This document provides information about several Philippine theater organizations and elements of theatrical performances:
- It describes several major Philippine theater organizations, including the Philippine Educational Theater Association (PETA), founded in 1967; Triumphant Peoples Evangelistic Theater Society (TRUMPETS), an acclaimed gospel theater group; Tanghalang Pilipino (TP), the resident drama company of the Cultural Center of the Philippines; and New Voice Company (NVC), a feminist theater group dealing with political and social issues.
- It also outlines key roles in theatrical productions, such as the director, actors, choreographer, and stage manager.
- Finally, it discusses elements of arts used in original performances, including sound and music
This document provides information about several Philippine theater organizations and elements of theatrical performances:
- It describes several major Philippine theater organizations, including the Philippine Educational Theater Association (PETA), founded in 1967; Triumphant Peoples Evangelistic Theater Society (TRUMPETS), an acclaimed gospel theater group; Tanghalang Pilipino (TP), the resident drama company of the Cultural Center of the Philippines; and New Voice Company (NVC), a feminist theater group dealing with political and social issues.
- It also outlines key roles in theatrical productions, such as the director, actors, choreographer, and stage manager.
- Finally, it discusses elements of arts used in original performances, including sound and music
This document provides information about several Philippine theater organizations and elements of theatrical performances:
- It describes several major Philippine theater organizations, including the Philippine Educational Theater Association (PETA), founded in 1967; Triumphant Peoples Evangelistic Theater Society (TRUMPETS), an acclaimed gospel theater group; Tanghalang Pilipino (TP), the resident drama company of the Cultural Center of the Philippines; and New Voice Company (NVC), a feminist theater group dealing with political and social issues.
- It also outlines key roles in theatrical productions, such as the director, actors, choreographer, and stage manager.
- Finally, it discusses elements of arts used in original performances, including sound and music
LESSON ONE : PHILIPPINE THEATER IN THE 21ST CENTURY
An organization of creative and critical artist-teacher-cultural
workers committed to artistic excellence and culture of the people, in the society for social and personal transformation. It was founded in 1967 by CECILE- GUIDOTE ALVAREZ. PHILIPPINE EDUCATIONAL THEATER ASSOCIATION (PETA) PRINCIPLES OF PETA 1. to push for first-rate quality theatre while never taking for granted that art always teaches and produces to serve a greater purpose. 2. It involves continually within the changes that occur around it. the most professional English-speaking theatre company found in 1967. It aims to create a theatre industry in the Philippines that would give venue to actors, directors, designers and other theatre REPERTORY PHILIPPINES workers to use their talents and earn a living in theatre. it was founded by : Ms. Zenaida Amador, Ms. Carmen Barredo, Mr. Leo Martinez Mr. Tony Mercado It is Asia’s first professional gospel theatre group. TRUMPETS are known for producing quality productions. It is one of the leading, TRIUMPHANT PEOPLES EVANGELISTIC THEATER SOCIETY (TRUMPETS) theatre groups in the Philippines known for its multimedia workshops for children, teens, and adults. was established in 1987 and up to now is the resident drama company of the Cultural Center of the Philippines. It successfully TANGHALANG PILIPINO (TP) staged 114 productions within 15 seasons while generating one of the best attendance records among CCP’s resident companies. it is one of the Philippines’ premier theatre companies led by the world-acclaimed actress and director MONIQUE WILSON. It gained an exceptional reputation for social changes and provocative theatre. it is marked as the most political, social and feminist theatre group NEW VOICE COMPANY (NVC) in the country that deals with contemporary political and social issues. Their productions deal with the following issues: Women’s rights, sexuality, incest, globalization, gender equality, sexual harassment, homosexuality, poverty, oppression and violence against women. it is one of the Asia’s leading theatrical production companies credited with bringing quality theatrical entertainment featuring Filipino artists to the public, and in other parts of the world. These are the proof successful presentations of the Atlantis Productions: ATLANTIS PRODUCTIONS a. “Doubt” and “God of Carnage” b. Disney’s “Beauty and the Beast” c. Disney’s “The Little Mermaid” d. Rent, Rock of Ages e. “Avenue Q”, “Next to Normal”, “Normal”, “In the Heights” LESSON TWO: ROLES IN PRODUCTION AND ORIGINAL PERFORMANCE The person who supervises the creative aspects of a dramatic production or DIRECTOR film and instructs the actors and crew. The person who acts in a play, film, broadcast or theatre. ACTOR The person who creates dance compositions and plans and arranges dance CHOREOGRAPHER movements and patterns for dances especially in theatre and musical plays. The person who provides practical and organizational support to the director, STAGE MANAGER actors, designers, stage crew and technicians throughout the productions. The one who creates different moods. He must be able to work in the LIGHTNING DESIGNER different levels of theatre – from opera to theatre to dance. Responsible for creating sets for use in the production of films, televisions SET DESIGNER programmes, and performances of plays and musicals LESSON THREE: ELEMENTS OF ARTS AS APPLIED TO AN ORIGINAL PERFORMANCE An art of sound that expresses ideas and emotions in significant forms SOUND AND MUSIC through the elements of rhythm, melody, harmony and color. Refers to “bearing,” “way of carrying” or “mode of action.” It means “to GESTURE, MOVEMENT AND DANCE carry”, “to behave”,”to take on oneself”, “to take charge of”, “to perform or to accomplish” while doing dance movements. Are what a costume designer prepares by looking at each character. He/She will design appropriate clothes and accessories for the actors for their COSTUME, MASK, MAKE UP AND ACCESSORIES performance. The make up artist takes care of creating the proper look of the characters in the whole production. Something that can be seen or viewed. It can be remarkable or impressive in SPECTACLE nature.