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AA Gill
I L L U S T R AT I O N S BY M AG DA A N TO N I U K
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It was the woman on Question Time that really did it for me.
She was so familiar. There is someone like her in every queue,
every co ee shop, outside every school in every parish council
in the country. Middle-aged, middle-class, middle-brow, over-
made-up, with her National Health face and weatherproof
English expression of hurt righteousness, she’s Britannia’s
mother-in-law. The camera closed in on her and she shouted:
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“All Ioctober
want is3 2018
my country back. Give me my country back.”
It was a heartfelt cry of real distress and the rest of the audience
erupted in sympathetic applause, but I thought: “Back from
what? Back from where?”
There is a reason that most of the people who want to leave the
EU are old while those who want to remain are young: it’s
because the young aren’t infected with Bisto nostalgia. They
don’t recognise half the stu I’ve mentioned here. They’ve
grown up in the EU and at worst it’s been neutral for them.
“
Brexit is the fond belief that Britain is
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worse now than at some point in the foggy
past where we achieved peak Blighty
We listen to the Brexit lot talk about the trade deals they’re
going to make with Europe after we leave, and the blithe
insouciance that what they’re o ering instead of EU
membership is a divorce where you can still have sex with your
ex. They reckon they can get out of the marriage, keep the
house, not pay alimony, take the kids out of school, stop the in-
laws going to the doctor, get strict with the visiting rights, but,
you know, still get a shag at the weekend and, obviously, see
other people on the side.
Really, that’s their best o er? That’s the plan? To swagger into
Brussels with Union Jack pants on and say: “ ’Ello luv, you’re
looking nice today. Would you like some?”
When the rest of us ask how that’s really going to work, leavers
reply, with Terry-Thomas smirks, that “they’re going to still
really fancy us, honest, they’re gagging for us. Possibly not
Merkel, but the bosses of Mercedes and those French vintners
and cheesemakers, they can’t get enough of old John Bull. Of
course they’re going to want to go on making the free market
with two backs after we’ve got the decree nisi. Makes sense,
doesn’t it?”
Have no doubt, this is a divorce. It’s not just business, it’s not
going to be all reason and goodwill. Like all divorces, leaving
Europe would be ugly and mean and hurtful, and it would lead
to a great deal of poisonous xenophobia and racism, all the
niggling personal prejudice that dumped, betrayed and
thwarted people are prey to. And the racism and prejudice are,
of course, weak points for us. The tortuous renegotiation with
lawyers and courts will be bitter and vengeful, because divorces
always are and, just in passing, this sovereignty thing we’re
supposed to want back so badly, like Frodo’s ring, has nothing to
do with you or me. We won’t notice it coming back, because we
didn’t notice not having it in the first place.
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The first “X” I ever put on a voting slip was to say yes to the EU.
The first referendum was when I was 20 years old. This one will
be in the week of my 62nd birthday. For nearly all my adult life,
there hasn’t been a day when I haven’t been pleased and proud
to be part of this great collective. If you ask me for my
nationality, the truth is I feel more European than anything
else. I am part of this culture, this European civilisation. I can
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walkoctober 3 2018
into any gallery on our continent and completely
understand the images and the stories on the walls. These
people are my people and they have been for thousands of
years. I can read books on subjects from Ancient Greece to Dark
Ages Scandinavia, from Renaissance Italy to 19th-century
France, and I don’t need the context or the landscape explained
to me. The music of Europe, from its scales and its instruments
to its rhythms and religion, is my music. The Renaissance, the
rococo, the Romantics, the impressionists, gothic, baroque,
neoclassicism, realism, expressionism, futurism, fauvism,
cubism, dada, surrealism, postmodernism and kitsch were all
European movements and none of them belongs to a single
nation.
No time for walls: the best of Europe, from its music and food to IM Pei’s pyramid at the
Louvre, depends on an easy collision of cultures
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Culture works and grows through the constant warp and weft of
creators, producers, consumers, intellectuals and instinctive
lovers. You can’t dictate or legislate for it, you can just make a
place that encourages it and you can truncate it. You can make it
harder and more grudging, you can put up barriers and you can
build walls, but why on earth would you? This collective culture,
this golden civilisation grown on this continent over thousands
of years, has made everything we have and everything we are,
why would you not want to be part of it?
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Comments (142)
Newest
Duncan Campbell
D
· 30 DECEMBER, 2016
This is why the Remainders lost: all insults; no arguments.
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