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A Midsummer
Night’s Dream.
William Shakespeare
Contents
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Contents
Persons Represented.
THESEUS, Duke of Athens.
EGEUS, Father to Hermia.
LYSANDER, in love with Hermia.
DEMETRIUS, in love with Hermia.
PHILOSTRATE, Master of the Revels to Theseus.
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Other Fairies attending their King and Queen.
FOR COMPLETE DETAILS, SEE Attendants on Theseus and Hippolyta.
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Awake the pert and nimble spirit of mirth;
Turn melancholy forth to funerals—
The pale companion is not for our pomp. —
[Exit PHILOSTRATE.]
Hippolyta, I woo’d thee with my sword,
And won thy love doing thee injuries;
Scene: Athens, and a wood not far from it. But I will wed thee in another key,
With pomp, with triumph, and with revelling.
[Enter EGEUS, HERMIA, LYSANDER, and DEMETRIUS.]
Act 1. EGEUS
Happy be Theseus, our renowned duke!
Scene I. Athens. A room in the Palace of THESEUS.
THESEUS
[Enter THESEUS, HIPPOLYTA, PHILOSTRATE, and At-
Thanks, good Egeus: what’s the news with thee?
tendants.]
EGEUS
THESEUS
Full of vexation come I, with complaint
Now, fair Hippolyta, our nuptial hour
Against my child, my daughter Hermia.—
Draws on apace; four happy days bring in
Stand forth, Demetrius.—My noble lord,
Another moon; but, oh, methinks, how slow
This man hath my consent to marry her:—
This old moon wanes! she lingers my desires,
Stand forth, Lysander;—and, my gracious duke,
Like to a step-dame or a dowager,
This man hath bewitch’d the bosom of my child.
Long withering out a young man’s revenue.
Thou, thou, Lysander, thou hast given her rhymes,
HIPPOLYTA And interchang’d love-tokens with my child:
Four days will quickly steep themselves in nights; Thou hast by moonlight at her window sung,
Four nights will quickly dream away the time; With feigning voice, verses of feigning love;
And then the moon, like to a silver bow And stol’n the impression of her fantasy
New bent in heaven, shall behold the night With bracelets of thy hair, rings, gawds, conceits,
Contents
For disobedience to your father’s will; And with Demetrius thought to have spoke thereof;
Or else to wed Demetrius, as he would; But, being over-full of self-affairs,
Or on Diana’s altar to protest My mind did lose it.—But, Demetrius, come;
For aye austerity and single life. And come, Egeus; you shall go with me;
I have some private schooling for you both.—
DEMETRIUS
For you, fair Hermia, look you arm yourself
Relent, sweet Hermia;—and, Lysander, yield
To fit your fancies to your father’s will,
Thy crazed title to my certain right.
Or else the law of Athens yields you up,—
LYSANDER Which by no means we may extenuate,—
You have her father’s love, Demetrius; To death, or to a vow of single life.—
Let me have Hermia’s: do you marry him. Come, my Hippolyta: what cheer, my love?
EGEUS Demetrius, and Egeus, go along;
Scornful Lysander! true, he hath my love; I must employ you in some business
And what is mine my love shall render him; Against our nuptial, and confer with you
And she is mine; and all my right of her Of something nearly that concerns yourselves.
I do estate unto Demetrius. EGEUS
LYSANDER With duty and desire we follow you.
I am, my lord, as well deriv’d as he, [Exeunt THESEUS, HIPPOLYTA, EGEUS, DEMETRIUS,
As well possess’d; my love is more than his; and Train.]
My fortunes every way as fairly rank’d,
LYSANDER
If not with vantage, as Demetrius’s;
How now, my love! why is your cheek so pale?
And, which is more than all these boasts can be,
How chance the roses there do fade so fast?
I am belov’d of beauteous Hermia:
Why should not I then prosecute my right? HERMIA
Demetrius, I’ll avouch it to his head, Belike for want of rain, which I could well
Made love to Nedar’s daughter, Helena, Beteem them from the tempest of my eyes.
And won her soul; and she, sweet lady, dotes, LYSANDER
Contents
Devoutly dotes, dotes in idolatry, Ah me! for aught that I could ever read,
Upon this spotted and inconstant man. Could ever hear by tale or history,
THESEUS The course of true love never did run smooth:
I must confess that I have heard so much, But either it was different in blood,—
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Call you me fair? that fair again unsay. None, but your beauty: would that fault were mine!
Demetrius loves your fair. O happy fair!
HERMIA
Your eyes are lode-stars; and your tongue’s sweet air
Take comfort; he no more shall see my face;
More tuneable than lark to shepherd’s ear,
Lysander and myself will fly this place.—
When wheat is green, when hawthorn buds appear.
Before the time I did Lysander see,
Sickness is catching: O, were favour so,
Seem’d Athens as a paradise to me:
Yours would I catch, fair Hermia, ere I go;
O, then, what graces in my love do dwell,
My ear should catch your voice, my eye your eye,
That he hath turn’d a heaven unto hell!
My tongue should catch your tongue’s sweet melody.
Were the world mine, Demetrius being bated, LYSANDER
The rest I’d give to be to you translated. Helen, to you our minds we will unfold:
O, teach me how you look; and with what art To-morrow night, when Phoebe doth behold
You sway the motion of Demetrius’ heart! Her silver visage in the watery glass,
Decking with liquid pearl the bladed grass,—
HERMIA
A time that lovers’ flights doth still conceal,—
I frown upon him, yet he loves me still.
