Professional Documents
Culture Documents
0 1M 671 K
This guide is intended for concert photography beginners. If you have a DSLR camera and are
interested in how to control your camera settings to take great photos at concerts, this guide is
for you. If you’re an experienced photographer who just hasn’t shot shows before, there may
be some helpful info in here along with plenty of stuff you know already.
First of all: there are no perfect camera settings for concert photography. They just do not exist.
Every situation calls for different camera settings based on a countless number of factors How
much light is there? Is the subject moving? How much of a depth of field do I want? Is it okay if
my photos are grainy?
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 1/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
Music photographers are often asked specifically “what settings do you use?” Any concert
photographer, or any photographer in general, knows that the answer won’t be very helpful,
because your settings change constantly depending on the situation. What is helpful is getting
a basic understanding of how each setting works, to what limits you can push each setting to,
and a baseline to start shooting at.
A lot of photography beginners are drawn to concert photography, because it’s an alluring
place to start! You get up close and personal with bands that you enjoy, have the opportunity to
capture tons of “photo-worthy” moments, and get to work on your photography too. Despite
the appeal to beginners, shooting a concert is one of the toughest set of conditions for any
photographer. Very little light, constantly changing lighting conditions, and quickly moving
subjects make it very tough to get great photos.
When you first start out in concert photography, you’ll likely begin with small local shows to
build your portfolio. Sometimes these have some of the worst lighting conditions, making it
really tough. But the good news is no one cares if you bring your camera in there, and you’re
shooting for yourself so there’s no pressure and you can experiment at your own pace!
Thankfully, with the right camera and lenses for concert photography, along with the proper
settings, you’ll be able to take some great live concert photos in no time. If you don’t have a
“fast lens” yet, the Yongnuo 50mm f/1.8 is a solid budget lens to start with as your first lens for
shooting concerts.
Basically, the exposure triangle states that getting the correct exposure depends on three
things:
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 2/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
In concert photography, you’re constantly battling to let in the most light possible. So you want
your aperture wide open, ISO high, and shutter speed low… but if you go too far there are
consequences for each of these settings. We’ll go through each setting and the repercussions
of pushing their limits below.
You may see some people recommend AV (aperture priority) or TV (shutter priority) modes for
shooting shows, but I recommend against them as you really want full control over aperture,
ISO, and shutter speed to adjust to the situation. There are too many factors to just “lock-in”
your aperture or shutter speed and not worry about them. The other upside is that shooting
manual will quickly force you to learn how each setting affects your image and you’ll become a
better photographer because of it!
above, you can see that if you have a slow shutter speed, you’re allowing more light into the
sensor resulting in a brighter image.
But if your shutter speed it too slow, you get motion blur when subjects move in your frame.
This is a big problem in concert photography, where your subjects are constantly moving and
you really need to freeze motion. When the most iconic moments of a set are a big jump or a
swinging guitar, you do not want those images to come out blurry.
1/250 is a good baseline, but not a hard rule. It will capture most motion well, and let in enough
light so you won’t have to push your other settings too far. If it’s a brightly lit show, and
conditions allow you to increase your shutter speed to something like 1/400 or 1/640, you’re
going to freeze motion really well.
In extreme low light conditions, you may have to lower your shutter speed below 1/250. You
can do this, but I’d be very careful about going any slower than 1/100 even if the subjects aren’t
moving much. It’s hard to tell on your camera’s preview screen if you’re getting a small amount
of motion blur, but it will really suck if you get home and look at them and they all lack
sharpness.
Here are a couple good examples of “freezing motion” for an iconic moment.
By using a fast shutter speed, I was able to freeze-frame this jumping shot; one of the coolest moments
of the show. (Hoodie Allen in Silver Spring, MD)
Settings: Shutter Speed 1/400, Aperture f/2.8, ISO 2000
Gear: Canon EOS 5D Mark II, Canon 16-35mm f/2.8L II
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 4/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
I cranked my shutter speed to 1/1000 for this photo because I didn’t want the confetti falling down to be
blurry. Shooting in manual and being able to change my shutter speed quickly let me get this moment.
