant doors that span the Pantone shade
card—have inspired everything from photo books (Malta’s Doors by Chris Wright) to Instagram accounts (@maltadoors).
My photo series was shot in the city of Mdina, a fortified region in the north of Malta. Founded by the Phoenicians in the 8th
century, modern-day Mdina is now sparsely populated. (Its entire population is just under 300 people.) The city is one of Malta’s
main tourist attractions and is on the list of consideration for being declared a UNESCO World Heritage Site. If all this isn’t
impressive, Game Of Thrones fans should know that Mdina was also the shooting location for King’s Landing. >

www.vogue.in VOGUE INDIA FEBRUARY 2019 237


living
UP A DORMANT VOLCANO IN TANZANIA BY PETALS DEAS
“Pole, pole [Swahili for ‘slowly, slowly’], one step after another.” I am standing at Stella Point, 18,652ft above the grassy Afr ing
towards my goal, Uhuru Peak. It’s the peak of the highest free-standing mountain in the world and my goal of the last two years, Mount
Kilimanjaro. All that stands between me and victory is a mere 500 metres. But it’s 500 metres through a slippery icy path, with towering
glaciers on either side and an altitude where oxygen plays hide and seek. Last year, I decided to climb Kilimanjaro for my 35th birthday.
After a little convincing, my husband was on board. Armed with all the wisdom gleaned off a friend who’d been to Kili, we booked a 11-day
trek. We were both relatively fit; he did weights and I did Pilates. The only extra training we incorporated was a walk three to four times a
week with an altitude simulating machine, a mask that you wear on the treadmill. On the plane, I had butterflies in my tummy as I took in
the views of the snow-capped peak. But all fear quickly dispelled when we met our four fearless guides, who turned out to be the lifelines
of our group of eight hikers (age 22-60). Climbing Kilimanjaro via the Lemosho route allows you to traverse through five diverse terrains—
starting in the lush green rainforest, through dry and dusty heather and moorland, and then an alpine desert, and finally astounding Arctic
conditions near the summit. As we reach Stella Point (the last checkpoint) and make our way towards Uhuru Peak (a 40-minute walk along
the rim), it’s at this very moment, when the body has endured enough cold, exhaustion and altitude sickness, that an adrenaline kicks in to
push you forward. And then the realisation hits as clear as the icicles around us: We hadn’t just conquered the mountain!

Oxygen is in short
supply at this altitude

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Deas celebrate
d her 35th birthd
Mount Kiliman ay
jaro with her par summiting
tner
Opt for the
Lemosho route for
a picturesque trek

4 PAELLA-MAKING IN VALENCIA BY PRAACHI RANIWALA


“Don’t put chorizo in your paella and call it Valencian paella!” exclaims chef Boro, as
we gather around his cooking station in the backyard of his family-owned alquería (a
traditional Valencian farmhouse) for a typical Spanish Sunday afternoon of paella-
making. The Valencians, it becomes quickly apparent, are very sensitive about the
authenticity of their homegrown signature dish. The now internationally popular
rice dish originated in the mid-19th century around the Albufera lagoon, on the east
coast of Spain, adjacent to Valencia. In its truest form, the Valencian paella is made of
short-grain rice, chicken, rabbit, onions, tomatoes, artichokes, garrofón, tabella, saffron,
paprika, salt, water and olive oil, cooked unhurriedly over an open fire in a sizeable pan.
“Every region in Spain has a paella unique to it. There is no standardised way of
making it. But we are snobbish about our recipes.” An agro-engineer by profession,
Boro imbibed his love for paella during his childhood, when weekends were reserved
for family cookouts, with the men donning the apron. He strives to keep this heritage
alive by opening his home to select friends for a taste of the real deal. After two hours
of playing happy helpers to Boro (who only uses ingredients from his farmland), we
sit down to share the fruits of our labour over copious amounts of tinto de verano (no
sangrias, please). Turns out, you can have your paella and eat it, too.
op in its
up for a paella-making worksh
Sign
region
native Valencian
238 VOGUE INDIA FEBRUARY 2019 www.vogue.in
IN A MONASTIC HOTEL NEAR NAPLES BY HIMALI SINGH SOIN
In Napoli, everything happens at once. Vespas veer, sirloins seer, plants and laundry flutter from verandahs, bread i and
homemade shrines are constantly garnished with artificial flowers. It’s a mystical city in which all life occurs outside. Je nce
said of the Neapolitan people: “I imagine that nowadays under this austere Fascist regime they conceal themselves when they make love.
But 20 years ago they probably did it on the front door step, or maybe in their large beds with the doors wide open.” Napoli wears its heart
on its sleeve, but it has one well-kept secret. An hour’s ferry ride away is the Castello Aragonese d’Ischia, a castle built in 5th century BC
within which lies Albergo Il Monastero, a monastic hotel. Located on an islet, the castle is an intriguing palimpsest of histories. After a series
of invasions, raids, battles and sieges, through which the castle saw itself transform from an entire village to a literary salon with Vittoria
Colonna, to a nunnery, a political prison and a healing chapel, it became a national monument in 1860. In 1912, it was sold to a private
family who care for it as both cultural heritage and artistic slate. Today the hotel retains a reverence for its layered past. It stands noble in its
minimalist modern interior and magnificent ancient exterior, and is surrounded by the sea that blends seamlessly into the sky. Inside, you
can wander through its ruins, a museum of medieval weapons, an old cemetery and an art gallery. An organic vegetable garden hangs over
the ocean. The food at Il Cafetaria features freshly-caught fish, garden-plucked vegetables and other ‘zero-kilomitri’ produce and poultry.
In contrast to Napoli, almost nothing happens here. The past is a drop in the ocean, and the ocean is ever more. En.albergoilmonastero.it