Through Athens’ gates have we devis’d to steal.
HELENA
HERMIA
O that your frowns would teach my smiles such skill!
And in the wood where often you and I
HERMIA Upon faint primrose beds were wont to lie,
I give him curses, yet he gives me love. Emptying our bosoms of their counsel sweet,
There my Lysander and myself shall meet:
HELENA
And thence from Athens turn away our eyes,
O that my prayers could such affection move!
To seek new friends and stranger companies.
HERMIA Farewell, sweet playfellow: pray thou for us,
The more I hate, the more he follows me. And good luck grant thee thy Demetrius!—
HELENA Keep word, Lysander: we must starve our sight
The more I love, the more he hateth me. From lovers’ food, till morrow deep midnight.
Contents
HERMIA LYSANDER
His folly, Helena, is no fault of mine. I will, my Hermia.
Pursue her; and for this intelligence Answer, as I call you.—Nick Bottom, the weaver.
If I have thanks, it is a dear expense:
BOTTOM
But herein mean I to enrich my pain,
Ready. Name what part I am for, and proceed.
To have his sight thither and back again.
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QUINCE FLUTE
You, Nick Bottom, are set down for Pyramus. What is Thisby? a wandering knight?
BOTTOM QUINCE
What is Pyramus? a lover, or a tyrant? It is the lady that Pyramus must love.
QUINCE FLUTE
A lover, that kills himself most gallantly for love. Nay, faith, let not me play a woman; I have a beard coming.
BOTTOM QUINCE
That will ask some tears in the true performing of it. That’s all one; you shall play it in a mask, and you may speak as
If I do it, let the audience look to their eyes; I will move small as you will.
storms; I will condole in some measure. To the rest:—yet my
BOTTOM
chief humour is for a tyrant: I could play Ercles rarely, or a
An I may hide my face, let me play Thisby too:
part to tear a cat in, to make all split.
I’ll speak in a monstrous little voice;—’Thisne, Thisne!’—
The raging rocks ‘Ah, Pyramus, my lover dear; thy Thisby dear! and lady dear!’
And shivering shocks
QUINCE
Shall break the locks
No, no, you must play Pyramus; and, Flute, you Thisby.
Of prison gates:
BOTTOM
And Phibbus’ car
Well, proceed.
Shall shine from far,
And make and mar QUINCE
The foolish Fates. Robin Starveling, the tailor.
QUINCE QUINCE
Francis Flute, the bellows-mender. Robin Starveling, you must play Thisby’s mother.—
Tom Snout, the tinker.
FLUTE
Contents
PUCK
The king doth keep his revels here to-night;
Take heed the Queen come not within his sight.
For Oberon is passing fell and wrath,
Because that she, as her attendant, hath
A lovely boy, stol’n from an Indian king;
She never had so sweet a changeling:
When I a fat and bean-fed horse beguile, Playing on pipes of corn, and versing love
Neighing in likeness of a filly foal; To amorous Phillida. Why art thou here,
And sometime lurk I in a gossip’s bowl, Come from the farthest steep of India,
In very likeness of a roasted crab; But that, forsooth, the bouncing Amazon,
And, when she drinks, against her lips I bob, Your buskin’d mistress and your warrior love,
And on her withered dewlap pour the ale. To Theseus must be wedded; and you come
The wisest aunt, telling the saddest tale, To give their bed joy and prosperity.
Sometime for three-foot stool mistaketh me;
OBERON
Then slip I from her bum, down topples she,
How canst thou thus, for shame, Titania,
And ‘tailor’ cries, and falls into a cough;
Glance at my credit with Hippolyta,
And then the whole quire hold their hips and loffe,
Knowing I know thy love to Theseus?
And waxen in their mirth, and neeze, and swear
Didst not thou lead him through the glimmering night
A merrier hour was never wasted there.—
From Perigenia, whom he ravish’d?
But room, fairy, here comes Oberon.
And make him with fair Aegle break his faith,
FAIRY With Ariadne and Antiopa?
And here my mistress.—Would that he were gone!
TITANIA
[Enter OBERON at one door, with his Train, and TITANIA, These are the forgeries of jealousy:
at another, with hers.] And never, since the middle summer’s spring,
OBERON Met we on hill, in dale, forest, or mead,
Ill met by moonlight, proud Titania. By paved fountain, or by rushy brook,
Or on the beached margent of the sea,
TITANIA To dance our ringlets to the whistling wind,
What, jealous Oberon! Fairies, skip hence; But with thy brawls thou hast disturb’d our sport.
I have forsworn his bed and company. Therefore the winds, piping to us in vain,
OBERON As in revenge, have suck’d up from the sea
Tarry, rash wanton: am not I thy lord? Contagious fogs; which, falling in the land,
Hath every pelting river made so proud
TITANIA
Contents
The fold stands empty in the drowned field, And, in the spiced Indian air, by night,
And crows are fatted with the murrion flock; Full often hath she gossip’d by my side;
The nine men’s morris is fill’d up with mud; And sat with me on Neptune’s yellow sands,
And the quaint mazes in the wanton green, Marking the embarked traders on the flood;
For lack of tread, are undistinguishable: When we have laugh’d to see the sails conceive,
The human mortals want their winter here; And grow big-bellied with the wanton wind;
No night is now with hymn or carol blest:— Which she, with pretty and with swimming gait
Therefore the moon, the governess of floods, Following,—her womb then rich with my young squire,—
Pale in her anger, washes all the air, Would imitate; and sail upon the land,
That rheumatic diseases do abound: To fetch me trifles, and return again,
And thorough this distemperature we see As from a voyage, rich with merchandise.
