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59) 105
USTIN, (OUR) SCULPTOR
HAVANA PUBLIC SCULPTURE
IN THE PAINSTAKING PATH
OF MOL
ART AND PUBLIC
Nelson Herrer
JBLIC EYE
NUMENTS
TO INTERVENTIONS
of
cf Cuban background in
12 United States
TING IN FAMILY
Tradition and Modernity in Bronze
teaMemorial Garden:
Revisiting
Alexis Esquivel’s
History Painting
SUSET SANCHEZ
Assuming the curatorship of an individual exhibition without it
having an anthotogical nature, and when having closely followed.
the path of an artist, isan enormous risk, Such a challenge has
been the curatorial project ofthe fist individual exhibition by
Alexis Esquivel ina Spanish museum, the Centro Atlantico de Arte
‘Modemo (Las Palmas, Canary Islands, February-March, 2014). In
this case, all negotiation with the artist and the space where the
proposal is set maintains a fragile balance where the passion for the
object of study must conciliate with a critical distance moving the
result in the hall away from any paternalistic overtone.
knew about Fsquivel’s oeuvre in the mid nineties, when
researching on an aesthetic orientation fashionable inthe Island
atthe close of the20" century which was called Neohistoricism,
This practice, internationally codified as a postmodern
appropriation, deepened into the discourses of History, recovered
canonic genres, styles and images from western Art History, to
‘make acritique ofthe representation in which subordinate voices:
excluded from traditional repertoires of painting had room.
‘On these interventions in histricist imaginares, painter
Pedro Alvarez used to say: “It would not upset me that people
‘saw my pictures as illustrating a given moment in Cuban history,
particularly this one. What function would they have in the future?
‘That of being in abook on history or cultural criticism supporting,
the texts?” Asin Alvarez’s case, in Esquivel’ recent pleces that
perspective becomes a sort of theory of history exercising in the
creative gesture, while the workarticulates asa space where the
‘various representations of the present proliferating in the media
‘and in other systems of information transmission closer to popular
‘culture may be dissected and commented,