WAYS TO EMPLOY SACRED

GEOMETRY FOR MANIFESTATION

AND MAGIC

Geometry is sacred stuff.

Everything – from the movement of the cosmos to the dance of a falling leaf to the

inner workings of an atom – possesses a harmonious and measurable structure.

So it’s not hard to see why so many ancient cultures attributed magical and

spiritual symbolism to geometric patterns. Pyramids, spirals, mandalas, cross es

and stars comprise just a small sampling of the sacred shapes employed by

spiritual systems across the globe.

So, sacred geometry: cool concept, right? And it offers such pretty patterns! But,

um…what do you, well, do with it?

Good question, and one asked by many a practically-minded magical

practitioner. Certainly one I have asked myself in the past. And since I’ve found a

few answers over the years, I thought I’d share some of them with you here.
Restructure Patterns with the Flower of Life

The flower of life (pictured) is a geometric pattern of intersecting circles that may

continue infinitely in all directions. It can be visualized within anything (physical,

energetic, or situational) in order to create a stronger, healthier, more coherent,

and more harmonious structure. Also, because it’s infinitely expansive, it can be

employed to expand projects or multiply wealth. Simply visualize the pattern filling

anything you choose.

If you’re the calling-on-angels type, you can ask Archangel Metatron (the angelic

expert in sacred geometry) to assist. Or, if you have a relationship with the

ascended master Merlin (he’s a little choosier than Metatron about who he works

with when), you might alternatively ask him for help with employing the flower of

life.

Eat a Cinnamon Roll

Whirlpools, tornados, galaxies, seashells, and sunflowers: what do they all have

in common? They – like so many other beautiful and powerful natural entities –

possess a spiraling shape. (The sunflower’s seeds appear in a spiraling pattern a t

their center.) It’s no wonder that the spiral has been seen as one of the most

powerful sacred geometrical shapes, and associated with such spiritual big guys

as the Goddess, the cosmos, and the sun.

And there’s an easy (and delicious!) way to internalize the intense magical power

of this shape: eat a cinnamon roll. Even better, send magical energy into a batch
of them while they bake, then serve. Magical intentions with which to infuse them

might include prosperity, luck, success, activation, blessing, or personal power.

Color Mandalas

Can I brag for a minute? I liked coloring books before they were cool. Specifically

mandala coloring books. The minute I saw one on a bookstore shelf, I could

sense that setting an intention and then coloring a mandala would be a powerful

magical thing. And it is! In addition to the “coloring book stress relief” that is all

the rage, coloring a mandala creates energetic shifts in consciousness and can

restructure your whole momentum. Particularly when paired with a highly po sitive

intention, such as “I am powerful,” “I am healed,” or “New avenues of possibility

are everywhere for me now.”

Do the Merkaba Meditation

Are you a magical overachiever? Or, have you been working magic 101 for a

while and you’re ready to try something more advanced? The Merkaba Meditation

– a detailed visualization involving a number of geometric shapes and number

patterns – just might be for you. In addition to providing a deep spiritual and

energetic purification, over time it powerfully shifts your vibration so that all your

magic and manifestation work becomes noticeably swifter, easier, and more

effective.
I first learned about the Merkaba meditation in Christopher Penczak’s excellent book

Ascension Magic, where he provides a thorough description of, and guide to, this

rather intricate practice. Performing it like a pro doesn’t happen overnight: it’s

something you work toward. But if you feel drawn, it’s really worth it!

(Here’s Ascension Magic on Amazon so you can get started with the practice and

learn a bunch of other cool stuff while you’re at it.)

Create a Crystal Grid

Crystals themselves are sacred geometry: both their microscopic crystalline

structure and their more obvious physical shape. But you can also arrange them

into a sacred geometrical pattern (usually a circular one, known as a manda la) for

any conceivable magical intention. There are entire books and blog posts about how

to do it, and go ahead and read one if you want. Or just set your intention, grab

your crystal collection, and then use your intuition to create a geometric work of

art that expresses and emanates that intention. Ultimately that’s all there is to it.

Optional embellishments to the process would include setting the ambiance with

candles, incense, and music, or using other natural items along with your crystals

to create your mandala such as flowers, acorns, or pinecones.

Using Sacred Geometry in Spells and Rituals Below are some ideas of how you can incorporate sacred
geometry into your magical life: Use the pentagram to help you cast a banishing spell. Create your own
sigil to make a symbol that is of special importance for you. By making a sigil you are creating your own
symbol which can represent its own secret meaning. Keep a notebook with you and record symbols you
see in nature. Sketch them and see if they can be used for inspiration. When you use symbols in your
magic practice note how well it worked for the spell. Visit a stone circle such as Stonehenge or Avebury.
They were built to sacred geometric principles and provide a spiritual, inspirational place to inspire you.
Visit historical buildings and look for the patterns and symbols in their design. From brick work, towers,
mosaic floors to stained glass windows, there are hidden symbols to be found in many places. Create a
Crystal grid to display in your home. A crystal grid is where you arrange crystals into a geometric
pattern. You can make them to a sacred geometric symbol. They can help to manifest your desires. The
union between the symbol and the power of the crystals means that crystal grids are very powerful.

Read more: https://wiccanspells.info/wiccan-pagan-articles/using-sacred-geometry-in-magick-spells-

and-rituals/

Sacred Geometry in the Energy Theory of Magick - part 1

This is part 1 of a two part article on the topic of sacred geometry and the energy theory of magick.
We will be introducing this subject in these two articles, and then expanding on it in future articles.
At this point, let us establish the foundation for this discussion.

Continuing with our discussion of the use of prismatic energy forms in the discipline of ritual
magick, we should touch upon the fact that these prismatic structures emulate a form of simple
sacred geometry. If that idea can be accepted as a fact, then we can then consider examining
these structures as they exist in a symbolic formulation as archetypes, as well as actual energy
structures which have a direct practical application.
Sacred Geometry is defined as the geometrical physical shapes that are deliberately used in the
architectural design of buildings and precincts that are used for religious or spiritual purposes.
There is an entire discipline that is devoted to identifying, classifying and deriving the meaning of
such geometric shapes. This article isn’t going to discuss the elements of sacred geometry as found
in sacred structures; instead, it will demonstrate the more limited domain of sacred geometry as
found in the extended energy theory of magick. While very complex and dense magickal rituals
can use an extensive repertoire of different prismatic energy shapes in regards to the magickal
power generated and deployed, we are going to concern ourselves with the fundamental
structures that a beginning ritual magician might use.

First of all, magickal energy is a deliberate action or movement of some kind within sacred space.
Therefore, movement/action generates magickal energy when the conscious mind is attuned to
subtle and spiritual phenomena. Whenever a ritual action is performed it produces some kind of
energy signature. Also, energy is generated through a contrast or polarization, which can be
implicit (through symbols and archetypes) or explicit (through obvious sexual activities, whether
direct or indirect).

Another important consideration is that magickal energy is best perceived and manipulated when
one is in the proper mental state, which is the kind that meditation and simple breath control can
produce. So the first step is learning to become competent with alternate states of consciousness,
mastered through the basic processes of asana (assuming a comfortable posture), prana-yama
(fourfold breath counting technique), and perhaps even some mantra work, such as the ubiquitous
mantra AUM. Performing these techniques, one should focus the mind strictly on what is
occurring - in other words, to be a witness to what is occurring within the body and the mind, but
to avoid and side step distracting thoughts and emotions.

Performing these techniques as a meditation session will produce a refined state of consciousness
that will allow one to perceive subtle and paranormal phenomena. Learning to attune to the
subtle will assist one in being able to sense phenomena that normal conscious states would
typically omit, and it will allow one to perceive magickal constructs and sense magickal energies,
such as prismatic energy shapes produced through the use of strategic energy ritual structures.

From this foundational state of consciousness, as produced by the meditation session, one can
then perform actions that will produce magickal energy. So how is it generated? There are seven
techniques in the repertoire of the basic ritual magician, and these techniques should be practiced
and used until they become automatic.