The seasons alter: hoary-headed frosts But she, being mortal, of that boy did die;
Fall in the fresh lap of the crimson rose; And for her sake do I rear up her boy:
And on old Hyem’s thin and icy crown And for her sake I will not part with him.
An odorous chaplet of sweet summer buds
OBERON
Is, as in mockery, set: the spring, the summer,
How long within this wood intend you stay?
The childing autumn, angry winter, change
Their wonted liveries; and the maz’d world, TITANIA
By their increase, now knows not which is which: Perchance till after Theseus’ wedding-day.
And this same progeny of evils comes If you will patiently dance in our round,
From our debate, from our dissension: And see our moonlight revels, go with us;
We are their parents and original. If not, shun me, and I will spare your haunts.
OBERON OBERON
Do you amend it, then: it lies in you: Give me that boy and I will go with thee.
Why should Titania cross her Oberon? TITANIA
I do but beg a little changeling boy Not for thy fairy kingdom. Fairies, away:
To be my henchman. We shall chide downright if I longer stay.
Contents
And I shall have no power to follow you. It is not night when I do see your face,
Therefore I think I am not in the night;
DEMETRIUS
Nor doth this wood lack worlds of company;
Do I entice you? Do I speak you fair?
For you, in my respect, are all the world:
Or, rather, do I not in plainest truth
Then how can it be said I am alone
Tell you I do not, nor I cannot love you?
When all the world is here to look on me?
HELENA
DEMETRIUS
And even for that do I love you the more.
I’ll run from thee, and hide me in the brakes,
I am your spaniel; and, Demetrius,
And leave thee to the mercy of wild beasts.
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me, HELENA
Neglect me, lose me; only give me leave, The wildest hath not such a heart as you.
Unworthy as I am, to follow you. Run when you will, the story shall be chang’d;
What worser place can I beg in your love, Apollo flies, and Daphne holds the chase;
And yet a place of high respect with me,— The dove pursues the griffin; the mild hind
Than to be used as you use your dog? Makes speed to catch the tiger,—bootless speed,
When cowardice pursues and valour flies.
DEMETRIUS
Tempt not too much the hatred of my spirit; DEMETRIUS
For I am sick when I do look on thee. I will not stay thy questions; let me go:
Or, if thou follow me, do not believe
HELENA
But I shall do thee mischief in the wood.
And I am sick when I look not on you.
HELENA
DEMETRIUS
Ay, in the temple, in the town, the field,
You do impeach your modesty too much,
You do me mischief. Fie, Demetrius!
To leave the city, and commit yourself
Your wrongs do set a scandal on my sex:
Into the hands of one that loves you not;
We cannot fight for love as men may do:
To trust the opportunity of night,
We should be woo’d, and were not made to woo.
And the ill counsel of a desert place,
Contents
OBERON [Exeunt.]
Fare thee well, nymph: ere he do leave this grove,
Thou shalt fly him, and he shall seek thy love.— Scene II. Another part of the wood.
[Re-enter PUCK.] [Enter TITANIA, with her Train.]
Hast thou the flower there? Welcome, wanderer. TITANIA
Come, now a roundel and a fairy song;
PUCK
Then, for the third part of a minute, hence;
Ay, there it is.
Some to kill cankers in the musk-rose buds;
OBERON Some war with rere-mice for their leathern wings,
I pray thee give it me. To make my small elves coats; and some keep back
I know a bank whereon the wild thyme blows, The clamorous owl, that nightly hoots and wonders
Where ox-lips and the nodding violet grows; At our quaint spirits. Sing me now asleep;
Quite over-canopied with luscious woodbine, Then to your offices, and let me rest.
With sweet musk-roses, and with eglantine:
SONG.
There sleeps Titania sometime of the night,
I.
Lulled in these flowers with dances and delight;
And there the snake throws her enamell’d skin, FIRST FAIRY
Weed wide enough to wrap a fairy in: You spotted snakes, with double tongue,
And with the juice of this I’ll streak her eyes, Thorny hedgehogs, be not seen;
And make her full of hateful fantasies. Newts and blind-worms do no wrong;
Take thou some of it, and seek through this grove: Come not near our fairy queen:
A sweet Athenian lady is in love CHORUS.
With a disdainful youth: anoint his eyes; Philomel, with melody,
But do it when the next thing he espies Sing in our sweet lullaby:
May be the lady: thou shalt know the man Lulla, lulla, lullaby; lulla, lulla, lullaby:
By the Athenian garments he hath on. Never harm, nor spell, nor charm,
Effect it with some care, that he may prove Come our lovely lady nigh;
More fond on her than she upon her love: So good-night, with lullaby.
Contents
Hence, you long-legg’d spinners, hence; Be it so, Lysander: find you out a bed,
Beetles black, approach not near; For I upon this bank will rest my head.
Worm nor snail do no offence.
LYSANDER
CHORUS One turf shall serve as pillow for us both;
Philomel with melody, &c. One heart, one bed, two bosoms, and one troth.
We’ll rest us, Hermia, if you think it good, Thy love ne’er alter till thy sweet life end!
And tarry for the comfort of the day. LYSANDER
HERMIA Amen, amen, to that fair prayer say I;
And then end life when I end loyalty!
