Professional Documents
Culture Documents
2018-2019 Syllabus
Alison Hibbard, room A204
Office Hours: M-F 7:45-8:25 am, 3:15-3:45 pm, and by appointment
Email: alison.hibbard@carrolltoncityschools.net
Website: HibbardCHS.weebly.com
Course Description: Welcome to AP Language/American Literature! This college
level course will include a variety of reading and writing assignments aimed at
broadening your understanding of argument, rhetoric, and the power of language.
Over the course of this year, you will become more skillful in reading, analyzing,
and formulating arguments based on challenging and thought-provoking texts,
using both your personal and social context as a basis for interpretation. You will
use critical thinking to become a better writer able to compose for a variety of
purposes and audiences. Ultimately, you will work towards an appreciation of the
rhetorical and aesthetic dimensions that contribute to rich and effective writing.
According to guidelines promoted by The College Board, you should be able
to do the following upon completion of this course:
➢ analyze and interpret samples of good writing, identifying and explaining an author’s use of
rhetorical strategies and techniques;
➢ apply effective strategies and techniques in writing
➢ create and sustain arguments based on readings, research, and/or personal experience
➢ write for a variety of purposes
➢ produce expository, analytical, and argumentative compositions that introduce a complex central
idea and develop it with appropriate evidence drawn from primary and/or secondary sources,
cogent explanations, and clear transitions
➢ demonstrate understanding and mastery of standard written English, as well as stylistic maturity in
writing
➢ demonstrate understanding of the conventions of citing primary and secondary sources
➢ effectively research, draft, revise, and reflect upon personal writing
➢ analyze image as text
➢ evaluate and incorporate references into researched essays using an established format.
Texts and Resources Provided by School:
Jolliffe, David, & Hephzibah Roskelly. Writing America: Language and Composition in Context. Pearson, 2014.
Kinkade, John, et al. Everything’s an Argument. Bedford/St.Martins, 2013.
Texts and Resources Provided by Student:
The following texts should be secured by the student and be available for reading and reference for the
duration of the units in which they are needed:
Graff, Gerald, and Cathy Birkenstein. They Say, I Say: The Moves That Matter in Academic Writing, with 2016
MLA Update (Third Edition). New York: W. W. Norton & Company, 2016. ISBN-10: 0393617432.
2-3 others TBD in class
Specific Expectations:
➢ Uphold the procedures and policies detailed in the CHS Student Handbook.
➢ Follow instructions the first time they are given.
➢ Be prepared—bring all materials to class.
➢ Display courtesy toward all.
➢ Move to your seat quickly and begin working quietly at the start of cass.
➢ Take very good care of computers, materials, other supplies, equipment or furniture, and this
classroom.
Academic Honesty: The CHS Student Handbook defines plagiarism as “the actual giving or receiving of
any unauthorized aid or assistance on any form of any academic work.” Cheating consists of exchanging
tests, reports, papers, etc., looking at someone’s paper or giving answers, or giving out questions that are
on a test.
Plagiarism is the act of using another person’s ideas or expressions in writing without acknowledging the
source. Plagiarism is a form of cheating. If you submit work that has been written, revised, or edited – in
part or in whole – by another person, you are committing plagiarism. If you take an idea from a book,
movie, speech, magazine, documentary, lecture, journal, teleplay, or electronic source (which includes the
Internet), and then represent it as your own original thought – even if it is expressed in your own words –
you are committing plagiarism.
I take plagiarism very seriously. An expectation of academic integrity is at the core of our ongoing practice
as students, scholars, writers, and thinkers. For this reason, my policy regarding plagiarism is severe.
Regardless of its extent, any documented incident of plagiarism or excessive collaboration in this
course will result in a grade of 0 on the assignment, a parental contact, and a referral to the
administration. This policy extends to all course assignments, be they major or minor.
Make up work: all assignments are due on the date specified in the course schedule, either in class or on
Google Classroom, depending on the assignment. If you are absent, it is YOUR responsibility to see me if
you wish to discuss your work (after or before school, not during class). Students who do not keep up
with coursework will be referred to Starfish.
Materials
You should come to class prepared with the proper materials:
➢ A 3-ring binder (or a dedicated section of same)
➢ Notebook paper
➢ Pens & pencils
ACTIVITIES & ASSIGNMENTS OVERVIEW
This class will integrate reading, composition, and discussion through a series of thematic writing
workshops addressing various factors relevant to written, oral, and artistic expression. Readings include
essays, speeches, letters, and nonfiction/fiction selections from American Literature. Each unit will
regularly feature analysis of various forms of communication, including art, film, photography, cartoons,
and other media. While class discussion will often focus on critical analysis strategies applied to current
reading, instructional time will be also be devoted to composition, vocabulary, and relevant study of
historical, biographical, and cultural information. The instruction will progress with a global focus in mind.
