Beyond Imitation: Mimetic Praxis in Gadamer, Ricoeur, and Derrida
William Schweiker
The Journal of Religion, Vol. 68, No. 1, (Jan., 1988), pp. 21-38.
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‘Sun Aug 27 13:16:21 2006Beyond Imitation: Mimetic Praxis in
Gadamer, Ricoeur, and Derrida*
William Schweiker | University of Iowa
Some ideas continually spark reflection. They do so because they are
bound up with thought and with our relation to the world. One such
idea is “imitation,” or, to be precise, “mimesis.” In classical thought
mimesis was a way (o speak about meaning and truth. Imitation
denoted a continuous relation between things, a scale of being, so that
thoughts, works of art, and words reflected or mirrored other layers of
reality. The human existed and understood itself within this symbolic
reality. Given this, there were no bumps or jolts, as William James
might say, no radical plurality or difference in the human commerce
with the world, Imitation gave us a universe of thought and thus satis-
fied the constant desire of reason.
‘The appeal of imitation was that it provided unity to thought and
‘was a neat way to test ideas and actions: do they correspond to, imi-
tate, or mirror the way things are? Imitation was one premodern
answer to what Richard Bernstein has called “Cartesian anxiety,” that
deep human desire for truthfulness and certainty in life.? However, the
experience of a pluralistic postmodern world has raised the suspicion
that there is no definite or set “way things are.” Reality is, in a measure,
malleable and open to wildly different perspectives. Accordingly,
Richard Rorty argues that itis simply wrongheaded to assume a mirror
image of the relation of mind, language, and ideas to “reality.”’ There
is no naked reality “out there” independent of what we say and think
about it. So ideas, values, and ideals cannot somehow mirror re
“+ This emay represents a larger work in progress I want to thank Julius, Jackson, Jr, David
, Klemm, and Terence Marin, Jr. for valle comments on this estay snd my project a &
hoe
"William James, “On Some Hegelisms”
Vion, 1956).
"Richard Bernstein, Boond Obi and Relation: Sine, Hemenutics and Pais (Phil
elphia: University of Pennsylvania Pree, 1983)
> Richard Rory, Philswply end the Miron of Netere (Princeton, N.J.: Princeton University
Press, 1979),
1 1988 by The Univenity of Chicago, All ights reserved. 0022-4189/8/6801-0002501.00
‘is Te Wil Ble (New York: Dover Publica:
21‘The Journal of Religion
‘We help make true ideas as much as find them written into the fabric of
the world. Moreover, the experience of oppressive systems, like
National Socialism, intransigent sexism, and economic colonialism,
has confirmed fears about the ideological taint of all claims to how
things are.” For us the mirror has broken. We do experience bumps
and jolts, some so radical we call them abysmal.‘ Intellectually and
experientially the realism of traditional mimesis is now contested and
protested.
Yet once we have given up, or escaped, a universe of mirrors, we
must rethink what we mean by true ideas, right beliefs, and good
actions. Our anxiety does not go away simply because we have rejected
the traditional cure; rather, it returns with the vengeance of the
repressed. Put differently, while the terminology and ideology of imita-
tion are unusable, even dangerous, the problem of mimesis remains
with us. Granted that we meet the world in jolts, gaps, and differences,
how do we understand our being and acting? How do we understand
our participation in a meaningful yet ambiguous world? These are the
questions this essay pursues. The problem of mimesis again calls for
reflection.
The call has not gone unheeded. In particular, Hans-Georg
Gadamer, Paul Ricoeur, and Jacques Derrida have reopened the dis-
cussion of mimesis and its problems. This essay continues the inquiry
through a critical reading and use of their texts.* I will argue that Gad-
amer explores understanding and interpretation through the phe-
nomenon of cultic mimesis, that Ricoeur interprets narratives as
mimetic, and that Derrida deconstructs understanding and text
through theatrical mimesis. Mimesis is important, I am contending,
because of its presence in “ritual,” “narrative,” and “theater” as three
metaphors for getting at our being in the world.® Gadamer, Ricoeur,
and Derrida provide a way to explore these dimensions of the human
world, and they do so through mimesis.
In ‘taking up mimesis, and especially Gadamer, Ricoeur, and
Derrida, we encounter a clash of positions. Most simply stated, the
conflict is between those, like Gadamer and Ricoeur, who explore and
hold to hermeneutical consciousness, and others, like Derrida, who chal-
lenge reflexivity in consciousness and deconstruct the relation of self,
world, and text. For hermeneutical thinkers, our way of being in the
4 The Jewish Holocaust has exposed the experience of rupture in our situation, See Arthur
Coben, The Timea (New York: Crottoad Publishing Co., 1981).
* Gadamer, Derrida, and Ricoeur read mimesis within its casial Platonic and Aritoeian
context, cannot explore this background other than by passing relerence
See Clif Geert, Laval Knarloe: Further Esayt i Ineprie Anthology (New York:
Basie Books, 198).
22