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Here is my bed: Sleep give thee all his rest! I charge thee, hence, and do not haunt me thus.
HERMIA HELENA
With half that wish the wisher’s eyes be pressed! O, wilt thou darkling leave me? do not so.
[They sleep.] DEMETRIUS.
[Enter PUCK.] Stay on thy peril; I alone will go.
PUCK [Exit DEMETRIUS.]
Through the forest have I gone, HELENA
But Athenian found I none, O, I am out of breath in this fond chase!
On whose eyes I might approve The more my prayer, the lesser is my grace.
This flower’s force in stirring love. Happy is Hermia, wheresoe’er she lies,
Night and silence! Who is here? For she hath blessed and attractive eyes.
Weeds of Athens he doth wear: How came her eyes so bright? Not with salt tears:
This is he, my master said, If so, my eyes are oftener wash’d than hers.
Despised the Athenian maid; No, no, I am as ugly as a bear;
And here the maiden, sleeping sound, For beasts that meet me run away for fear:
On the dank and dirty ground. Therefore no marvel though Demetrius
Pretty soul! she durst not lie Do, as a monster, fly my presence thus.
Near this lack-love, this kill-courtesy. What wicked and dissembling glass of mine
Churl, upon thy eyes I throw Made me compare with Hermia’s sphery eyne?—
All the power this charm doth owe; But who is here?—Lysander! on the ground!
When thou wak’st let love forbid Dead? or asleep? I see no blood, no wound.
Sleep his seat on thy eyelid: Lysander, if you live, good sir, awake.
So awake when I am gone;
LYSANDER
For I must now to Oberon.
[Waking.]
[Exit.] And run through fire I will for thy sweet sake.
[Enter DEMETRIUS and HELENA, running.] Transparent Helena! Nature shows art,
Contents
STARVELING
I believe we must leave the killing out, when all is done.
BOTTOM
Not a whit: I have a device to make all well. Write me a
prologue; and let the prologue seem to say we will do no harm
with our swords, and that Pyramus is not killed indeed; and for
Act 3. the more better assurance, tell them that I Pyramus am not
Pyramus but Bottom the weaver: this will put them out of fear.
will never please. First, Pyramus must draw a sword to kill BOTTOM
himself; which the ladies cannot abide. How answer you that? Nay, you must name his name, and half his face must be seen
through the lion’s neck; and he himself must speak through,
SNOUT
saying thus, or to the same defect,—’Ladies,’ or, ‘Fair ladies, I
By’r lakin, a parlous fear.
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would wish you, or, I would request you, or, I would entreat you, BOTTOM
not to fear, not to tremble: my life for yours. If you think I Some man or other must present wall: and let him have
come hither as a lion, it were pity of my life. No, I am no such some plaster, or some loam, or some rough-cast about him, to
thing; I am a man as other men are:’—and there, indeed, let him signify wall; and let him hold his fingers thus, and through that
name his name, and tell them plainly he is Snug the joiner. cranny shall Pyramus and Thisby whisper.
QUINCE QUINCE
Well, it shall be so. But there is two hard things; that If that may be, then all is well. Come, sit down, every
is, to bring the moonlight into a chamber: for, you know, mother’s son, and rehearse your parts. Pyramus, you begin:
Pyramus and Thisbe meet by moonlight. when you have spoken your speech, enter into that brake; and so
every one according to his cue.
SNOUT
Doth the moon shine that night we play our play? [Enter PUCK behind.]
BOTTOM PUCK
A calendar, a calendar! look in the almanack; find out What hempen homespuns have we swaggering here,
moonshine, find out moonshine. So near the cradle of the fairy queen?
What, a play toward! I’ll be an auditor;
QUINCE
An actor too perhaps, if I see cause.
Yes, it doth shine that night.
QUINCE
BOTTOM
Speak, Pyramus.—Thisby, stand forth.
Why, then may you leave a casement of the great chamber-
window, PYRAMUS
where we play, open; and the moon may shine in at the case- ‘Thisby, the flowers of odious savours sweet,’
ment. QUINCE
QUINCE Odours, odours.
Ay; or else one must come in with a bush of thorns and a PYRAMUS
lantern, and say he comes to disfigure or to present the person ‘—odours savours sweet:
of moonshine. Then there is another thing: we must have a So hath thy breath, my dearest Thisby dear.—
wall in the great chamber; for Pyramus and Thisby, says the
Contents
QUINCE BOTTOM
Ninus’ tomb, man: why, you must not speak that yet: What do you see? you see an ass-head of your own, do you?
that you answer to Pyramus. You speak all your part at once, [Re-enter QUINCE.]
cues, and all.—Pyramus enter: your cue is past; it is ‘never
QUINCE
tire.’
Bless thee, Bottom! bless thee! thou art translated.
[Re-enter PUCK, and BOTTOM with an ass’s head.]
[Exit.]
THISBE
BOTTOM
O,’—As true as truest horse, that yet would never tire.’
I see their knavery: this is to make an ass of me; to
PYRAMUS fright me, if they could. But I will not stir from this
‘If I were fair, Thisby, I were only thine:—’ place, do what they can: I will walk up and down here,
QUINCE and I will sing, that they shall hear I am not afraid.
Contents
LYSANDER HELENA
Why should you think that I should woo in scorn? O spite! O hell! I see you all are bent
Scorn and derision never come in tears. To set against me for your merriment.