 Circumambulation (around the sacred space or consecrate magick circle)

 Slowly turning in place (dervish dance)
 Sacred dance (alone or with a small group)
  Ritual actions (drawing lines of power, etc.)
 Breathing techniques (advanced forms of prana-yama - cool breathing, hyperventilation)
 Visualization - building mental images (moving the mind)
 Sacred sexuality.

The symbolic analogue representing magickal power is the union of the archetypal masculine and
the archetypal feminine. So this could symbolize the joining of Light and Darkness, Life and Death,
the Yang and the Yin, the Lingam and the Yoni, or the joining of a god and goddess. From this state
of union, all power and energy proceeds. This is how visualization alone can generate magickal
power, since one would visualize this sacred union of opposites. One can surmise that prismatic
energy structures as used in ritual magick would employ the use of polarity (mutual attraction and
resistance) and fusion (union).

Techniques of using magickal power have a fourfold progression, which begins with the generation
of magickal power through one or more of the above methods, qualifying (defining with a
magickal device), focusing and imprinting the energy, intensifying it to a climax and finally,
releasing the energy. This fourfold pattern, taken from the beginning to the moment of release is
called “resonance”, because it represents a process of both iteration and intensification. However,
when you think about it, this process sounds a lot like the human sexual cycle, too. And indeed, it
is quite significantly analogous. Perhaps this is why sacred sexuality has always been an important
part of the practice of ritual magick.

Prismatic energy shapes generated in a ritual working are defined by the ritual structures inherent
in a magick circle and qualified through the use of specific magickal devices. To truly understand
these shapes, we need to define the magickal devices and the methodology of specific ritual
patterns. A ritual structure has both a ritual pattern and uses specific points in the magick circle to
give it a characteristic shape, and the devices placed at those points help to further qualify it. A
prismatic energy structure is used by a magician when performing any variation of a ritual of
empowerment - it is often found throughout the basic ritual repertoire. So let’s carefully examine
all three of these qualifying components.

A magickal device is basically a geometric symbolic shape that is drawn to one of the points in a
magick circle. For the beginning ritual magician, there are a total of six devices. These six devices
consist of the following forms:

 point,
 line,
 triangle,
 cross,
  star,
 spiral.

Ritual patterns, which incorporate the points in a magick circle to generate a prismatic shape,
consist of seven basic patterns that are analogous to the six magickal devices. These formulations
produce the following energy shapes:

 circle - sphere,
 pylon - two points and a line of force,
 trigon - triangle, tetrahedron,
 square, cross-roads, circle-squared,
 concentric spiral - electric/magnetic conical container,
 eccentric spiral (with three revolutions) - inward/outward spiral,
 pyramid - circle squared and central pylon.

The eleven points in a magick circle consist of the classic six (four cardinal directions, and the
zenith and nadir occupying the middle of the magick circle) with the addition of the four angles
(cross cardinal directions) and the central mid point, which is between the zenith and nadir. I
prefer to use the nomenclature of the ultra-point (zenith), infra-point (nadir) and the meso-point
(mid point) when speaking about the three points in the middle of the magick circle. So the eleven
points consist of the following directions:

 Four cardinal directions - also called the Watch Towers,

 Four cross-cardinal directions, called the Angles,
 Ultra-point,
 Meso-point,
 Infra-point.

We have now examined the three different components that are used to shape magickal energy
into prismatic geometric shapes. The six devices, seven ritual structures and eleven points of the
magick circle aren’t exhaustive, so one can see that more complex structures are possible through
the use of additional components and more complex ritual patterns. We will limit ourselves to
discussing the basic energy shapes that can be defined with the above devices and ritual
structures.

Six Archetypal Devices

As stated above, there are six archetypal devices that are used to qualify a magickal energy
structure. The devices are represented in the order of the most simplistic to the most complex,
arranged as they are on the numbers one through seven. Let’s examine each of them in greater
detail.

Point - the most simplistic device is a point, symbolizing a single dimension of reality or existence.
From the standpoint of a ritual device, a point is a specific place or location, often indicated with a
pointing device, such as the index finger, wand or dagger. The ritual action of making a point with
a pointer draws the attention to that location and highlights it. Such an action is one of “declaring”
that something exists or has been made. The point is most often an imaginary one, perceived in
the mind after the pointer reveals it.

Line - this device is called a line of force, since it is the linear structure that connects two points or
two features. A line of force is drawn with a pointer, like the finger, wand or dagger, and
characterizes that an energy conduit has been drawn and established. Lines of force are used to
connect points together, forming a bond, where energy may travel in either direction. Like the
point, the line of force is perceived in the mind, but may not actually exist as a physical
phenomenon.

Triangle - a triangle is where three points and lines converge to produce a pure two dimensional
form, which is defined as a plane. A triangle is also a gateway or doorway, and represents the
quality of harmony as the dialectic process of thesis, antithesis and synthesis. A triangle may be
drawn with the vertex pointing up or down, symbolizing the archetypal male or female,
respectively. When joined together, a six-pointed star is formed, which symbolizes the union of
male and female. A triangle is more often used in a ritual pattern than drawn as a device with a
pointer.

Cross - a cross has a variety of forms, each with its own specific meaning, but it generally
represents the union of heaven and earth. It is defined as the confluence of the polarities of spirit
and matter, joined into an indivisible whole. Crosses are usually drawn with the hand or a wand to
produce a softer and more invocative form than a dagger. Some of the cross variations that are
used in basic ritual magick have the following designs.

Equal Arm Cross - this cross is a pure representation of union, the confluence of heaven and earth,
spirit and matter, where precedence is given to neither one. It can also symbolize the union of the
four elements, where each identical sized leg demonstrates that the cross consists of four outer
dimensions with a hidden fifth where they join, which is the quintessence.

Rose Cross - this cross has an extended base that gives it five parts instead of four, so the aspect or
attribute of spirit is no longer hidden or implied. The rose is an invoking spiral that is
superimposed over the center of the cross, where the five parts are joined to form a hidden sixth.
The rose symbolizes the passion, pathos and material seduction of sorcery; when the rose
occupies the center of a five part cross, it symbolizes the passion of spiritual and magickal
redemption, which is the ultimate power of healing, protecting and spiritual guidance. A rose cross
projects a powerful solar force that is closely associated with the solar godhead.

Rose Ankh - the Roseate Crux Ansata, or Rose Ankh, is also a five part cross, but the fifth element
is a loop that replaces the upper arm, and the base is extended. The ankh symbolizes the power of
eternal life, since it characterizes a cross that is “pregnant” with life. It is also the Egyptian
hieroglyph of a sandal strap, signifying that life is integral to all living (animate) things. When a
rose, or invoking spiral, is superimposed over the point where the loop, the arms and base join, it
symbolizes the power of the life force that is fully activated and empowered. A rose ankh is often a
proper symbol of the female godhead. It also projects a feminine, magnetic and mesmerizing force
that is associated with the descending grace of the sacramental godhead.

Star - A star is a device that is drawn with a single uninterrupted stroke and whose structure has
five or more points. Two forms of the star that are used are the pentagram and the hexagram, but
there are many others as well, such as the septagram, octagram, enneagram, decagram,
undecigram and the duodecagram. However, I have found that beyond the unicursal hexagram,
the more complex star forms are generally too difficult to draw in the air by memory. Therefore, I
tend to trace the lines of a septagram using a large painted talisman - the same rule of thumb
applies to the rest of the star forms that have more than six points.

Pentagram - a star with five points, the pentagram symbolizes the four elements dominated by the
fifth, which is spirit. A pentagram can be drawn to invoke a specific quality of an element or spirit
by tracing a line along the pentagram towards the specific point that represents the target
element. I usually prefer to start at the point opposite and draw towards the targeted point, and
then continue following the line that makes up the pentagram until the point opposite the target
point is achieved. I have a preference of drawing one last stroke from the point opposite to the
target point at the end of the tracing, but others quit when reaching the point opposite the target
point, which is also the starting place. Additionally, I finish with an invoking spiral drawn over the
pentagram, which gives it added power. A banishing pentagram is drawn from the target point to
the point opposite, with the motion going away from the target point, following the line of
pentagram to the final repeated stroke. I then draw a banishing spiral over the pentagram. (When
we get to spirals later on, we’ll go over the different types of spirals used.)