(Hoodie Allen in Seattle, WA)
Settings: Shutter Speed 1/1000, Aperture f/2.8, ISO 1000
Gear: Canon EOS 6D, Canon 16-35mm f/2.8L II
Aperture: f/1.4-f/2.8+
To shoot concerts, you really do need a specialized “fast” lens that allows for a low f-number
aperture. They’re often really expensive, but there are lens options for nearly any price. These
lenses let in more light so that you won’t have to make your shutter speed really low or ISO
really high (we’ll get to that in a moment) to get bright enough photos. You can see the
correlation back up in the exposure triangle chart.
You’ll often shoot “wide open,” meaning the lowest f-number your lens allows for. The one
downside of this is that the lower f-number you’re set at, the smaller depth of field you’ll have,
and your image isn’t as sharp as a higher f-number. This can result in you missing your focus
point, but good lenses and cameras make this less of an issue.
Having a low depth of field can be an awesome effect to utilize, even if it means missing a few
more shots. It can make your photos stylized and more interesting, especially if you’re up close
to your subject. It effectively separates your subject and the background. Here are a few
examples.
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 5/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
In this image, you can see how the subject’s entire body is in focus,
while the hands ahead and behind his depth of field plane, as well
as the cloud and building in the back are blurry. (AFI in Brisbane,
Australia)
Settings: Shutter Speed 1/2000, Aperture f/1.8, ISO 100
Gear: Canon EOS 5D Mark II, Sigma 50mm f/1.4 EX DG HSM
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 6/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
You’ll notice that the drum set and back of the stage behind the
subject are blurry, as well as the front of the stage with the mic cord.
There is a very narrow plane of this image that is in focus – maybe 6
inches or so. You can identify this by noticing how the subject’s face
and shoulders are in focus, but the closest end of the microphone as
well as his left elbow are out of focus. (Letlive. in Perth, Australia)
Settings: Shutter Speed 1/500, Aperture f/1.4, ISO 1000
Gear: Canon EOS 5D Mark II, Canon 35mm f/1.4L
ISO: 500-3200
The effect of ISO on your photos is pretty simple; if your ISO is high, you’ll get grain or noise in
your photo, if it’s low then you won’t.
If you’re struggling to take bright enough photos, ISO may be the first setting you want to
adjust. A little extra grain in your image beats having a blurry photo of the most important photo
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 7/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
of the night that you’d get from having your shutter speed too slow. Usually you’ll be shooting
with a wide open aperture so you can’t adjust your setting further to get more light; that leaves
ISO.
Some cameras handle high-ISO grain better than others. If your camera doesn’t handle ISO
well, you’ll end up with a photo that has large, ugly grain that destroys detail and makes it
unusable. Some impressive DSLRs performers on the Canon side include the Canon EOS 6D
and Canon EOS 5D Mark III. With cameras like these, you’ll be able to adjust your ISO to high
levels like 6400 without ending up with an image that is too grainy to use.
Regardless of your camera, I suggest starting your ISO at 500 or so, and then quickly adjust the
setting up to 2000 if you need your image to be brighter. Your sweet-spot should be between
100-1250 before you start getting noticeable grain. You’ll want to test your camera out to see
how it looks at higher ISO levels than that – if it doesn’t look great you’ll want to start adjusting
your shutter speed or aperture to get additional exposure stops.
You can clearly see the grain in this photo, it’s especially evident in the midtones. Even with my shutter
speed very slow and my aperture wide open I had to crank up my ISO a lot. Thankfully it’s still a usable
image, since the Canon 6D performs pretty well with a high ISO setting. (PVRIS in San Antonio, TX)
Settings: Shutter Speed 1/160, Aperture f/2.8, ISO 5000
Gear: Canon EOS 6D, Canon 70-200mm f/2.8L IS II USM
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-b… 8/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
Here’s an image on my old Canon 5d Mkii, which didn’t handle high ISO as well as my current camera.
You can clearly see grain throughout the image, which I believe detracts from how this photo came out.
