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Guitar Strumming Patterns: Six Popular

Strumming Patterns for Beginners
OCTOBER 29, 2013 BY KASIA MIKOLUK

Guitar strumming what separates the

amateur rhythm guitarists from the professionals. An experienced guitarist
can make even the dullest of C-F-G chord combination come to life with a
variety of strumming patterns and rhythm techniques. Mastering the basics of
strumming is the first step in becoming a competent guitarist.

In this article, we’ll learn six strumming patterns for complete beginners. We
will start off from the simplest and move on to more complicated patterns you
can actually use in songs. We will also take a look at some strumming tips.

To learn more about guitar strumming, take this beginner’s guide to

playing the guitar.

What You’ll Need

 A guitar, obviously.
  A guitar pick. I recommend a thin pick for rhythm guitar, a medium to
thick one for lead guitar.
 A guitar tuner, if your guitar is not tuned already (optional).

Strumming Tips
Before you can start strumming away, make sure that you follow these tips:

 Learn how to hold the guitar properly. Your right elbow should rest on
the body of the guitar, giving your arm a complete range of motion over
the strings.
 Hold the guitar pick properly. The pick should be nearly perpendicular to
the strings. I personally like to hold the pick at an angle of around 110-
120 degrees against the strings.
 Play directly over the guitar’s sound hole (if you are using an acoustic
guitar). Once you master a few strumming patterns, try playing closer to
the bridge or the neck. Did you notice any changes in the pitch and
‘thickness’ of the produced sound?
 Ensure that each string is ringing correctly. Don’t worry about playing
chords while you practice basic strumming patterns. Just make sure that
you hit all the strings.
 Learn to keep time. The most basic time signature is 4/4. That equals to
four beats every movement (these are music theory terms. Look them up
for a better understanding of rhythm).
 Keep your wrist free and relaxed. The picking motion depends on the
flexibility of the wrist, especially for more advanced rhythms. Practice
playing with just a motion of the wrist without moving your arm.

For more in-depth strumming tips, discover the seven guitar skills you
must learn to play any song.

How to Read Strumming Patterns

For the purpose of this tutorial, we will follow these conventions:

Downstroke: This is the motion of the pick in a downward direction, the way
your hand would naturally move while playing the guitar. This is represented
by a green downward arrow.
Upstroke: This is the opposite of the downstroke – the hand moves up
against the strings. This is represented by an orange upward pointing arrow.

Beats are written as numbers. Since most songs use the 4/4 time signature,
there will be four beats, which are written as four numbers – 1 2 3 4. The
appropriate stroke on a specific beat is shown beneath it.

With that out of the way, let’s dive right into the first of the strumming
patterns!

Six Strumming Patterns for Beginners

Pattern 1

This is the simplest pattern you will ever learn – it is made up entirely of
downstrokes. We just saw this pattern above, but we’ll repeat it here for the
sake of clarity:
What does this exactly mean?

Let’s break it down:

Start counting numbers up till four out loud. Every time you say a number,
strum the guitar in a downward direction. Once you hit four, go back to one
and repeat the process. Do this a couple of times and you should have a basic
rhythm going.

To do this like actual guitarists, instead of saying the number out loud, try
tapping your left foot in rhythm with the downstrokes.

Alternatively, you can get a metronome and hit strum the guitar at every click.

Simple, right?

Let’s move on to something more challenging.

Pattern 2

This is the exact opposite of the previous strumming pattern – instead of

going down with each beat, we will go up. This can be a little difficult at first;
the upstroke doesn’t come as naturally as the downstroke. Don’t worry if you
get the rhythm wrong at first. The point of this exercise is to get you familiar
with playing the upstroke. Give it a few tries and you should be playing the
upstroke in no time.

So this was fun, but still too tame. Let’s take it up a notch by combining
downstrokes and upstrokes.
Pattern 3

This looks challenging – and it is! It will take you a few tries to get the pattern
right – downstroke on the first beat, an upstroke on the second, another down
on the third and an upstroke on the fourth. Once you get it right, you’ll realize
that this pattern sounds much more ‘natural’. Spend some time with this
pattern – it will form the basis of the more advanced patterns we will try
below.

Pattern 4

This is where things start complicated. Instead of counting to 4, I want you to

say this out loud: “1 AND 2 AND 3 AND 4 AND” with emphasis on the ‘AND’.
When you say a number, do a downstroke. When you say AND, do an
upstroke. Do it slowly and take your time with each stroke. Don’t worry if it
doesn’t come right immediately; it’s not the most intuitive of patterns. But
once you do get the hang of it, you’ll realize that you can use this pattern
across a huge variety of songs.

What we’re doing here is basically breaking the measure down into not four,
but eight beats. In other words, we are squeezing two beats into the time
where we were using just one beat before. More importantly, by placing
emphasis on the AND rather than the number, we are making sure that our
upstrokes sound more ‘prominent’ than the downstrokes.

Guitar strumming is all about this: mixing and matching emphasis on

different beats. Don’t bang your head against the wall if you don’t get it at first;
this is something you’ll grasp naturally the more you practice.

Pattern 5
Did you see what we did here?

We removed a stroke from the 3rd beat. This means that when you play this
pattern, instead of doing a downstroke when you say the number 3, you will
nothing.

But here’s the thing: instead of stopping your hand when you get to the third
beat, I want you to continue your hand motion over the guitar strings. Pretend
that you are playing air guitar; your hand will hover over the strings without
striking them.

This can be very tricky at first. You have to move over the strings without
breaking rhythm. Your hand must continue moving as it would move if you
were actually playing the strings on the third beat. You must then strike the
strings on the AND with an upstroke in the same rhythm.

Practice this pattern a lot. Master the art of not striking the strings. This will
be the principle in virtually every pattern that you use.

Confused by this pattern? This course on learning how to play the guitar
in 21 days will help you get started!

Pattern 6

We’ve now taken the principle we learned above and upped the ante by
removed not one but three strokes.

This will be difficult even if you took your time with pattern 5. You will have to
glide over the strings three times in a measure – on the AND after 1, on the
number 3, and on the AND following 4. The last bit – the AND following 4 – is
 the hardest part for most beginners, so make sure that you give it plenty of
practice time.

This is pretty much the gist of guitar strumming patterns. There are countless
patterns out there, and while you must learn the most basic ones as a
beginner, don’t rely on them too much as you advance in skill. Instead, play
what feels ‘natural’ to you. Following a pattern too closely can make your
playing sound mechanical and dull. Don’t be afraid to change up the rhythm if
you feel it fits the song.

For a more in-depth look at guitar strumming patterns, consider taking

Tyler’s course on essential guitar techniques.

Filed Under: Music, Students

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