Look when I vow, I weep; and vows so born,
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If you were civil, and knew courtesy, LYSANDER
You would not do me thus much injury. Helen, it is not so.
Can you not hate me, as I know you do,
DEMETRIUS
But you must join in souls to mock me too?
Disparage not the faith thou dost not know,
If you were men, as men you are in show,
Lest, to thy peril, thou aby it dear.—
You would not use a gentle lady so;
Look where thy love comes; yonder is thy dear.
To vow, and swear, and superpraise my parts,
When I am sure you hate me with your hearts. [Enter HERMIA.]
You both are rivals, and love Hermia; HERMIA
And now both rivals, to mock Helena: Dark night, that from the eye his function takes,
A trim exploit, a manly enterprise, The ear more quick of apprehension makes;
To conjure tears up in a poor maid’s eyes Wherein it doth impair the seeing sense,
With your derision! None of noble sort It pays the hearing double recompense:—
Would so offend a virgin, and extort Thou art not by mine eye, Lysander, found;
A poor soul’s patience, all to make you sport. Mine ear, I thank it, brought me to thy sound.
LYSANDER But why unkindly didst thou leave me so?
You are unkind, Demetrius; be not so; LYSANDER
For you love Hermia: this you know I know: Why should he stay whom love doth press to go?
And here, with all good will, with all my heart,
HERMIA
In Hermia’s love I yield you up my part;
What love could press Lysander from my side?
And yours of Helena to me bequeath,
Whom I do love and will do till my death. LYSANDER
Lysander’s love, that would not let him bide,—
HELENA
Fair Helena,—who more engilds the night
Never did mockers waste more idle breath.
Than all yon fiery oes and eyes of light.
DEMETRIUS Why seek’st thou me? could not this make thee know
Lysander, keep thy Hermia; I will none: The hate I bare thee made me leave thee so?
If e’er I lov’d her, all that love is gone.
Contents
HERMIA
My heart to her but as guest-wise sojourn’d;
You speak not as you think; it cannot be.
And now to Helen is it home return’d,
There to remain. HELENA
Lo, she is one of this confederacy!
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Now I perceive they have conjoin’d all three Have you not set Lysander, as in scorn,
To fashion this false sport in spite of me. To follow me, and praise my eyes and face?
Injurious Hermia! most ungrateful maid! And made your other love, Demetrius,—
Have you conspir’d, have you with these contriv’d, Who even but now did spurn me with his foot,—
To bait me with this foul derision? To call me goddess, nymph, divine, and rare,
Is all the counsel that we two have shar’d, Precious, celestial? Wherefore speaks he this
The sisters’ vows, the hours that we have spent, To her he hates? and wherefore doth Lysander
When we have chid the hasty-footed time Deny your love, so rich within his soul,
For parting us,—O, is all forgot? And tender me, forsooth, affection,
All school-days’ friendship, childhood innocence? But by your setting on, by your consent?
We, Hermia, like two artificial gods, What though I be not so in grace as you,
Have with our needles created both one flower, So hung upon with love, so fortunate;
Both on one sampler, sitting on one cushion, But miserable most, to love unlov’d?
Both warbling of one song, both in one key; This you should pity rather than despise.
As if our hands, our sides, voices, and minds,
HERMIA
Had been incorporate. So we grew together,
I understand not what you mean by this.
Like to a double cherry, seeming parted;
But yet a union in partition, HELENA
Two lovely berries moulded on one stem: Ay, do persever, counterfeit sad looks,
So, with two seeming bodies, but one heart; Make mows upon me when I turn my back;
Two of the first, like coats in heraldry, Wink each at other; hold the sweet jest up:
Due but to one, and crowned with one crest. This sport, well carried, shall be chronicled.
And will you rent our ancient love asunder, If you have any pity, grace, or manners,
To join with men in scorning your poor friend? You would not make me such an argument.
It is not friendly, ’tis not maidenly: But fare ye well: ’tis partly my own fault;
Our sex, as well as I, may chide you for it, Which death, or absence, soon shall remedy.
Though I alone do feel the injury. LYSANDER
HERMIA Stay, gentle Helena; hear my excuse;
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LYSANDER
LYSANDER
Hang off, thou cat, thou burr: vile thing, let loose,
Ay, by my life;
Or I will shake thee from me like a serpent.
And never did desire to see thee more.
HERMIA
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Therefore be out of hope, of question, doubt, Because she is something lower than myself,
Be certain, nothing truer; ’tis no jest That I can match her.
That I do hate thee and love Helena.
HERMIA
HERMIA Lower! hark, again.
O me! you juggler! you cankerblossom!
HELENA
You thief of love! What! have you come by night,
Good Hermia, do not be so bitter with me.
And stol’n my love’s heart from him?
I evermore did love you, Hermia;
HELENA Did ever keep your counsels; never wrong’d you;
Fine, i’ faith! Save that, in love unto Demetrius,
Have you no modesty, no maiden shame, I told him of your stealth unto this wood:
No touch of bashfulness? What! will you tear He follow’d you; for love I follow’d him;
Impatient answers from my gentle tongue? But he hath chid me hence, and threaten’d me
Fie, fie! you counterfeit, you puppet, you! To strike me, spurn me, nay, to kill me too:
And now, so you will let me quiet go,
HERMIA
To Athens will I bear my folly back,
Puppet! why so? Ay, that way goes the game.