A pentagram can be drawn obversely, with the point of spirit above the points of the four
elements, or inverted, with the point of spirit below the four elements. There are some who
believe that the inverted pentagram is an evil symbol, representing the dominance of the four
elements over spirt as a kind of chaotic revolt over the expected status quo. Satanists and some
followers of the left hand path have made the inverted pentagram an emblem of the goat’s head,
a symbol of Satan. However, the inverted pentagram has a simple meaning, which is the opposite
of the obverse pentagram. The obverse pentagram symbolizes the ascent of the powers (as the
elements) into spiritual union, and the inverted pentagram symbolizes the descent of grace or
sacramental blessings from the godhead. Thinking about that distinction makes the belief that the
inverted pentagram is somehow evil appear quite silly, and indeed, it is.

Hexagram - a hexagram is a six sided star that is generally used to invoke one of the seven planets
of the ancients (Sun, Moon, Mercury, Venus, Mars, Jupiter and Saturn). There are two types of
hexagram in use. The old classic version consists of two triangles superimposed to create a star
form, and the new version is called a unicursal hexagram, which is drawn with a continuous line.
The unicursal hexagram is much more useful for invoking the planets than the classic version, since
it then becomes more like the pentagram. However, I prefer to use the septagram for invoking the
planets, and I use the hexagram in its classic form to symbolize a state of union between the
archetypal masculine and feminine qualities.

Since planetary magick is more advanced, we will consider just the conjoined triangles symbolizing
the union of archetypal polarities. There are also three lesser hexagram devices, where the
triangles are not joined but in eccentric or overlapping relationship to each other. I use these
devices to represent the three qualities of cardinal, fixed and mutable when working with
astrological magick. Obviously, we will pass over a further explanation of these devices as well.

Spiral - a spiral is drawn to invoke, banish, seal or unseal. So there are four different kinds of
spirals produced by only two different qualities - focus (inward/outward) and direction (clockwise
and counter clockwise). A spiral is generally drawn with a wand, unless it is accompanying an
invoking or banishing pentagram, then the dagger is used. The following four spirals are produced
by a the qualities of focus and direction.

Invoking spiral - clockwise spiral from the periphery to the center,

 Banishing spiral - counter clockwise spiral from the center to the periphery,
 Sealing spiral - counter clockwise spiral from the periphery to the center,
 Unsealing spiral - clockwise spiral from the center to the periphery.

An invoking spiral is used to invoke or empower something into manifestation. A banishing spiral
causes something to become unmanifest or driven away. A sealing spiral is used to seal or
preserve something, and an unsealing spiral is used to unseal something that has been sealed.
Sealing and unsealing spirals are used in conjunction with magickal operations that cause a vortex
to be warded (sealed) for future use, and unwarded to make it ready for use.
 Sacred Geometry in the Energy Theory of Magick - part 2

Continuing on with the second part of our on-going discussion about Sacred Geometry and the
Energy Theory of Magick - let us consider the basic ritual patterns that form the prismatic energy
structures.

Seven Basic Ritual Patterns

There are seven basic ritual patterns that incorporate selected points in the magick circle. These
seven ritual patterns represent the elementary structures that are used in my system of ritual
magick. Ritual patterns are merely the parts that are used in combination to build fully functional
rituals. It has always been my perspective that building functional rituals would be a lot easier if
one had a finite tool set of ritual patterns that could be used, combined and qualified by devices
for a specific function. If students can understand the significance and effect of a ritual pattern and
the devices used to qualify it, then they should be able to build a functional ritual knowing full well
what its effect will be even before it’s performed. That’s the whole purpose to using modular ritual
structures and building functional rituals from a finite tool set. The following are the seven basic
ritual structures placed in the order of their complexity.

Circle - the most basic and integral of ritual structures is the circle. In the tradition of magick that I
work, a circle is the foundation for all magick performed. A circle is also associated with sacred
space, symbolizing that the area defined within it is considered sacred and open to spiritual and
magickal influences. When deployed, a circle will automatically generate a prismatic shape of a
sphere, which is the most elementary one. A circle can also be drawn within an already existing
magick circle, becoming a world within a world, or a more elevated sacred domain than what is
defined by the outer circle.

Pylon - a pylon consists of two points (ultra and infra) with a line of force connecting them
together. Often, the two points are established first by the drawing of magickal devices, such as a
pentagram. The pylon fuses these two points together, producing a unified expression of their
joined energies.

Trigon - usually depicted in the form of an equilateral triangle, the trigon as a ritual structure has
many uses, but generally it functions as a gateway. A gateway trigon incorporates one of the
Watchtowers and two opposite and corresponding Angles. For instance, a western gateway uses
the Western Watchtower and the Southeast and Northeast Angles. The trigon is erected in the
magick circle, so the gateway it establishes is inside as opposed to outside of the circle. A trigon
gateway, when it is established over existing ritual structures, causes them to be fused together at
a new level. A gateway can also be used to formulate a transition from one working to another.

Square/Cross-Roads - a square is where either the four Watchtowers or four Angles are drawn
together with lines of force around the periphery of the magick circle, usually done with a dagger
or a sword. The direction or vector, and the starting and finishing point are the two components
that can have an impact on the quality that this ritual structure produces. A vector of clockwise
will produce a decidedly masculine energy signature, and the opposite vector of counter
clockwise, will produce a corresponding feminine energy signature. Typically, the masculine
version is used, although the feminine variety can be used to create a hybrid structure that can
produce a highly charged conical spiral vortex. Starting at a particular point (Watchtower or Angle)
can also have an effect. Often it symbolizes the sequence of the four Elements associated with the
specific points of the magick circle. This ritual structure tends to produce a polarization of forces
that automatically generates magickal energy, particularly due to the fact that it is drawn within a
magick circle. A square within a circle has its particular quality of polarized magickal power.

A cross-roads ritual structure is where the four Watchtowers or Angles are drawn together, using
lines of force that cross the center of the magick circle. Thus the points that are the polar opposite
of each other are joined together, causing an energy signature of fusion and union to occur. The
center of the magick circle draws the polarities of the four points so conjoined into a singularity,
which is the fifth or quintessential element. The mid-point also becomes an access point for the
translation of matter into spirit and spirit into matter, allowing for a two-way communion or
communication between both domains. A cross-roads erected in a magick circle has all of the
mythic and metaphysical qualities of an actual lonely country cross-roads, the place where
sorcerers are reputed to conjure spirits and meet with diabolical agents.
Concentric Spiral - a concentric spiral is one that is performed usually as a circumambulation by a
single practitioner around the periphery of the magick circle, although it can also incorporate
multiple individuals engaging in a form of circle dance. A positive concentric spiral is one where
the vector or direction is clockwise, and a negative concentric spiral is one where the vector is
counter clockwise (widdershins). A concentric spiral is expressly used to generate a magickal
power that forms a cone. The point of the cone, whether to the ultra-point or infra-point, also
determines the quality of the energy. There are four possible outcomes to this combination of
vector and the placement of the apex of the cone, but in many traditions only one is used. In
addition to the ever popular cone of power (clockwise, ultra-point), there is a spiral vortex
(counter clockwise, infra-point), a negative cone of power (counter clockwise, ultra-point) and a
solar spiral vortex (clockwise, infra-point). Each of these ritual constructs has a unique power
signature.

Eccentric Spiral - an eccentric spiral is one that moves from the periphery of the magick circle to
the center, or from the center to the periphery. An eccentric spiral intersects the outside edge of
the magick circle with its center, thereby either concentrating the force in the middle or dispersing
them to the outer edge and beyond. To make the spiral a complete ritual structure, three
revolutions of the magickal circle must be performed, since three is the number of completion and
manifestation. There are four possibilities in how the eccentric spiral is deployed, but only two are
actually used. An eccentric spiral that travels from the outer periphery to the center always moves
in a clockwise direction, compressing and focusing the energy into the very middle of the magick
circle. Conversely, an eccentric spiral that travels from the center to the outer periphery always
moves in a counter clockwise direction, dispersing and exteriorizing the collected forces from the
middle of the circle to beyond its outer edge. Obviously, compressing the magick power would
occur just prior to exteriorizing it, so these two ritual structures are typically used in the order of
compressing the power, and then, exteriorizing it.

