PIANO VOCAL CUITAR ARRANCEMENTS

CHRIS D E BURGH
ÜRTA?f; bil ffiXT5

BORDTRLINE 24

DON'T PAY THE FERRYMAN 29

HICH ON EMOTION 34

THE LADY IN RED 38

MISSINC YOU 44

PAT R IC IA T H E STRIPPER

SATIN CREEN SHUTTERS 12

A SPACEMAN CAME TRAVELLINC

SPANISH TRAIN 1B

T H I S P U B L I C A T I O NI S N O T A U T H O R I S E D
F O R S A L EI N T H E U N I T E D S T A T E SO F
A M E R I C AA N D / O R C A N A D A -

WISE PUBLICATIONS
I
I
L O N D O N / N E W Y O R K/ P A R I S/ S Y D N E Y/ C O P E N H A C E N
/ M A D R I D/ T O K Y O
li'_-

PAT R IC IA T H E STRIPPER
W O R D S & M U S I C B Y C H R I SD E B U R C H

J = rpok*
Tempo ad lib
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Den-nis is a men-acewith his 'An-y-one for

tennis?'andbeseech-ing
me to comeand keepthe

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And Maud says 'Oh Lord, I'm so ter-ri - bly bored.-

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real- ly can't stand an- I'm to din-ner with a

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- tle place I doryn__by_thequay

O C O P Y R I C H1 T9 7 4 B I C S E C R EMT U S I CL I M I T E D .
O C O P Y R I C H1 T9 8 2 R A R EB L U EM U S I CI N C O R P O R A T E D .
C H R Y s A L IM
S U S I CL I M I T E DT, H E C H R Y S A L IBSU I L D I N C B
, RAMLEY R O A D ,L O N D O NW l O F O RT H EW O R L D( E X C L U D I N T
CH E U S AA N D C A N A D A )
A L L R I C H T SR E S E R V EIDN.T E R N A T I O N A
CLO P Y R l C H S TECURED.
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name is Pa-tri cia, callsher-self De{i - cia and the rea-son ve-ry hard to

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She says 'God madeher a sin - ner just to keep fat men thin-ner as the
tri - cia was ar - rest - ed and everyone de-test-ed the

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tum-bledown in heaps be-foreher feet - they hang a -round m groups-

man-nerin which she was ex - posed- l a - ter on in court -
e

F Dm G9
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bat- tle wear-y troops- one can of ten seethem queueright down the street.- You see Pa-
e v- ' bq- dv thoueht- a sum mer run in jail -would be pro - posed.- But the
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tri - cia not on - ly is a sing-er she a l - s o re-movesall cloth-
judge said or may I sayDe-li - cia, the facts of this case be-

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rng for Pa - tri - cia 1S best- town.-

fore me casedismissedthis girl was her work clothes
A

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start-ed to to tre - men-dousap - plause- took off her drawers-and with

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lick of her lips she un-did _- all her and threw it all -_ in the

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ry - bo - dy stared- and as the last piece of cloth- ing floor __ the po-lice -

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on the door- Sat ur-day night -

out for more_
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Sat-ur-daynight-

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A SPACEMAN CAME TRAVELLINC
W O R D S & M U S I C B Y C H R I SD E B U R C H

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space-mancametrav on his ship from a - far, 'twas
foll-owed a light and came down to a shed where a
stran-ger spoke he said do not fear I

O C O P Y R I C H T 1 9 7 5 B I C S E C R E TM U S I C L I M I T E D .
O C O P Y R I C H T ] 9 8 2 R A R EB L U E M U S I C I N C O R P O R A T E D .
C H R Y S A L I SM U S I C L I M I T E D ,T H E C H R Y S A L I SB U I L D I N C , B R A M L E YR O A D , L O N D O N W l O F O R T H E W O R L D ( E X C L U D I N CT H E U S A A N D C A N A D A )
A L t R I C H T S R E S E R V E DI.N T E R N A T I O N A L C O P Y R I C H T S E C U R E D .
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lieht vears of time since his mis - sion did start and o v - e r a v i l - l a g e he
mbth-- er and child were lying on a bed a bright light of sil - ver
cornefrom a plan - et 4 long way from here and I bring a mes-sage for