Surrounded by the sea, the


Albergo Il Monastero is a
monastery turned resort

www.t.me/njm_magz

IN THE COMPANY OF OTHER MEN AT AN


ONSEN IN KANAZAWA BY PRASAD RAMAMURTHY
Buck naked. At least 50 men in the room and each one of us buck naked. Chatting. Snoozing.
Lying in a pool of steaming water. And doing it all buck naked. I repeat those words to try
and convey the cultural shock I experience as I struggle to use a tiny piece of wash cloth, like
a proverbial fig leaf, to cover my genitals. But clearly no one around me was doing the same.
Of course, as a flag-waving gay man, being in a room with other naked men isn’t new to me.
What is, is the vibe. Nothing sexual or threatening about it. In fact, in the room are fathers
and sons, uncles and nephews, neighbours and travel companions. All butt naked. Wrinkly
arms, saggy manboobs, and for the predominant part, hairless torsos, all exposed. As though
everyone had come to accept the imperfectness of their bodies and let go of their inhibitions,
COURTESY HIMALI SINGH SOIN; ALAMY; GETTY IMAGES; SHUTTERSTOCK.COM

I’ve always felt being naked in front of others is one of the greatest acts of courage and trust
required of a man. Especially when #gymrat or any variation of that isn’t a part of your daily
Instagram vocabulary. Frankly, here is my nation of such heroes! The Japanese have a term
for this: hadaka no tsukiai, or naked communion. You bathe naked with your friends and
family (always the same gender). You hide nothing. You strengthen your bond with them. A
beautiful concept, and I can see it working in the faces around me. Relaxed. Smiling. Deep
in conversation. But getting to this point is itself a journey. There’s a certain protocol to be
followed, before entering a bath, be it an onsen (water is drawn from geothermal springs)
or a sento (water is artificially heated). On entering the bathhouse, you disrobe, lock
your belongings away, collect aforementioned tiny washcloth and walk into the bathing
area. Before stepping into the hot water, you must cleanse every inch of you with soap.
Crouching low ensures you don’t splash water on your bathing neighbour, an act that is
definitely frowned upon. Once clean, you’re free to step into the bath. Remember: that Matsusaki ne
ar
washcloth does not touch the water. It’s an absolute no-no. By now I’ve managed to a modern up Kanazawa is a luxury he
date. Here, th ritage ryokan
and Jacuzzis e wit
fumble through the pre-wash rituals, and step in. I find a nice hot rock to perch my bottom open to the onsen comes with jet spra h
and the heat rises in wispy mists and seeps into my body. My tense muscles relax. Blood vie ws of Mount H ys
akusan
surges. In the distance Mount Hakusan is clearly visible. As are various male body parts in
proximity. Such a sight isn’t new to me, but the vibe certainly is. And I’m loving it. >

