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Big (film)
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Big
James L. Brooks
Produced by
Robert Greenhut
Elizabeth Perkins
Robert Loggia
John Heard
Language English
Big is a 1988 American fantasy comedy film directed by Penny Marshall, and stars Tom Hanks as
Josh Baskin, a young boy who makes a wish "to be big" and is then aged to adulthood overnight.
The film also stars Elizabeth Perkins, David Moscow as small Josh, John Heard, and Robert Loggia,
and was written by Gary Ross and Anne Spielberg.
Contents
[hide]
1Plot
2Cast
3Reception
4Box office
5Home media
6Adaptations
o 6.1Broadway musical
o 6.2Television show
7References
8External links
Plot [edit]
Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New
Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress
Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller
machine called Zoltar Speaks, and makes a wish to be "big". It dispenses a card stating "Your wish
is granted", but Josh is spooked to see it was unplugged the entire time.
The next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar
machine, only to see an empty field, the carnival having moved on. Returning home, he tries to
explain his predicament to his mother, who refuses to listen and then threatens him, thinking he is a
stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and
convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it
will take a long time to find the machine, so Josh rents a flophouse room in New York City and gets a
job as a data entry clerk at MacMillan Toy Company.
Josh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his
insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic
keyboard, performing "Heart and Soul" and "Chopsticks." This earns Josh a promotion to a dream
job: getting paid to test toys as Vice President in charge of Product Development. With his
promotion, his larger salary enables him to move into a spacious luxury apartment, which he and
Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He
soon attracts the attention of Susan Lawrence, a fellow MacMillan executive. A romance begins to
develop, to the annoyance of her ruthless former boyfriend and coworker, Paul Davenport. Josh
becomes increasingly entwined in his "adult" life by spending time with her, mingling with her friends,
and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however,
he begins to forget what it is like to be a child, and he never has time to hang out with his best friend
Billy because of his busy schedule.
MacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need
to formulate the business aspects of the proposal, but Susan says she will handle the business end
while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he
expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of
commitment on his part, and dismisses his explanation.
Josh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of
presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters
Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a
wish to become "a kid again." He is then confronted by Susan, who, seeing the machine and the
fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their
relationship is over. He tells her she was the one thing about his adult life he wishes would not end
and suggests she use the machine to turn herself into a little girl. She declines, saying that being a
child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he
becomes a child again. He waves goodbye to Susan one last time before reuniting with his family.
The film ends with Josh and Billy hanging out together, with the song "Heart and Soul" playing over
the credits.
Cast[edit]
Tom Hanks as Josh Baskin
Elizabeth Perkins as Susan Lawrence
Reception[edit]
The film was received with almost unanimous critical acclaim; based on 71 reviews collected by
review aggregation website Rotten Tomatoes, 97% of 72 critics gave it a positive "Certified Fresh"
review and the consensus stating "Refreshingly sweet and undeniably funny, it is a showcase for
Tom Hanks, who dives into his role and infuses it with charm and surprising poignancy." [2] The New
York Times praised the performances of Moscow and Rushton, saying the film "features believable
young teen-age mannerisms from the two real boys in its cast and this only makes Mr. Hanks's
funny, flawless impression that much more adorable."[3]
The film was nominated for Academy Awards for Best Actor in a Leading Role (Hanks) and Academy
Award for Best Original Screenplay.
The film is number 23 on Bravo's 100 Funniest Movies. In 2000, it was ranked 42nd on the American
Film Institute's "100 Years…100 Laughs" list.[4] In June 2008, AFI named it as the tenth-best film in
the fantasy genre.[5] In 2008, it was selected by Empire Magazine as one of "The 500 Greatest
Movies of All Time."[6]
Big was part of a trend of age-changing comedies produced in the late 1980s, including Like Father
Like Son (1987), 18 Again! (1988), Vice Versa (1988), and the Italian film Da grande (1987).[7][8] The
latter Italian film has been said to be the inspiration for Big.[9][10]
1. Man On Fire: The basic thread of Kidnap drama in the film is based on Man on Fire (2004).
2. Usual Suspects: The 'surprise' villain element in the movie is straight lift from Usual Suspects.
Even the villain name in Usual Suspects is also Kaiser.
3. Gladiator: In Climax, heroine appearing while hero fighting and dreaming is similar to
Gladiator.