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halt - ed his craft, - and it hung in the sky like a star -

shone round his head,- and he had the face of an an - gel
man - kind to hear, - and sud - den{y the sweet est mu - slc

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just like a star -.-- 2. He
and they were afraid - 3. Then the
filled the 4. This
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ar,
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peace- and good will

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la, la, la, la, la, la, la,

Peaceand eood-will to

To Codu$

and love

are thou-sandsstand-ine on the

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,9'aT and a mov ing some-where.the

eoge of the world

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VERSE 4
This lovely musicwent trembling through the ground
And many were wakenedon hearingsound
And trav'lerson the roadthe villagethey found
By the light of that ship in the sky which shoneall around'

VERSE 5
And just before dawn at the palingof the sky
fhe strangerreturnedand saidnow I must fly
Whentwo thousandyearsof your time hasgoneby
The songwill beginonceagainto a baby'scry'
T

S AT I N C R E E N SHUT TERS
W O R D S & M U S I C B Y C HR I SD E B U R C H

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dreamsare,

O C O P Y R I C H T 1 9 7 5 B I C S E C R E TM U S I C L I M I T E D .
O COPYRICHT 1982 RAREBLUE MUSIC INCORPORATED.
C H R Y S A L I SM U S I C L I M I T E D , T H E C H R Y S A L I SB U I L D I N C , B R A M L E Y R O A D , L O N D O N W l O F O R T H E W O R L D ( E X C L U D I N C T H E U S A A N D C A N A D A )
A L L R I C H T S R E S E R V E DI.N T E R N A T I O N A L C O P Y R I C H T S E C U R E D .
 mom- ing

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you grow old.

wind blows- strongand cold

oh what would you do

oh what would you do
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I would build a love{y house with

i And in - side my love{y house with

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sa- tin greenshut-ters, it would be love - ly, the most love - ly

sa- tin greenshut- ters, there would be chil - dren, the most love - ly

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house in the world. And I would sing a love-ly song._ with

chil - dren in the world. And ev en when the skiesare grey. -

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you in my mind and you in my eyes the most ly

We would be hap pv for we have love the most ly
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the world. would write

the world. would write

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on the wall just for you. Just for

on the wind just for you. Just for

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And I would hold you my

And I v/ould hold you my

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for the rest

for the rest
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- where to go.- gone- play your gui- tar - anc

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'cos you thoughtthat she'd died,

how you cried- when You
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heardher breath-ing through your pain,- and

l-

SPANISH TRAIN
W O R D S & M U S I C B Y C H R I SD E B U R C H

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There's a

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Span- ish train that runs be-tween Quad-el- qui - dir and old Seville
Span- ish train still runs be-tween Quad-el- qui - dir and old Seville

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dead of night the whis - tle blows and peo-ple hear she'srunning And then the
dead of night the whis- tle blows and peo-ple fear she'srunning Ar

O C O P Y R I C H T 1 9 7 5 B I C S E C R E TM U S I C L I M I T E D ,
O COPYRICHT 1982 RAREEtUE I\lUSlC INCORPORATED.
C H R Y S A L I SM U S I C L I M I T E D , T H E C H R Y S A L I SB U I L D I N C , B R A M L E Y R O A D , L O N D O N W l O F O R T H E W O R L D ( E X C L U D I N C T H E U S A A N D C A N A D A )
A L L R I C H T S R E S E R V E DI.N T E R N A T I O N A L C O P Y R I C H T S E C U R E D .
 Dm ub
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hush their chil - dren back to sleep lock the doorsup - stairsthey creep,
far a-way in some re - cess Lord and the devil are now playing chess.

c 2nd time A'7 Dm

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it is said that the of the deadfill that ten thousanddeep. Well a
devil still cheatsand wins soulsand as for the

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rail - way - man lay dy- with his peo - ple by side.
railway man he cut the and he dealt such a hand five.

