Fatema Mernissi, a Founder of Islamic Feminism, Dies at 75

Fatema Mernissi, center, in 1996 with, from left, Mahnaz Afkhami, Yasmeen Murshed and Deniz Kandiyoti. Credit Amy Toensing.

By Margalit Fox
THE NEW YORK TIMES - Dec. 9, 2015
Fatema Mernissi, a Moroccan sociologist who was one of the founders of Islamic feminism, whose work
included studies of the sexual politics of Islamic Scripture and a book based on her childhood in a
domestic harem, died on Nov. 30 in Rabat. She was 75.
The cause was cancer, said her literary agent, Edite Kroll.
A longtime faculty member of Mohammed V University in Rabat, the capital, Professor Mernissi, who
wrote in Arabic, French and English, published and lectured worldwide.
Her best-known English-language books include “Beyond the Veil: Male-Female Dynamics in Modern
Muslim Society,” which was first published in 1975 and is still considered a touchstone in the field;
“Islam and Democracy: Fear of the Modern World” (1992, translated by Mary Jo Lakeland); and
“Dreams of Trespass: Tales of a Harem Girlhood” (1994), with photographs by Ruth V. Ward.That book,
described by many reviewers as a memoir and by some as a novel, is a hybrid of both genres.
“Muslim women are now producing the most exciting feminist writing being published anywhere,” The
Guardian, the British newspaper, wrote in 1992. Professor Mernissi, it added, “is the most highly
regarded among them.”
Throughout her work, Professor Mernissi, who favored a moderate, inclusive Islam, emphasized that her
deep study of religious texts had turned up little support for women’s long subordination. That reading,
she argued, sprang from centuries of misinterpretation by male leaders intent on maintaining the sexual
status quo.
“Not only have the sacred texts always been manipulated, but manipulation of them is a structural
characteristic of the practice of power in Muslim societies,” Professor Mernissi wrote in “The Veil and
the Male Elite: A Feminist Interpretation of Women’s Rights in Islam” (1991, translated by Ms.
Lakeland). “Since all power, from the seventh century on, was only legitimated by religion, political
forces and economic interests pushed for the fabrication of false traditions.”
One of the primary ways in which this manipulation played out, Professor Mernissi argued, was in
Islam’s time-honored control of the physical space that women are allowed to occupy. The most — or,
more accurately, the least — visible manifestation of such control was the domestic harem.
Domestic harems, Professor Mernissi stressed, were nothing like the silk-hung dens of iniquity presided
over by sultans and long popularized in Western film and literature. They were instead, quite simply,
sequestered multigenerational living quarters for the female members of an extended family. Through his
harem, a man maintained his honor by preserving his wives and daughters from the eyes of male
outsiders.
“It is the Ottoman imperial harem that has fascinated the West almost to the point of obsession,”
Professor Mernissi wrote in “Dreams of Trespass.” “By contrast,” she added, “domestic harems are rather
dull, for they have a strong bourgeois dimension.”
It was into just such a harem that Fatema Mernissi was born on Sept. 27, 1940, in Fez, the daughter of a
prosperous family.
The harem’s matriarch, her grandmother, had been one of her grandfather’s nine wives. Though Professor
Mernissi’s father, a monogamist, was a progressive in many respects, he favored the traditional
segregation of the sexes that the harem provided.
The Mernissi harem comprised a set of secluded quarters within the family’s expansive home. The
women were rarely allowed to venture outside the house, and when they were, they did so — veiled —
escorted by a male relative.
“A harem was about private space and the rules regulating it,” Professor Mernissi wrote. “Once you knew
what was forbidden, you carried the harem within.” She added, “Ours in Fez was like a fortress.”
Inside, the women dreamed of transgressing its confines. They sustained one another with stories, songs
and, when they could spirit away the key to the radio cabinet, quiet news of the outside world.
Many, including Professor Mernissi’s mother, chafed openly.
“I would wake up at dawn,” Professor Mernissi recalled her mother saying. “If I only could go for a walk
in the early morning when the streets are deserted. The light must be blue then, or maybe pink, like at
sunset. What is the color of the morning in the deserted, silent streets?”
Professor Mernissi added, “No one answered her questions.”