(Our Last Night in Paris, France)
Settings: Shutter Speed 1/320, Aperture f/2.8, ISO 1000
Gear: Canon EOS 5D Mark II, Tokina 11-16mm f/2.8
Autofocus: AI-Servo
The Nikon equivalent to AI-Servo on Canon is AF-C. This is a continuous focus mode, which
helps to track your subject and focus point as they move through the frame. When shooting
quickly moving subjects like concert photographers almost always do, continuous focusing AF
is a big benefit.
A helpful technique for concert photographers to learn is back button focus, which allows you
to set another button on your camera to be in charge of focusing. Check out my post on back
button focusing where I explain it in detail.
pressing down the shutter just a little too long or too hard. You’ll quickly learn how to apply the
right pressure to only shoot a bunch of frames in a row when you want to.
This is of course an important mode to capture the iconic moments of a set; a jump, spin, hair-
flip, etc. You’ll want to make sure you get the highest point of the jump, for example, and
instead of just taking one shot and hoping you got it, shooting in continuous lets you get a
bunch of frames of the whole thing so you can select the best one.
Because there’s so much contrast between the artist and background, some metering modes
give you more useful readings than others. Spot metering is typically the most useful mode for
concert photography, and it works by assessing how to properly expose only one point; your
focus point. This is useful because your focus point will almost always be the artist’s face, which
is the part of the image that is the most important to properly expose.
Other metering modes aren’t as helpful in a concert photography context. Evaluative (or
“matrix”) metering calculates exposure with your focus point in mind, but also factors in other
parts of the image as well. This can be excellent for other uses, but when shooting shows, the
only exposure reading that matters is the artist’s face or specific feature you want to expose for.
Center-weighted metering measures only the center of the frame. This is also not ideal,
because we are not consistently framing our subjects in the exact center.
advantage! You can get some of your settings wrong, or be slightly off, and still end up with a
fantastic final photo. You’re also able to heavily adjust your shadows and highlights and retain a
ton of detail, which makes editing much easier. Because of these abilities, RAW files are much
larger than JPEG. Despite the size difference, it is not worth shooting in JPEG. SD and CF cards
are inexpensive these days, and so are hard drives.
Here’s a non-extreme example of the flexibility shooting in RAW can give you:
(Left) Before: If this was shot in JPEG, a lot of the shadow details would be completely lost in the editing
process, as you can see most of this image is very dark. (Our Last Night in London, UK). (Right) After: But
after editing, I’m able to bring up my shadows drastically, change the colors, and I’ve kept my highlights
from becoming blown out as well. Shooting in RAW gives you tons of flexibility when editing. (Our Last
Night in London, UK)
Settings: Shutter Speed 1/640, Aperture f/1.4, ISO 1250
Gear: Canon EOS 5D Mark II, Canon 35mm f/1.4L
When I first get into the photo pit, I’ll usually start with my aperture wide open, my shutter
speed to 1/250, and my ISO at about 640. As soon as the set starts, I will adjust my settings to
fit the situation – if it’s too dark still and I need brighter images, I’ll turn my ISO up. If it’s too
bright, I’ll adjust my shutter speed to be a bit faster. It’s all about experimenting and knowing
how changing your settings will affect your final image.
Thanks for reading! I hope this is helpful for those beginners to photography in general, and
concert photography in specific.
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-… 11/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
About the author: Matty Vogel is a music photographer based out of Philadelphia,
Pennsylvania. You can find out more about him and his work through his website and his blog.
This article was also published here.
TAG S: B E G INN E R, C A M ERAS E T T I N G S, CO N CER T, CO N CER T P H OTO G R A P H Y, H OW TO, I N T ROD U C T I O N, L E SSON, MATTY VO G E L, MUSIC, P R I MER,
S E T TIN G S, T U TORI A L
51 Comments PetaPixel
1 Login
Sort by Oldest
Recommend 1 ⤤ Share
LOG IN WITH
OR SIGN UP WITH DISQUS ?
Name
see more
1△ ▽ • Reply • Share ›
2△ ▽ • Reply • Share ›
Don't.