The above six ritual structures are the most basic in the repertoire of a magician who is using the
extended energy theory of ritual magick. However, two more structures, which are related, can
also be examined. The first is the pyramid, which is the seventh ritual structure, and the next is the
tetrahedron, which is uniquely associated with the trigon gate.

Pyramid - a pyramid is formed when the four Watchtowers or Angles are joined around the
periphery of the magick circle to form a square, and then a pylon is established in the center of the
circle. The final step is where the magician draws lines of force from the four points of the base of
the square to either the ultra-point or the infra-point, establishing an obverse or inverted pyramid.
In an elaborate ritual structure, the magician could erect both an obverse and an inverted pyramid
so that they would be joined at the four points of the square. This double pyramid structure is
known as the prismatic structure of an octahedron, where the negative and positive pyramids
would super charge the energy signature of the magick circle through the combined polarization
and fusion of their generated powers.
The Tetrahedron is a three dimensional gateway, incorporating the trigon as its base, and
projecting a fourth point into either the ultra or infra-point. An obverse tetrahedral gateway would
have a corresponding positive energy signature, and an inverted tetrahedral gateway would have
a negative one. Typically, the obverse tetrahedral gateway is a more refined structure than a
gateway trigon because there is the fourth point, which is a spiritual attribute that consists of the
combined expression of the three nodes of the gateway. It represents the final resolution of the
three part transformative ordeal.

An obverse tetrahedral gateway, like a trigon gateway, can be oriented to any of the points of the
four Watchtowers. If the fourth point of a tetrahedral gateway is occupying the infra-point, then
the gateway has the quality of being negative, representing a powerful threshold to the deeper
underworld structures (such as the Qliphoth). So for this reason, an inverted tetrahedral gateway
always has a western or underworld orientation. Like the pyramid, a magician can combine the
obverse and the inverted tetrahedral gate to create a fused double gateway, where the obverse
tetrahedron would be oriented to the east, and the inverted would be oriented to the west. The
fused structure would be a kind of hexahedron, and would represent the complete cycle of
transformative initiation in a single holistic ritual structure.

Formulas, Declarations and Energy Colors - Use of Keywords and Concepts

In addition to using ritual structures and qualifying them with devices, the points of a ritual
structure can also be qualified through the use of a formula letter, a declaration and a visualized
energy color. These three additional qualifiers are used to give even more meaning and
significance to the overall ritual structure, thus powerfully and significantly imprinting the
prismatic energy shape with a symbolic meaning. Each of the points of the ritual structure are
qualified with an occult ideal or concept, and in the case of a visualized colored energy, a specific
component of energy as well.

Thus the points of a ritual pattern are qualified by occult symbolic ideals and a specific energy
signature. They join together to formulate a fully empowered and intelligible ritual structure, to be
joined with other ritual structures, fashioning a ritual with a very specific function and magickal
effect. A functional ritual often has variables, where the points of the various ritual structures can
be qualified by a small array of different devices, such as a different invoking pentagram to
generate a certain Element. Typically, the devices in a ritual structure may be changed, but the
declarations, formula letters and even the visualized colored energies remain the same,
representing the fixed aspects of the ritual pattern. Sometimes, all of these qualifiers can be
modified, thus producing a completely modular structure with a large array of variations.

Formula letters are specifically used to pull the points of the ritual structure together at the
terminus or ending of that magickal event. This is done in a process that is called “Analysis of the
Keyword” as found in the Golden Dawn ritual of the Rose Cross. Therefore, the formula letters
(often in Hebrew, but also represented by Greek, Latin, Coptic or Arabic) are used to build the
keyword, which acts as the touchstone for the entire ritual structure. How this is done is that the
letters of the keyword are intoned at the associated points in the magick circle, along with the
devices, declarations, signs (gestures) and visualized colored energies, and then when the ritual
structure is complete, the formula letters are intoned together to form the keyword and a final
declaration is made in the center of the magick circle.

In this manner, all of the points of the ritual structure are fused into a single keyword and a single
declaration. The analysis of the keyword construct can be performed at the end of each ritual
structure, and it can be performed at the end of the final ritual structure in a functional ritual. By
establishing a synopsis of the fully functional ritual and the ritual structures that are contained by
it, a powerful resonance of union and fusion is produced, representing the perfect expression of
Spirit within a ritual magickal construct. Having this element throughout a ritual causes a subtle
emulation of the spiritual essence of the godhead to be manifest in the working. This factor will
ensure that the rite produces a transformative effect when it is performed.

Declarations should be kept brief and succinct, since if they are too wordy, the timing of the ritual
will be expanded and the pace will be slowed down considerably. Energy visualizations should be
meaningful but not distracting, if they are used at all. Formulas, declarations, keywords and energy
visualizations are additional qualifications which can make a simple ritual much more complex,
and even cause it to implode due to an overbearing burden of density. Special care must be used
when deploying them in a ritual structure.

Conclusion - Putting It All Together

We have now concluded our initial analysis of the different components that can be used to
generate geometrically shaped prismatic energy fields. All of the elements discussed above can be
used to build ritual structures and fully functional rituals. An important consideration is that a fully
functional ritual can stand by itself, or it can function as one of an array of rituals used to form a
working, which is an event driven ritual performance where the variables (if any) have been set
and a specific intent and purpose have been determined. For the competent witch or pagan, these
ritual structures are used to build four basic add-on rituals that can dramatically evolve the kind of
magick that is worked, from a purely wiccan or pagan basis, to that of the discipline of ritual
magick. These four fully functional rituals are:

 Spiral Vortex rite,

 Pyramid of Powers rite,
 Western and Eastern Gateway rites,
  Lunar Mystery rite.

Spiral Vortex rite is where a widdershins concentric spiral is joined with a cross-roads circle
structure, which produces a powerful magnetic vortex that has in its center, a singularity. A rose
ankh device is set to each of the four points to give the ritual structure an obvious feminine energy
signature. The utility of the spiral vortex rite, once it is activated, is that it functions as an
impervious container with a negative core that can irresistibly draw together and contain
everything within it. It can also impact and transform anything that happens to be symbolically
linked to its released exteriorized wave-form.

Pyramid of Powers rite consists of a circle squared with a central pylon, and the four points of the
square base are drawn to the ultra-point. The resultant power is drawn up and compressed with
an inward clockwise eccentric spiral, imprinted with a sigil, and then released through the agency
of an outward anti-clockwise eccentric spiral. Invoking pentagramic devices for a specific element
are set to each of the four points of the square, and an attribute of the Deity (Qabbalistic
Sephirah) is summoned and declared in the center of the circle. The pyramid of power rite is used
to invoke and unleash one of the forty Qualified Powers upon a specific target as determined by
the sigil.

Western and Eastern Gateway rites - these two rites, which act as a completed unit, represent the
underworld access and the over-world ascension associated with the cycle of personal
transformation. Both rites use a gateway trigon, with devices, formula letters and declarations
made at each of the three points of the gate. The formula letters form a keyword, which is
analyzed and declared as the final ritual action of the rite. The gateway points are usually qualified
by three deliberately selected Tarot trumps, so the formula letters are tied to the Tarot trumps
chosen. The underworld gateway, and the ascension gateway, have their own mythic themes,
which don’t vary, but can be qualified by a combination of Tarot trump and associated formula
letter.

Lunar Mystery rite - this is one of three different mystery rites, but it is the most important, since
it is used to establish the astrological and lunar foundation for a basic ritual working. The Lunar
Mystery rite has at least four variables, but it can have as many as eight variables, depending on
whether the lunar phases or the lunation cycle are used. Other variables would be the astrological
sign that the sun resides at the time of the rite (solar season) and the astrological sign that the
moon is in during its specific phase. The Lunar Mystery rite has the following ritual structure (as
taken from the generic mystery rite outline).

