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Narratives of Identity in Alban Berg's Lulu Silvio J. dos Santos gg UNIVERSITY OF ROCHESTER PRESS The University of Rochester Press gratefully acknowledges generous support from the AMS 75 PAYS Endowment of the American Musicological Socie! funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. Copyright © 2014 by Si io J. dos Santos All rights reserved. Exceptas permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded, or reproduced in any form or by any means, without the prior permission of the copyright owner. First published 2014 University of Rochester Press 668 Mt. Hope Avenue, Rochester, NY 14620, USA, www.urpress.com and Boydell & Brewer Limited PO Box 9, Woodbridge, Suffolk IP12 SDF, UK www boydellandbrewer.com ISBN-15: 978-1-58046-483-4 ISSN: 1071-9989 Library of Congress Cataloging-in-Publication Data Santos, Silvio J. dos, author: Narratives of identity in Alban Berg’s ‘Lulu’ / Silvio J. dos Santos, pages cm — (Eastman studies in music, ISSN 1071-9989 ; v. 110) Includes bibliographical references and index. ISBN 978-1-58046-483-3 (hardcover : alkaline paper) 1. Berg, Alban, 1885— 1935—Criticism and interpretation. 2, Berg, Alban, 1885-1935, Lulu. 3. Wagner, Richard, 1813-1883—Criticism and interpretation. 1. Title. IL § pastman, studies in music ; v. 110. ML410.B47S26 2014 782.1—d 2013049562 A catalogue record for this title is available from the British Library. ‘This publication is printed on acid-free paper. Printed in the United States of America Excerpts from Alban Berg’s Ludware copyright © 1964 by Universal Edition AG, Vienna; copyright © renewed; and are reproduced with permission from Euro- pean American Music Distributors Company, US and Canadian agent for Univer. sal Edition AG, Vienna. All rights reserved.