www.vogue.in VOGUE INDIA FEBRUARY 2019 239


living
IN YANGON’S FAMOUS GEM MARKE
BY APARNA PEDNEKAR
“These are tourmalines,” Celine Desile Dejean cocks her head, shaking the gl nd blue
candy hanging from her ears. The French-born gemologist is big on spinel and xcellent
alternatives to Myanmar’s notoriously pricey rubies. We’re at Yangon’s Myanmar Gems Museum,
casually discussing rocks. “Is it completely untreated?” I ask a dealer as he shows me a deep-red
1.02-carat pigeon blood, the holy grail of rubies. Any heat treatment or lead glass injection can knock
off a couple of zeros off its six-figure price tag. We brandish our weapons—loupe, polariscope, UV
torch—and huddle in to admire it. That evening, I buy three pairs of untreated red spinel at Bogyoke
Market. They match the ruby in colour and clarity, and are not as exorbitant. I don’t get to visit the
famous Ruby Land, the city of Mogok, but a cruise on the Irrawaddy river takes me to Mandalay, where
the other Burmese heavyweight—jadeite—holds fort at Mahar Aung Myay Market (aka Jade Market).
From giant rocks to brass platters brimming with gems, wares are laid out like vegetables and hawked
with gusto. And then, I strike green gold. A skinny, soft-spoken dealer with a betel nut-stained grin
shows me a packet of intense neon green oval peridots in unusually large sizes (as big as 19 carats!). I
ounded
M use um is surr art reduce the asking price to half and ply the Indian connect; turns out he’s an Aamir Khan fan and pines
ms mM
nmar Ge arby Ge to travel to Bodh Gaya. With 40,000 kyats added to my price, the Indophile relents. Fait accompli!
The Mya stores at the ne
0
by over 8

Dog Temple was set up in


WORKING AT AN ORGANIC FARM NEAR 2016 by two German expats
ZURICH BY JHARNA THAKKAR
When I say Switzerland, feeding a clutch of nine chickens, three sheep (Stefina,
Zwockel and Blondie) and a rabbit is probably the last image to come to mind.
Yet that’s exactly how my husband and I spent our summer. Part of the small
cohort endorsing the back-to-land movement, we are a couple set on migrating
from the city to the countryside. So when we signed up for WWOOF, short for
World Wide Opportunities on Organic Farms, we knew too well that we had to
speak farm—soil, dirt, mulch. Known to attract aspirational farmers and hobbyists,
WWOOFers comprise those who are keen to know where their food comes from.
The movement was established in 1971 by Englishwoman Sue www.t.me/njm_magz
Coppard, who in her
“desperate need” to often escape to the countryside, conceived WWOOF. Now,
48 years on, it continues to run with the same ideology. Volunteers work on ‘host’
farms in a country of their choice in exchange of food, stay and learning organic

9
agriculture. We picked a small, self-sustained farm in Krinau, where days can be
punctuated with hikes that lead to an alpine lunch with Toggenburg specialties—try
Restaurant Älpli (Aelpli-krinau.ch), where some of the draws include a pear-cream
dessert called schlorzifladen and churfirsten-kafi, an in-house coffee creation. We VOLUNTEERING AT A DOG
lived with a family comprising Felix Wyss, a full-time farmer and part-time school
RESCUE HOME IN GOA,

8
teacher; Lisbeth Vogl, the farm’s matriarch, head chef and English-German
tutor; their daughters Leila and Iljana; and three cats. Our welcome was with a BY TUNALI MUKHERJEE
big, garden-fresh barbecue complete with salad, lettuce, tomatoes and herbs,
plump sausages and a fruity local brew called quöllfrisch. Our routine was simple I believe happy dogs are a sign of friendly locals. So
yet strenuous. Breakfast, farm work till noon, lunch prep and an afternoon break when on a walk on Mandrem beach, I stumbled on a
spent exploring the village. Evenings were reserved for clean-ups and cook-outs pack of dogs lounging around a sign that read ‘The
Dog Temple’, I had to step in and pay my respects. I