And follow you no farther. Let me go:
Now I perceive that she hath made compare
You see how simple and how fond I am.
Between our statures; she hath urg’d her height;
And with her personage, her tall personage, HERMIA
Her height, forsooth, she hath prevail’d with him.— Why, get you gone: who is’t that hinders you?
And are you grown so high in his esteem
HELENA
Because I am so dwarfish and so low?
A foolish heart that I leave here behind.
How low am I, thou painted maypole? speak;
How low am I? I am not yet so low HERMIA
But that my nails can reach unto thine eyes. What! with Lysander?
HELENA HELENA
I pray you, though you mock me, gentlemen, With Demetrius.
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[Exeunt LYSANDER and DEMETRIUS.] And lead these testy rivals so astray
As one come not within another’s way.
HERMIA
Like to Lysander sometime frame thy tongue,
You, mistress, all this coil is ‘long of you:
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Then stir Demetrius up with bitter wrong; And, like a forester, the groves may tread
And sometime rail thou like Demetrius; Even till the eastern gate, all fiery-red,
And from each other look thou lead them thus, Opening on Neptune with fair blessed beams,
Till o’er their brows death-counterfeiting sleep Turns into yellow gold his salt-green streams.
With leaden legs and batty wings doth creep: But, notwithstanding, haste; make no delay:
Then crush this herb into Lysander’s eye; We may effect this business yet ere day.
Whose liquor hath this virtuous property, [Exit OBERON.]
To take from thence all error with his might
And make his eyeballs roll with wonted sight. PUCK
When they next wake, all this derision Up and down, up and down;
Shall seem a dream and fruitless vision; I will lead them up and down:
And back to Athens shall the lovers wend I am fear’d in field and town.
With league whose date till death shall never end. Goblin, lead them up and down.
Whiles I in this affair do thee employ, Here comes one.
I’ll to my queen, and beg her Indian boy; [Enter LYSANDER.]
And then I will her charmed eye release LYSANDER
From monster’s view, and all things shall be peace. Where art thou, proud Demetrius? speak thou now.
PUCK PUCK
My fairy lord, this must be done with haste, Here, villain; drawn and ready. Where art thou?
For night’s swift dragons cut the clouds full fast;
And yonder shines Aurora’s harbinger, LYSANDER
At whose approach ghosts, wandering here and there, I will be with thee straight.
Troop home to churchyards: damned spirits all, PUCK
That in cross-ways and floods have burial, Follow me, then,
Already to their wormy beds are gone; To plainer ground.
For fear lest day should look their shames upon [Exit LYSANDER as following the voice.]
They wilfully exile themselves from light,
[Enter DEMETRIUS.]
And must for aye consort with black-brow’d night.
Contents
DEMETRIUS
OBERON
Lysander! speak again.
But we are spirits of another sort:
Thou runaway, thou coward, art thou fled?
I with the morning’s love have oft made sport;
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Speak. In some bush? where dost thou hide thy head? Abide me, if thou dar’st; for well I wot
Thou runn’st before me, shifting every place;
PUCK
And dar’st not stand, nor look me in the face.
Thou coward, art thou bragging to the stars,
Where art thou?
Telling the bushes that thou look’st for wars,
And wilt not come? Come, recreant; come, thou child; PUCK
I’ll whip thee with a rod: he is defiled Come hither; I am here.
That draws a sword on thee.
DEMETRIUS
DEMETRIUS Nay, then, thou mock’st me.
Yea, art thou there? Thou shalt buy this dear,
If ever I thy face by daylight see:
PUCK
Now, go thy way. Faintness constraineth me
Follow my voice; we’ll try no manhood here.
To measure out my length on this cold bed.—
[Exeunt.] By day’s approach look to be visited.
[Re-enter LYSANDER.] [Lies down and sleeps.]
LYSANDER [Enter HELENA.]
He goes before me, and still dares me on;
HELENA
When I come where he calls, then he is gone.
O weary night, O long and tedious night,
The villain is much lighter heeled than I:
Abate thy hours! Shine comforts from the east,
I follow’d fast, but faster he did fly;
That I may back to Athens by daylight,
That fallen am I in dark uneven way,
From these that my poor company detest:—
And here will rest me. Come, thou gentle day!
And sleep, that sometimes shuts up sorrow’s eye,
[Lies down.]
Steal me awhile from mine own company.
For if but once thou show me thy grey light,
I’ll find Demetrius, and revenge this spite. [Sleeps.]
[Sleeps.] PUCK
[Re-enter PUCK and DEMETRIUS.] Yet but three? Come one more;
Two of both kinds makes up four.
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The man shall have his mare again, and all shall be well. COBWEB
[Exit PUCK.—DEMETRIUS, HELENA &c, sleep.] Ready.
BOTTOM
Monsieur Cobweb; good monsieur, get you your weapons in
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your hand and kill me a red-hipped humble-bee on the top of a
TITANIA
thistle; and, good monsieur, bring me the honey-bag. Do not
I have a venturous fairy that shall seek
fret yourself too much in the action, monsieur; and, good
The squirrel’s hoard, and fetch thee new nuts.
monsieur, have a care the honey-bag break not; I would be
loath to have you overflown with a honey-bag, signior.— BOTTOM
Where’s Monsieur Mustardseed? I had rather have a handful or two of dried peas. But,
I pray you, let none of your people stir me; I have an
MUSTARDSEED
exposition of sleep come upon me.
Ready.
TITANIA
BOTTOM
Sleep thou, and I will wind thee in my arms.