1. Spiral Vortex rite.

2. Underworld Gateway rite.
3. Cross-roads for mystery working - four points set to the specific qualities of the phase. The
cross-roads can also be a double cross-roads consisting of eight points (for the lunation cycle).
4. Draw inner concentric circle focusing on where the cross-roads meet.
5. Establish the sacred pylon (link to the specific mystery godhead).
6. Godhead assumption and communion.
7. Mythic theme for lunar aspects established
8. Optional secondary inverted tetrahedral gateway (deep gate) - this rite would qualify and
encapsulate the personal working of the Pyramid of Powers.
9. Pyramid of Power rite (performed within the mystery vortex).
10. Closing of optional gate (using sealing spirals).
11. Closing Western Gateway, and performing Eastern Gateway of Ascension.
12. Concluding feast and outer lunar celebration (if any).

As indicated above, an optional inverted tetrahedral gateway would be used to unify and build a
deeper foundation for the performance of the Pyramid of Powers rite. The Lunar Mystery rite
could also be worked without steps 7 through 9, omitting the Pyramid of Powers working and
thereby focusing on the specific lunar mystery. This ritual outline characterizes how a completed
ritual working would be performed, showing all of the required steps and components.

Our objective (in this work) is to examine this ritual working in greater detail, and carefully go over
all of the individual rituals and examine how they are constructed and function. (Some of these
rituals have already been examined in previous articles, others will be soon forthcoming.)

We have now thoroughly discussed all of the required elements for a basic modular system of
ritual magick. What remains to be examined later is the mythic content and meaning of these
ritual structures as they are deployed in the four basic rituals.

To recap the important points in this article:

 Energy is movement/action performed in sacred space,

 Energy is symbolized by the joining of the archetypal male and female,
 Energy is perceived while in a powerful altered state of consciousness.

Prismatic energy shapes are determined by ritual structures, magickal devices, specific circle
points associated with a strategic ritual pattern, and can be further qualified by formula letters,
declarations and visualized colored energies. Keywords can be used to unify all of the points and
components of a ritual structure.
 Sacred Geometry and Advanced Ritual Magick

We have already covered the basic concepts associated with sacred geometry and its use in the
more simple structures of ritual magick. Now we need to examine the actual geometric shapes
and what they signify. Before we do that, I would like to introduce the additional devices and ritual
patterns that are used in the rituals of the Order. Previously, we had covered the basic six devices,
these included the star and the cross. Under those two categories, I would like to add the
following additional devices.

Additional Star Form Devices

The following star forms are used in the more advanced systems of ritual magick. Since these star
forms are very complicated, they are usually colorfully illustrated on a rectangular board, and then
charged and consecrated. The resultant talismanic device is then placed in the center of the circle
after an inner circle is drawn and opened. The inner circle causes the energies unleashed to be
focused and compressed when the talisman is used.

Septagram - this star is used to invoke the seven planetary intelligences (instead of the unicursal
hexagram). Because the septagram is difficult to draw from memory, I have opted to instead trace
the angles on a large painted septagram talisman. If need be I can draw a septagram in the air with
a pointer, but keeping the structure intact and visualizing the drawing of the lines of force is often
a bit too complex to be reliable.

Enneagram - this star is used to invoke the ten Sephiroth of the Tree of Life. It can also be used to
invoke the nine contemporary astrological planets.

Undecigram - this star is used for a number of different workings, including the 12 zodiacal signs,
and various arrangements of the numbers seven and four.

An octagram has no use at present, but could be used to focus the invocation of one of the eight
phases of the lunation cycle, or any other matrix system based on the number eight. This is also
true of the decagon or the dodecagon, but either could be used to invoke the ten sephiroth or the
twelve astrological signs, respectively.

We have already mentioned the lesser hexagram forms, where the triangles are not joined but
exist in eccentric or overlapping relationship to each other. In the Golden Dawn tradition, the
lesser hexagram is used in a kind of banishing and invoking rite, much like the lesser pentagram.
Four forms of the hexagram structure are used, including the basic hexagram itself. Still, I have
found little use for the lesser hexagram rituals, but I have discovered a use for three of the lesser
hexagram structures (minus the one that looks like a hexagram). I needed a way to define the
three basic astrological qualities of ascendent (cardinal), cadent (fixed) and succeedent (mutable),
and these three structures seemed perfect for expressing these definitions. I have incorporated
them as such in my rituals where they are used in combination with the device of an invoking
pentagram of a specific element to perfectly express a zodiacal sign.

Additional Cross Form Devices

The bulk of the additional devices are variations on the cross device. These ancillary crosses are
used in very specialized ritual structures, so they wouldn't be immediately useful to the average
ritual magician. I will list them here along with a short paragraph to indicate their possible use.

Trapezoidal Cross - formed by a trapezoid and a diamond cross embedded within it. Sometimes I
will place an invoking spiral in the center. The trapezoidal cross has the effect of causing temporal
and inner dimensional distortions, based on the famous Law of the Trapezoid. I use it to erect a
separate reality that is non-Euclidean and isometrical to our own, producing magickal extensions
of reality. I have often thought that the trapezoidal cross would be the perfect device and tool of
chaos magick, but that would assume that a chaos magician would prize any tool or device above
any other. Often, I will use the trapezoidal cross as a device to qualify the ritual structure points of
the trigon and tetrahedral gateway. I have found this use to be very efficacious.

Iron Cross - formed by an equal arm cross with the arms curving downward to touch the line of the
base. The iron cross is a powerful device used to aggressively manifest and empower a ritual
structure. It is exclusively used in the Iron Cross ritual, which is employed to exteriorize a spirit
that has the magician's bonded purpose attached to it. Exteriorizing a spirit is the final step of a
process that I refer to as evocation, or projecting a spirit into the mundane sphere.

Pentagramic Cross - formed by an obverse or inverted pentagram superimposed over a five part
cross form (a cross with an extended base). The invoking pentagram is drawn to generate either
the feminine or masculine spiritual quality. There are, then, four possibilities for this cross -
masculine and feminine Spirit, and an obverse and inverted pentagram (ascension or emanation).
The pentagrammic cross is used to express the concept of the human avatar, where the cross
symbolizes the guiding grace of the godhead, and the pentagram is an emblem of the human trials
of spiritual ascent. This is a complex construct that has many meanings, but I typically use it as a
cross charged with the element of spirit. However, I often employ it to represent the qualities of
the gnostic current of Thelema.

Hexagramic Cross - formed by a joined triangular hexagram with an equal arm cross superimposed
over it and a roseate core (invoking spiral). The hexagramic cross symbolizes the gnostic current of
Agape, representing the power of harmony, spiritual love, friendship and world peace. Since both
the cross and the hexagram symbolize a form of spiritual union, merging them together
emphasizes and elevates that quality.

Pshent Cross - looks like the zodiacal symbol for Pisces with a roseate core (invoking spiral). The
pshent cross is used to characterize the qualities of death, transformation and the pure ascension
of spirit and mind in eternal union - life transcending death. This cross is used to express the
qualities of the gnostic current of Thanatos.

Inverted Ankh - an ankh drawn so that the base is above the loop. Another name for this cross is
the regal orb, symbolizing the sacred reign or sanctum regnum. Thus, the inverted ankh represents
the powerfully manifested grace of the godhead residing in a domain that is considered holy or
sacred ground. The regal orb represents the domain of the sacred and magickal king, an aspect
that is explored and mastered in the Order’s sixth degree. The saying “a man’s home is his castle”
does approximate the effect that this device produces when it's used in a magick ritual.

Vesica Pisces - consists of two intersecting curves, drawn facing away from each. The Vesica Pisces
symbolizes the womb container of the feminine archetype (goddess), so it is a device that
represents the creative powers of regeneration. Often an equal arm cross is placed in the center of
the device, symbolizing the manifestation of all potential.