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fam-i ly were cry - ing knelt ln prayer be - fore he died, But a

for the Lord he was praying hard for that train he'd have to drive, Well the
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bove his head just a wait-ingfor the dead wasthe with a twin-kle in his eye,
d e - vil he h a d 3 a - c e s a n d a k i n g , and the wasrunning for a straighthe had

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God's not a-round look what I've found? This one's mine!
queen and the knaveand the ten of spades he neededwas the eight,

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then the Lord him - self appeared in a burn flash of lisht. And
andthen the Lord, he calledfor one more card but he drew dia mondeight. And the

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shou-ted at the get thee hence to end - lessnight. But the

devilsaid to the Son Ibe lieve you've got it straight, SO
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de-viljust grinnedand said I may havesinnedbut there's no needto push me a . round,
deal me one for the time hascome to see who'll be King of this place,

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got here first so you can do your worst, he'sgoingunder ground. Well I
AS he spoke from beneathhis cloak he slippedanother ace. Ten

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think I'll you one chancesaid the with a smile, SO
thou- sand was the ing bid, but up to 59, but the

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throw a - way that stu - pid lance. real- ly not your style,
Lord didn't see what the devil did said'that suits me fine'
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head just a wait-ingfor the dead wasthe with a twin-kle in his eye,
he had 3 a - ces and a king, and the wasrunning for a straighthe had

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God's not a-round look what I've found? This one's mine!
queen and the knaveand the ten of spades I he neededwas the eight,

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then the Lord him - self appeared a burn - ing flash of light. And
andthen the Lord, he calledfor one more card he drew the dia mond eight. And the

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shou-ted at the get thee hence to end - lessnight. But th

devil said to the Son Ibe lieve you've got it straight, SO
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jo - ker is the name, po-ker is the game, we'll play right here on this bed. An
raiseyou high to 105 and for - ev - er put an end to your sin. But tl

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then we'll bet for the big-geststakesyet the souls of the
devil let out a mighty shout. My hand

t' t'

t(I._.-
CHORUS
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And I said, look out - Lord he'sgon-na
And I said, Lord, oh- Lord you let him

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down and the night's rid - ing That train dead on time, many
down and the nieht's rid - ing That train dead on time, many
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souls are on the line, oh Lord,- he'sgonna
souls are on the line, oh Lord,- he'sgonna

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he'sjust do-inghis

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Lord you've gotta win,- the sun is down-andthe nightsriding in.

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s

BORDERLINE
W O R D S & M U S I C B Y C H R I SD E B U R C H

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take me to the bor-der and my l.ovedone I wamed a bunch-of sol-diers head-i

O C O P Y R I C H T 1 9 8 2 R O N D O R M U S I C ( L O N D O N ) L I M I T E D , 1 O A P A R S O N SC R E E N , L O N D O N S W 6 .
A L L R I C H T S R E S E R V E DI.N T E R N A T I O N A L C O P Y R I C H T S E C U R E D .
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for the I couldhard ly en bear- to see them go.-

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tears are my eyes_ we're com-ing I'm

reach- ing her hand- showing I want to

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rea - dy with my lies and in the ear - ly mom - mg raln - I
break in - to a run but these are on - ly boys a n d I - will

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seeher there and I know I'll have- to say good-byea -gain-
nev-er know how- men can see- the wis dom-in a war-

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know what I mustdo. I hearmy country call-me but I want- to be- with you
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one of us will lose don't let go I want to knor*' that

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you will wait for me- un - til the day there'sno bor- der

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(line)

27
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 DON'T PAY THE FERRYMAN
W O R D S & M U S I C B Y C H R I SD E B U R C H

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l. It was night-on the o p - e n Speed-ing like a man on the run-

mist-then he gets on now there' - ll be no trun - ing back-

T 9 8 2R O N D O RM U S I C( L O N D O N )L I M I T E D1, O AP A R S O NC
@COPYRICH1 S R E E NL, O N D O N5 W 6
A L L R I C H T SR E S E R V EID CLO P Y R I C H S
N.T E R N A T I O N A TECURED.
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A life time spent pre - par-mg or the ney.

Be ware that hood-ed old man at the rud der.