Give me your neif, Monsieur Mustardseed.
Fairies, be gone, and be all ways away.
Pray you, leave your curtsy, good monsieur.
So doth the woodbine the sweet honeysuckle
MUSTARDSEED Gently entwist,—the female ivy so
What’s your will? Enrings the barky fingers of the elm.
O, how I love thee! how I dote on thee!
BOTTOM
Nothing, good monsieur, but to help Cavalero Cobweb to [They sleep.]
scratch. I must to the barber’s, monsieur; for methinks I am [OBERON advances. Enter PUCK.]
marvellous hairy about the face; and I am such a tender ass,
OBERON
if my hair do but tickle me I must scratch.
Welcome, good Robin. Seest thou this sweet sight?
TITANIA Her dotage now I do begin to pity.
What, wilt thou hear some music, my sweet love? For, meeting her of late behind the wood,
BOTTOM Seeking sweet favours for this hateful fool,
I have a reasonable good ear in music; let us have the I did upbraid her and fall out with her:
tongs and the bones. For she his hairy temples then had rounded
With coronet of fresh and fragrant flowers;
TITANIA And that same dew, which sometime on the buds
Or say, sweet love, what thou desirest to eat. Was wont to swell like round and orient pearls,
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TITANIA TITANIA
How came these things to pass? Come, my lord; and in our flight,
O, how mine eyes do loathe his visage now! Tell me how it came this night
That I sleeping here was found
Contents
OBERON
With these mortals on the ground.
Silence awhile.—Robin, take off this head.
Titania, music call; and strike more dead [Exeunt. Horns sound within.]
Than common sleep, of all these five, the sense. [Enter THESEUS, HIPPOLYTA, EGEUS, and Train.]
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THESEUS My lord, this is my daughter here asleep;
Go, one of you, find out the forester;— And this Lysander; this Demetrius is;
For now our observation is perform’d; This Helena, old Nedar’s Helena:
And since we have the vaward of the day, I wonder of their being here together.
My love shall hear the music of my hounds,—
THESEUS
Uncouple in the western valley; go:—
No doubt they rose up early to observe
Despatch, I say, and find the forester.—
The rite of May; and, hearing our intent,
[Exit an ATTENDANT.] Came here in grace of our solemnity.—
We will, fair queen, up to the mountain’s top, But speak, Egeus; is not this the day
And mark the musical confusion That Hermia should give answer of her choice?
Of hounds and echo in conjunction. EGEUS
HIPPOLYTA It is, my lord.
I was with Hercules and Cadmus once THESEUS
When in a wood of Crete they bay’d the bear Go, bid the huntsmen wake them with their horns.
With hounds of Sparta: never did I hear
[Horns, and shout within. DEMETRIUS,
Such gallant chiding; for, besides the groves,
LYSANDER,HERMIA, and HELENA
The skies, the fountains, every region near
awake and start up.]
Seem’d all one mutual cry: I never heard
So musical a discord, such sweet thunder. Good-morrow, friends. Saint Valentine is past;
Begin these wood-birds but to couple now?
THESEUS
My hounds are bred out of the Spartan kind, LYSANDER
So flew’d, so sanded; and their heads are hung Pardon, my lord.
With ears that sweep away the morning dew; [He and the rest kneel to THESEUS.]
Crook-knee’d and dew-lap’d like Thessalian bulls; THESEUS
Slow in pursuit, but match’d in mouth like bells, I pray you all, stand up.
Each under each. A cry more tuneable I know you two are rival enemies;
Was never holla’d to, nor cheer’d with horn,
Contents
gracious, I shall sing it at her death. two or three lords and ladies more married: if our sport had gone
forward, we had all been made men.
[Exit.]
FLUTE
O sweet bully Bottom! Thus hath he lost sixpence a day
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during his life; he could not have ‘scaped sixpence a-day; an
the duke had not given him sixpence a-day for playing Pyramus,
I’ll be hanged; he would have deserved it: sixpence a-day in
Pyramus, or nothing.
[Enter BOTTOM.]
BOTTOM
Where are these lads? where are these hearts?
QUINCE
Act 5.
Bottom!—O most courageous day! O most happy hour!
Scene I. Athens. An Apartment in the Palace of
BOTTOM THESEUS.
Masters, I am to discourse wonders: but ask me not [Enter THESEUS, HIPPOLYTA, PHILOSTRATE, Lords, and
what; for if I tell you, I am not true Athenian. I will tell you Attendants.]
everything, right as it fell out.
HIPPOLYTA
QUINCE ’Tis strange, my Theseus, that these lovers speak of.
Let us hear, sweet Bottom.
THESEUS
BOTTOM More strange than true. I never may believe
Not a word of me. All that I will tell you is, that the These antique fables, nor these fairy toys.
duke hath dined. Get your apparel together; good strings to Lovers and madmen have such seething brains,
your beards, new ribbons to your pumps; meet presently at the Such shaping fantasies, that apprehend
palace; every man look over his part; for the short and the long More than cool reason ever comprehends.
is, our play is preferred. In any case, let Thisby have clean The lunatic, the lover, and the poet
linen; and let not him that plays the lion pare his nails, for Are of imagination all compact:
they shall hang out for the lion’s claws. And, most dear actors, One sees more devils than vast hell can hold;
eat no onions nor garlick, for we are to utter sweet breath; and That is the madman: the lover, all as frantic,
I do not doubt but to hear them say it is a sweet comedy. No more Sees Helen’s beauty in a brow of Egypt:
words: away! go; away!