Swastika - also known as the fly-foot cross. It is an equal arm cross with all four arms bent at 90
degree angles in the same direction (clockwise or counter clockwise). A swastika is a solar spiral or
wheel, being the combination of a cross and a spiral. The direction of the arms indicates whether
the sun wheel is positive (clockwise) or negative (counter clockwise). I typically superimpose either
an invoking or banishing spiral in the center of the swastika, depending on the direction of the
arms. Although the swastika has been made infamous by its use on flags and emblems associated
with the German Nazi party, the swastika is still an important and positive sign, if one can get past
the infamy. I have used this device to represent the pure expression of solar powers, whether
positive (life giving, nurturing, illuminating) or negative (destroying, killing, obfuscation - also
atonement, purification). The negative swastika is also called the Black Sun, and was the variation
most often depicted by the Nazis on their flags - no surprise there.

Roseate Grail - looks like the more elaborate sign for the zodiacal symbol of Pluto with an invoking
spiral in the lower cross structure. The grail device characterizes the Holy Grail in all of its various
manifestations, representing the mechanism in which the material reality is powerfully imbued
with the sacrament of Spirit.

Additional Circle Points

More advanced techniques in ritual magick can expand the number of the points used in the outer
periphery of the magick circle. Four points can produce a square, and eight points, an octagon.
However, if points are placed either side of the four Angles, then more structures can be erected.
A total of sixteen points can be used if all of the Watchtowers, Angles and the in-between points
are used. The sixteen point circle is a true compass round, representing the sixteen directions that
the wind can blow - this would certainly be useful for weather magick and treasure locating
magick, as well as the Goetia-Theurgia grimoire working.

If the Angles are omitted but not the in-between points, then twelve circle points can be
employed, one for each of the twelve signs of the zodiac. A twelve pointed magick circle would be
ideal for certain kinds of zodiacal magick.

Another set of points can be placed vertically at any of the points in the outer periphery of the
magick circle, emulating the three points established in the center of the circle. Thus there is a
possible infra, meso and ultra-point at each point on the magick circle. These additional points
allow for the placement of a pylon in any of these locations. In most cases, the meso-point would
be ignored, and the infra and ultra-points would be incorporated when a pylon is employed. We
can easily see that having pylons along the periphery of a magick circle allows for a greater variety
of possible structures in terms of the kinds of prismatic shapes that can be produced.

All of these extra-point magick circles have a very specific use, since employing them will add a
level of complexity and density to a ritual that might otherwise prove unwieldy. It would be
prudent if some kind of markers were placed at the points in between the four Angles, to clearly
indicate them when used. This would help the magician to visualize them. (I already work with a
system of magick that has the Watchtowers and the Angles marked by small altars and oil lamps.)

The twelve pointed magick circle can be used to establish an in-circle dodecagon, and the sixteen
pointed magick circle could be used to establish an in-circle double octagon. To produce these
structures, each of the points would have to be deliberately drawn together along the periphery of
the magick circle. The only actual variances would be the vector used in joining the points
together, whether clockwise or counter clockwise. In addition, whatever ritual structures were
employed in the center of either a duodecagon or a double octagon would add to the over-all
prismatic field, producing very elaborate structures.

A dodecagon with an internal combined structure of a pyramid, a tetrahedral gateway and a mid-
point would produce a dodecahedron prismatic structure. That prismatic shape would emerge
because the initial energy structure of a sphere would imprint and carry the design to both
hemispheres of the magickal circle structure, even though, technically, only half of it would be
visual. Such a prismatic energy shape, besides being one of the Platonic solids, would represent an
elaborate and fully empowered mystikon or telesterion (chamber of the mysteries).

Correspondingly, a double octagon with an internal combined structure of a double tetrahedron

gateway and a mid-point would produce an icosahedron. The prismatic shape of an icosahedron is
also a Platonic solid, and when deployed, it would represent a trans-dimensional para-reality or
meta-domain, such as one of the eighteen Qabbalistic Dimensions. (A Qabbalistic Dimension is
defined as one of the eighteen triangular shapes produced by the lattice structure of the Tree of
Life - sephiroth, pathways and vectors. Two of the shapes are actually trapezoids.)

In both cases of the dodecahedron and the icosahedron, the ritual structures that produce them
do not produce all of the vertices associated with those polyhedron shapes. This is particularly
true due to the fact that a ritual structure is erected in a hemisphere, where the full sphere is
occluded by the floor of the temple. What is actually occurring is a kind of symbolic modeling,
where the basic components are established, and through the artifice of magick, these
components lend themselves to producing the actual polyhedron shape when all of the
components are brought into symbolic union. The dodecahedron has twelve faces consisting of
pentagons, which can be emulated by a dodecagon and a pyramid. Similarly, a icosahedron has
twenty faces consisting of triangles, which can be emulated by a double octagon and a
tetrahedron - the second tetrahedron supplies the triangular shapes.

Most of the advanced rituals of the Order use variations of the four and eight point outer circle
structures, since these appear to provide for more than enough ritual structures. However, one
variation that might prove useful would be a circle structure that would employ five points in the
magick circle, such could be derived by using four Watchtowers and one Angle, or four Angles and
one Watchtower. The five points of such a magickal circle structure would be joined to the ultra-
point of a central pylon, producing a pentagonal prismatic shape, which I have jokingly referred to
as the Eye of the Demon (although I am sure that the Chrysler corporation would not find it at all
amusing).
Artful Declarative Statements

We have previously touched on declarative statements that can be used to further qualify the
points in a ritual pattern. Magicians could conceivably write their own declarations, which would
encapsulate certain occult ideals associated with the formula letter and the function of the ritual
structure. The better that one writes these declarations, using brevity and succinctness as a
guiding rule, then the more effective they will be in helping to give greater insight and definition to
the ritual. I have warned the reader that declaration statements can easily make a ritual too dense
or too loquacious, slowing down the timing or the flow of a ritual. The words should also be
inspiring and even a bit profound, which would require a certain skill in word smithing. Using poor
word selection or writing a statement that is hard to read or doesn’t flow can be a problem - it can
literally make or break a ritual.

In this article on advanced ritual magick I will make the proposition that sometimes using actual
quotations from famous poems, plays, songs, or the writings of famous authors or philosophers
will produce far better effects. Since the ritual is usually not going to be published, extensive use
doesn’t require the permission from an author. However, it is good form to always cite the author
and the source where the quote came from, so others who might use the ritual will know.

Using actual literary sources for the declaration statements can help build rituals that are elegant
and highly aesthetic. Not everyone is a great word smith, so quoting famous authors can make a
dull or monotonous ritual into something very exciting and deeply meaningful. Using an author’s
writings (and citing the source) can also act as a celebration of the greatness and majesty of that
individual’s writings. For instance, one of my rituals uses quotations from T. S. Eliot’s great poem,
“The Wasteland,” and it adds a dimension of verbal drama and power that the ritual wouldn’t
have had otherwise.

However, the theme of the quotation should fit seamlessly in with the other attributes of that
particular point in the ritual structure, where the device and the formula letter, as well as the
overall theme of the ritual match what is being quoted from some author or poet. Sometimes a
very simple statement is much more efficient and complete than some artful or flowery statement
taken from some long dead author or poet. A simple test is to read over the declaration
statements in the ritual while performing the actions in your head (or one can even practice the
ritual without actually doing it). If you stumble over the words or if they are awkward and clumsy,
or too verbose, then they will need to be edited and carefully crafted until they easily flow, adding
a poignant and powerful meaning to the ritual.

Of course, declarative statements, even if they are deeply meaningful and dramatic, would seem
kind of empty without some kind of musical accompaniment. For the sake of efficiency, I would
recommend recorded music instead of a live band, and usually classical, new age or ambient music
is better suited for ritual than something that would be distracting or even overpowering. A
musical track carefully crafted along with some truly inspiring words would make a powerful
impression, even if the only one attending the ritual working is the magician celebrant.

