User Manual

Jawharp
 WARNING!

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personal data and IP address using proprietary
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DO NOT DISTRIBUTE, RESELL OR TORRENT.

INSTALLATION INSTRUCTIONS
INSTALLATION:
Download and install our download utility (found in the email you received from us). We offer both PC and MAC versions of the
download tool.

1. Enter the ENTIRE serial code (found in the email you received from us)

2. The download utility will automatically download and install your library.

3. The library can be found through the regular browser in Kontakt.

TROUBLESHOOTING DOWNLOADS:
The download utility should generally work for all download purposes, however please use our manual download links if you
encounter any issues. The manual download links are generally slower downloads, but allows you to download the compressed
library files (.rar compression) through your browser. You can access the manual download links here:

http://8dio.net/manuallink

Please use your purchasing email address and enter ENTIRE serial code.

TROUBLESHOOTING KONTAKT:
This library does NOT use the “add library” function in Kontakt and all files must be access through the regular Kontakt browser
(upper left side of Kontakt). Please use the file browser in Kontakt and locate the program (.nki) files in the library to use it.

Please contact us at support@8dio.com- if you encounter any other unforeseen issues.

OVERVIEW

Life, personality and character: That defines the MISFIT collection.

Stripping the best equipment, the state of the art studios, the best and most expensive instruments, the best
musicians, only the soul is left, and that is exactly what we wanted to explore - A human, urban and unique product.

Probably one of the most rustic instruments out
there, it’s like an ancient synth and your mouth is
just the oscillator.
This is probably one of the funniest libraries to
play with, because it’s not percussive, it’s not
tonal and yet, it is both.
We have included our 3.0 Chaos FX Engine, so
out of the box, not only do you own a unique
product, but also a product packed with effects
that will give you unlimited possibilities to get
the sound you’re looking for.

We hope you enjoy playing with this product as much as we enjoyed creating it for you.
PATCH DESCRIPTION CC LIST
Full Patch CC1 - Mouth aperture

“Jaw Harp” CC 11 - Expression

Main patch of the instrument, it loads every

sample recorded with a mic on each side of
the player.

Light patches:
“Jaw Harp - Light”

With less velocities and round robins, the

light patch is designed for quick load and
small resource footprint. It’s ideal for
sketching your project and compatible with
the full patch, meaning that once you’re ready
to bounce, you can swap the patch without
problem.

Experimental Patches:
The rest of the patches are pure
experimental! It’s up to you how to use them!
Go ahead and mess around.
USER INTERFACE

HELP BUTTON

Every product of
the MISFIT
collection
contains a ‘Help’
button which
displays a description of every
control of the User Interface.
MAIN UI CONTROLS
The ‘Jaw Harp’ is divided in two sections: Rhythmic and melodic. For the Rhythmic we have recorded basic loops that keep playing for as
long as you keep the key pressed (leftmost blue keys). For the melodic, as a base, we have recorded a normal hit (right blue keys)
surrounded by bends and other effects, with and without vibrato. It is not a tonal instrument per se, as there is no C D E, however, with
the red Mouth Knob (controllable with the Mod. Wheel, although you can re-assign this by right clicking on it) you can
increase/decrease the aperture of the mouth, thus creating a slightly different sound. We guarantee you’re going to have some fun
playing with this library.

Aside from that basic control, we have also added an Attack knob that increases/decreases the volume of the finger attack on the harp.

An Artifacts knob will control how often the vibration of the Jawharp will hit your teeth and interfere with your playing (very painful to
record, very entertaining to play with)

The Tuning precision can also be altered with the tuning knob. The higher the knob is, the more imprecise the tuning will be.

KEY MAPPING

Use the left BLUE keys for The right BLUE keys The RED keys are bends The CYAN keys are bends that after
playing a basic loop are basic hits towards the note approaching the note, slowly bend away.
EFFECTS

The Effects page consists of multiple

rack effects.

To scroll through the available

effects you can use the scroll bar on
the far right. To auto scroll up and
down you can click on the bottom
left / right, top / left right or middle
left / right, this will auto scroll to the
appropriate position.
ARP The arpeggiator has all the function you would expect and more. RATE allows you to alter the time signature of the arpeggiations.
LATCH will hold the note progression even after releasing the keys. SWING will adjust the swing amount while OCTAVE selects the
range the arp will play. REPEAT allows you to select how many times you would like each note struck, while LENGTH adjusts the
amount of time a played note will be held for. STACK (only available when GLIDE is bypassed) will underlay any arpeggiation with the
full untouched chord itself. MAIN/SEQ opens up the sequencer panel, this is used for drawing the velocity automation for the arp. To
alter the arp “type“ simply choose from the PRESET dropdown menu.