Contents
His speech was like a tangled chain; nothing impaired, but all
disordered. Who is next? THESEUS
[Enter PYRAMUS and THISBE, WALL, MOONSHINE, and I wonder if the lion be to speak.
LION, as in dumb show.] DEMETRIUS
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No wonder, my lord: one lion may, when many asses do. [WALL holds up his fingers.]
WALL Thanks, courteous wall: Jove shield thee well for this!
In this same interlude it doth befall But what see what see I? No Thisby do I see.
That I, one Snout by name, present a wall: O wicked wall, through whom I see no bliss,
And such a wall as I would have you think Curs’d be thy stones for thus deceiving me!
That had in it a crannied hole or chink, THESEUS
Through which the lovers, Pyramus and Thisby, The wall, methinks, being sensible, should curse again.
Did whisper often very secretly.
This loam, this rough-cast, and this stone, doth show PYRAMUS
That I am that same wall; the truth is so: No, in truth, sir, he should not. ‘Deceiving me’ is
And this the cranny is, right and sinister, Thisby’s cue: she is to enter now, and I am to spy her through
Through which the fearful lovers are to whisper. the wall. You shall see it will fall pat as I told you.—Yonder
she comes.
THESEUS
[Enter THISBE.]
Would you desire lime and hair to speak better?
THISBE
DEMETRIUS
O wall, full often hast thou heard my moans,
It is the wittiest partition that ever I heard
For parting my fair Pyramus and me:
discourse, my lord.
My cherry lips have often kiss’d thy stones:
THESEUS Thy stones with lime and hair knit up in thee.
Pyramus draws near the wall; silence.
PYRAMUS
[Enter PYRAMUS.] I see a voice; now will I to the chink,
PYRAMUS To spy an I can hear my Thisby’s face.
O grim-look’d night! O night with hue so black! Thisby!
O night, which ever art when day is not! THISBE
O night, O night, alack, alack, alack, My love! thou art my love, I think.
I fear my Thisby’s promise is forgot!—
And thou, O wall, O sweet, O lovely wall, PYRAMUS
Contents
That stand’st between her father’s ground and mine; Think what thou wilt, I am thy lover’s grace;
Thou wall, O wall, O sweet and lovely wall, And like Limander am I trusty still.
Show me thy chink, to blink through with mine eyne. THISBE
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And I like Helen, till the fates me kill. HIPPOLYTA
It must be your imagination then, and not theirs.
PYRAMUS
Not Shafalus to Procrus was so true. THESEUS
If we imagine no worse of them than they of
THISBE
themselves, they may pass for excellent men.
As Shafalus to Procrus, I to you.
Here come two noble beasts in, a moon and a lion.
PYRAMUS
[Enter LION and MOONSHINE.]
O, kiss me through the hole of this vile wall.
LION
THISBE
You, ladies, you, whose gentle hearts do fear
I kiss the wall’s hole, not your lips at all.
The smallest monstrous mouse that creeps on floor,
PYRAMUS May now, perchance, both quake and tremble here,
Wilt thou at Ninny’s tomb meet me straightway? When lion rough in wildest rage doth roar.
THISBE Then know that I, one Snug the joiner, am
‘Tide life, ‘tide death, I come without delay. A lion fell, nor else no lion’s dam:
For, if I should as lion come in strife
WALL Into this place, ‘twere pity on my life.
Thus have I, wall, my part discharged so;
And, being done, thus Wall away doth go. THESEUS
A very gentle beast, and of a good conscience.
[Exeunt WALL, PYRAMUS and THISBE.]
DEMETRIUS
THESEUS
The very best at a beast, my lord, that e’er I saw.
Now is the mural down between the two neighbours.
LYSANDER
DEMETRIUS
This lion is a very fox for his valour.
No remedy, my lord, when walls are so wilful to hear
without warning. THESEUS
True; and a goose for his discretion.
HIPPOLYTA
This is the silliest stuff that ever I heard. DEMETRIUS
Contents
THESEUS THISBE
He is no crescent, and his horns are invisible within This is old Ninny’s tomb. Where is my love?
the circumference. LION
MOONSHINE Oh!
This lanthorn doth the horned moon present; [The LION roars.—THISBE runs off.]
Myself the man i’ the moon do seem to be.
DEMETRIUS
THESEUS Well roared, lion.
This is the greatest error of all the rest: the man should be
THESEUS
put into the lantern. How is it else the man i’ the moon?
Well run, Thisbe.
DEMETRIUS
HIPPOLYTA
He dares not come there for the candle: for, you
Well shone, moon.—Truly, the moon shines with a good grace.
see, it is already in snuff.
[The LION tears THISBE’S Mantle, and exit.]
HIPPOLYTA
I am aweary of this moon: would he would change! THESEUS
Well moused, lion.
THESEUS
It appears, by his small light of discretion, that he DEMETRIUS
is in the wane: but yet, in courtesy, in all reason, we must And so comes Pyramus.
stay the time. LYSANDER
Contents
PUCK
If we shadows have offended,
Think but this,—and all is mended,—
That you have but slumber’d here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend;
If you pardon, we will mend.
And, as I am an honest Puck,
If we have unearned luck
Now to ‘scape the serpent’s tongue,
We will make amends ere long;
Else the Puck a liar call:
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.
[Exit.]
Contents
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