Professional Documents
Culture Documents
Kathleen Conley
Professor Granillo
22 October 2018
College of the Canyons is a public space which attempts to cater its services for many in
need of college classes. Whether it be in preparation for transfer or a full education for a degree,
College of the Canyons aims to be an accessible unit open to all those who need it. Thus in being
a public space, the college should be able to reflect values, interests, and identities of the many
individuals the campus is open to. Aesthetics theory constructed by David Hume, focuses on
deriving certain feelings and perceptions by the utilization of specific architectural choices.
These choices aide in determining whether an individual perceives a specific object as beautiful
or ugly. More specifically, the aesthetics around Mentry Hall and Honors Grove attempt to
derive a calming energy that promotes relaxation over anxiety with its many trees, grass, and
student art placed within some of the hallways leading to classrooms. With all this in mind, many
who attend College of the Canyons feel differently about the campus’ success in being accessible
and welcoming. Because of the architectural choices around Mentry Hall in particular,
individuals with disabilities may struggle navigating this side of the campus. A campus which is
intended to be utilized with the public in mind should encompass all individuals, which includes
those with disabilities. While College of the Canyons Valencia campus possesses welcoming
Its is significant to keep in mind those that constructed College of the Canyons made
intentional architectural decisions both based on cost and how they want individuals to feel on
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the campus. It is significant to note that individuals do not view objects or constructions
consciously as beautiful, rather, “Taste is the ability to judge an object, or a way of presenting it,
by means of liking or disliking devoid of all interest. The object of such a liking is called
beautiful” (Kant 509). The interior of Mentry Hall possesses numerous open windows in the
classrooms and some of the hallways which allow natural light to flow in. Many students may
not notice this placements of windows as they walk through the hallways or sit in the classrooms
which possess them. This was a choice made by the architects in order to probe at the students’
subconsciousness and make them feel open. The students do not notice themselves being
consciously in awe or the calming feeling the windows may produce. Furthermore, art and chairs
are placed throughout these hallways which students gather to sit. The chairs placed throughout
the hallway signal to the student that there are placed they can sit down and relax if needed. A
hallway without chairs may produce anxiety and a sense of unease with no place to sit down. The
art posted on some of the doorways may derive a sense of relatability to many students. The
accumulation of student work derives a number of feelings subjective to the beholder. Hume
similarly believed in this subjective idea of beauty being relative to the individual, “Beauty is in
no quality in things themselves: it exists merely in the mind which contemplates them: and each
mind perceives a different beauty. One person may even perceive deformity, where another is
sensible of beauty; and every individual ought to acquiesce in his own sentiment without
pretending to regulate those of others” (Hume 488). The choice of including a variety of student
arts was likely made to showcase the many personalities that attend College of the Canyons.
Because beauty is subjective, some of these art pieces may be unsettling to some but relaxing to
others. The different feelings the art produces, permits a feeling of variety and quite literally,
mixed feelings. Conversely, the trees within honors grove and the chairs surrounding that side of
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the campus also promote a feeling of relaxation. The pianos situated around this area are open to
those that wish to play, adding to the welcoming energy College of the Canyons attempts to
convey.
Despite the aesthetic choices College of the Canyons makes, people with disabilities may
overlook this as the campus possess many problems and flaws in its structural design. Focusing
in on the Mentry Hall interior specifically, while most of the doors to the classrooms have
printed braille on them, it is not consistent. The elevators and other signs such as the printed
maps do not printed braille on them, which could lead to easy confusion. The water fountains
within Mentry Hall are placed at inconvenient heights that those with dwarfism or are wheelchair
bound would have trouble reaching. The water fountains also possess a green light which
signifies to individuals that the water is clean. People who are color blind have trouble viewing
the color green, which would lead to the risk of them possibly ingesting contaminated water if
the light were to change color. The solution for this would be to place the fountains at a lower
height and include two lights. One constructed for those with color blindness and those that do
not possess it. The space of the hallways are also inconsistent. While some hallways are
spacious, others are narrow. The majority of the doorways are also narrow and have knobs that
could lead to trouble entering the classroom. More buttons to operate the opening and closing of
doors could be of use here. The building is also littered with stairwells while ramps are placed in
areas some may find inconvenient. Specifically the area of refuge also has a stairwell, where
All in all, College of the Canyons benefits namely able-bodied individuals who are able
to afford the prices of the textbooks, classes, and materials. While the campus attempts to be
welcoming through its employment of aesthetics, those who have weaker legs or need to use
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wheelchairs may feel frustrated with the sporadic architectural choices College of the Canyons
makes. Those who have trouble seeing may need to have a guide due to the campus’
inconsistency with its braille labels for classrooms, maps, elevators, and other facilities. The
trouble with implementing many of these features may be the overall cost. Therefore, the
administration could organize a donation program that allows students, faculty, and the
community to grant the proper money so that these features can become a possibility. This makes
the public space enjoyable and accommodating for all users and ultimately promotes a truly
accessible campus while reflecting on the inclusive values College of the Canyons should
possess.
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Works Cited
Hume, David. Of the Standard of Taste: Post-Modern Times Aesthetic Classics. Birmingham