COURTESY @THEDOGTEMPLE/FACEBOOK; GETTY IMAGES; SHUTTERSTOCK.COM


culminating in languid cultural exchange. Nights were for strolls, board games or
sharing playlists. Felix taught us to deweed and sift stones with gusto and was informed that this was a volunteer-run dog shelter,
over three weeks, we picked apples, pears, grapes and berries, and though so far volunteer tourism had failed to
as well as harvested potatoes, onions and Swiss Chard to enthral me, I decided to give this a try. Mornings here
Herbs p
the gar repped for last the family all winter. I learnt to make jam and pesto begin with a round of feeding. Adult dogs impatiently
den ba await their turn as the pups are served, and soon
rbeque while my husband perfected the peach pie. In exchange,
I taught Festi to make salsa verde using their tart green enough you learn the names and quirks of each dog.
tomatillos and finally cooked a five-course Indian dinner “Thomas is always hungry, Suki needs to be fed before
where the seekh kebab and kaali dal were the stars. Buddy, keep Tigerly away from the pups and Scranton
gets extra servings as he’s just recovering from an
Krinau is a two-hour
illness,” explained Michael, one of the volunteers. The
train ride from Zurich space offers lodging to two volunteers at a time, for a
minimum period of two weeks. The experience is so
immersive, you’ll leave like a local. Afternoons at the
shelter are the quietest. A week into my stay, I joined
my furry companions in siesta. I felt soft paws over
me and opened my eyes to see Suki settling on my
Peach pie
stomach. The warmth from her spread to my heart
and I joined their susegad club at last. Q

240 VOGUE INDIA FEBRUARY 2019 www.vogue.in


On a brisk Sunday evening, NCR's finest turned up in style
to celebrate the launch of a site-specific light installation by
artist Vishal K Dar. and DLF5 hosted this grand affair
on the manicured lawn of The Sanctuary at Golf Drive,
DLF5. In the shadow of DLF The Magnolias, this event
shed new light on the city’s art scene.

A FOLLY IN THE SANCTUARY, A LIGHT INSTALLATION


MADE BY VISHAL K DAR, AND COMMISSIONED BY AD.

BRIAN DEMURO, KANU SEETU AND


AGRAWAL, PURU DAS NITIN KOHLI

AD EDITOR GREG FOSTER, VISHAL


K DAR, DLF’S AAKASH OHRI, AD DIVYA BAJAJ, IRAM SULTAN,
NITIN HEMANT VAISHALI KAMDAR AMRITA
PUBLISHER ARMAITY AMARIA CHANDRA SAGAR GUHA
www.t.me/njm_magz

SIDDHARTH TYTLER,
DHRUV DHRUV KAPOOR, VERENDRA RADHA MAHENDRU, MANAV AND
HITESHI WADHWANI CHANDRA KUNAL WALIA WAKHLOO SOAIB GREWAL DIPIKA THADANI

MOHIT KHANNA,
GNYANDEEP AND RADHIKA
PHOTOGRAPHERS: GULSHAN

KANTIPUDI, GAGAN KHANNA


DAR/SAURABH SIBAL
SACHDEVA; VISHAL K
(INSTALLATION).

NILISHA KOHLI, SARAH NEERA SACHDEVA, AJIT AND AMIT OUTDOOR FURNITURE MANOJ
FOTHERINGHAM ANSHU CHANDOKE POOJA SINGH GUPTA BY WILLOW VIIEW JAIN
living
Chef knife,
Stanley Rogers
at FoodHall,
2,999

Santoku knife, Le
Creuset, 15,500

2
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mincing herbs to
chopping large

1 to give tender
vegetables and fruits
such as watermelon,
pumpkin or squash
to even opening a
bottle cap, it’s the
most versatile of
the lot.” Cook’s knife,
3
“This knife should be
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on vegetables. The ba
restricted to
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“This knife works best ale fish.”
e avocado and
Furi, 3,799 works very well to de-sc
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le lettuce.”
or
use it to thinly slice ka

DED

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SINGLEMIN

SHARP OBJECT fit all. Ch ef


www.t.me/njm_magz

JASON HUDANISH
u r kitchen kn ives, one size won’t
When it comes to yo
to help you m ak e a wise pick
tests out India’s best