Writing
➢ Informal writings, such as free-writes, reaction papers, and blogs will provide opportunities to
engage with the selected texts. They also allow you to reflect on connections between the readings
and your personal experience and to examine your personal writing styles.
➢ Special writing assignments will give you practice with rhetorical strategies, sentence combination,
subordination/coordination, paragraph organization, and the use of transitions. Particular
emphasis in these workshop activities will be placed on balancing subjective and objective details
and incorporating direct quotes. These components of effective composition will also be
reinforced in regular peer-revision activities and instructor feedback response. The analysis and
effective use of voice and tone will often be reviewed and practiced through warm ups activities
from Voice Lessons (Nancy Dean) and other activities.
➢ Over the course of the year, you will compile a portfolio that demonstrates your growth as a
writer. Drafts, revisions, and final copies will be stored in the portfolio. Required writings will
include college application essays, the research essay, and several analytical and evaluative essays.
Portfolios should also include sample projects and a written reflection that will be completed prior
to taking the AP exam.
➢ During each nine weeks, you will write a minimum of three essays, some of which will be timed,
in-class essays. At least one essay per nine weeks will be composed in conjunction with a writing
workshop and will be revised following peer-editing and instructor feedback. These essays will
include expository, analytical, and argumentative assignments. Scores for all essays will be based
upon the AP scoring guides.
➢ Near the end of the course, you will be required to write one formal MLA-format extended essay
that is persuasive in nature and answers a question at issue by synthesizing researched support.
Vocabulary
➢ Each week, terms ( including relevant rhetorical terms and words commonly appearing on AP and
SAT exams, in addition to important words and concepts that you might contribute) will be added
to vocabulary journals.
➢ Appropriate word choice and correct use of vocabulary is expected in written assignments.
Reading
➢ This course will focus on readings related to our goals, understandings, and essential questions.
Reading in an AP course is both wide and deep.
➢ In this advanced level course, I expect that you read deliberately and thoroughly, taking time to
understand a work’s complexity, to absorb its richness of meaning, and to analyze how that
meaning connects to the reader and the world.
Other Projects and Assessments
➢ Homework will usually consist of reading and informal writing assignments, including analyses,
blogs, and reaction papers.
➢ You should expect regular reading checks and quizzes that require a working knowledge of textual
details from assigned reading.
➢ Tests will be similar in format to the AP English Language examination and will include multiple
choice passage analysis items and in-class essay responses.
➢ You will occasionally prepare projects and presentations to enhance class experience and foster
greater appreciation of reading selections and their historical, social, and cultural significance. Many
of these projects will ask you to incorporate technology (multimedia presentations, digital
photography, and digital video) and art (illustration, music, and, dramatic performance) to enhance
the rhetorical power of your product.
Units of Study
Writing Focus Readings Assessment
Rhetorical “The Box Man” (Ascher); “Seeing” (Annie Dillard), 2 Essays
Analysis “Sinners in the Hands of an Angry God” (Edwards), 4 short responses
“Pale Blue Dot” (Sagan), “This is Water” (Wallace), 2 blogs
instructor-selected essays, letters, and speeches;
student-selected essays; counterpoints and
miscellaneous readings
Argument “Ain’t I a Woman” (Truth); “Self-Reliance” 2 Essays
(Emerson); “Walden” (Thoreau); Selections from 4 short responses
Whitman, Bryant, Longfellow; “The Purloined Letter” 2 blogs
(Poe); instructor-selected essays, letters, and speeches;
student-selected essays; counterpoints and
miscellaneous readings
Synthesis Extended Text: The Great Gatsby (Fitzgerald) 2 Essays
“Richard Cory” (Robinson); “Chicago” (Sandburg); “A 4 short responses
Raisin in the Sun” (Hansberry) Letter From 2 blogs
Birmingham Jail” (King); instructor-selected essays,
letters, and speeches; student-selected essays;
counterpoints and miscellaneous readings
Analysis, Extended Text: The Things They Carried (O’Brien) 2 Essays
Argument, “Mao” (Warhol); Living Like Weasels” (Dillard); 4 short responses
Synthesis & “Mother Tongue” (Tan); instructor-selected essays, 2 blogs
Research letters, and speeches; student-selected essays;
counterpoints and miscellaneous readings
Grading Scale and Requirements
Introduction: Because AP Language is a writing course, many formative activities will be comparable to a
college composition course and will consist of independent reading and writing combined with class
discussions and activities. Taken together, these activities will help to form your summative evaluation (final
course grade).
Type of Work Approximate Brief Descriptions
Percent of
Grade
Writing to Learn 20% Informal: Homework, in-class writing, vocabulary,
self-assessment, grammar, AP multiple choice
Writing to Communicate 25% Ranges from informal to formal: Response journals, peer
reviews, group activities, blogs, portfolio
Writing to Persuade 35% Formal: Both in-class (timed) essays and longer-term
process-oriented essays.
Final Exam (Milestone) 20% Students must take the Milestone EOC exam to receive
credit for the course.