Introduction

Building archaeology is the discipline of reconstructing the history of existing buildings using direct
observations. Archaeologists can trace a structure’s past by analysing data such
as materials, building techniques, how elements connect with one another, and so on. In a similar way to
architectural conservation, building archaeology uses scientific and analytical techniques to describe,
assess and date structures.

The main difference between building and excavations archaeology is that the latter requires invasive
digging procedures in order to make visible the sources of data, whereas on the whole, a building can be
analysed by observation of its exposed surfaces, materials and building techniques without impacting
upon the structure itself.

Establishing timelines may not always be the main point of interest for the archaeologist, but it may be
necessary to understand dates to obtain an accurate and thorough description of
a building’s development, as well placing data within some kind of historical context, which can help
identify explanations for the building.

Some of the methods that an archaeologist can use are set out below.

Stratigraphy

The aim of stratigraphy is to reconstruct the sequence of constructive and destructive events that have
impacted upon the existing building.

The representation technique is based on the ‘stratigraphical unit’ (SU) concept, that is, a part of
the building that was the result of a single action of construction. Archaeologists try to pinpoint ‘positive
SUs’ (additions) and ‘negative SUs’ (deletions) on the timeline of the building.

Chrono-typology

Chrono-typology is a dating method based on identification of architectural features from different

historical periods rather than on the building itself. It involves using a reference database that assists with
the identification of particular construction elements and associating them with the relevant period.

If architectural elements can be dated to a definite range of years, perhaps from inscriptions or
documentary evidence, then similar elements of a building may be dated to the same period.
 The distinctive features of an element may include materials, construction techniques, dimensions,
shapes and so on.

A classification process is essential for creating a useful database. Typically the steps include:

 Establishing the geographic context for the research.

 The filing and indexing of a large number of items of a particular architectural element.
 Classification of the element’s distinctive features.
 Identification of the group of instances in the building that share the same distinctive features.
 Identification of the date period for the group itself.

Dendrochronology

Dendrochronology, also known as ‘tree ring dating’, is a technique that involves reading the sequence of
ring thickness values of a timber element. This can identify the date that the timbers were felled.

A tree gains another ring each year as it grows, with the thickness depending on the amount of growth.
All the same trees in a region are likely to display the same chronological growth pattern. Therefore, by
plotting the relative thickness of these rings, a clearly identifiable sequence of variations may emerge
which can act like a date stamp for each period.

Master chronologies that span many centuries have documented tree ring data, enabling the cross-
matching of historic timbers from existing buildings to determine the origin of timbers.

The advantage of dendrochronology is its objectivity. Where analysis results in a clear match with the
master chronology the results are completely accurate and reliable.

Rectified photography

Rectified photography is a method of recording a high level of detail on flat objects. The effects of
distortion as a result of perspective are removed, and the image scaled upon one or more principal
planes of the object.

Equipment required includes a compact digital camera, perhaps tripod-mounted, and a tape measure; or
more specialist distortion-free cameras with high quality lenses, measured control points and dedicated
software.

Each photo should be taken square on to the object, with the effects of perspective removed if possible
by shifting the lens accordingly. Effort must be made to work in good lightingconditions, as shadows can
result in a loss of information.
Surface areas requiring repair or conservation can easily be measured and calculated from the images.
For example, rubble-built walls can be costly to have drawn stone-by-stone, but individual stones will be
clearly visible in a rectified photograph and areas requiring repointing, consolidation or replacement can
be marked up on the image and measured.

This method can also be used to produce images to be enhanced for visualisation purposes, such as
for site interpretations or reconstructions.

Photogrammetry

Photogrammetry is the practice of obtaining information about physical objects through the process of
recording, measuring, and interpreting photographic images. It is most commonly associated with the
production of topographic maps through aerial survey, but may be used in any situation that requires
accurate three-dimensional data or precise drawings, and is ideally suited to
the survey and measurement of buildings and monuments.

Suitable photographs, usually stereoscopic, are taken on site, with a ‘control’ network established to
determine the photographs’ scale and orientation. Photographs are taken using precision cameras,
usually known as metric cameras, and full stereoscopic coverage of the building is produced. Control
information may be either taped distances on the building façade, or the establishment of 3D coordinates
of either target markers or identifiable points of detail.

The accessibility of the photographed object and the scale of the photographs will determine the
achievable accuracy on a photogrammetric survey.

The usual end-product of a photogrammetric survey is the production of either digital data or a
line drawing. The data may be formatted for use in CAD systems, offering the advantage of flexibility. As
the process requires photography, this may become the end-product itself, either archived as they are, or
as a rectified mosaic composed of a number of scaled photographs joined together.