‘Professional
Series’ paring knife,
KitchenAid, 1,990
Multi-peel
Y-shaped
peeler, Joseph
Joseph, 590
6 “This one works best wi
pieces of cooked or un
meats—from a roasted
th large
cooked
piece
eting a
of whole chicken to fill

4
“The blade of this
knife works best to
precisely cut smaller
vegetables and
large piece of salmon.”

fruits such as cherry


tomatoes, grapes,
berries and spring
onion bulbs and to
de-seed chillies.”
5
“The best part about th
Use it to peel fruits an
with peelers is to neve
is one is its grip.
d veggies. The trick
r hold them too
ult in a clean cut.” Salmon knife,
tight; gentle strokes res
Victorinox, 5,510

(Hudanish is a chef at the Mumbai-based restaurant Xico)

242 VOGUE INDIA FEBRUARY 2019 www.vogue.in Compiled by SONAL VED


living
MAKING THE CUT
R ADLER gathers an arsenal of chefs’ knives— Japanese,
, German, American—in her search for the perfect blade
Here is a roster of the knives I own: a the phone, Donald resolved a vital mat- ter. But Marie, the pleasant woman on
10-inch Wüsthof bought 15 years ago ter for me: the differences between the other end, pretended to have a hard
after a knife-skills class, where I was high-carbon steel and stainless steel. time hearing. I tried again. “Is master
tricked into believing that extremely At Chez Panisse, where I once cooked, Chiharu Sugai available to discourse?”
large knives are easier to use than everyone’s knives were carbon steel, Marie explained that Master Chiharu-
small ones; assorted paring knives just as everyone’s knife bags were san had retired. There was a new mas-
bought for €9 at markets in France; a handmade from natural-dyed muslin. ter, she admitted. He was named
heavy, pricey bread knife; a boning But carbon steel stains unless you are Vincent. But I could not speak or write
knife sharpened to resemble a prison obsessive about washing, drying and to Vincent. I was directed to send a
shiv; an eight-inch Global santoku, applying special unguents. Stainless, proposed meeting schedule instead.
which I don’t remember buying; and on the other hand, can withstand I decided to try my luck in person. As
an eight-inch Togiharu from the famed neglect. Donald also explained that too it happened, Providence smiled. The
Japanese knife store Korin, a gift from much ado is made over whether knives following day, as I stood in the Korin
my brother. are full tang (meaning the steel of the showroom brandishing a US$2,300
My collection puts me far outside the blade goes all the way through the sushi knife made by Masamoto,
perimeter of knife geekdom. But sev- handle) or partial tang (meaning it I glimpsed an unassuming man of mid-
eral months ago a mild obsession doesn’t). Japanese knifemakers often dling height with a shag haircut and
struck. I had just inherited my late think it’s a waste to use high-quality thick glasses. He had a subtly authori-
father’s set of hunting knives: Bowie tative air. Could it be? The master,
NQLYHV DQG ÀVKLQJ NQLYHV VXUYLYDO Vincent! He apologised nimbly. (“I
knives, hand-forged Bedouin knives. teach a lot of classes.”) He gently
Gazing on these, I found myself won- “A KNIFE IS AN
www.t.me/njm_magz UHOLHYHGPHRIP\ÀVKVOLFHUDQGDVNHG
dering, what makes a perfect knife? EXTENSION OF YOUR what I wanted to know.
It’s not a question I’d considered be- The history and characteristics of
fore, despite being a former cook. And ARM... IT DETERMINES Japanese knives, of course! The master
as any cook will tell you, a knife is an WHETHER THINGS GO proceeded with a charitable show-and-
extension of your arm. It determines WELL OR POORLY” tell. For most of history there were
whether things go well or poorly: A four traditional Japanese knives: a
good one holds its edge and turns tasks GHEDIRUÀVKEXWFKHU\WKHQDNLULDQG
OLNHEUXQRLVHLQJRUÀOOHWLQJLQWRPHUH usuba, for vegetables; and yanagi, for
WULÁHV+DUGHQHGFRRNVZKRFORVHÁHVK steel all the way through a knife’s VOLFLQJUDZÀVK7KHUHZDVQR´FKHI·V
wounds with superglue buff their handle, so they don’t do it. Western knife” in Japan until the Meiji Resto-
knives with shammies and swaddle knifemakers think of it as a sign of ration (1870s), when previously forbid-
them in organic bunting. Chef Russell quality and durability, so they do. den red meat entered the Japanese
Moore, of Oakland’s Camino, sharpens diet. The popular santoku—“three
his knives 20 minutes a day. I once MASTER OF ART virtues”—is a similar mash-up. The
heard him cooing to them. I had learned a good deal—not least exquisite traditional knives Vincent
I turned to a few good books to what a gorgeous anthropological kalei- showed me were sharpened on one
review the basics. In A Modern Guide doscope is the universe of knifecraft! side—called a “single bevel.” Was one
To Knifemaking by Laura Zerra, I was Where else do survivalists commingle of those traditional four, perhaps, the
reminded that knives are generally with Japanese craftsmen, back-to-the- perfect knife? Unlikely, he said, though
COURTESY VINAYAK GROVER; SHUTTERSTOCK.COM