Especially popular among the women were tales of Scheherazade, the Arab queen of legend who used her
verbal skill to pre-empt execution. Professor Mernissi came to venerate her as a feminist heroine and in
2001 published “Scheherazade Goes West: Different Cultures, Different Harems,” a book-length study of
her influence.
Unlike her mother and grandmother, who were uneducated, Professor Mernissi was a beneficiary of the
nationalist fervor that had arisen in Morocco in the 1930s as the country sought to break free of French
dominion.
As a young child she attended nationalist schools, where she was educated alongside male classmates. In
1956, when Morocco won its independence, the nationalists’ reforms included the dissolution of harems
throughout the country.
Professor Mernissi received a degree in sociology from Mohammed V University, did graduate work at
the Sorbonne and earned a Ph.D. from Brandeis University. Her dissertation became her first book,
“Beyond the Veil.”
Because of the politically charged nature of her work, Professor Mernissi sometimes found her public
lectures interrupted by protests from Islamic fundamentalists. But for the most part — owing in no small
measure to the careful phrasing and rigorous scholarly documentation of her writings — she was left
alone.
“At least in Morocco, you can’t be put into jail for writing something, unlike most of the other Arab
countries,” she told The Toronto Globe and Mail in 1982. “If those fanatics from the Moslem Brothers
show up and try to interrupt my talk, they must be thrown out. I know now how to handle them. I won’t
let them interrupt my work.”
Nor did she exempt the West from criticism on matters of sexual politics. Where the East subordinated
women by controlling space, Professor Mernissi argued, the West created a vast de facto harem by
controlling time.
“The Western man,” she wrote, “declares that in order to be beautiful, a woman must look 14 years old. If
she dares to look 50, or worse, 60, she is beyond the pale. By putting the spotlight on the female child and
framing her as the ideal of beauty, he condemns the mature woman to invisibility.”
Long active with North African social justice causes, Professor Mernissi helped found La Caravane
Civique, an organization that took educated women to speak in rural communities, village schools and
women’s prisons in the region. She also started a writing workshop for released Moroccan political
prisoners.
Professor Mernissi, who was divorced from the Ghanaian novelist Ayi Kwei Armah, is survived by a
brother, Mohamed, and a sister, Ratida Mernissi.
Her other books include “Women in Moslem Paradise” (1986); “Doing Daily Battle: Interviews With
Moroccan Women” (1988), based on her fieldwork in rural areas and translated by Ms. Lakeland; “The
Forgotten Queens of Islam” (1993), also translated by Ms. Lakeland; and “Women’s Rebellion and
Islamic Memory” (1996).
In 2003, Professor Mernissi, along with Susan Sontag, received the Prince of Asturias Award for Letters,
presented by the government of Spain.
After a lifetime spent exploring the relationship of Islam to feminism, Professor Mernissi concluded that
there were few irreconcilable differences between the two.
“If women’s rights are a problem for some modern Muslim men, it is neither because of the Quran nor the
Prophet, nor the Islamic tradition, but simply because those rights conflict with the interests of a male
elite,” she wrote in “The Veil and the Male Elite.”
“The elite faction is trying to convince us that their egotistic, highly subjective and mediocre view of
culture and society has a sacred basis,” she added. “But if there is one thing that the women and men of
the late 20th century who have an awareness and enjoyment of history can be sure of, it is that Islam was
not sent from heaven to foster egotism and mediocrity.”
Correction: January 6, 2016. An obituary on Dec. 10 about Fatema Mernissi, one of the founders of Islamic feminism, using information from
her literary agent, misstated her marital history. She was divorced from the Ghanaian novelist Ayi Kwei Armah; it is not the case that she never
married. The obituary also referred imprecisely to Professor Mernissi’s book “Dreams of Trespass: Tales of a Harem Girlhood.” Though it was
described in many reviews as a memoir, it contained elements of both memoir and fiction.

A version of this article appears in print on Dec. 10, 2015, on Page A32 of the New York edition with the headline: Fatema Mernissi, an Early
Force in Islamic Feminism, Is Dead at 75.

https://www.nytimes.com/2015/12/10/world/middleeast/fatema-mernissi-a-founder-of-islamic-feminism-dies-at-75.html