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He was clo - ser now- and the search was

And then the light . ning flashed- and the thun- der

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read - ing from a map in the mind,- yes! There's the tag hi
peo - ple cai - line out his name_ and danc - ing bows th

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and there's 4 boat on the ri ver. And when

jab-bered and a moaned on the wa ter. And then
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rain- camedown, he heard wild dog howl.
fer -ry -man said, there trouble a - head,

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ces ln -- the night,-(Don't do i t ! ) voi - ces out of (Don't do it)

must pay me now.-(Don't d o it) you must pay me (Don't do it)

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Too ma - ny men- have failed be fore what ev - er you d o , -

And still that voice- came through the air - what ev- er you d o , -

CHORUS D Em
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yeh! Don't pay- the fer Don't ev - en fix- a
(side)

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Don't pay- the fer ry man gets you to the oth-er side.-
 HICH ON EMOTION
W O R D S & M U S I C B Y C H R I SD E B U R C H

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Oh my- neart _ spin-ning can see
Oh my- heart - burn-ing and she

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way that I feel - eyes a r e - h o l d - i n g right

breath-ing de srre_ take my- hand _ and give

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high plo sron com -ing out of +l-^ Ll.,^ \

take mand I am your rhy-thm

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liv-ing
To nlgnt_l

o c o P Y R t c H T 1 9 8 4R O N D O RM U S T C ( L O N D O N )L I M | T E Dt,0 A P A R S O NC
S R E E NL, O N D O NS W 5
A L L R I C H T SR E S E R V EIDN.T E R N A T I O N ACLO P Y R I C H S
TECURED.
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world- that oth-ers can-not share yeahhere we a -gam_

I'

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mov-ingfrom a spark to flame.- lam one

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Instrumental(Repeatx 2)

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Repeat ad Iib to FADE

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ffi Ffrn
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H#l #
 THE LADY IN RED
W O R D S & M U S I C B Y C H R I SD E B U R C H

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seenyou SO ly as you did- 'to - night,.

seen you SO geousas you did- to - night,-

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you shine bright,

you shine bright,

F Eb
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o c o P Y R l c H T 1 9 8 6R O N D O RM U S r C( L O N D O N )L I M I T E D1, 0 A P A R S O NC
S R E E NL, O N D O NS W 6
A L L R I C H T SR E S E R V EID
N.T E R N A T I O N ACLO P Y R I C H STECURED.
 Bu Ebmaj?
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seen so men ask you you want-ed to

seen so peo - ple want to there - by your

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they're look-ing for a lit - tle ro

and when you turned to me and smiled,

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high - lights your hair - that your eyes,_

feel - ing com plete------ and ter love,-

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it's just you and me,- it's where I

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nev - er will- tbr - get

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MISSINC YOU
W O R D S & M U S I C B Y C H R I SD E B U R C H

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miss-ing (miss-ing you)

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I've got the ro - ses, I've got the wlne, with a lit - tle luck she will be
There is no rea-son to things that we do,- you can break a heart with just a

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here on This is the place we used to go
word or and take a life-time toa pol-og-ise.

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ro - man - tic mu - sic and lights- down and as you stand there mazed at
when the one you love's front of your and I will fall to knees like

+3-

o c o P Y R t G H T t 9 B B R O N D O RM U S I C( L O N D O N )L t M I T E Dt,0 A P A R S O NC
S R E E NL, O N D O NS W 6 .
A L L R I C H T SR E S E R V EID
N,T E R N A T I O N ACLO P Y R I C H S
TECURED.
 Bb Am 5t

ffi
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and you're wond - 'ring what all this is forr- it's just a
if it's the on - Iv wav of get- ting through, you see if

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sim - ple thing from me to you, the la - dy that I a-dore,-

I think you are beau- ti - ful, some-one else is gon-na feel it too,

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'causethere's some-thing that you- should
so there's on - ly one thing- to

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you- more than words - can say_

you- more than words - can say _
llll"

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and that I've- been think-ing a-bout it

and that I've- been think-ing a- bout it

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and the time- we dan<

rü7ell to night's- our night- dan<
I
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and slow , - I-
and slow be

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I'm nev- er let-ting go.
I'm nev- er let-ting go.-
 F
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found- you

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F Dm7 Gm7 c
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ffi ffi l-t-tttl

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repeat to fade

mrss-rng (miss-ing you)