made of steel. Steel is iron plus carbon landers, and urban entrepreneurs? I not in those words. Unless one is doing
and can be alloyed with dozens of felt ready for the advanced course, traditional kaiseki or sushi prep, either
things for hardness, resistance to the...geekiness. I placed a call to Korin, a gyuto or its Western equivalent is
stain, and so on. David Boye’s 1977 the Japanese knife shop in Tribeca more practical.
classic Step-by-Step Knifemaking: You worshipped by New York chefs. Japa- What about knife sharpeners? Never
Can Do It! offers 17 informative pages nese knives are widely regarded as the ask a knife master this question. The
on the anatomy of different steel al- best in the world, and Korin was answer, once Vincent had composed
loys. More practical knowledge resides known to have a “knife master” on himself, was: It is nearly impossible for
in the mind of Josh Donald, owner of staff, who I hoped could be my Virgil. “pull-through sharpeners” to sharpen
the cult knife shop Bernal Cutlery in When someone answered, I asked, in a knife’s true edge. They simply wear
California and author of Sharp. Over a reverent whisper, to speak to the mas- away at the steel. Buy sharpening >

www.vogue.in VOGUE INDIA FEBRUARY 2019 243


living
held their own. An Aura knife, whose
design I’d call neo-medieval, was im-
peccable at julienning but almost
bounced off crisp duck skin. Converse-
O\ D ÁH[LEOH 6DEDWLHU FXLVLQH PDVVLYH
could barely cut a scallion but sliced
duck breast and steak like a skiff
WKURXJKÁDWZDWHU'LUHFWWRFRQVXPHU
companies Material and Misen, both of
which use state-of-the-art steel, were
impressive,LQH[SHQVLYHDQGH[DFWLQJ
A number of domestic knives from
small cultish manufacturers ranged
IURP WUXO\ H[FHOOHQW WR SHUIHFWO\ JRRG
but very beautiful. A US$4,200 hand-
made Maumasi Fire Arts knife shred-
ded whatever crossed its path with
barely a touch on its Indonesian am-
boyna burl handle. A chef’s knife from
BloodRoot Blades, and other hand-
made knives from Nora Knives & Cut-
lery and NHB KnifeWorks and
Nafzger Forge, were sharp and, most
of all, pleasurably personal to use. But
Vincent assured me I could get as
good a knife as I could ever need for
under US$150. So for this particular
quest, I set them aside.
www.t.me/njm_magz 7KH QH[W PRUQLQJ I purchased a
ÀYHSRXQG EDJ RI SRWDWRHV DQG RQ
ions. I then dug into a dusty counter-
top corner for my secret weapons
and truest tests: a menacingly hard
loaf of stale bread and a butternut
squash. I promptly chipped a Yoshi-
Japanese knifemakers
all NDQH 6/' :D6DQWRNX 6XPLQD
feel using quality steel
ug h a kn ife ’s JDVKL(QMX'RXEOH+RUQ³ERUURZHG
the way thro
, wh ile in
handle is waste IURP 'RQDOG³RQ WKH VTXDVK 7KH
sign
the West it’s seen as a =ZLOOLQJVKHOGVWHDG\7KHDIIRUGD
rab ilit y
of quality and du ble Material and Misen knives man-
nies, offers high-quality steel knives for aged. I wondered if any knife would
stones and watch Korin’s videos on about half the price of Korin’s mid- distinguish itself. Then one slid
how to use them, or send Vincent your range knives, shows the company’s through a large Idaho potato as
knives once a year, and for US$15 he founder slicing full plastic bottles of through heavy cream. It turned squash
will sit at a low bench and sweep them water in half like an ancient samurai. into pudding. It was a Swedish stain-
against a series of stones until they Gramercy Tavern’s chef, Michael An- less-steel santoku made by Ashi Ham-
have edges like diamonds. thony, advised that I embark on more ono, a small company in Sakai, Japan.
practical trials: Slice and dice a Korean It cost US$225, but its feats seemed
FINAL CUT pickle; do some basic butchery; thinly unlikely to be matched.
I had come to a decisive moment. carve seared meat. I decided on an And then they were. By a plain-look-
Which knife, I asked, did I need? “That oi-sobagi recipe involving delicately ing knife, with a barely discernible
depends on you.” Was this some sort of scoring cucumbers and then julienning FRQYH[LW\EHKLQGLWVHGJHDQGDQXQX
master’s riddle? No! Vincent meant an eternity of carrots and scallions; VXDOO\ÀQHSHUIHFWO\FRQVLVWHQWDV\P
that I should subject knives to my own plus, I’d prepare a large Moulard duck metrical bevel. A look through my
tests. So I spent several days acquiring breast, a rib eye, and chickens. Mac’s notes revealed that it was a Tojiro R-2
HQRXJK FXOLQDU\ FXWOHU\ WR RXWÀW D MTH-80 chefs’ knives were sharp and powder-steel knife, among the hardest
GETTY IMAGES

