Professional Documents
Culture Documents
Introduction
of revolution.
and now.
Statement of Intent
Statement of assumptions
society;
Theoretical Base
(ibid)
and now.
artist themselves.
Nevertheless, this study is on the content analysis of
Definition of terms
relations between people and the objects of their work, and the
http://en.wikipedia.org/wiki/Mode_of_production
http://en.wikipedia .org/wiki/class_struggle
Guide.
are used to create an effect, often where they do not have their
http://www.usingenglish.com/glossary/figure-of-speech.html
numbers of people.
pursues as goals.
Significance of the Study
song and its influence. As well as, to provide the academe the
A. Historical Materialism
From experience human creates idea and uses this idea into
only shows that the whole of the idea or its part is wrong. This
practice.
country.
C. Women Emancipation
and women.
organization.
D. Class Struggle
ruling class.
all the family ties among the proletarians are torn asunder, and
instruments of labour.
But you Communists would introduce community of women,
production.
wives.
common and thus, at the most, what the Communists might possibly
what they have not got. Since the proletariat must first of all
http://www.marxists.org/archive/marx/works/1848/communist-
manifesto/ch02.htm
pointed out, is still hinged on, class analysis that ignores the
E. Movement
The period of the ‘60s was the time of social and political
underground when Martial Law was declared. There was a lull for
some years and it was not until the late ‘70s and early ‘80s
Change (WATCH) and Women for the Ouster of Marcos and Boycott
lines. There is in fact no such thing as art for art's sake, art
tung:1967).
the basic masses of workers and peasants, Red fighters and lower
their tasks: draw from the rich, lively and concrete experiences
of the masses the raw materials of art, forge these into fine
writers are emerging from the ranks of workers, peasants and Red
fighters themselves.
and the generally low literacy level make the song form the most
policies, calls, etc. to the masses. And the third factor is the
operation.
One of the most obvious sources for the understanding of
situation (ibid).
Marxism.
Chapter III
Methodology
Method
study has a need for a smaller and focused medium and data such
(http://en.wikipedia.org/wiki/qualitative_research\)
(http://en.wikipedia.org/wiki/content_analysis\)
this study. Specifically, the song Babaeng Walang Kibo from Alab
Data Analysis
Philippines.
analysis.
a. Historical Materialism
i. Mode of production
Producing Product
Women do not only create product but they are the product
thereselves. They aren’t the tenants and farmers in the
countryside or the workers in factories and intellectuals from
the urban who create only create goods. They don’t only selling
the products they make but also, even their intellects are for
sale. The sale’s lady herself is for sale. She herself is a
product.
In song number seven, women are the dominant population in
the country and most of them are working as intellectuals,
farmers and workers.
“nakararaming kababaihan,
nabibilang sa mga nilikha;
may intelektwal,
magsasaka’t manggagawa.”
Song #7
“kaisipa’y binibinta,
katawa’y sinasanla,
kaluluwa’y priniprenda.”
Song # 9
Moreover, as she (women) becomes a product herself,
prostitution became an alternative for a source of income. She
became an object of desire.
The following are the emphasis of the idea:
“hindi na mahuhubaran
ang babae sa pahayagan.”
Song # 2
Current Oppression
“kaisipa’y binibinta,
Katawa’y sinasanla,
Kaluluwa’y piniprenda.”
Song # 9
“…pangkusina….pangkama,
bagay tingnan sa pagnanasa,
…laruan.”
Song # 3
Revolutionary Emancipation
“sulong kababaihan!
Sulong at lumaban!
Buoin natin ang samahan
Ng malayang kababaihan.”
“lumahopk sa produksyon
At pangmasang kilusan…”
Conclusion