3△ ▽ • Reply • Share ›
I'll use a slower shutter speed in certain situations, but I know as a beginner learning my settings
I struggled with never having it high enough to capture motion with the types of artists I was
shooting, so I recommended on the safe-side. Hopefully that's understandable!
△ ▽ • Reply • Share ›
In regards to the Yongnuo, I would also never recommend it if you had a budget of over $100,
but virtually every true beginner that asks me for recommendations wants to spend as little
money as possible. In comparison to the old "gold standard" of cheap lenses — Canon's nifty
fifty — it seems as if the Yongnuo is a perfectly acceptable choice for true beginners who aren't
able to afford any better options (https://petapixel.com/2014/.... Think that's fair?
△ ▽ • Reply • Share ›
and it bounce iso in those parameters while I still run shutter and aperture.
△ ▽ • Reply • Share ›
I agree that many of these things are not necessary for beginners to know, but after researching
other concert photography settings articles that new photographers might look up, I found that
there weren't many that fully explained what setting you should choose, why, and why the other
options for the setting aren't ideal. I hoped that this piece would flesh out those ideas and help
beginners start to understand the effects of each setting so they can adjust them to their own
style and preference. Hopefully I'm correct about this!
I appreciate the perspective of your response, even if you have some disagreements!
△ ▽ • Reply • Share ›
Also shooting at a maximum of ISO 3,200 might be the choice of some, but it doesn't mean that high
quality show photos cannot be shot at a higher ISO. This is a show I shot several years ago for a online
magazine using for the most part consumer grade Nikon gear at ISO 12,800. I think they came out just
fine. I now use a pair of Nikon D500's and have shot shows (metal and burlesque) at ISO's as high as
51,200 with great results.
https://www.flickr.com/phot...
△ ▽ • Reply • Share ›
Those pictures look great, especially at 12,800 iso. If all cameras were capable of that, concert
photography would be much easier! Nice work. I should have phrased it better in the article, but I
agree that there should be no hard limit to your ISO and it should be dependent on the ability of
your gear. I certainly shoot past 3200 ISO when the situation requires, but for the sake of the
audience this piece is intended for, I feel like they will likely be using inexpensive starter cameras
that struggle at high ISO settings.
1△ ▽ • Reply • Share ›
I put together what I call my "f/1.8 kit" which is a 20, 35, 50, 85 and a 50-100 zoom. Even
ith these lenses I am shooting at some places at ISO 12 800 and 25 600!!!!
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-… 16/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
with these lenses I am shooting at some places at ISO 12,800 and 25,600!!!!
Maybe you should expand your article with some Photoshop or Lightroom tips to get nice
images from less than perfect lighting.
△ ▽ • Reply • Share ›
That's quite the kit you have put together, haha. I'm glad they serve you right most
of the time. Nothing more demoralizing than whole sets of bad images, what a
bummer.
I put together a video on how I approach editing a little while back if you are
interested in checking it out - https://www.mattyvogel.com/...
△ ▽ • Reply • Share ›
△ ▽ • Reply • Share ›
P.S most of my concert photos are for the bands and promoters and some of them are
used for CD/DVD cover and posters so i only deliver images that are realy sharp and in
focus when at 100%
△ ▽ • Reply • Share ›
If your going to shoot concerts -- go out and shoot. You be the judge of the final outcomes. Because
see more
1△ ▽ • Reply • Share ›
✉ Subscribe d Add Disqus to your siteAdd DisqusAdd 🔒 Disqus' Privacy PolicyPrivacy PolicyPrivacy
SU B S C RI B E O UR NE WSLE TT E R
TO STAY UP TO DATE
your email
SU B S CRIBE
0 1M 671 K
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-… 20/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-… 21/22
8/22/2018 PrintWhatYouLike on Camera Settings for Concert Photography Beginners
http://www.printwhatyoulike.com/print?url=https%3A%2F%2Fpetapixel.com%2F2017%2F03%2F23%2Fcamera-settings-concert-photography-… 22/22