Hugo Wolf: Subjectivity in
the Fin-de-Siécle Lied
Lawrence Kramer
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logo Wolf occupies an anomalons postion i dhe canon of “danse”
ine. Heisthe ony sasard compet whese reputation ress entirely on
sso ane he enjoys enough ential teen osetia he pralls
spin asa gene spelt, Unlike Chopin, however, Wallis not popula
enc: is songs are ore olen psned than sung. Concomitant
ig his eputaion high he has atracted only a mosiur fecal
enon. Andalou is se expresely and someties roc
hiy elusive, relecting his notorious penchant for setting complex teas
Wears smal care often Feenly Found only one story tell
Avni This what might be called dhe Wol legen: dhe ae of the
nocd seni. but aesthetically dcplined artis who sabmerged inset
Jn trcene Merary texts undessoe! them preternaturaly well, and
a and he Let Ia eects om List hac, NV: Gort
Prem a0 150-74 rt = : aes
esos Ea Fey ee apresed™ them to perfection by repeating their sound and meaning
a mB Pin risen, rat Main Inthe form of si
“Since the rina plication of his chapter, ties by. Swan
iene, Amanda Clavert, and others Bae taken a more nuanced view of
War aeete with emphasis on the sometimes conficnl neyplay of
hae and poetry and on the structural and siti problems face by 2
enpose in Wol's historia! postion. But dhe Wallen hs ary one
en To confirm the point one hax only to note the snge combination
armed by two enti in the online edition of the New Grove, one by
ens explidy stating that Wall's sexhetic i more complicated than
the legen allows, the oer by Esc Sane and Graham Johnson reiterating
the legen without qualifications Follows
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moive content of vere. (Hs descripsions of the wor
‘si relation instnciney drew on metaphor of engi iy
nd symbicis: mnie swords and dives on the sence of
poedy ike acl om milo wpe om blond rom the it
eitenet on poetry and langsge boring their Hymns
‘verte, and exdences