Advanced Ritual Structures

Now that we have discussed all of the additional devices and the additional points that can be
used, we can turn to the actual ritual structures used in the advanced ritual workings of the Order
of the Gnostic Star. We should keep in mind that these additional features allow for the ritual
structures to assume a far greater array of possibilities than what we considered previously. It is
very likely that some of these combinations have not yet even been deployed in the ritual lore of
the Order, and await future use and experimentation.

We begin our examination of ritual structures at the point that we left off in the previous article.
The last two structures examined were the pyramid and the tetrahedral gateway. We saw that
these structures can be doubled, to produce a double pyramid or octahedron, and a double
tetrahedron, which forms a kind of hexahedron. Let us now proceed with the rest of the known
and possible structures, beginning with the cube.

Cube - A cube is produced with a foundation of a circle squared, using either the four
Watchtowers or four Angles. Then four pylons are set to each of the points at the base of the
square, and a pylon is erected in the center of the circle. As you can see, the very first prismatic
shape in my list calls for the use of setting pylons to the periphery of the magick circle. The four
outer pylons are then joined to the center pylon, where the ultra-points in the four outer points
are joined to the ultra-point in the center of the circle, and the infra-points are correspondingly
joined to the infra-point in the center. When the forces are drawn to union through the central
meso-point, a great volume of power is released. The power charge for a cube is considerable
because all of the energies are polarized into the central ultra-point and the infra-point before
they are fused. The pylons erected in the periphery of the magick circle could be set with invoking
pentagrams, thus generating four distinct Elementals, and then drawing them to the center of the
circle, where they would be combined with either another Elemental energy, or an energy that is
aligned to Spirit alone. This ritual structure is used to create the outer elemental envelope used to
give substance and form to a spirit that is invoked. It is, therefore, part of the Quintedecim
complex, although typically, the four other points in the circle are used for some specific
qualification as well (i.e., the tetra-sacramentary).

Great Pyramid - This shape is similar to a cube, except that the ultra-point of the four pylons set to
the outer points of the circle are joined to the ultra-point of the central pylon, omitting the joining
of the four infra-points to the central infra-point. Instead of a cube, a great pyramid energy
structure is formed. This slight variance produces a very different kind of power signature, where
the energy is focused at the central ultra-point instead of at the meso-point. A great pyramid is
used to project powers outwardly, and the cube is used to hold powers within the magick circle,
focused at the mid-point.

Elemental Octagon - A double circle squared ritual structure is established, one square at a time
(to establish the base element, then the qualifier), and then the four Watchtowers are joined to
the infra-point, and the four Angles are joined to the ultra-point. The two middle points are then
drawn into fusion in the meso-point. This ritual structure produces a prismatic energy field similar
to a cube, except that it has the qualities of a vortex (one square is drawn clockwise, the other,
widdershins). There can also be some variance in regards to the direction used to draw the
Watchtowers and the Angles to their corresponding central points. The Elemental Octagon is used
to generate Elementals. Still, another distinct ritual has to be used to project the Elemental into
the fabric of the space-time continuum - thus, the elemental octagon only generates it.

Septagramic Vortex Gateway - This ritual structure is a pyramid with a tetrahedral gateway
enclosed within it. The seven points consist of the four points of the square base and the three
points of the gateway trigon. In most configurations, the ultra-point is occupied by both the apex
of the pyramid and the tetrahedral gateway. If the pyramid is omitted, and there is just the circle
squared with the tetrahedral gateway in the center along with a central pylon, then the resultant
structure is called an etheric sword or dagger, due to the shape produced. In this manner, the
infra-point would be the handle, the square would be quillon or cross-guard, and the tetrahedral
gateway would be the blade.

Enneagramic Vortex Gateway - This ritual structure consists of three interlocking tetrahedral
gateways. Two of the gateway trigons consist of the Western and Eastern gates, and the third
gateway is produced with the addition of a Northern or Southern gate. The triple gateway is an
emblem of the triple goddesses, although any three gods or goddesses would work (such as
Brahman, Vishnu and Shiva). The triple gateway is a hallmark of the empowered manifested
domain of the godhead, usually deployed with three charged and animated statues of the specific
deities at their core (erected in a shrine).

Step Pyramid - This structure consists of four concentric pyramids, one set within the other, and all
having the same structural points in common. The theme of each pyramid structure would
resonate to one of the four attributes of the Divine Tetrad, so when they are joined together, they
would form a gradation from the lowest attribute to the highest, generating a step pyramid
prismatic structure, where the final apex would be analogous to the ultimate level of one’s
spiritual expression. Whatever ritual structure is placed at the very apex of the highest pyramid
would represent the core attribute of the ritual working. This ritual structure is used as the base
for the revised and reworked Bornless One Invocation rite.

Quintedecim Complex - This structure consists of an outer cube (using cross angular attributes)
combined with an inner circle set with a septagram talisman. On top of the inner circle is set a
tetrahedral gateway. The septagram talisman is used to invoke all seven planetary intelligences,
qualified by one of the twelve zodiacal aspects (element and triplicity), and these are fused into
union through the tetrahedral gateway, joining the intelligences and the cubic elemental envelope
to formulate and generate a spiritual intelligence. This structure is used to perform a full
invocation of any kind of spirit. The septagramic vortex gateway (using pylons set at each point)
can also be used to perform this task.

Double Star Pylon - Since some of the other ritual structures have been doubled, I finally
discovered a use for a doubled pylon structure. A double pylon is where two pylons are crossed,
forming an ‘X’ with their mid-points in union, and their twin ultra-points and infra-points drawn
into union with an invoking spiral set to each. A double pylon is also a double conduit, allowing for
a simultaneous two-way direction of energy and communication binding the domain of Spirit and
the material world together. It also has the ability of doubling the number of points for each point
of a magick circle, multiplying them from one point to two (single pylon), and from two to four
(double pylon).

Crown Shield - A crown shield is a fancy title for a rather complex ritual pattern. It uses the double
pylon ritual structure, which is deployed at either the four Watchtowers or Angles of a circle
squared. There is also a double pylon in the center of the circle, but all of the double pylons in the
periphery of the magick circle are joined at their mid-points to the mid-point of the central double
pylon. Another variation of this ritual pattern is an octagon with each point set with a pylon, and
all of the pylons are joined at the mid-point to a central pylon. The simplest version of this ritual
pattern is a simple octagon where a Watchtower and Angle pair are joined together with a
horizontal pylon, thus fusing the two points together. This is done so that all four Watchtowers
and Angles are fused to their corresponding pair, causing the octagon to become a polarized
square with a central pylon. The crown shield is a powerful protective magickal field used to ward
all who are within it. It’s vastly more powerful than the Rose Cross ritual, which is also used for
protection against negativity of any kind.

Double Vortex Grail Chalice - Another variation on the vortex is the double spiral magnetic vortex.
This ritual pattern is formed with a base vortex (negative concentric spiral and a cross-roads), then
an inner circle is drawn, and from that another vortex is established within it. The apex of both
structures occupies the same space, but the cross-roads base is set within different but concentric
magickal circles. The double vortex structure is then set with a grail cross device in the infra-point,
imprinting it as a simulacrum of a Grail Chalice deployed as an energy field. This ritual pattern is
used to emulate the power and mystery of the grail within a magick circle. It can be used for
oracular workings or as the foundation for a deep invocation and assumption of the Goddess. If an
inverted tetrahedral gateway is added to its center, then it becomes a channel for the Great
Goddess of the Underworld, revealing all of her mysteries.
Grand Gateway - A grand gateway is a gateway structure where the third and fourth points of a
tetrahedral gate are collapsed into a single point, forming a two dimensional equilateral triangle.
The base points of the gateway always consist of two points in the magickal circle that are in
opposition, such as the East and West. The apex of the gateway is set in the ultra-point, and the
portal opening gesture is performed in the center of the circle towards the zenith. Additionally, a
pylon can be erected in the center of the circle to emphasize the ascension qualities of this
gateway. A grand gateway is a gateway of ascension, and is used to establish the maximum
connection between a magician and his or her Godhead.