re-enactment of an Iron Age skirmish. comfortable to hold. Miyabi’s chef’s and toughest used in knife-making. It
The knife start-up Misen, which, knife, with its birchwood handle, had a costs US$148, as far as I can tell, and
along with several other new compa- EHDXWLIXOO\ ÀQH HGJH 7ZR =ZLOOLQJV can do just about anything. Q

244 VOGUE INDIA FEBRUARY 2019 www.vogue.in


ANYTIME, ALWAYS & FOREVER
Imagine a gift that can decorate your hearts for any kind of occasion or milestone, and last till the next celebration
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Brainchild of Sruti Jindal, this label is
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DIARY www.t.me/njm_magz

Everything worth coveting this February

TROUSSEAU TREASURES
Renowned jewellery label Gehna Jewellers helps add a
dash of sparkle to your bridal trousseau with its exquisite jewellery.
Crafted for the contemporary Indian bride, these beautiful
Polki earrings are studded with diamonds, uncut diamonds and
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Available at Gehna Jewellers, Kakad Palace, Turner
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246 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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SARTORIAL PERFECTION
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or call + 91 9996155777

www.vogue.in VOGUE INDIA FEBRUARY 2019 247


SHOPLIST
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248 VOGUE INDIA FEBRUARY 2019 www.vogue.in


