Professional Documents
Culture Documents
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I will be discussing the examination of the industry’s dominant economic
characteristics, driving forces impacting the industry, and the industry’s key success
factors. This analysis will include an assessment and the identification of Walt Disney’s
analysis. These recommendations will identify a specific course of action that Disney
should pursue. You will be sure to know that this course of action will coincide with Walt
Disney’s mission statement, that being “one of the world's leading producers and
its content, services and consumer products” (Walt Disney, 2013). These
recommendations will also act as solutions to the issues I found, and where Disney
opportunities and threats of Walt Disney. This is called a SWOT analysis. I would like to
begin with a brief highlight of Disney’s diversification strategy. Walt Disney is diversified
in media, entertainment, theme parks, resorts and hotels, motion picture production and
distribution, cable television, television networks, cruise ships, and retail stores.
Disney’s revenue in 2007 was $35.5 billion dollars which increased in 2014 with a total
revenue of $45 billion dollars. These numbers are far from Disney’s financial struggle
during the 1980s, which led the company’s performance to a commendable success
every year since Walt Disney created Mickey Mouse in 1928. A major influence in
Disney’s rather recent revenue increase would be a result of Robert Iger’s views and
plans of action since being CEO from 2005 to 2012. He has been a major influencer in
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the business sector including ventures in business with ESPN, acquisition of Pixel’s
Marvel, strong branding of both Pixel’s Marvel in the United States and Globally.
territories outside of the United States. Iger’s seven-year reign successfully expanded
Kong, Paris, and Toyko, as well as purchasing a fleet of ships for their cruise line, and
beginnings of their 20-year venture to build two parks within the United States. Disney
based 50% of their profits from the United States before him, though other areas include
Shanghai, Hong Kong, Paris, and Tokyo. Disney’s diversification by acquisition used a
bold strategy in specific to Walt Disney Studios; by venturing out several channels,
ABC, Miramax, ESPN, Fox Family Channel, and Anaheim Angel; Disney had a channel
for every type of audience. In regards to Disneyland Development, these theme parks
hit the global market, located in Paris, France, Hong Kong, California Adventure Park,
Cruiseline, Disney World Studios in Ordlando, Disney Gaming, and the Disney store.
Walt Disney wanted to restore reputation through Blockbuster animated films with
Disney Classics such as The Little Mermaid (1989), Beauty & The Beast (1994), and
Prior to Iger, the core business was the continental U.S. He aligned the
emerging globalization of Disney through the realization you have to reach customers
interactive media. is not very diverse given that 50% of their bottom line profits come
from the United States. Disney’s largest concern was being regionally focused, not
globally focused. Iger changed those views. The focus on developing to a wider
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audience, an online audience as opposed to the everyday American. As we know, the
amount of time and effort it takes to brand a business within an area does not always
add up financially.
A solution for this would be to buy a company that is already established within
the region and to use their reputation and their tenure to get their customers. If Disney
used their business strategy within marketing in the United States, on a global
standpoint, they could have successfully diversified their units. Most importantly,
establishing business in The Big Four; India, China, Turkey, and Russia would gain
successful venture in all their business units. Due to the exposure to billions of people,
Disney’s exposure of business units would sky rocket. However, these ventures take
investing which is a part of their business strategy I believe they should have focused
on.
Iger’s strategic group map for the company and competitive analysis shows at
the comparative plan from 2006 to 2012. Iger set off in attempting, and succeeding, at
diversifying the company through multiple ventures. In 2006, Iger led a 7.4 billion
acquisition with Pixar Animation and purchased the rights to the first Disney cartoon
character, Oswald, the lucky rabbit from NBC Universal. In 2007, Disney added two new
340 meter ships to their Cruise Line. By 2009, Iger led an acquisition with Marvel
Entertainment for motion pictures of several characters including, Iron Man, The
Incredible Hulk, Thor, Captain America, and Spiderman. In 2010, the company divest
sold MiraMax & Dimension Film assets for approximately $663 million. Finally, by 2012,
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Disney added 2 new 680 meter ships to their Cruise Line and the motion picture, The
Avengers debuted hitting the box office at $1 billion worldwide by May 2012.
strategies; (a) high quality family content, (b) exploit technological innovations to make
entertainment experiences more memorable, and finally (c) expand internationally. The
company’s business units were organized in five divisions; (1) media networks, (2)
parks and resorts, (3) studio entertainment, (4) consumer products, and (5) interactive
media. Television production was limited to television programing for ABC and 178 local
tv stations were all ABC affiliates. Six of Disney’s eight domestic television stations
were located in the ten largest U.S. television markets, in all ABC had 238 affiliates in
the United States. Iger stated that most tend to be number one in the market, if not
number one then number two in the market. The company’s trend is to tend to rely on
very strong local news brand, which is not a television market but a media world - at
expanded further than filmed entertainment, it now includes gaming, surfing websites,
and social networking. The company also launched a television everywhere application
to watch The Disney Channel and its other programs, as well as, ABC and ABC family
networks.
government intervenes in the economy. They include such matters as tax policy, fiscal
policy, tariffs, the political climate and the strength of institutions such as the federal
banking system. Some political policies affect certain types of industries moe than
others. An example is energy policy, which affect energy producers and heavy users of
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energy more than other types of business. Understanding the political aspect in the
countries that Walt Disney wished to penetrate in is crucial. Disney must evaluate the
political views and rulings of government in the specific countries due to the different
legal requirements that a foreign investor that has to adhere. This includes the tax
requirements that Disney have to follow besides other tariffs that will impact Disney.