Dragon’s Eye - This ritual pattern uniquely uses a trapezoid base instead of a square. How this is
done is that the structure employs three Watchtowers and one Angle, or three Angles and one
Watchtower. In the center of the circle is set a pylon, and all of the four points of the trapezoid are
joined to the ultra-point. The resultant prism of energy that is formed is like a trapezoidal lozenge,
which resembles an eye. The trapezoidal prismatic energy field creates a powerful sensation of an
alternative reality, or even a kind of causal collapse, with extreme time dilation and reality
distortion. Because of its special powers and features, I have chosen to use this ritual pattern at
the very summit of the step pyramid structure in the Bornless One Invocation rite.

Conclusion - Prismatic Energy Fields and Sacred Geometry

We have now covered all of the components and attributes used in the crafting of rituals, both
rudimentary and complex, using the expanded energy theory of magick. What is left to discuss are
the mythic qualities of the prismatic shapes that these ritual structures generate. We have
covered and gone over quite a large number of different shapes, but let us enumerate them and
examine them from the perspective of sacred geometry, at least in a succinct and simplistic
manner.

Interesting enough, all of the basic shapes can be collapsed into ten basic configurations, perhaps
one for each of the ten Sephiroth of the Tree of Life. Five of the shapes conform to what is
famously known as the Platonic Solids, which would give them a specific Element attribute. Two of
these shapes are emulated rather than actually erected, so there would be some speculation as to
whether or not they are properly generated when fully deployed. (I will leave that to the
experimentation of the student magician, since what I have experienced and encountered is
already well established in this document.)

As I have said previously, the sphere is the simplest of all ritual structures, occurring naturally
wherever a magick circle is erected on sacred space. The sphere is a magickal domain, a world
within a world that is separated by the boundary of sacred space. The magickal domain of the
magician’s circle can appear to function and act with it’s own laws and temporality, causing an
experience of time dilation and temporal distortions. Inside a simple magickal domain, these
occurrences are quite subtle, even imperceptible, but they quickly increase in intensity and
frequency and become quite noticeable when other structures are erected within it.

Pylons and the various vortex Cones are related ritual structures, acting as conduits from the
higher spiritual realms to the lower. A pylon, also seen as a pillar or column of light energy, is a
classic transitional device that produces a two way transmission of energy and spirit between the
macrocosmic world and the microcosmic world of the magickal domain. Cones, on the other hand,
are weighted, having a base and an apex that causes a compression of force into a singularity. This
feature makes the cone useful for setting and exteriorizing magickal power.

Spirals of various kinds represent the most essential kind of movement and convolution, from
spinning galaxies and black holes to the twisting of strands of DNA. Spirals are the essential
building blocks of all material and living things. When used in ritual structures, they become the
very source of movement, which is the essence of all magickal power. Spirals are used to invoke,
banish, seal and unseal, to generate positive and negative force fields, and to compress and
exteriorize them. The spiral is integral to all magickal work, particularly through the artifice of
ritual magick using the extended energy model.

We also need to consider the odd shapes of the Dragon’s Eye and the Demon’s Eye. These
prismatic lozenge shapes would represent a special variation. They are defined completely by their
distinct function and do not explicitly represent any category amongst the shapes considered in
the formulations of sacred geometry. Perhaps because they are outliers, we can give them a
special functional category to consider - and it would also keep the total number at ten.

Then we come to the five Platonic Solids, whose elegance and purity have been the subject of
geometers for over two millennia. These shapes are convex polyhedrons that are regular and
congruent, with the same number of faces meeting at each vertex - all of its edges, vertices and
angles are congruent. Plato assigned Element qualities to these five shapes, as if to indicate that
these elements are made up of particles or structures that have this form. We can look at this
configuration in a more symbolic manner, realizing the true beauty and majesty of this system
when applying these shapes to the magickal domain of sacred space. Let us briefly examine these
shapes in the precise sequential order as determined by the number of faces that each one
contains.

Tetrahedron has four faces and is assigned to the Element of Fire. A tetrahedron, as it is used in a
magick circle, is a gateway between realities and levels. It also has the power of unifying all
previous levels (of a multilevel spiral vortex) into a single and higher expression. What we have
established here with this definition is something more like a symbolic quality, which is quite
evolved. Such a definition is much more significant than what we might consider as represented by
a simple definition of the Element of Fire. A tetrahedron, then, causes a synthesis to occur for all
previous structures and energies - it is a divine unifier. A double tetrahedron produces a variation
of a hexahedron, which is also a cube. A hexahedron in this configuration is a double gateway,
where ascension into union occurs simultaneously with the process of emanation that ensouls the
universe.

Cube, or hexahedron, has six faces and is assigned to the Element of Earth. A cube is used to
polarize and highly empower a desire or act through the drawing of the forces from the zenith and
nadir into the mid-point. A cube is generated through the artifice of a circle squared and the
erection of five pylons - four to the square points and one in the middle. The ultra-points of all of
the pylons are joined together, as are the infra-points. Where the forces converge is the meso-
point, where stands the magician as supreme artificer, focusing the magick on herself. It would
seem that the cube is much better defined as the mechanism of magickal creation than
represented by the Element of Earth, but perhaps in a philosophical manner these concepts are
congruent.

Octahedron has eight faces and is assigned to the Element of Air. An octahedron consists of two
pyramids, one obverse, and the other, inverted, thus they are polarized along their common base -
a circle squared. A pyramid is the perfect generator and transmitter of magickal power, and a
correspondingly positive and a negative charged pyramid joined together generates the ultimate
in the transmission of ideals and desires into reality. A pyramid transmits its generated force,
unlike a cube, which focuses the energy to the mid-point. However, a polarized double pyramid,
used as the structure of an octahedron, is as close to a perpetual generator of magickal power as
one could possibility erect. An octahedron doesn’t need a compressing or exteriorizing spiral to
perform its work - it just needs to be imprinted, and then it begins to transmit magickal energy in
pulsing waves.

Dodecahedron has twelve faces and is assigned to the Element of Spirit. We have already
discussed this magickal structure in some detail, but as a complex prismatic structure, it generates
a magickal field that is analogous to an etheric eclesia - a powerful temple of the highest
mysteries.

Icosahedron has twenty faces and is assigned to the Element of Water. This ritual structure was
also covered previously. An icosahedron, like the dodecahedron, produces a magickal field that
acts like a temple. Where the dodecahedron is a temple housing spiritual mysteries, the
icosahedron produces a temple field that houses spiritual mysteries that underlie the
sacramentation of the whole material world. Where the dodecahedron temple teaches the
wisdom of spiritual ascension, the icosahedron temple teaches the wisdom of sacred
manifestation, the art of the master as avatar, which is the very nature of sacred geometry itself.

Building an etheric temple or a prismatic eclesia is the highest form of accomplishment that one
could achieve when working an advanced system of ritual magick. It is a demonstration of what
can be attained when carefully building and establishing complex and beautiful prismatic energy
fields. These fields can only be perceived when one has adopted the proper altered state of
consciousness, but under these conditions, geometric structures appear to blaze with a subtle and
majestic etheric fire. Still, even if these structures can only be vaguely sensed, their effect is both
profound and amazing. I consider all of these advanced and complex structures to represent the
highest expression of this art, taking a basic set of rules and bringing them to their fullest
expression.

The energy theory or model of magick has some truly wonderful, subtle and incredible uses,
causing the operant model of magick to become much more structured and rigorous with its
expert use. Correspondingly, if one has developed complex tables and matrices of the various
hierarchies of spirits and their qualities using the spirit theory of magick, as well as a highly
evolved elaboration of the psychology model of magick, then the final product would a very
powerful and mature system of ritual magick. It would represent a mastery of ritual magick that
could be quite capable of guiding and assisting the magician to obtain complete and full
illumination, mastery of all worlds and perfect at-one-ment with the Godhead. It is conceivable
that the master ritual magician as an avatar would not only be able to commune directly with the
Deity, but would be well placed to aid the Godhead in its ultimate divine plan for the planet, and
even the universe at large.