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(www.modaoperandi.com) (www.farfetch.com) Zara: Palladium, Delhi 011-41116844, Oasis Lifestyle, Bengaluru 080-32020770
Mumbai 022-61801562, Pacific Mall, Delhi 011-45137124, Bengaluru Etude House: (www.nykaa.com) Flower Beauty: ( www.nykaa.com)
080-22682040 (www.zara.com) Zimmermann: (www.zimmermannwear.com) Forest Essentials: Palladium, Mumbai 022-66150356, Select Citywalk,
Delhi 011-42658464, Bengaluru 080-42110481 Giorgio Armani: (www.
nykaa.com) Givenchy: Shoppers Stop, Mumbai 022-26256271 (www.
JEWELLERY AND WATCHES nykaa.com) Huda Beauty: (www.nykaa.com) Kama Ayurveda: Oberoi
Anissa Kermiche: (www.matchesfashion.com) (www.net-a-porter.com) Mall, Mumbai 022-40050114, DLF Promenade, Delhi 011-41662254, VR
Anmol: Mumbai 022-61333444, 09821013886 (www.anmoljewellers.in) Mall, Bengaluru 080-46524239 NARS: (www.narscosmetics.com) Neemli
www.t.me/njm_magz
Audemars Piguet: Time Avenue, Mumbai 022-26515757, Kapoor Watch, Naturals: (neemlinaturals.com) Mumbai 09819602121 Nykaa: (www.
Delhi 011-46767777 (www.audemarspiguet.com) Aurélie Bidermann: nykaa.com) Pat McGrath: (www.patmcgrath.com) The Body Shop:
Paris 0033-1-45484314 (www.aureliebidermann.com) Begum Khan: (www. Palladium, Mumbai 022-66352922, Select Citywalk, Delhi 011-40534541,
begumkhan.com) (www.modaoperandi.com) Breguet: Johnson Watch Orion Mall, Bengaluru 080-22682046 Widian: Scentido, Mumbai 022-
Co, Delhi 011-41513121, Ethos Summit, Bengaluru 080-41130611, Horology, 67479600, Delhi 011-41011040 Yves Rocher: Shoppers Stop, Mumbai
Chennai 044-28464096, Exclusive Lines, Kolkata 033-22820626 Bulgari: 022-2625 6271, Shoppers Stop, Delhi 011-40870400, Shoppers Stop,
Watches of Switzerland, Mumbai 022-26402511, Johnson Watch Co, Delhi Bengaluru 080-43401300
011-41513121, Rodeo Drive, Bengaluru 080-22271977 Chanel: Mumbai
022-40048534, Delhi 011-41116840 (www.chanel.com) Chopard: Mumbai
022-22884757, Delhi 011-46662834, London 0044-20-74093140 Harry LIVING
Winston: Time Avenue, Mumbai 022-26515757, Delhi 011-46609090, Aura: (www.aurachef.com) Bernal Cutlery: (www.bernalcutlery.com)
London 0044-20-79078800 Hazoorilal GK by Sandeep Narang: Delhi BloodRoot Blades: (www.bloodrootblades.com) Chekutty: (www.
011-41734567 (www.hazoorilaljewellers.com) IWC Schaffhausen: Rose - The chekutty.in) FoodHall: (www.foodhallonline.com) Furi: (www.furiglobal.
Watch Bar, Mumbai 022-23620277, Johnson Watch Co, Delhi 011-41513121 com) Joseph Joseph: (www.josephjoseph.com/en-rw) Kitchen Aid:
Karan Kothari Jewellers: Nagpur 07126669100 (www.kkjpl.com) Mehta (www.kitchenaid.com) Le Creuset: (www.le-creuset.in) Leaf Wearables
& Sons by Narendra Mehta: Mumbai 022-22400441, 022-22405711 (www. (www.leafwearables.com) Misen: (www.misen.co) Mac: (www.macknife.
mehtasons1931.com) Narayan Jewellers by Ketan and Jatin Chokshi: com) Material: (www.materialkitchen.com) Maumasi Fire Arts: (www.
Vadodara 0265-2329924 (www.narayanjewellers.com) Ole Lynggaard maumasifirearts.com) Nafzger Forge: (www.nafzgerforge.com) NHB
Copenhagen: (www.olelynggaard.com) Renu Oberoi Luxury Jewellery: KnifeWorks (www.nhbknifeworks.com) Nora Knives and Cutlery: (www.
Mumbai 022-26559000/1/2/3/4 (www.renuoberoi.com) Richard Mille: noraknives.com) Sabatier: (www.sabatier-shop.com) Space NK: (www.
(www.richardmille.com) Rolex: DiA, Mumbai 022-22042299, Kapoor Watch, spacenk.com) Stanley Rogers: (www.stanleyrogers.com.au) Victorinox:
Delhi 011-46536667, The Helvetica, Chennai 044-2890013 (www.rolex.com) (www.victorinox.com/global/en) Wüsthof: (www.wusthof.com) Zwilling
Rose: Mumbai 022-23685287/88/89/90, Delhi 011-46060953 (www.therose. J.A. Henckels: (www.zwilling.com)

www.vogue.in VOGUE INDIA FEBRUARY 2019 249


ps

LOVE, ACTUALLY

www.t.me/njm_magz

But I love your feet


only because they walked upon the earth and upon
the wind and upon the waters, until they found me.
—Pablo Neruda (Your Feet)
PRABUDDHA DASGUPTA

250 VOGUE INDIA FEBRUARY 2019 www.vogue.in


www.t.me/njm_magz

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