operate and make decisions are key components in a successful business. Economic
conditions are factors to consider would be the following; interest rates, exchange rates,
the inflation rate, the unemployment rate, the rate of economic growth, trade deficits or
surpluses, savings rates, and per-capita domestic product. Economic factors also
include conditions in the markets for stocks and bonds, which can affect consumer
locations across the global first and foremost, following which factors would greatly
influence our business strategy. For example, the previous economic crisis that hit
globally would have definitely changed the marketing strategies of Disney due to the
lower global demand particularly in the hotels and travels. Moreover, exchange rates
also impact the costs of exports, trades, and imported goods across the globe. These
factors would affect the very nature of Disney resorts, theme parks and cruise lines.
multicultural and non-age specific customer. First and foremost, we must consider the
upcoming millennial generation. Children around the world are the focus audience of
Walt Disney, which would assume their parents are the target client. Disney provides
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entertainment through mainly, the animated series and theme parks. We can ask
ourselves questions like, “What storylines are most relatable to this generation? What
scenarios at home, school, and in their daily lives would they relate to? How could
Classics such as The Little Mermaid (1989), Beauty & The Beast (1994), and The Lion
King (1994), all have a common storyline the classic tale of the princess falling in love
with a prince. Consequently, Disney is the targeting even younger girls, even babies.
Nevertheless, Disney also targets adults as they are the decision makers for their
children.
Furthermore, since its inception, Disney has been appealing to young girls
through the Disney Princesses Belle, Ariel, Sleeping Beauty, Snow White, Cinderella,
and Jasmine. Now, Walt Disney is under continuous pressure to continue growing their
Disney Princess Sector, but with a different lens. All in all, these movies appealed to
many generations for their kid-friendly musicals, colourful animations, and fairytale
storylines. Although, now as a society we are more educated, have wider perspectives
I would argue that the 21st century learner is more concerned about the
environment, women have a larger voice and demand to see heroines in the storylines,
and finally, to have a culturally diverse cast of characters. We as a society also want to
teach our children about more important topics than a princess finding her prince. How
humans imprint on the environment, promoting that woman can be their own heroes,
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and teaching to love all cultures are all notions we find in Disney’s more recent motion
picture films. These ideologies relate to the changing social constructions of gender
roles and identity. Disney would also need to consider the various communities
recognized in society such as LGBTQ. Age distribution is another factor that needs to
marketed audience? Trends are a large part of social routine, and have been for many
generations. How will Disney take social trends into consideration in relation to
based in the United States. Therefore, this would move the 50% bottom line profit from
the United States to 50% global higher revenue base. Technological improvements and
global online media are two ways to engage the 21st century child. These are an
special effects. In relation to the business unit of Studio Entertainment, I believe Disney
should move away from cable television and motion pictures due to how quickly online
media is growing. The social demand for entertainment is based on the convenience of
the viewer. My solution is for Disney to collaborate with social media platforms to
expansively market, grow and strengthen the Disney brand. Social media platforms
such as YouTube, Instagram, and Snapchat are all tools to ensure success Disney’s
Adhering to the legal and regulatory factors of the country Disney decides to do
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regulations are not met. They must comply with the regulations and laws dealing with
consumer laws, antitrust laws, labour laws, and occupational health and safety
regulation. Whether Disney endeavors to build theme parks and resorts, open retail
stores or to establish a media presences, it must always ensure it considers the legal
and regulatory factors to avoid penalties and interest for not complying and potentially
That being said, we are living in a time where society is becoming more
conscious of investing their time and money into companies that stand by a premise to
lessen our carbon footprint. Disney is of no exception here. Can Disney market
improve their resorts, theme parks, cruise lines, and retail stores to reflect this premise?
Standing by what you market to the world is what will build a foundation for a success
business. The tourism business unit will be most affected by the conscious socially
responsible citizen.
A major issue recognized through PESTEL analysis would be the focus of online
media. I believe that Disney still invests majority of their time and money into cable
television and motion pictures. As much as this type of entertainment is still prevalent in
our society, I find that most audiences watch mainstream media through online
streaming and online platforms. My recommendation is for Disney to move away from
conventional media streams and find themselves available through online platforms
such as YouTube, Snapchat, Instagram, etc. By doing so, Disney would be reaching a
much broader audience; from children to teenagers to adults. The implications of not
carrying out these recommendations solely takes Disney off the market in
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entertainment. There far more opportunities for local and global small companies to
market to a larger audience using online platforms and I believe if Disney does not
Another major issue recognized through the PESTEL analysis was the
consideration of cultures, values, and lifestyles when expanding their market to other
parts of the world. I recommend that in order for Disney to be successful in other parts
of the world, they must take on local ideologies in order to appeal to that market. Rather
strategies. The implications that will occur if these recommendations are not carried out
into other regions and countries will strengthen and expand the Disney brand but
Disney must take into consideration lifestyles, societal values, and sociocultural forces
in order to develop a market for the audience to relate to the product and therefore want
improve Disney’s financial performance and shareholder returns. I believe this goal is
achievable given the adjustments and avenues we have discussed in this paper. By
dominant economic characteristics, driving forces impacting the industry, and the
industry’s key success factors included an assessment and the identification of Walt
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values, and have used them to guide our success into future endeavours. Having said
that, I believe these recommendations will most certainly continue to expand the Disney
brand, broaden our market deeply creating a sound and stable consumer base for
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KEY ITEMS MISSING
1. SWOT ANALYSIS
2. PORTER’S FIVE FORCES
3. WEIGHTED AVG MATRIX COMPARING DISNEY’S VARIOUS BUSINESSES
4. GO FORWARD FINANCIALS I.E. IMPLICATION OF EXECUTING ON
RECOMMENDATION
5. TIMELINE FOR IMPLEMENTATION OF RECOMMENDATION
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