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• Content Objective: Students will be able to articulate the characteristics and differences of prose and verse, and how
Shakespeare uses each to advance plot, illuminate themes, and describe characters.
• Language Objective: Students will be able to write 4 lines of dialogue each in prose and verse.
Dramatic writing can be split into two categories: ________________ and ________________.
1. Recall the definition of prose and verse. Which is Twelfth Night written in? What makes you think this? Write at least
three sentences. Justify your ideas to your group.
Prose
King Lear
Find an example of verse in Twelfth Night. Write it below. Cite act and scene number. Share it with your partner.
4. Many of Shakespeare’s low-class characters speak in __________ to distinguish them from the _____________, verse
speaking characters.
However, this is just a rule of thumb. For example, listen to Prince Hamlet.
*
Merry Wives of Windsor
Using your previous example of prose, explain below what you think Shakespeare was trying to achieve by using common
language. Write at least three sentences to justify your thoughts. When you are done, share with your partner.
In the following lines of verse, circle the emphasized syllables. (Hint, there are 10) Then speak out loud to your partner using the
emphasis.
• But, soft! / What light / through yon / der win / dow breaks? ("Romeo and Juliet")
Listen to Viola’s monologue and follow along with the text, recognizing the stressed and unstressed syllables.
Using your previous example of verse, explain below what you think Shakespeare was trying to achieve by using verse. Write at
least three sentences to justify your thoughts. When you are done, share with your partner.
Recall
• Without looking back at your notes, turn to your partner and restate the
definitions of prose and verse. Give an example of the types of characters
who would speak each, and one reason why Shakespeare used that
language.
Original Script
• Now that you are all experts on prose and verse. Imagine you are having a conversation with a friend
(or foe). Write a short script of dialogue that includes at least four lines in verse, and four lines in
prose. Keep in mind the characteristics of each, and for which purpose they are used.