The settings page consists of a PANNER control allows you to pan each successively played note in a different direction dependant on
the WIDTH value. STEPS adjusts the amount of steps available in the SEQ panel, while PRESET CC allows you to select a CC to control
the arp “type“ PRESET list, which is a great tool for altering the direction of the arp mid sequence.
EQ controls a 3 band Equaliser, we have included a handful of useful presets to help you in sculpting your sound. We also have included
a CHAOS control, this allows you to randomise every value, which is extremely useful for carving out new and interesting sounds.

The Settings page consists of a few vital controls to help control the CHAOS switch. Such as MOTION, which constantly randomises and
animates every relevant parameter. RANGE which alters the amount of randomisation under both MOTION and CHAOS. And the CHAOS
/ FLOW switch which changes the type of randomisation available. CHAOS is purely random based on a value below your current
settings and the RANGE, whereas FLOW analyses and adjusts your current settings depending on your RANGE allowing you to have a
more subtle evolution of randomisation.
DEGRADER consists of a BIT CRUSHER and a DISTORTION unit. Of course we also have included a CHAOS control, which allows you to
randomise every value, which is extremely useful for carving out new and interesting sounds.

The Settings page consists of a few vital controls to help control the CHAOS switch. Such as MOTION, which constantly randomises and
animates every relevant parameter. RANGE which alters the amount of randomisation under both MOTION and CHAOS. And the CHAOS
/ FLOW switch which changes the type of randomisation available. CHAOS is purely random based on a value below your current
settings and the RANGE, whereas FLOW analyses and adjusts your current settings depending on your RANGE allowing you to have a
more subtle evolution of randomisation.
DELAY consists of 2 sequential delays, this allows you to build complex rhythms and sequences by simply using different time values.
Each delay has a wet MIX parameter, a tempo synced TIME control, and FEEDBACK and PAN controls to help control the style and
power of the delay. We also went a step further, and added a a LOW and HIGH PASS filter to the end of the chain, this allows you to
filter out certain frequencies only in the feedback of the delay ensuring it doesn’t conflict with your main sound.

And, you guessed it, we included a CHAOS control, so you are able to randomise every relevant parameter, creating some truly amazing
delay patterns. Both delays and the filters also work intelligently, meaning if you are not using them or they are set to a minimal value,
they will bypass themselves in order to save your CPU load.
TRANSFORM contains a powerful impulse convolution with some truly strange and wonderful presets. To change what convolution is
loaded, simply select the preset dropdown menu, and load any of our hand designed impulse responses. From fog horns, to car crashes,
engine revs to world ending drones, we have included a handful of our favourite custom recorded and designed presets. If you are
feeling indecisive, you can also select the CHAOS control, which will randomly assign a preset for you, as well as alter the available
controls for some truly esoteric results. The included controls can help you further shape the convolution, such as MIX which alters the
wet value of the insert, SIZE which stretches or compresses the impulse, PRE-DELAY which adds a small delay before the impulse is
triggered, and of course a HIGH and LOW PASS FILTER, which allows you to shape the frequency of the impulse convolution layer.
REVERB contains a powerful convolution reverb partnered with a digital reverb. To change what convolution is loaded, simply select
the preset dropdown menu, and load any of our custom recorded impulse responses. We have included a variety, of real acoustic spaces
we use and love, such as recording studios, churches, cathedrals and halls. As well as a few not so acoustic spaces we equally love. We
have also crafted a quick and useful room positioner tool, by clicking anywhere in the “ROOM” area you can access a variety of crafted
presets which load custom settings on top of your chosen convolution reverb.
This is a great tool for quickly placing your sound in designed space. Or of course you can select the CHAOS control and let the engine
do the choosing for you.
The included controls are similar as to the TRANSFORM module except REVERB has a digital counterpart. This can be bypassed by using
the DIGITAL ON/OFF switch.
8DIO GENERAL LICENSING AGREEMENT
LICENSE AGREEMENT
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audio/video post-production, performance, broadcast or similar finished content-creation and production
use. 8Dio allows you to use any of the sounds and samples in the library(s) you’ve purchased for
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8DIO THANKS

THANK YOU for choosing our products! It is because of you that we never give up on developing new and original ideas! We hope
you use it and explore it as much as it gets!

The production of our libraries are not only a product of our own vision, but also a product of patience from friends and family and of
course, countless discussions with a variety of great musicians.

Further thanks to Tawnia, Cam and Natalia for your patience

Love,

Troels Folmann & Alejandro Cabrera